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maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
wikimedia commons
As the eyes of the Earth turn again to Mars, let us look back at one of the most surreal and modern-arty “educational” films ever made, the Disney studio’s animated docudrama Mars and Beyond. Made in luscious color, it premiered in black and white on the Disneyland anthology TV show in 1957, just months after the Soviet satellite Sputnik launched the “space race.”
This is the UW’s Lander Hall dormitory, where thousands of students over the past four-plus decades have slept, drank, toked, screwed, and even studied. It’s being razed this summer so the U can build a new (though not necessarily less ugly) residence-hall complex. It was really time for the building to come down. So much so, that a big slab of a concrete wall cracked off during demolition last Saturday. It crashed down on the closed cab of the excavator machine. The operator is still in the hospital.
Cafe Racer was first opened by Kurt Geissel and then business partner Staci Dinehart in 2003, originally as the Lucky Dog Espresso.
First with Dinehart and then with longtime manager Ben Dean, Geissel built it into a place that was everything to many people—a coffeehouse, diner, bar, dual art-exhibition space (both permanent and rotating exhibits), eclectic live music venue, and gathering place for both Ravenna/Roosevelt area locals and for several citywide subcultures.
Geissel kept his outside day job all that time, pouring everything the cafe made back into it. It made the front page of the Sunday New York Times arts section for its Sunday all-ages improv-music shows, the “Racer Sessions.”
Some of the other people most responsible for Racer’s rise have included:
As you all know, Meuse and Keriakedes were at the cafe the morning of May 30, when a mentally unstable former customer came in and started shooting. He killed Keriakedes and three other people, and shot Meuse. He fled, shot and killed a woman outside Town Hall, took her car, and was finally found by police in West Seattle, where he fatally shot himself.
Geissel has said he was actually making more money with Racer closed, thanks to insurance. But friends and loyal customers pretty much demanded he reopen. After take a couple of weeks off to get his own head together, he and a crew of volunteers cleaned up and repainted the place and installed a new bar.
Reopening day was all hugs and smiles and closure. There seemed to be a collective sense, not of “normalcy” but of triumph. Meuse was working. Woodring was on hand.
So was Geissel, hauling in fresh supplies of hamburger buns and Tater Tots.
He’s said that not reopening would be letting “the bad” win. Bringing Cafe Racer back, he’s also said, was a process fed by “the tremendous love” expressed by everyone who’s frequented it.
(Cross-posted with City Living.)
Target (or rather “City Target”), which had its “soft opening” on Wednesday, is the biggest new retail opening downtown since 1998, when Pacific Place opened and Nordstrom moved into the old Frederick & Nelson building.
It’s the first new downtown “department store” since Nordstrom expanded from shoes into clothes in the 1960s.
It’s the first “general merchandise” store downtown since Woolworth’s national demise, and the first in Seattle’s urban core since Kroger turned its Broadway Market site from a small Fred Meyer into a large QFC.
And it’s the first downtown toy store since the fall of FAO Schwarz.
It’s on a historic half block of Second Avenue between Pike and Union streets. That’s where The Bon Marché (sigh) occupied a series of buildings between 1912 and 1929. That complex was taken over by J.C. Penney, and housed that company’s biggest-in-the-nation store until it closed in 1982.
When the Newmark condo tower was built there in the 1990s, the original concept for the retail space was to have been a concourse of shops; an unofficial “New” annex to the Pike Place “Market.” Instead, a PayLess Drug store and a multiplex cinema came in, both short-lived.
Target announced in 2010 that it was moving into all three floors and 96,000 square feet. It’s taken that long for them to completely retool the space.
The company says it’s also spent a lot of time and money determining what merchandise to put in the place, which is about two-thirds the size of a normal suburban Target. (I’m sure the arrangement will be revised once the first sales figures come in.)
The lower (Union Street) level is groceries (and storage and parking). It’s strong where the nearby Kress IGA is weak (prices of packaged-food items) and weak where Kress is strong (meat and produce selection).
The main (Pike Street) level is women’s casual wear, drugs, sundries, office and school supplies (yes, there are downtown residents with kids).
Upstairs (connected by the same shopping-car escalator mechanism seen at the Northgate Target), there’s men’s and kids’ wear, casual home furnishings, DVDs, toys, and electronics.
And throughout on day one, downtown workers and residents strolled and checked prices and met up with one another.
City Target helps fulfill a longtime wish of civic leaders to better connect Pike Place to the retail core.
And it fulfills a slogan mounted on the store’s T-shirt and tourist-merchandise section: CITY LOVE.
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P.S.: I’ve mentioned it before, but the dysfunctional-family aspect of the Target company is always fun to relate.
