THE SHOCK OF THE NUDE: As mentioned previously in The Stranger, Erika Langley’s Lusty Lady coffee-table-book photos won’t have their own Seattle Art Museum show (across from the peep-show emporium where Langley took her pix) after all. She’d been invited by one SAM official, then disinvited by highers-up (who’ve offered her a slot in a group exhibition next year instead). The official line: The show would’ve been in a hallway, where kids on group tours might be exposed to the sight of beautiful women’s physiques. (Langley’d already agreed to leave sexually-suggestive shots out of the show.) Yet Langley and her supporters noted (in this paper and elsewhere) that other nudes (M/F) have been on open display at SAM. I saw plenty of under-agers enjoy the drawn nudes at SAM’s Cone Collection exhibit last year, including several young art students copying the drawings into sketchbooks. But art’s gatekeepers have always preferred their nude images to be safely removed from the here-and-now. I believe as late as Monet’s time, painters were expected to set nekkid people only in historic (ancient Greece), foreign (Mideast harems), or mythical (Biblical sinners) settings. But a modern-day gal willfully showin’ off her bod sans shame? Alors! Speaking of sex-fear…

I WAS READING the 1965 intro to The Olympia Reader, wherein editor-publisher Maurice Girodias complained about French censorship in the de Gaulle era, when the radio told me about a Federal Way city council hearing wherein speakers claimed a planned Castle Superstores sex-toy shop would directly lead to wild-eyed rapists rushing the streets after any woman or child in sight (as if anybody in Federal Way walked anywhere!). As I previously wrote, Castle’s just a big-box consolidation of the indie and small-chain stores where nice straights (and nice closeted gays) buy silk undies, condoms, vibes, videos, and other tools for enabling their decent, wholesome sex lives. A criminal will think like a criminal with or without such stimuli. Indeed, a clean, well-lit, mainstream sex shop might help convince someone with borderline-criminal thoughts that sex isn’t necessarily the stuff of oppressive compulsions but is as natural (and potentially as dull) as any aspect of existence. Speaking of sex-role stigmas…

LESS OF A MAN’S WORLD?: The Seattle Times recently reprinted a Washington Post article (originally one of a five-part Post series on gender relations) claiming increased social stigmas against males, especially boys. It claimed boys were more likely to be ostracized for asocial behavior or “learning disabilities,” and more likely to later become perpetrators (and victims) of violence (to themselves or others). Post reporter Megan Rosenfeld wrote, “Boys are the universal scapegoats, the clumsy clods with smelly feet… feeling the tightening noose of limited expectations, societal scorn and inadequate role models” amid a lack of positive sex-role imagery (girls can now become most anything, but boys are still expected to be dumb jocks). Other reports, meanwhile, talk of lowered sperm counts and fewer boy babies in the major western nations, even of chemical-therapy estrogen finding its way (via sewage-sludge fertilizer) into the food supply. Whatever happened to the ’80s radfem cliché of “testosterone poisoning”? Speaking of a gradually more femdom world…

SPLITTING: Bikini Kill’s members have called it quits their way, after seven years of making music their way–avoiding major labelss, package tours, MTV, even movie soundtracks. It’s not that the band’s career was going nowhere. They achieved just about all they could achieve within their self-prescribed boundaries. And now they’re moving on to new creative endeavors, without major-label debts, contractual-obligation albums, or acrimonious “farewell tours.” While I disagreed with the anti-sexist sexism in some of their words, I always admired the strength of their convictions. When they called for “Revolution Girl-Style Now,” they meant more than simply wishing to stick some female bodies onto the same ol’ seats of power, or some military overthrow with subsequent reign of terror. It was about rethinking the whole premises of social engagement, including the way “rebel” music’s produced and distributed.