I really, really want light entertainment programming to be a permanent part of the local Seattle TV scene, which it hasn’t been for more than two years.
So I wanted KIRO’s Star Search Seattle to be a smash.
Alas, it’s a dud.
The original Star Search format, as you may recall from the old Ed McMahon series, would be a natural for a talent-rich town such as ours. It mixed singers, dancers, comedians, “spokesmodels,” and other performance categories, in simple one-on-one competitions before celebrity judges. The recent CBS network revival featured four categories.
Instead, Star Search Seattle depicted only one performance genre—karaoke singing.
In six one-hour episodes, a total of 36 amateur and semipro vocalists belted their way through various ’70s-soul moldies and office-radio-station ballads, to the accompaniment of canned backing tracks. In one nod to the original, the singers were judged two at a time. The pairings weren’t the fairest—decent song-stylists often faced off against one another, and pathetic wannabes often competed against other pathetic wannabes.
To their credit, the judges (Mr. President Chris Ballew, record producer Glenn Lorbiecki, and local DJs Lisa Foster and Mitch Elliott) never insulted the contestants, but gave kind and constructive criticism. (I still don’t know why Ballew and Lorbiecki each had one vote in the judging, while Foster and Elliott had to split a vote.)
Anyhoo, you’ve one more chance to see the show, such as it is. The big season finale will be telecast live at 8 p.m. this Friday (6/18/04), originating from the Clearwater Casino (the series’ main sponsor, as noted, ’50s-game-show style, by logos decorating the studio set of the preliminary episodes).
And the station’s promising a second season sometime. I hope next time they’ll dump the American Idol aping and embrace the something-for-everyone format of the original Star Search.
Indeed, I could envision new genre categories for a Seattle talent competition. Slam poetry, of course, but also DJ-ing (in turntable and laptop divisions), conceptual/performance art, and even musical performances that include the playing of actual instruments.
