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7/87 MISC COLUMN FOR ARTSFOCUS
Jul 1st, 1987 by Clark Humphrey

7/87 ArtsFocus Misc.

Time again for Misc., the column that didn’t enter the contest to replace Ann Landers, co-won by a Wall St. Journal writer who entered just to do a story about it. Of course, the Chicago Sun-Times might not appreciate the sort of advice we’d give: “Protect yourselves, but go for it. You’re both only going to be 17 once, you know.”

It’s summer, and Seattle is like a bombed-out ruin as the tunnel goes down and all the towers go up. It’s great! Central downtown has finally become a place of excitement and activity. The Westlake Mall controversy has brought public activism back into city planning (the ’70s live again!). And the best part is Pine St. at the Roosevelt Hotel, reopened just in time to give a great view of the biggest current street hole. For future scholars, the old mid-downtown wasn’t a great place. A few islands of human energy (the 211 Club, the Turf Restaurant) were isolated among block after block of dull 5- to 10-story brick buildings, whose only character came as they were allowed to deteriorate before they were torn down. The cheap new buildings will age much faster. Since they’re so “contemporary” in design, they’ll also look really odd to future generations.

On May 1, Frederick & Nelson ran full-page ads with a special offer to new charge customers: charge $50 or more during May, June, July or August and get a $25 credit. The ad didn’t say the store didn’t mean the real months but its in-house billing cycles. Depending on the first letter of your last name, that could end as soon as the first week. Many customers were surprised to get undiscounted $49 bills in mid-May. Adjustments have been promised but, as of this writing, have not all been delivered.

TROUBLE AT THE MALLS: Southcenter’s new owners promptly, sharply raised rents, a move seen by some as a ploy to drive out the last local, independent stores…. University Village kicked out the troubled, formerly-locally-owned Pay n’ Save chain after getting a better offer from the thriving, still-local Bartell Drug. Mall mgmt. then wouldn’t let Pn’S move into part of sister-chain Lamonts’ space, causing legal disputes that may be resolved when you read this. The new Bartell’s, meanwhile, is several times larger than any of their other stores. From its look, they seem perplexed on now to fill all that space.

JUNK FOOD OF THE MONTH: The Space Needle chocolate bar on a stick. It’s made by an entrepreneur in Bozeman, Mont., under the name Space Needle Phantasies. His number’s on the wrapper, in case you’d like to share Space Needle obsessions. At Ruby Montana’s, near 1st on Cherry — one of this column’s all-time fave stores.

LOCAL PUBLICATION OF THE MONTH: The 100th Boyfriend, one of the rare “women’s books” that treats men as human beings with complex emotions, not mere plot devices. Its vignettes (all purported as true to compilers Janet Skeels and Bridget Daly) are being excerpted in at least two national magazines.

No “rap riot” occurred at the Run DMC/Beastie Boys concerts, in a major disappointment to cops, KOMO-TV and other reactionary forces. The youth of Seattle have proven themselves unworthy of the disrespect they’ve gotten. The city should apologize for this bad rap by repealing the teen-dance prohibition law NOW…. Meanwhile, what extremely popular Black performer, with no earlier ties to this city, is building a digital recording studio in Seattle?

(latter-day note: I forget who this was supposed to have been about.)

In world news, the guy who flew his private plane into Moscow’s Red Square may get off lighter than the guy who parachuted into New York’s Shea Stadium…. A clue to the Korean crisis may be found in a recent Sharper Image Catalog, boasting of great values to US consumers made possible by Korea’s near-slave wages.

Bantam Books is promoting the paperback release of His Way, Kitty Kelly’s shattering Sinatra bio, with a Sinatra CD giveaway. Hear the songs of love, read the stories of backbiting and sleaze, all in the comfort of your own home.

PHILM PHUN: The Witches of Eastwick contains a major plot flaw: Real witches don’t worship Satan. To believe in the Devil, you have to believe in the Christian God first. Witchcraft is a tradition completely separate from (and older than) Christianity…. Variety sez sex is the hottest marketing ploy in independent films, proving not only that America has respectfully declined the “new Puritanism,” but that highly personal subjects are best handled outside the Hollywood bureaucracy….

NEW CARTOONS to anticipate include a Garbage Pail Kids TV show and The Brave Little Toaster, a feature about kitchen appliances on a quest to find their missing owner.

