auroramills.com

• Sad news in junk-food land. The makers of Hostess cakes and Wonder Bread, once known as Continental Baking but now the privately held Hostess Brands, is filing for Chapter 11 bankruptcy. A needed step for survival, or a ploy to get out of pension obligations? No matter what happens, I will always remember my early fondness for Hostess Sno Balls. Even at a tender age, two white hemispheres meant something to me somehow….
• Let’s welcome the newest member to the Northwest online news family, Olympia Newsriver. Its mission: to track the legislative progress (or lack thereof) on “key bills supported and opposed by Washington’s progressive movement.”
• Microsoft received a patent for a smartphone-based GPS system, aimed at pedestrians instead of drivers. Part of the patent application stated the software would help walkers avoid “unsafe neighborhoods.” Disguised racism, say some detractors.
• Occupy Seattle is not only without a campsite, it may also be breaking apart. One contributing factor: ideological radicals within the movement won’t commit to strictly nonviolent actions.
• Ex-Seattle mayor Greg Nickels says he might run for Wash. secretary of state.
• Seattle’s second anarchist squat house in the past year has been forcibly evicted.
• Not only is Wash. state failing its commitment to fund public schools, it’s not even trying to fund previously passed reform plans for the schools (class size reduction, etc.).
• Amazon news item #1: “Celebrity librarian” Nancy Pearl is teaming up with the e-tail giant to reissue worthy out-of-print books.
• Amazon news item #2: One or more individuals in South Lake Union have put up street posters calling out a noisy minority of the company’s workforce there, calling them inconsiderate “Am Holes.” Trust me: a certain percentage of socially deaf dorks can be found at any tech company. During the early dot-com days of the mid 1990s, such dorks seemed to be everywhere.
• Get set for more rich/poor class conflict in the coming year, just as the Republicans and many Democrats place themselves firmly on the “rich” side.
• The Gannett Co.’s local newspapers may start charging for web access soon, according to buzz within the biz. The subscription fee would kick in beyond a certain small number of pages accessed per month, the way the NY Times does it. Of course, the NYT is a big, substantial product with global reach. Could the Salem, OR Statesman-Journal (the Northwest’s last Gannett-owned daily) similarly command a price for its online presence? (No word yet on whether Gannett’s flagship USA Today will also go behind a paywall.)
• The self styled “Father of the Internet” claims online access is not per se a human right, but rather “an enabler of rights.”
• Workers at a Foxconn electronics assembly plant in China threatened mass suicide, standing on the factory roof for two days until they were coaxed down. It follows 14 suicides (plus four unsuccessful attempts) at the company’s plants in 2010. They died, and countless other workers have cracked or burned out, so western companies can get the absolute cheapest price for product.

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• How-the-mighty-have-fallen dept.: Last year folks mourned the end of Kodachrome slide film. Now, Eastman Kodak itself may declare bankruptcy. The only thing that could delay that move: a fire sale of Kodak’s patents, its only remaining valuable assets.
• The Wash. State Supreme Court ruled the state Legislature is failing in its constitutionally assigned task to fully fund K-12 education. But the court didn’t prescribe any specific action to remedy this. I’m hoping this means the days of brutal, all-cuts state budgets are finally over.
• Speaking of which, some legislative Democrats have another state income tax proposal going, as part of an overall tax reform package. We’ll see how far this one goes.
• The movie biz had a lousy ’11, but music sales (led by commercial downloads) were up 6.9 percent. Non-major-label releases, however, were stuck at about 12 percent of total sales.
• The folks who created the “phone book art space” Gallery 206 tried to give it away to the Seattle Art Museum. They said no, expectedly.
• Not as gruesome as you might have thought: The guy who tried to drive alone in the HOV-only freeway lanes by having a dressed-up skeleton in the passenger’s seat? It was just a plastic skeleton.
• Yesterday when we said Boeing Wichita’s demise was Seattle’s gain? Nope, not really. Blame the obsession by corporate hotshots with outsourcing everything, even if it costs more in the long run.
• Update: That smashingly good sounding “Electronic Literature” exhibit in town, tying in with the Modern Language Association convention at the Convention Center? If you live here, forget about seeing it. It’s only for ticketed convention goers, despite what its web page says.
• R.I.P. Robert Jenkins, a figure in the Seattle music scene for more than three decades. I knew him in the ’80s, playing guitar for Audio Leter, Officer Down, and the New Art Orchestra, among many other combos. Lori Goldston’s obit says Jenkins…

