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seattle chapter, american institute of architects via kplu.org
andraste.com via the smoking gun
johncage.tonspur.at
Lying has become so ingrained into the conservatives’ national dialogue that they are now dangerously demagogic or, worse, severely unhinged. Blind rage at the election of Barack Obama has wrecked a once great political party. Its leaders have made so many deals with the devil in their almost pathological obsession with unseating Obama that they have pushed the GOP into its own version of political hell – unable to speak truths to their now-rabid and conspiracy-addled base and unable to right the party back onto a path of responsibility. Only through the disinfectant of defeat can the Republicans, and the two party system, be preserved.
slate.com
craig hill, tacoma news tribune
As the eyes of the Earth turn again to Mars, let us look back at one of the most surreal and modern-arty “educational” films ever made, the Disney studio’s animated docudrama Mars and Beyond. Made in luscious color, it premiered in black and white on the Disneyland anthology TV show in 1957, just months after the Soviet satellite Sputnik launched the “space race.”
visual.ly
If you’re going art-crawling this next First Thursday, be sure to see a mini version of the digging machine that will create the Viaduct-replacement tunnel. Go see it even if you normally find such things to be, er, boring.
This is the UW’s Lander Hall dormitory, where thousands of students over the past four-plus decades have slept, drank, toked, screwed, and even studied. It’s being razed this summer so the U can build a new (though not necessarily less ugly) residence-hall complex. It was really time for the building to come down. So much so, that a big slab of a concrete wall cracked off during demolition last Saturday. It crashed down on the closed cab of the excavator machine. The operator is still in the hospital.
via david haggard at flickr.com
'the tax coin' by odd nerdrum, via aftonbladet.se
Regular Seattle art-scene followers remember the show at the Frye museum some years back by hyper-realist Norwegian figure painter Odd Nerdrum. His meticulously detailed images reveal the survival and/or defeat of the human spirit within life’s struggles.
Now he’s become the victim of what his supporters call a, yes, odd campaign of official harassment.
The way his attorneys put it, back in the late 1980s Nerdrum made some paintings with materials that turned out to be non-archival. He’d then made new copies of the same images, and gave them away to everybody who’d bought the now-fading originals.
He even paid national sales tax on the replacements, out of his own pocket. But Norway’s bureaucrats still cried foul. They claimed he was selling new works to overseas buyers without claiming the income on his tax returns.
The result, many years of courtroom hagglings later: a sentence of 34 months in prison, during which he’s forbidden to engage in “commercial activity” (i.e. his art).
Nerdrum’s supporters claim he was targeted for harassment, because of his past political stances against Norway’s ruling regime. (He’s inserted snarky remarks about Norway’s tax system into the titles of some of his most kitschy works; see above.)
His supporters have a “Free Odd Nerdrum” online petition going. Its page says:
Odd Nerdrum is an International treasure, some even say a savior of the art world. He is a man of integrity and a stand against what many see as the essential emptiness of modern art and life. To put a man of his age away in a prison cell for some dubious tax claims is unjust and unfair and a crime in itself. Odd Nerdrum is more than an artist, he is a symbol of pure individualism and that, in itself, is the highest hope for art and man.
Band name suggestion of the month: “Premier Instruments of Pleasure.” (From the “Sexual Wellness” section of the Amazon subsidiary Soap.com.)
Why do we value the network and hardware that delivers music but not the music itself? Why are we willing to pay for computers, iPods, smartphones, data plans, and high speed internet access but not the music itself? Why do we gladly give our money to some of the largest richest corporations in the world but not the companies and individuals who create and sell music?
Why do we value the network and hardware that delivers music but not the music itself?
Why are we willing to pay for computers, iPods, smartphones, data plans, and high speed internet access but not the music itself?
Why do we gladly give our money to some of the largest richest corporations in the world but not the companies and individuals who create and sell music?
theoatmeal.com
Matthew Inman, known to all as The Oatmeal, is Seattle’s (the world’s?) greatest online satirical cartoonist.
He’s also, like so many of us, trying to make a living from his craft in an Internet world in which anything anybody posts is treated as fodder for reposting, revising, or just plain stealing.
Lately, commercial ad-supported dotcoms are using “social media” as their current excuse for taking, and making money from, other people’s creative work without paying those people for such work. “Hey, don’t blame us. We didn’t repost your work. It was one of our users (whom we merely encourage to repost stuff here).”
Inman publicly complained about one such “social aggregation” site, where dozens of his drawings had appeared. Some of his drawings had stayed up at that site, even after others were removed.
The site responded by suing him!
They wanted $20,000 in damages to the reputation of the site’s “brand,” or something like that. At the same time they sent a “cease and desist” letter, demanding Inman stop dissing them.
Inman’s posted response was hilarious; pure Oatmeal snark at its finest.
Inman vowed to start an online fund drive. (Yes, even though he’d already made a cartoon comparing such drives to street begging.)
Then, he vowed to take a photo of himself with the $20,000. The aggregation site’s lawyer would get the photo, plus an original cartoon of the lawyer’s mother (imagined as an unattractive slag) and a Kodiak bear.
The money, however, would be split between the National Wildlife Federation (hence the bear image) and the American Cancer Society.
The (real) fund drive’s title: “BearLove Good. Cancer Bad.”
The result: With 11 days to go, the drive has raised over $165,000!
The aggregation site and its lawyer picked the wrong funnyman to aggravate. (Though the lawyer says he’s thinking of responding with more suits.)
The Power of Oatmeal indeed.
u.s. geological survey
Happy Mount St. Helens Day!
npr.org