The Harry and the Hendersons crew discovered the new Pacific Northwest Studio isn’t soundproof. Important takes were ruined by freight trains on the Fremont spur track or even rain on the ex-warehouse’s roof.

Nice to hear Bill Reid back on KJET, but won’t they ever trash or fix that tape system so we actually hear the same songs the DJs introduce?…

Other congrats from this corner to UW grad and ex-colleague Mike Lukovich, a Pulitzer Prize runner-up for his New Orleans Times-Picayune editorial cartoons.

CATHODE CORNER: Lifetime now has Our Group, a daily, fictional group therapy session with a real shrink and actors as patients. It’s almost as entertaining as the cable channel’s “medical-ed” shows for doctors with slick prescription-drug ads…. As the Telephone Auction Shopping Program deservedly goes under, another firm is staring Love and Shopping, a soap opera/shopping combo with characters shown using products that are then offered to viewers. It’s a change from the traditional soap universe, where characters put away groceries with white tape stuck all over the brand names…. Using John Lennon music to sell sneakers is no worse than Gershwin for Toyota or Sondheim for stuffing mix.

Cabaret chanteuse Julie Cascioppo is back from NYC gigs with the Mark Morris dancers. “Tommy Tune said I was wonderful, and Mikhail Barishnikov asked me to hold court with him; it was great,” says the world-traveling vegetarian from a family of Ballard butchers. Her shows (ranging from romantic standards to “The Woody Woodpecker Song”) continue Wednesdays at the Pink Door in the Pike Place Market.

Finally, Maxwell House wants people to write songs about their hometowns to the tune of their current jingle. Winners from Seattle and other participating cities will compete in LA for big prizes. “It’s the way we burn up restaurants / It’s the way we tear up Pine / It’s the clocks at 4th and Pike / Telling you three different times.” No, don’t think we’ll enter this one either.

‘Til September, be cool, avoid the flu goin’ around, see Greeks at the Pioneer Square Theater, don’t pay $21 to see Madonna at the Dome, and live for love. Toodeloo.

6/87 MISC COLUMN FOR ARTSFOCUS
Jun 4th, 1987 by Clark Humphrey

6/87 ArtsFocus Misc

(one-year anniversary)

Welcome to the first issue of the new Arts Focus and the first anniversary of Misc., the at-large column that tries to keep ahead of a world where Hüsker Du goes on the Today show, the Central Area’s Liberty Bank becomes the largest Seattle-owned commercial bank by default, the M’s briefly take first place, and the Pope tries to stop people from doing all they can to have babies.

Top story of the month: Procter & Gamble, Kellogg’s and other top national advertisers are refusing to place any ads in Florida, after that state passed a tax on advertising and other professional services. If Booth had gotten his original tax plan past our myopic Legislature, we too would be sharing in this rare and wonderful blessing.

At that same time, Contragate and Hartbreak battled for the public viscera, with many Americans somehow finding lying, cheating, and killing in the name of democracy to be less immoral than sleeping around.

Local junk food of the month: Midnight Sun Dark Chocolate, made in south King Co. by an Alaska firm, with such a bold flavor that it’s the Everclear of candy bars. No relation to the “Midnite Sun Chocolate” in Eskimo Pies.

Local publication of the month: Moviemakers at Work. Despite what the Times says, this is Microsoft Press’ first non-computer book, and its choice of interviewees reflects the real star system in late-industrial Hollywood. Not a single actor, writer or composer is in the book; the only subjects with director credits are two animators. Instead, we get audio technicians, photographers, editors, and most especially special-effects artisans. The newfound prominence of these people indicates how the big-money boys now in charge at the movies have dropped all notions of story, dialogue and character in a relentless rush toward old Darryl Zanuck’s dream: to find a movie formula wherein investing in a certain level of pure spectacle will bring a guaranteed return. It didn’t work for Zanuck (Cleopatra, Dr. Doolittle); it’s not working today.

Time Travelers, one of this column’s favorite record and comic stores, hopes to move away from 2nd near Pine this summer. The folk there say it’s ‘cuz the neighborhood has become too scuzzy, and I agree. That Nordstrom Rack has attracted totally the wrong element. In other comic news, Marvel is now owned by New World Pictures, presumably meaning we’ll get more great comic-based films in the grand tradition of Howard the Duck. Gary Larson, meanwhile, has sold rights for a live-action Far Side movie to Alan Rudolph (Trouble in Mind, Welcome to L.A.) would fit in perfectly, as long as he doesn’t sing.