…had an otherworldly timbral and expressive range with both guitar and voice, ranging from beautifully sweet to guttural monster-from-Hell.

There’s more turnover at SeattlePI.com. The site’s “executive producer” Michelle Nicolosi is leaving to start her own outfit, an e-book publishing imprint called Working Press.

Nicolosi had been one of only 16 names left (out of an initial 20, plus interns) on PI.com’s content staff list; and one of those, cartoonist David Horsey, has already decamped for the LA Times. Another mainstay, ace reporter Chris Grygiel, split for the Associated Press last autumn.

Website-metrics ranking company Teqpad estimated last May that PI.com was earning about $1,000 a day from online ads. If that’s true (and it could be an undercount), it would be, at most, a quarter of what the site probably needs to support its content and sales staffs.

This means online ads, by themselves, still can’t support any but the very biggest and very smallest original-content sites.

The search for a business model for 21st-century journalism continues. None of the big media conglomerates has figured it out yet (except for business-info brands like the Wall St. Journal).

Nicolosi believes one solution could be for journalistic entities to publish short, one-shot e-books, based around single specific topics.

But that’s not the same as paying for an ongoing staff keeping tabs on the big and little parts of a community’s life and times. So the search continues.

I’m actually working on my own proposed solution.

But more about that later.

1944-era logo of the first seattle star, now topping the new seattlestar.net

• With the new year we must say goodbye to Swerve, the downtown retail core’s last speciality music and video shop. Its owner had insisted the store was profitable, but she had a new opportunity out of state. With Borders gone, and new Target, Nordstrom Rack, and J.C. Penney outlets still unfinished, Swerve’s loss just adds to the number of holes in downtown’s shopping spectrum.
• Also gone is Seattlest, the locally run but out-of-town owned culture and entertainment site. Its contributors have gravitated to some new all-local startups, including SEA live MUSIC (the name says it all). Another new refuge for Seattlest vets is the cross-genre arts site The Seattle Star. Its founders deliberately chose a name previously used first by a small but spunky afternoon daily (1899-1947) and then by Michael Dowers’ still fondly remembered comix zine (1985-89).
• The indie Greenwood Market, after several years of uncertain future, is finally being razed so Kroger can expand its adjacent Fred Meyer.
• As another dreary Legislative session’s about to start, ex-State Rep. Brendan Williams bashes Oly Democrats as professional cavers.
• R.I.P. Ronald Searle, 91, satirical illustrator ne plus ultra and “Britain’s greatest graphic artist.”
• The feisty-as-ever Roger Ebert has a list of reasons why movie revenues were way, way down in ’11. “Too many sucky movies” isn’t even on the list.
• We’ve linked in the past to gadfly pundit Glenn Greenwald and his diatribes against those he believes are too capitulant toward the right. He’s added Obama, and anybody who supports Obama, to his targets. But Greenwald went too far when he alleged that Obama could “rape a nun” on live TV and his supporters would still back him.
• Speaking of rash allegations, Bloomberg.com’s got a UK academic who claims Wall Street, and perhaps U.S. business in general, has been taken over by “corporate psychopaths.”
• We close with a lovely picture of the highly unofficial “Occupy the Rose Parade” float, a 70-foot octopus made from plastic grocery bags. Looks just like an oversize version of something you’d see at any Fremont Solstice Parade.

