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RANDOM LINKS FOR 1/6/12
January 5th, 2012 by Clark Humphrey

iloveyoubluesky.blogspot.com

  • How-the-mighty-have-fallen dept.: Last year folks mourned the end of Kodachrome slide film. Now, Eastman Kodak itself may declare bankruptcy. The only thing that could delay that move: a fire sale of Kodak’s patents, its only remaining valuable assets.
  • The Wash. State Supreme Court ruled the state Legislature is failing in its constitutionally assigned task to fully fund K-12 education. But the court didn’t prescribe any specific action to remedy this. I’m hoping this means the days of brutal, all-cuts state budgets are finally over.
  • Speaking of which, some legislative Democrats have another state income tax proposal going, as part of an overall tax reform package. We’ll see how far this one goes.
  • The movie biz had a lousy ’11, but music sales (led by commercial downloads) were up 6.9 percent. Non-major-label releases, however, were stuck at about 12 percent of total sales.
  • The folks who created the “phone book art space” Gallery 206 tried to give it away to the Seattle Art Museum. They said no, expectedly.
  • Not as gruesome as you might have thought: The guy who tried to drive alone in the HOV-only freeway lanes by having a dressed-up skeleton in the passenger’s seat? It was just a plastic skeleton.
  • Yesterday when we said Boeing Wichita’s demise was Seattle’s gain? Nope, not really. Blame the obsession by corporate hotshots with outsourcing everything, even if it costs more in the long run.
  • Update: That smashingly good sounding “Electronic Literature” exhibit in town, tying in with the Modern Language Association convention at the Convention Center? If you live here, forget about seeing it. It’s only for ticketed convention goers, despite what its web page says.
  • R.I.P. Robert Jenkins, a figure in the Seattle music scene for more than three decades. I knew him in the ’80s, playing guitar for Audio Leter, Officer Down, and the New Art Orchestra, among many other combos. Lori Goldston’s obit says Jenkins…

…had an otherworldly timbral and expressive range with both guitar and voice, ranging from beautifully sweet to guttural monster-from-Hell.


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