Sports spurts: Have the Sonics’ recent playoff successes led me to reconsider my stance against letting more than half of any league’s league’s teams into its playoffs? No. This does not mean I don’t love the Supes or will approve of any move to Bellevue (what would they be called then? The Evergreen State Warriors?)…

Most of the potential new local owners for the Mariners are stingy bean counters just like George Arduous. They might meet the requirements of Commissioner Peter Uberalles, but could keep the team strictly a stop for players on their way up or down. The M’s may be contenders now, but the question is whether this year’s stars’ll get paid what they deserve here next year or go to someone who will.

Cathode Corner: Joan Rivers has finally been fired by Murdochvision. Why didn’t it happen sooner? ‘Cuz Rivers & Rupert shared the same worldview, one based on gross-out aesthetics and Righteous Right politics. With any luck Murdoch’s Fox Network will fold this year, leaving KCPQ to running its great movies (with the usual breaks from greatness for the monthly Gratuitous Violence Week). I’d hate to see the Ding-Ding Channel’s uniqueness become lost to more of those fashionable-but-dumb Fox shows, shows which prove that it’s square to be hip.

Richard Nixon has received a Fine Arts award from the French government, presumably for such acts of support for the arts as helping Joe McCarthy’s terror crusade against filmmakers and artists, trying to kill PBS, and putting half the big names in showbiz on his hit list. Of course, this award is coming from the nation that idolizes Jerry Lewis.

The Rep’s production of Red Square inspires this comment from P. Shaw: “The biggest thing about it is the conflict between the cold, badly conceived, laborious Rep set and the fast-paced, anarchic nature of the farce. The way that the fast action stops cold for these slow, slow scene changes sets up a whole other kind of absurdity in the spirit of farce, where inappropriate things are happening all the time.”

The Empty Space’s Gloria Duplex raises lots of questions on religion, sex, artistic inspiration, and hip-art-world attitudes toward lowbrow and folk culture, but none more intriguing than that of why Seattle doesn’t have anything like the intimate passions of body and soul celebrated in Rebecca Welles’ Louisiana-set work. It’s probably a combination of our Nordic Lutheran heritage (in which the only fully accepted alternative to quiet piety is quiet drunkenness) and our post-frontier heritage (in which most expressions of the free human spirit are suppressed to try and prove that the Wild West has “grown up”). In any event, we could use just the revival of both true spirituality and true sexuality promoted so sweetly in Gloria’s Kitten Paradise Temple and Lounge.

‘Til we talk again in midsummer, remember these memorable words from Shaka Zulu (the first live-action nudity-violence miniseries from the producers of Robotech): “Don’t just stand there like a pack of old women, kill me!”

3/87 MISC COLUMN FOR ARTSFOCUS
Mar 1st, 1987 by Clark Humphrey

3/87 ArtsFocus Misc.

Hi again, pop-culture fans, and welcome to Misc., the only column that ate at the Silver King, drank at the Trade Winds, and lived to tell the tale.

The building that until recently housed the Lesbian Resource Center and Seattle Women’s Gym is about to become a bridal shop. This trivium is offered merely for the sake of irony, and is not in any way to be considered an encouragement of the new homophobia. (Ever notice how many of the mass media only talk about AIDS when straights get it, or how the new soft-focus-scare condom ads never mention the existence of gays?)

In business news, B. Freshman’s in Wallingford, the noble experiment in drawing the hypertasteful Nouveau Riche to mark prices on groceries with great pencils inside a cramped basement, somehow failed. (More closures in our handy sidebar.)

In new business activity, Razz-Ma-Tazz on Denny offers all the essential elements of a topless bar without toplessness or a bar. For a small fee, you can enter a room with flashing lights and blaring Bon Jovi where legally-dressed young women will smile, touch your shoulder and request additional fees for a soft drink, a conversation or a 2-minute “table dance.”… Could that ’80s nostalgia landmark, the Showbox Theater, really be slated for conversion into a movie multiplex?

(latter-day note: Razz-Ma-Tazz went topless and is now all-nude, at least on stage; its table dances are still less explicit than those described in police reports about suburban strip clubs. And the Showbox became a comedy club with an ugly interior remodel.)