The Modern Language Association, those ol’ guardians of the university English department as the supposed nexus of all thought and creativity in America, are meeting in town this week.

Besides the members-only conferences and seminars on surviving campus budget cuts and why doesn’t America appreciate the greatness of English profs, there are a couple of major peripheral events open to the general public.

On Saturday (1/7/12), Town Hall hosts mini-readings (three minutes max) by “60 Writers,” including “upstart, altertative” scribes. Some are local; some are in town for the conference. It’s free and starts at 7:30.

And Washington State University’s Creative Media and Digital Culture Program is organizing a display of “Electronic Literature.” Its curators describe the exhibit as featuring:

…over 160 works by artists who create literary works involving various forms and combinations of digital media, such as video, animation, sound, virtual environments, and multimedia installations, for desktop computers, mobile devices, and live performance.

The works in the exhibit were all “born digital.” That is, they were designed to be experienced as digital media spectacles, not merely adapted from straight-text products.

The exhibit is open Thurs.-Sat. (1/5-7/12) in the Wash. State Convention Center Room 609. There’s also a free tie-in reading event, 8 p.m. Friday (1/6/12) at Richard Hugo House, 1634 11th Ave. on Capitol Hill.

(UPDATE: Even though the Electronic Literature exhibit’s web page says it’s free, it’s really only open to ticketed MLA convention goers. Locals can attend the Hugo House reading, however.)

It’s only appropriate that all this is happening this year in Seattle, ground zero for the big transition from dead-tree lit product to the brave new digi-future.

Be there or be pulp.

Local news items, and my one-take comments on them, should return in greater quantity starting Wednesday. Meanwhile, some more stuff from here and from the larger online world:

• Eric Scigliano says Seattle can’t inspire a comedy like Portlandia or the old Almost Live! because we’re no longer lovable “underdogs.” I say bah. If that were the case, there would be no great comics from New York. (Of course, a lot of New York comedy is about individual lovable underdogs trying to survive life in New York.)
• David Goldstein gently chides SeattlePI.com’s most famous remaining employee, political commentator Joel Connelly, for suggesting that (1) Seattle liberals should be more kind and appreciative toward moderate Republicans, and that (2) moderate Republicans still exist.
• Here’s one person who defends Village Voice Media’s sex-ad site who doesn’t work for Village Voice Media. She’s Jill Brenneman, a self described sex-workers’ advocate.
• A blogger about “natural health and freedom” sees ordinary folks becoming more violent in ways that remind him of corporate/governmental/military brutality. He calls it “trickle down tyranny.”
• A writer of space-opera novels pens a “private letter from genre to literature,” in which he says highbrow-lit fans should learn to appreciate the world of the bestsellers.
• Glenn Greenwald believes that despite his racist legacy, Ron Paul still offers up some ideas progressives should listen to. As for me, a white supremacist who wants to legalize pot is still a white supremacist.
• Mental Floss offers a list of nostalgic sounds of yesteryear—the sounds of rotary phones, manual typewriters, and TV channel selectors.

The new year draws nigh. Around here, that predominantly means one thing. It means we seek your nominations for MISCmedia’s 25th Annual In/Out List, North America’s most accurate predictor of future trends (in a vast array of categories). Tell us your forecasts of what will become hot and not-so-hot within the next 12 months. (Not merely what’s hot and not-so-hot right now.)

Now, in random-linkland:

• Knute Berger has kind words for Lorraine McConaghy’s new Wash. state history tome New Land, North of the Columbia. McConaghy bases her tales on verbatim documents of the periods she explores. This gives her book a real “you are there” feeling, and brings to life events and historical figures which have often been laden with Edwardian creakiness (an image promoted, in many cases, by the historical figures themselves).
• Someone’s put together a list of every all ages show ever held at the long-since demolished RKCNDY club on Yale Avenue from 1996 to 1999. (RKCNDY had previously been a 21-and-over venue since 1991; its site now holds the SpringHill Suites hotel.)
• Charles P. Pierce at Esquire looks at one of this election cycle’s wannabe Third Parties and asks what’s the whole point, if it just gives us yet another champion of the billionaires? (Note that even Esquire, one of those magazines that always points with pride to its advertiser-friendly “upscale” readership, now finds the need to jump on the class-struggle bandwagon. This is actually a sign that the message is getting through.)
• On a similar note, George Monbiot explains better than I can how corporate “libertarian” ideology extols the name of “freedom” as it seeks to make almost all of us much less free. (“Freedom Is Slavery,” indeed.)
• For your listening pleasure, here’s Teutonic punk priestess Nina Hagen in her early years, when she was expected to conform to East German aesthetic as well as ideological strictures.
• If you still yearn for the holiday spirit that never was, relive the fantasy in old Christmas catalogs.

I hereby promise to post more of these in the near future.

• Update: Looks like B&O Espresso will stay open, perhaps through the bulk of next year.
• The City Council’s trying, again, to ban plastic grocery bags. I say it’s none too soon, particularly for those awkward, flimsy Safeway bags that routinely break or spill their contents. It’s impossible to take them home on a bus and expect to get home with all one’s purchases intact.
• SeattlePI.com’s most famous employee, political cartoonist David Horsey, is going to work for the LA Times. He’ll draw and write commentaries about the 2012 election cycle. PI.com will most likely still get to run Horsey’s work on its site. Since the demise of the print Post-Intelligencer, Horsey has seldom addressed local issues anyway, preferring to cover national topics for syndication. The upside of this move is that, just maybe, the Hearst bosses who’ve kept a tight rein on PI.com’s purse strings might reassign Horsey’s salary to beef up the site’s news staff. The site desperately needs more staff-created content to be a first-stop local news destination.
• AT&T to T-Mobile: Let’s call the whole thing off.
• Scientific American claims there’s evidence for the long standing portrayal of creative people as eccentric. I can assure you, however, that eccentric people are not necessarily creative.
• Simon Mainwaring at Forbes.com claims anti-corporate fervor actually provides an opportunity for corporations to enhance their brand images, by hyping themselves as socially responsible.
• Katha Pollitt has her own take on the late Christopher Hitchens. Among other things, she found him way short of acceptability on women’s-rights issues; even though he invoked those among his excuses for supporting Bush’s wars.

There’s a book coming out called 100 Cult Films.

Its authors count mainstream, major-studio products such as It’s a Wonderful Life and The Wizard of Oz among their pantheon of “cult” classics.

And, aside from treating all six Star Wars films as one work, the two authors list nothing made since 2003 (represented by The Room, Tommy Wiseau’s failed domestic drama later re-issued with a “so bad it’s good” angle).

Has nothing of late gained an avid-enough niche audience to be considered “cult”? And if not, why?

One might suggest a few potential reasons:

• Quentin Tarantino’s distillation of the low-budget action film into the now moribund formula of ironic “hip violence.”
• The big studios’ usurption of what had been cult-film subject matter, in search of multiplex- and sequel-friendly “franchises.”
• The proliferation of direct-to-video product marketed AS wink-nudge camp (see The Room as mentioned above; or better yet, don’t see it).

But I would suggest a deeper reason: the collapse of showmanship, of sincere, high-energy entertainment delivered with gusto. That’s all been replaced by rote formulae intended to appeal to demographic targets.

It will take the true independent filmmakers to bring real showmanship back.

To them I advise: Put your heart and soul into your works. And really mean what you say and do. Even, nay especially, when you’re making light comedy.

Besides my current contract job deep within the belly of the publishing beast (now on week 12 of what was to have been 7.5 weeks), I’m coming off of a horrid and still undiagnosed chest thang that had me coughing and hacking like hell.

So I’ve been spending most of my non-working hours resting, not preparing blog posts.

Here are some random links I’ve been saving up.

