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Onetime P-I cartoonist Ramon "Ray" Collins, to be featured in the documentary Bezango, WA
ward sutton
‘Tis election day. The most infuriatingly nervous day of the year, or in this case of the quadrennium. (I believe that’s a word.)
The polls, even the progressive leaning polls, predict a tighter race than I want. I want Obama across the board over Mr. Lying One-Percenter Tax Cheat Hypocrite in previously “red” states, and all victorious long before the Pacific Time Zone results show up. If I can’t get that, I at least want an Obama victory big enough that even the partisan-hack dirty tricks in Ohio and Florida (and even here) can’t threaten it.
Back to randomosity:
priscilla long, via the american scholar
amidst-the-everyday.com
“Amidst the Everyday,” a project by photographers-artists Aaron Asis and Dan Hawkins, aims to reveal “elements of the unseen urban environment.” You go to places around town, scan QR codes (etched in wood!) at various buildings, and receive images of their hidden treasures. (Above, one of the unoccupied-for-decades upper floors of the Eitel Building at Second and Pike.)
via movieline.com
The queen of Euro-softcore was no sexual “swinger” in real life. Instead, she preferred other earthly pleasures, such as the pleasures of cocaine, alcohol, and tobacco. The first destroyed her finances; the latter contributed to her final physical decline.
She appeared in dozens of films (including The Concorde: Airport ’79, Private Lessons, Madame Claude, Mata Hari, the 1981 Lady Chatterley’s Lover, and particulalry Claude Charbol’s underrated Alice or the Last Escapade).
But she’ll be forever known for Emmanuelle. It played in Paris for 13 years. It still “inspires” in-name-only sequels and ripoffs.
There’s a key scene nobody remembers toward that film’s start. It’s when Emmanuelle is left alone in an idling car on the streets of Bangkok. Screaming child panhandlers surround the car and pound on the windows. Kristel looks like she wants to implode.
In this wordless throwaway scene, Kristel communicates that Emmanuelle is a creature of delicate tastes, with no patience for the harsh realities of the romantic places she visits.
via dailymail.co.uk
kurzweilai.net
via fastcompany.com
chris lehman, npr via kplu
watch el chacal de la trompeta, via youtube
nfl via cbs news
The highly creative leader of NFL Films did as much as any single person to turn pro football into America’s most popular team sport.
His father Ed had founded the film production company, then sold it to the league’s team owners, in the early 1960s. But it was Steve who ran it, almost from the start.
He built a mythology on top of the league’s original hard, working-class image with grainy 16mm photography, Sam Spence’s bold-as-brass music cues, and John Facenda’s booming narration.
He put cameras down below players’ eye level and zoomed them in tight. He miked players, coaches, and refs. He constructed storylines that were often more thrilling than the games his crews documented.
As I wrote in 1997, Sabol turned what was essentially a game of coaching, of the execution and interruption of pre-planned plays, into a morality play, a spectacle of noble action heroes valiantly vanquishing their foes.
Along the way, he turned the lowly highlight reel, that early staple of TV-station filler moments, into a true art form.
seanmichaelhurley.blogspot.com
chandler o'leary, tacomamakes.com
slate.com
buzzfeed.com
Democrats are campaigning with a swagger, having fun. They know they’ve got the advantage.… We need to embrace reality and shove reality down the GOP’s throats. Because yeah, we are ahead, objectively so. We’re winning and we’ve got to own it. They can whine about biased polls and biased media and biased everything that doesn’t conform to their little Fox News bubble world, all the while we do the work necessary to seal the deal.