CATHODE CORNER: Continuing our theme of antisexploitation, KSTW is following the lead of the USA Network in running cheap sex comedies with the sex scenes all cut out. What’s left makes less sense than the Spanish channel makes if you don’t know Spanish….

Hope you didn’t watch Amerika. Remember: The networks don’t care if you love or hate a show, as long as you keep watching. The only effective protest is to turn it off….

The most fascinating show on the Discovery Channel’s week of Soviet TV was Serious and In Jest. Segments on the value of satire in increasing industrial productivity were intercut with film of degrading police interrogations of vodka scalpers and a melodramatic sketch in which a boy suffers a total breakdown after learning his parents met while dealing in the black market….

The CBC this month is presenting not only the curling championships but also the return of Seeing Things, the offbeat mystery show about a clairvoyant crime reporter. It can descend into corn, but at its best blows the slick US crime shows out of the water.

Now that Bob Barker has successfully used the Miss USA pageant to campaign against furs, maybe he’ll now talk about the way humans are treated in the countries where he MCs Miss USA’s parent show, Miss Universe. I don’t remember him commenting when Imelda Marcos raided the Philippines’ public-housing budget to build an auditorium in Manila, which opened by hosting that year’s Miss Universe show. (By the way, the introduction of computerized scoring to Miss USA may encourage those who criticize pageants for the wrong reasons. A pageant queen is not the idealized lover but the idealized daughter. The spectacle does not objectify the start of the breeding cycle but its final result.)

I keep telling people computers can be our friends. Now it turns out that a White House mainframe, which preserved even “erased” files, may become the best witness to the Iran-Contra scheme and a whole network of other potentially illegal acts organized under the doublespeak moniker “Project Democracy.” As the nation takes what John Chancellor has called a “trip down memory lane,” the Reagan Discs may prove more useful in uncovering abuses of power than the Nixon Tapes.

LOCAL PUBLICATION OF THE MONTH: The Amazing Adventures of Mighty Mole, a comic book distributed to elementary schools by Metro. Our tunnel-digging hero exclaims that the downtown bus tunnel is “a totally rad concept,” excavating equipment is “totally awesome,” and that “digging a tunnel is really exciting work.” And I always thought it was boring. (For our slower readers, that was a pun.) (For our early readers, more local publications will be featured at the Underground Press Convention, Feb. 28 here at Lincoln Arts.)

The Globe Radio Theater production of Gogol’s Dead Souls, produced in Seattle by Jean Sherrard and John Siscoe, will soon be available on cassettes for repeated nuance-hunting. KPLU has aired the mini-series right after Bob and Ray Sunday evenings, for a whole hour of consciousness-bending, low-key humor. With great intellectual entertainment like this on public radio, who’ll miss Garrison Keillor (who ran out of ideas three years ago anyway)?

DUMB AD OF THE MONTH (in the P-I): “If it’s true that automatic transmissions are capable of unintended acceleration, then all cars with automatic are suspect. Audi is the only manufacturer to date who has addressed the problem to protect their owners.” A local dealer thus attempted to depict as the leader in responsibility a manufacturer who refused to do anything about the problem until it could not hide from the evidence any more….

Several more respectable cars are on display in a great new book, I’ll Buy That: 50 Big Deals and Small Wonders. It’s published by Consumer Reports as a 50th-anniversary celebration, and covers 50 major contributions to American life, including not just consumer products (the Mustang, the Beetle, the minivan, detergents, frozen foods), but such other innovations as the Salk vaccine, the birth control pill, the credit card and the suburban housing tract.

EARLY WARNING: With spring coming soon, the New City Theater Directors’ Festival is also coming soon, and then the Seattle International Film Festival. Only a few weeks of winter remain in which to stare at your Video Aquarium tape from the How-To-Do-Anything Store. ‘Til then, let’s return to Soviet TV for this closing thought, from its equivalent to CBS’s Morning Program: “If we entertained you, made you smile, and did not make you late for work, then our job here has been a successful one.”

DOWNTOWN BUSINESS WHICH HAVE CLOSED

SINCE THE START OF CURRENT CONSTRUCTION JOBS

Seattle Design

Kentucky Fried Chicken

Florsheim

Weisfield’s

Town Theater

Music Box Theater

Golden Crown

Bernie’s

TJ’s Men’s Wear

The Frankfurter

J.K. Gill

Pipelane Ltd.