Target was originally an outgrowth of (the now-Macyfied, alas) Dayton’s department store in Minneapolis. (Thus, the chain’s current “City” push is a return to roots of a sort.)
A scion of that family, Mark Dayton, is a prominent progressive Democrat. In 2011 he became governor of the great state of Minnesota.
Target’s current management spent a whole bunch of PAC money supporting Gov. Dayton’s losing (and virulently anti-gay) Republican opponent.
buzzfeed.com
Future John Galts would have to sleep in castles, behind a wall of guards protecting them from us. A philosophy that detests the “gun” of government coercion would survive only by imposing such coercion on everyone else. The masters of a Randian society would rule a wasteland of clear cuts, poisoned streams, and empty seas, except for those patches they personally owned and protected.
There was a competition going on for short films about Seattle. Some of the entrants (at least they seem like they could be) are showing up online. F’rinstance, here’s a poetic ode to the city by Riz Rollins; and here’s Peter Edlund’s Love, Seattle (based on the opening to Woody Allen’s Manhattan and dedicated to team-and-dream stealer Clay Bennett).
comicsbronzeage.com
Just Sayin’ Dept: Here’s something that hasn’t been publicized much in the World’s Fair 50th anniversary celebrations.
Back when the Stranger was still assigning me stories (just never running them), I researched the long and convoluted history of the Eitel Building at Second and Pike. Mr. Savage believed it might be cool to have a story about what he described as “Seattle’s only downtown slum” or words to that effect.
I’d first come to know the 1904-built midrise medical-office building (it was called “the 2nd & Pike Building” by the 1980s) as the storefront home to Time Travelers, a record and comix shop that was a vital early punk-scene hangout.
At the time I researched that later-killed Stranger piece, its then-owner wanted to demolish it for the usual Exciting New Office/Residential/Retail blah blah blah.
But shortly afterward, in 2006, the city slapped landmark status on it, against the owner’s wishes.
At the height of the real estate bubble a few years back, Master Use Permit boards appeared on it proclaiming an imminent 16- to 22-story structure that would incorporate the Eitel’s outer facades but nothing else. That, obviously, never happened.
But now, just weeks before Target opens in the Newmark megaproject across the street, new developers announced a new scheme.
The Eitel will remain intact on the outside, with a “boutique hotel” opening inside sometime in 2014.
But to me it will always be what I’ve always known it to be—one of the last major surviving, un-gentrified remnants of what the Pike Place Market and surrounding blocks to be like. A hard, scruffy place whose “original elegance” had long since settled into comfy sleaze.
The Eitel’s storefronts and basement spaces have held a wide variety of uses over the decades, few of them frou-frou.
There was the original practice space for Ze Whiz Kidz, a pioneering gay cabaret troupe. There was the needle exchange. There were several indie and local-chain fast food outlets, including the current longstanding Osaka Teriyaki.
What there wasn’t was anything on floors 2 through 7. The upper floors have been boarded up since at least 1978. Even the occupied parts have had little in the way of basic upkeep.
The one major change to the exterior cladding was a black faux-deco treatment, done some time in the 1970s and not in keeping with its original appearance.
But that just made it a more lovable little victim of neglect.
Nice to know it will survive, even if it’s not as the funky place I’ve known.
(from a Safeway microwave organic rice bowl)
CAUTION: CONTENTS ARE HOT AFTER HEATING.
…the value of digital ads decreases every quarter, a consequence of their simultaneous ineffectiveness and efficiency. The nature of people’s behavior on the Web and of how they interact with advertising, as well as the character of those ads themselves and their inability to command real attention, has meant a marked decline in advertising’s impact.… I don’t know anyone in the ad-Web business who isn’t engaged in a relentless, demoralizing, no-exit operation to realign costs with falling per-user revenues, or who isn’t manically inflating traffic to compensate for ever-lower per-user value.
…the value of digital ads decreases every quarter, a consequence of their simultaneous ineffectiveness and efficiency. The nature of people’s behavior on the Web and of how they interact with advertising, as well as the character of those ads themselves and their inability to command real attention, has meant a marked decline in advertising’s impact.…
I don’t know anyone in the ad-Web business who isn’t engaged in a relentless, demoralizing, no-exit operation to realign costs with falling per-user revenues, or who isn’t manically inflating traffic to compensate for ever-lower per-user value.
liem bahneman, via komo-tv
irwin allen's 'the time tunnel' (1966), via scaryfilm.blogspot.com
…building businesses whose only way of making money will be through advertising. Are there as many different ways to slice things as all the startups, collectively, would have you believe? And when they’re done, what will happen to them?