via theatlantic.com

• We told you previously about a 1970s Federal photography project, documenting the nation as it existed during the “energy crisis” days. Here are 30 of the project’s pix from the Northwest, including a decidedly un-built-up downtown Seattle.
• Next time you’re at Husky Stadium, give your best Jimmy Durante It’s A Mad, Mad, Mad, Mad World impression and tell your pals you’ll meet ’em “under the Big Dubble-ye.”
• Is the bowing out of one of the Q nightclub’s partners really evidence the Seattle dance-club scene is “in disarray”?
• The bosses at Spokane’s Veterans Arena agreed, in order to snag a Bon Jovi concert, to temporarily rename it the “Bon Jovi Veterans Arena.” Just temporarily. Veterans’ groups still don’t like it.
• Indie-lit publisher Dennis Johnson hates, hates Amazon, but sees its level of book-biz control as possibly peaking.
• Should Cheryl Chow’s widow have outed a current Seattle School Board candidate as a homophobe?
• The most heartwarming/breakng obit you’ll read this month is the one penned in advance by local writer-essayist Jane Catherine Lotter, and issued following her cancer death this month.
• We won’t have Kirby Wilbur to kick around anymore. The state Republican party head and sometime KVI shock-talker is going to D.C.
• Elsewhere in radioland, UFO/conspiracy promoter extraordinaire Art Bell is staging a comeback on Sirius XM satellite radio.
• A site for teenage girls gives a big tribute to Bjo Trimble, founding queen of Star Trek fandom and instigator of the first successful “save our show” campaign.
• Warren Buffet’s son offers a dismaying look into “the Charitable-Industrial Complex.”
• “Four out of five adults” face unemployment and/or poverty, or the threat of same, at some point in their lives.
• Norm Ornstein at National Journal calls the Republicans’ stubborn, unending attempts to kill Obamacare “unprecedented and contemptible.”
• “Contemporary” and even “avant garde” art is selling for huge bucks these days to global-one-percenter art collectors. Critic Walter Robinson explains some of the effects:

…The success of the avant-garde marks its failure. This is not news. We’ve been domesticated, no matter how fantastic and provocative we might be, into just one niche culture among many. We’re fun, and good, and even progressive, but all the rest of it is fantasy.