ABC Corral Western Wear

Walden Books

Leed’s Shoes

Lindy Shoes

Copper Kitchen

J. Spencer Books

12/86 MISC COLUMN FOR ARTSFOCUS
Dec 1st, 1986 by Clark Humphrey

12/86 ArtsFocus Misc.

Welcome to Misc., the regional pop-culture section of ArtsFocus, the second most widely-read publication among the Seattle arts community.

The first is, of course, the Weekly World News. And if I may be presumptuous, I think we’re better. Sure, the WWN is handsome looking and has great mail-order ads, but buying something just so you can laugh at everyone else who buys it is an aesthetic dead end. It leads to an unattractive smugness, an attitude of scoffing at other people’s lives without ever questioning one’s own.

The logical extreme of this attitude is shown by audiences of the documentary Rate It X. “Progressive” guys watch this film of interviews with sleazy redneck guys and come away confirmed about their superiority to those working-class creeps. “Progressive” women come away knowing they don’t have to care about anyone or anything to be morally superior, since men obviously aren’t really people.

There are more pressing crises in this day than anti-thought “intellectual” films, though — like the closing of the Rainbow Tavern, just as it had finally broken the stranglehold of aging hippie R&B bands that had ruled all local clubs for too many years, and had established the most eclectic, truly progressive array of live music this town’s ever seen. The Seattle music scene will never be the same, even if a “New Rainbow” opens in the spring in some less-convenient location.

LOCAL PUBLICATION OF THE MONTH: Seattle Star. One of the best free papers around, it’s a forum for the wittiest just-above-ground comics created anywhere.

JUNK FOOD OF THE MONTH: Soup in a tube. From Germany, where everything from mayonnaise to milk comes in toothpaste-like tubes, comes Nutri-Soup, a thick sludge of bullion, herbs and natural and artificial flavorings. Just two inches (one tablespoon) is enough for a cup of great-smelling and adequately-tasting soup.

I hope you all saw the Art Expo in the Trade Center last month. It was a true cash-from-chaos scene, as the city’s art hustlers abandoned all remnants of cultured propriety. From now on, the question in visual art won’t be whether creative people can also sell, but whether salespeople can also create.

One answer to that question is found at D’Art, the home of Quality Artist’s Products. The permanent D’Art store may now be closed, but a holiday edition is now open in the Madison Valley neighborhood. As always, it’s filled with cute, outrageous and just plain rockin’ things, all at somewhat reasonable prices.

Alan Lande’s recent Autocratic, a “ballet for cars” in the new SCCC garage, was also tons-O-fun. Where they got a wrecked car in the same color as the rented wreckers was only the first of many great mysteries that night, as four concrete floors of dance, live and recorded music, video bonfires, signs with names of parts of the human digestive system, and other post-industrial entertainments were explored by an audience of carpools stretching a quarter-mile north of the site.

There’s a wine store in Post Alley with a great tabletop miniature of a modern winery. It uses taped narration, flashing lights, and motorized machinery to show the entire winemaking process, from vineyard to tasting room. It does not contain a tiny AA or MADD meeting.

This is being written in a tiny room overlooking the central downtown waterfront. The Port of Seattle and the usual development suspects are out to destroy the waterfront we know and love, by putting up yet another scheme of junky “gourmet” boutiques, junky “luxury” hotel rooms and junky “upscale” offices. I love the waterfront just as it is now, and don’t want it turned into another lifeless pseudo-suburb like today’s lower First Avenue or Broadway. It’s the same sort of destructive “improvement” that threatened the Market and Pioneer Square, before those great areas were “saved” by putting the trashy new businesses in the great old buildings. The waterfront deserves more than that — it deserves to stay the honest, funky, lo-rent district it is now.

In more uplifting news, Sen. Fishstick has been granted a permanent leave of absence from his taxpayer-supported position of being “hard on Communism” in Latin America as an excuse for being soft on fascism, of promoting the censorship of musicians who even suggest that religious and lifestyle alternatives exist, of making deals to let incompetent but ideologically-correct men become judges. America is even rediscovering the grand and noble tradition of disrespect for one’s president. Now comes the hard part: Getting away from complaining about the way things are done long enough to do them some other way.

Despite the posters, the local small-press book Young Men Can Sing is not “the first novel with advertisements.” Mass-market paperbacks have often had ads stuck in the middle. I remember one ’50s paperback with an ad for Time magazine, promising to inform me all about “Pasternak, Voice of the World’s Free Spirit… Einstein, Investigator Into the Unknown… Kruschev, Frank Lloyd Wright, Brigitte Bardot.” And I’d always thought she was the Voice of the World’s Free Spirit….

CATHODE CORNER: The first Christmas commercial this year came on Oct. 13 on WTBS, for an LP of holiday favorites….

Viacom Cablevision will soon add the Cable Value Network, one of many channels and individual programs established in the wake of FCC regulations regarding all-advertising “shows” and “services.” Using sophisticated marketing techniques at relatively unsophisticated audiences, these companies prey on compulsive shoppers to buy tacky wall clocks and briefcases. Cable systems running the channels get a percentage of all sales from their subscribers. No system that runs this form of unabashed audience manipulation should ever again claim to be providing a public service to plea for exorbitant rate increases. Not that it’s necessary; by this time next year the FCC will let cable systems charge whatever they can get away with.

Don’t ask where I got it, but I’ve now got a 1972-vintage tourist map of scenic El Salvador. It looks just like a Tourmap publication, with cheesy drawings of local industries and recreational opportunities. The saddest part, though, is the color photos of ugly modern lo-rise office buildings. The government is obviously proud of its attempts to make its capital city look like an imitation LA. Pity.

I’ll see you at the Incredibly Strange Matinees, noon weekends at the University Cinemas. Until then, remember to always be a good sport, be a good sport all ways. So long.

9/86 MISC COLUMN FOR ARTSFOCUS
Sep 1st, 1986 by Clark Humphrey

9/86 ArtsFocus Misc.

Hello again, pop culture fans. Welcome to episode 3 of Misc., the column that asks just how lucky we are to live in an era when we can get gas with “High Tech Techroline.”

This has been a summer of torn streets, noisy construction, disappearing bus stops and other hassles, many of which will be with us for the next four years. The good news is by that time, the only people left downtown will be those of us who demand urban life. Life may soon become a lot less overcrowded for those who refuse to go to Bellevue. Sadly, we’re losing Chapter 2 Books in the University District to that Nowhereland to the east, and are in danger of even losing the Pacific Science Center. This threat to Seattle’s cultural life must be stopped. You wanna have to tell your kids someday that they can’t pitch pennies into the fountains or get their hair raised in the static-electricity exhibit without spending an hour on the bridges? The only arches that belong in Bellevue are golden.

(By the way, the widow and daughter of McDonald’s founder Ray Kroc have started a California peace group, Mothers Embracing Nuclear Disarmament. With nuclear weapons, they must have finally found something to crusade against that’s worse than their food.)

Passionately urban life does seem to be catching on in Seattle as a permanent thing. Broadway this summer has been a wonderland of all different kinds of people making all different kinds of scenes. At Dick’s alone you can find some 200 people being sociable at 1:30 a.m. Whenever anybody in Seattle has this much fun, somebody has tried to outlaw it. Already business interests are demanding something be “done” about this “problem” — which is really the best thing that has happened to Seattle since the saving of the Market. Any real city has spontaneous street scenes — gatherings of ordinary people who may not have a destination in mind when they take to the streets, but have an invigorating time getting there. Not everybody who stands on a sidewalk and talks to friends is a criminal; we should be glad the attempts to make Broadway a district for yuppies and only yuppies has gloriously failed. Now if they can only tear up those nauseatingly-cute footsteps…

THINGS I DID THIS SUMMER: Saw the University Book Store remainder sale and was pleased to find How To Sell What You Write marked down to $1.49. Noticed the resemblance between International News’s brightly colored, slogan laden clothes and those of the 1900s comic strip star, The Yellow Kid. Discovered Seattle’s ultimate food store, other than the Pike Place Market: Marketime Foods in Fremont. Was captivated by Cisterna Magna, an exquisite dance/visual performance at Belltown’s Galleria Potatohead. Concluded that any movie, fashion style, entertainer or politician advertised as “hot” is probably going to be dreadful.

LOCAL PUBLICATION OF THE MONTH: Heritage Music Review. Longtime area piano player/disc jockey Doug Bright uses a Braille word processor to make this knowledgeable guide to old rock, R&B and jazz performers of the region and nation. Available in regular print at Elliot Bay Books and other select sources.

JUNK FOOD OF THE MONTH: Bubble gum cards that didn’t make it. The Sports Stop in the Center House basement has cards for entertainment properties that outstayed their welcome (Michael Jackson, Cyndi Lauper) or never caught on at all (the Dune andSupergirl films). The cards are collector’s items; the gum’s undoubtedly stale, though.

Our last column had a snide remark about an SRO theater. I don’t really hate SRO. About a decade ago, when smart people were briefly being courted as audiences by major motion pictures, SRO was considered the “Establishment” of area theaters. Lately though, SRO has shown itself capable of the finest in theater architecture (though the pink and gray on the Uptown has got to go) and concession food. They continue to subsidize KJET, the closest thing we have to a progressive commercial radio station, and in 1970 tried to save the Seattle Pilots baseball team. Now, this heritage is threatened by a takeover attempt from Paramount Pictures. It might be seen as Paramount’s revenge on Washington state; it was our native son, Supreme Court Justice William O. Douglas, who wrote the famous “U.S. vs. Paramount” decision forcing the big five studios to sell the theater chains though which they controlled the entire industry. With today’s federal antitrust regulators (who could more rightly be called protrust), the big distributors are itching for their old monopoly powers back. The remnants of the original Paramount theater chain (not including the Seattle Paramount) are now owned by Coca-Cola, which also owns the Columbia and Embassy studios and half of Tri-Star. Other alliances are underway. If you think the movies this past year have been pitiful, just wait until the big studios control so many theaters they can lock out independent films.

When that time comes, we’ll all have to go to VCRs to see anything interesting. Already you can check out an amazing variety of stuff, including a series of tapes called Video Romance. One store has them in the Adult section even though they’ve no sex, nudity or cussing, and are in fact far tamer than the evening soaps. What they’ve got are impossibly innocent (especially for their glamorous professions) women meeting and taming tall men who have wavy hair and vague accents. All this plus cheap productions (we never see the exotic locales in which the stories are set, only living rooms), syrupy music, bad acting and “Your Host, Louis Jourdan” and you’ve got more real entertainment than in the entire collected works of Michael J. Fox.

Another recently viewed tape: Urgh! A Music War, 1981 concert footage of some 35 bands gathered under the awkward, inaccurate label “new wave.” Only one of them was big at the time (the police, who helped finance the film). Others became stars (the Go-Gos, UB40, Devo), had solid cult followings (Magazine, Steel Pulse, XTC), or met deserved obscurity (Athletico Spizz 80, Splodgenessabounds). I found myself viewing the proceedings as nostalgia for my own generation, and seeing how, even while many of the best bands never had a major hit, the attitudes they represented have become quite pervasive in American society — in butchered form, of course. A lot of the worst aspects of punk/new wave (shallow imagery, aggressive hype, destructiveness to self and others as romanticism, bigotry as nostalgia, shamelessness, lousy manners, celebrations of stupidity) have become everyday aspects of modern business, government and lifestyles. Even agriculture has gone punk: It’s dependent on drugs and panhandling, lives fast, dies young and leaves a good-looking corpse.

Home video’s an even bigger happening in the Asian American community. The wonderful variety stores of the International District all have amazing tape boxes promising music, farce, soap opera, horror, kinky sex, and serious drama, as well as the martial arts you’d expect (often more than one genre in the same production). While you might not want to buy a membership for unsubtitled tapes in a language you don’t speak, the stores will usually have a video playing while you buy some of their fine foods, clothes, jewelry, toys and housewares. Treat yourself to a view of another culture’s pop culture.

We close this edition with a call for entries in the first Misc. Helga Lookalike Contest. The Northwest is abundant with the stoic Nordic romantic look now associated with painter Andrew Wyeth’s mystery woman, as seen in both Time and Newsweek. Send a picture of yourself in any appropriate costume to Misc. c/o Lincoln Arts Center, 66 Bell St., Seattle. All ages and races welcome; bonus points will be awarded for the best floral headband.

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© Copyright 1986-2025 Clark Humphrey (clark (at) miscmedia (dotcom)).