MISCmedia by Clark Humphrey » Blog Archive IN WEDNESDAY'S NOOZE

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IN WEDNESDAY'S NOOZE

December 5th, 2007 by Clark Humphrey

As the floodwaters from Rainstorm 2007 still linger, the blame game commences. Was the state laggardly in building Chehalis River flood control systems after allocating money to do so? Does Seattle have an insufficient drainage infrastructure? And, of course, does climate change/global warming have anything to do with all this unseasonably warm rain coming here via the “pineapple express?”
Jones Soda’s CEO, whose surname (naturally) is Van Stolk, will leave the company at the end of the month. Jones’s massive growth in recent years has come with allegations of financial irregularities at the Seattle-based “boutique soda” marketer.
Seattle was named #6 on a Brookings Institution list of America’s “most walkable cities.” Portland was #5. Washington DC (Brookings’ home town) made the top spot.
Seattle Center’s future fate is still undecided, but one legacy building has a new, at least temporary, use. Seattle Opera will stick some staff members and scene storage into Mercer Arena, the former Seattle Ice Arena (home of the 1917 Stanley Cup champions!). The structure, which has also housed rock concerts, the old Seattle Reign women’s basketball team, and many other events, has been idle the past four years.
The Lake Union streetcar finally has an official opening day. It opens for pubilc rides on Wednesday, Dec. 12. Yes, the clever folks who promoted the unofficial nickname of South Lake Union Trolley, or “SLUT,” promise to be on hand, proudly sporting “Ride the SLUT” T-shirts.
Amateur film-based photography’s rapid decline hits home. PhotoWorks, formerly Seattle FilmWorks, is selling itself to American Greetings Corp. Seattle FilmWorks was originally a piece of American Passage Marketing, which posted gazillions of ad posters on college campus bulletin boards hawking everything from magazine subscriptions to term paper “research guides.” It originally bought Kodak 35mm movie film, repackaged it for still cameras, and sold it by mail in film-and-processing joint deals.