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ward sutton
‘Tis election day. The most infuriatingly nervous day of the year, or in this case of the quadrennium. (I believe that’s a word.)
The polls, even the progressive leaning polls, predict a tighter race than I want. I want Obama across the board over Mr. Lying One-Percenter Tax Cheat Hypocrite in previously “red” states, and all victorious long before the Pacific Time Zone results show up. If I can’t get that, I at least want an Obama victory big enough that even the partisan-hack dirty tricks in Ohio and Florida (and even here) can’t threaten it.
Back to randomosity:
via interestingengineering.com
via dailymail.co.uk
via fastcompany.com
from the book 'mail order mysteries' via laughingsquid.com
via yowpyowp.blogspot.com
Having finally gotten the Boomerang cable channel, I’ve become re-acquainted with the early Hanna-Barbera cartoon shows (Huck, Yogi, Quick Draw, ‘Stones, Top Cat, Jetsons, Jonny Quest). They didn’t have fluid movement but they had great visual composition. They had pleasing character designs and cool semi-abstract backgrounds. They had funny dialogue. Then the company got too big and everything went downhill. This B.C.-based blogger explains it all thoroughly, including the links between the Jetsons look and the Space Needle (hint: ours came first).
xkcd.com
Randall Munroe’s hilarious online comic strip xkcd (“a webcomic of romance, sarcasm, math, and language”) is usually a minimalistic enterprise, populated by faceless stick figures individualized only by their hairstyles.
But Munroe, suddenly and perhaps for one time only, has gone maximalist with the entry “Click and Drag.”
He’s created an immense silhouette landscape that starts in the middle. You then drag the image inside a relatively small window.
There are ocean waters (with boats large and small), islands, hills, cliffs, trees, aircraft, a skyscraper, radio/TV towers, and a labyrinth of underground tunnels.
Munroe’s stick-people show up all along the way, offering gag lines and little playlets. There are references to Star Wars, Super Mario Bros., Pokémon, 2001: A Space Odyssey, the Icarus legend, previous xkcd strips, our ol’ pal Sean Nelson, and even Elizabeth Warren’s Senate campaign.
Glenn Hauman at Comicmix.com claims Munroe’s tableau is probably “the biggest comics panel ever.”
How big, you ask?
Some online reviews estimate it at 165,888 pixels by 79,872 pixels. The whole thing, if printed out at an average screen-resolution rate, would be about 150 feet wide.
Folks have made screen shots of the different segments and stitched them together into a single zoomable image. Yes, viewing it this way reveals even more “Easter egg” gags you might have otherwise missed.
I can imagine only two practical ways to turn “Click and Drag” into a real-world thing. It could be published as a folding-scroll “accordion book” (like old Chinese “scroll paintings“). Or it could be installed as a mural in a contemporary art museum somewhere.
Either way, I can imagine someone in charge trying to persuade Munroe to condense some of the long stretches of grassy plains and ocean waves between gags.
andraste.com via the smoking gun
via upworthy.com
via theatlanticwire.com
craig hill, tacoma news tribune
geneticist.tumblr.com
pitchfork media via cartoonbrew.com
The third most famous band from Aberdeen, the Melvins, talk about their “disastrous” first tour, accompanied by appropriately simple Flash animation. (The second most famous band from Aberdeen, of course, is Metal Church.)
nytimes.com via nytsyn.com
ioffer.com
The first Spider-Man cartoon series (ABC, 1967-70) is fondly remembered by the geekerati, not only for its low-budget thrills but for its bold, saucy, spooky music.
You know the theme song, perhaps from its many remakes and cover versions. (It’s the only song the Ramones slowed down when they covered it!)
The background music has been a lot harder to track down.
Among the reasons why:
Fans eventually figured out that most of the music cue for seasons 2 and 3 came from KPM, a “library music” provider based in London (and now owned by the about-to-be-dismembered EMI).
Once KPM put up a website with samples of its library, these fans sorted out which tracks had been used on Spider-Man, and began to post some of them online.
But that left the season 1 background cues, composed expressly for the show by Ray Ellis and Bob Harris.
As this 2007 story on WFMU’s blog goes, some longtime fans of the show tracked down Ellis in L.A. He told them he’d left the original tapes behind when he moved from New York, but would track them down the next time he went there. Ellis died in 2000, before ever making that trip.
Other fans later reached Harris’s widow, who said she had no idea about the Spider-Man music tapes’ existence.
Not only were the original recordings a dead-end, no M&E tracks (music-and-sound-effects soundtracks, which some studios keep for foreign-language redubbing) were around either. Only the dialogue-heavy final episodes.
Dan O’Shannon, a writer-producer who’s worked on Cheers, Frasier, and Modern Family, is another of the ’60s Spider-Man‘s lifelong obsessive fans. O’Shannon’s taken it upon himself to reassemble the first-season cues.
So far he’s posted 34 tracks. He’s mixed and matched sections of the same tunes from different episodes (or different parts of the same episode) to avoid the dialogue.
O’Shannon hasn’t, however, been able (or wanted) to edit out the frequent THWIP! sound effect of Spidey’s web shooters.