Twenty years ago this week, Seattle unleashed three monumental media products upon the world: Nirvana’s Nevermind, Pearl Jam’s Ten, and the first issue of The Stranger.

Hard to believe, but in what turned out to be the final years before the World Wide Web became a universal thing, when online media still meant pay-by-the-minute AOL and CompuServe, was born what may have turned out to be Seattle’s next-to-last important newsprint periodical (Real Change is a few years younger).

This week’s Stranger makes note of the 20th anniversary of a monumental media product. And the anniversary it makes of is not that of its own debut.