BEFORE TODAY’S MAIN TOPIC, the next live MISCmedia event will be a part of the live event of the litzine Klang. It’s tonight at the Hopvine Pub, 507 15th Ave. E. on Capitol Hill, starting around 8 p.m. Yeah, it’s 21 and over.
IT TOOK THE P-I to point out one of those startling bookends-O-history:
“Mount St. Helens blew at exactly 8:32 a.m., on a Sunday. Nearly 20 years later, the Kingdome was imploded at 8:32 a.m., on a Sunday.
“Coincidence?”
Actually, even if the eerie time synchronicity hadn’t happened, I’d have thought of St. Helens and the Dome as the defining boom-booms of the late-modern PacNW.
St. Helens killed 57 people, thousands of trees, and dozens of old codger Harry Truman’s cats, and disrupted thousands of folks’ routines. The Kingdome only killed two ceiling-tile workers, who had a construction-crane accident a couple years before it was deemed unworthy of continued existence.
The pre-blast St. Helens was considered by most a jewel of a peak. The pre-blast Kingtome was considered by many an eyesore.
But both blasts were popular spectacles that generated marathon TV coverage, souvenir sales, and “where were you when…?” popular memories.
In 1980, a spectacular natural “disaster” was about what it took to get the Evergreen State on the network news. (The eruption didn’t make the top of the NY Times front page for two days; the paper being otherwise occupied covering Miami race riots.)
In 2000, hardly a week goes by without big headlines about Microsoft, Starbucks, police brutality, or gypsy moths.
But the near-universal thrill at watching the Dome go kablooey proves we haven’t lost our ability to find wonder and thrills in the sights and sounds of mass-scale destruction.
P.S.: I can never get tired of reruns of the TV footage of St. Helens.
For one thing, despite having been five years into the era of minicams and even home VCRs, and despite the weeks of warnings and buildup on the mountain, the only real footage of the blast itself came from a still photographer who simply hand-forwarded his film as fast as he could.
For another thing, it was one of the last domestic TV news events at least partly covered with 16mm film cameras, rather than live video feeds. To folks my age and up to 10 years older, the scratchy, dark, washed-outy look of 16mm reversal film will always signify scruffy, raw news footage (or the exterior scenes of British miniseries that were otherwise shot in brightly-lit studios on video).
I find myself having to tell Those Kids Today that there was a time when prime-time news promos really did say “Film at 11,” and when local newscasts weren’t burdened by endless, uninformative, live “standup” chats with reporters on the scene of something that had ended hours before.
TOMORROW: Those annoying “My __” websites.
ELSEWHERE:
