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famousfoto.com, via mooreslore.corante.com
It seems like just yesterday that I was complaining about KOMO firing its pundits Bryan Johnson and Ken Schram, and about its parent company bringing hate talk back to KVI-AM.
We’ve got a bigger problem now.
Fisher Broadcasting, the only owner KOMO-TV and Radio has ever had, is being sold.
That would be bad enough. Fisher was the last locally-owned major commercial broadcaster around here, and its loss would complete the capture of the Puget Sound’s airwaves by big out-of-state station groups.
But this particular out-of-state station group is far, far worse than most.
It’s Sinclair Broadcasting.
More than any other station group (even Fox’s company-owned broadcast stations), Sinclair imposes right-wing propaganda content on its properties.
In 2003, Sinclair ordered ABC affiliates it owned not to run a Nightline episode about Gulf War combat deaths.
In 2004, Sinclair ordered all its stations to run, in prime time, a propaganda film by the “Swift Boat Veterans for Truth,” spreading false allegations about John Kerry’s service record in Vietnam.
In 2010, Sinclair ordered six of its stations to run, in prime time, an even less-true GOP propaganda film branding Obama as an anti-democracy extremist and an ally of mideast terrorists.
Oh—and like so many other companies in so many industries, it’s been severely hiking executive pay packages while severely cutting workers’ wages.
Here’s a company that had a four-year head start to reinvent its model, its journalism, and its overall mission. And here’s what the business side has apparently been doing the whole time — figuring out new ways to run advertising on top of advertising on top of advertising… It shows how bereft of ideas the business side is for making money from journalism on the Internet.
architizer.com
roadfood.com
For sale: One herd of cows (ceramic, plywood, fabric, paint, etc.). Comes with a supply of warm, gooey cinnamon rolls and a classic cafe.
After 25 years, Jeanne Mae Barwick is retiring from Mae’s Phinney Ridge Cafe in Seattle’s Greenwood neighborhood. She’s put the place up for sale, and threatens to close it in March or April if an appropriate buyer isn’t found.
There’s been a cafe at this location since the 1920s. But when Barwick took it over in 1988, she transformed it from a neighborhood destination into a city institution.
phinneywood.com
Michael Stern at Roadfood.com describes it as “a multi-room cafe decorated everywhere with pictures, statues, blow-up dolls and every sort of nick-nack imaginable, all depicting cows (an ode to the proprietor’s Wisconsin roots).”
On weekend mornings, it can take as long as an hour to get seated. Besides the cinnamon rolls (baked in-house), it offers large portions of your basic American breakfast and lunch fare, plus such specialties as trout and eggs.
It closes at 3 p.m. daily; in offering the business for sale, Barwick notes a new owner could make more money by opening for dinner and offering alcohol.
In an email sent to customers, Barwick says she may hold an “open house and garage sale” at the cafe in March. Depending on what items a new owner may want to keep, the sale could include the cafe’s cow-shaped salt and pepper shakers “and other miscellaneous moo-morabilia.”
Barwick also says she’ll continue to host her popular “Karaoke Bingo” once a month at the Greenwood Senior Center.
(Cross-posted with Unusual Life.)
via quietbabylon.com
There’s quite a story behind the controversial “Keep Calm and Rape a Lot” T-shirt.
Turns out none were ever sold or even made.
It was offered on Amazon as a print-on-demand item, along with several hundred other slogans. This was done by a company that used a software algorithm to create the phrases.
Tim Maly offers a very poetic account of the fiasco at his site Quiet Babylon. In it, Maly also offers this image of the e-tail realm:
Amazon isn’t a store, not really. Not in any sense that we can regularly think about stores. It’s a strange pulsing network of potential goods, global supply chains, and alien associative algorithms with the skin of a store stretched over it, so we don’t lose our minds.
via vintageseattle.org and capitolhillseattle.com
In 1964, Seattle voters soundly defeated an “open housing†ordinance that would have let anyone live anywhere. It lost by more than 2-to-1.
via silver platters and queenanneview.com
seattlestairwaywalks.com
onesothebysrealty.com
Simon Doonan at Slate explains why the massive annual Art Basel Miami gallery convention epitomizes “Why the Art World Is So Loathsome.”
Among Doonan’s complaints: Everything’s become “cool” and distanced to the point of emotional irrelevance; big-money collectors have ruined art as a creative endeavor; pride in craft and skill have disappeared; visual puns and fashion-industry tie ins are overabundant; and “blood, poo, sacrilege, and porn” ceased being shocking ages ago.
And the latter isn’t just a gripe about passé fads. Doonan quotes Camille Paglia’s complaint that deliberately confrontative art simply plays into the hands of right-wing wannabe censors; to the point where…
…art has “allowed itself to be defined in the public eye as an arrogant, insular fraternity with frivolous tastes and debased standards.†As a result, the funding of school and civic arts programs has screeched to a halt and “American schoolchildren are paying the price for the art world’s delusional sense of entitlement.â€
Guess what: UK ad exec Charles Saatchi, one of the biggest big-money collectors out there, agrees with most of Doonan’s rant!
This all makes me glad Seattle’s got Roq La Rue as its premier commercial contemporary-art gallery. Owner-curator Kirsten Anderson picks works made with exquisite precision, that express sincere emotions even in their “pop surrealist” tropes. And Anderson not only displays a lot of works by female artists, but works by men and women that display a thoroughly yin sensibility.
via imcdb.org
ap via nwcn.com
beth dorenkamp via grindhouse theater tacoma