REASON FOR THE SEASON: The oldtime Euro-pagans (and the Catholics who re-defined many of the old Euro-pagan holiday dates) had a reason for a holiday of romance this week. It’s the end of the 13 darkest weeks of the year. While not the time of fertility and blossomings, the waning of S.A.D. season is a reminder that more fruitful times are indeed ahead.
SIGN OF THE WEEK (marquee at the Oak Tree): “Fallen, Half Baked, As Good As It Gets.” Considering the quasi-pickled state of many Aurora nightlife patrons, this might be the most saleable set of letters they’ve ever put up there…. In other film-hype news, commercials for the quickly-disappeared Phantoms referred to its originator, hack writer Dean Koontz, as “The Master of Suspense.” At least when Brian De Palma stole that slogan from Hitchcock, he inserted a qualifier: “The Modern Master of Suspense.”
APPLYING YOURSELF: I’m sure it’s a coincidence that the folded cover of this year’s Bumbershoot performing arts application pamphlet looks amazingly like the Scientologists’ famous “Personality Test” flyer. So far, though, no reports of B-shoot’s selection committees hooking up any entrants to E-meters.
NO PLACE LIKE HOME: So new mayor Paul Schell’s official priority #1 is the city’s housing crisis, a topic loudly ignored by the prior regime. My first thoughts: Certain pundits used to say it took a Democratic president to get us into war and a Republican to get us out. Maybe it takes a member of the developers’ clique, rather than a politician merely working on the clique’s behalf, to deal with speculative overdevelopment’s effects on the social fabric.
But after reading preliminary accounts of Schell’s plan, a more realistic assessment seeped in. Rice was a politician who sucked up to developers. Schell’s a developer reasserting his roots as a politician. And pro-business-Democrat politicians love construction schemes better than anything in the world. Schell’s answer to runaway development: More development, via “targeted incentives” to builders, relaxed density and parking codes in selected neighborhoods, etc.
Schell’s plan also echos the Rice-era Seattle Commons and urban-village schemes (which weren’t really promoted as answers to exploding home prices and rampant evictions) in a less publicized goal: To get more people living in town, by increasing one of the lowest homes-per-square-mile ratio of any big U.S. city. It won’t slow down suburban sprawl that much, but the political extablishment undoubtedly hopes it’ll slow the decline in Seattle’s portion of the county’s and the state’s population–and hence stem the city’s loss of influence within the county council and the state legislature.
DISHING IT OUT: I hear from more and more people these days who’re getting, or wish they could get, a satellite dish. There’s even one guy who works on a public access program who told me he wants to replace his cable TV connection with a dish, even though he’d no longer receive his own show at home. The cable companies, meanwhile, are still feeling the PR fallout from prior censorship drives and are shying away from promoting the access channel as an asset you can only get with cable.
The cable people promise to combat the dishes with digital transmission and dozens more channels–one of these years. If that doesn’t stem cable’s loss of market share in time, how will access producers make their works available to ex-cable households? Maybe via web sites with “streaming video” files, particularly if promised higher-speed modems and more powerful home computers make that more feasible. But that won’t be free to producers, unless somebody donates server space at an Internet service provider. I could imagine that happening for shows allied to established political or religious groups. But what of the more personal statements? Who’ll support the streaming of Goddess Kring or Tea Talk with Leroy Chin? An arts group or producers’ co-op could do it, but even those outfits would probably have somebody deciding who could or couldn’t use their services. The freewheeling, no-gatekeepers thang that is today’s access channel might be something we’d better enjoy while still in its prime.