• “Metronatural,” Seattle’s second dumbest tourism slogan (after “The Emerald City”), may be on the way out.
• The 50th anniversary of the Seattle World’s Fair approaches. The Seattle Channel’s ready with a handy video retrospective.
• Eric Scigliano goes to the once lily white suburbs of south King County to check out the ethnic variety that’s settled in there, as well as the recessionary troubles.
• Sen. Bernie Sanders has proposed a constitutional amendment to get corporate megabucks out of American politics. Nobody expects the proposal to move an inch in the megabucks-owned Congress. The alternate route would be a new “constitutional convention,” which could put up such an amendment for passage by state legislatures (which are also more or less megabucks-owned).
• The Wall Street banksters own so many politicians that nobody dares to officially investigate all their funny-money nonsense.
• Local music mainstay Jesse Sykes complains there’s too much music out these days. Jake Uitti responds by accusing Sykes of having a “fold city” mentality. Uitti defines that as…

A state of being defined by lack, self-oppression and ultimately the judgment of others.

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• The Bruce Lee family is talking about establishing a museum in Seattle honoring the late martial arts star, who lived here for much of his youth. A shame this wasn’t in the works while half the town was trying to put something at the old Fun Forest site that wouldn’t be a friggin’ glass art gallery.
• What happens when a big Wall St. bank CEO (specifically, the CEO of the big bank that devoured our own once-beloved Wash. Mutual) comes to town to give a speech during the height of the Occupy ____ protests? Citizen blockades and pepper spray, that’s what.
• Forget about caffeinated meat. That was yesterday’s novelty product. Today’s big news in pick-me-ups is caffeinated inhalers!
• The Tacoma City Council passed what was essentially an anti-Walmart zoning law. But, faced with potential unaffordable lawsuits, the council’s backed down and allowed Walmart’s application to proceed through the bureaucracy.
• Darcy Burner, one of our favorite folks, is running for Congress again. This time it will be in the redrawn version of Jay Inslee’s old district.
• R.I.P. Thomas Patrick Haley, who bought two neighborhood-newspaper groups and combined them into Pacific Publishing Co. Haley took a ragtag batch of properties (including a job printing operation) and put them on a firm footing (well, as firm a footing as could be attained in that subset of publishing). The Belltown Messenger had a co-publishing agreement with Pacific for the five years I was involved with it. I appear once a month in Pacific’s Capitol Hill Times.

SeaTimes average paid circulation has shrunk again, to 242,814.

This is according to the latest Audit Bureau of Circulation report, covering the six months ending Sept. 30. This decline is comparable to that of other big-city dailies.

(One exception to this trend: The NY Times, which actually has more Sunday print readers nowadays. That’s because it’s offering “weekender” print subscribers full access to the NYT’s online content, at less than half the price of a web-only subscription.)

•

The SeaTimes still plans to vacate its 81-year-old landmark HQ on Fairview Ave. The company now plans to hold on to the site, while offering a “ground lease” deal to developers. If one reads between the lines of the paper’s spokesperson Jill Mackie in the linked story, one can conclude the company hopes to help subsidize the paper’s losses via real-estate profits.

•

Before those profits, if any, kick in, there are areas where the already-thin paper could keep shrinking.

The biggest of these is the space given to wire-service stories, particularly on Sunday.

Some local-reporting beats could be turned into blog-like columns, to which assigned reporters would fill a predictable quota of  column-inches every week, whether there’s a big story in that subject area or not.

The SeaTimes could also give up on home delivery for the nearly ad-free Mon.-Wed. papers. (The potential snag to this idea: its recent deal to take over the Everett Herald’s delivery operations.)

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I know some of these are a few days old. My present life is just that hectic, yes.

• The CBS Radio Stations Group, in its infinite wisdom, is transferring ex-child actor Danny Bonaduce’s morning talk gig from Philadelphia to Seattle’s KZOK-FM. In the recent past, celebrity offspring Ron Reagan Jr. and Scott (son of Bob) Crane fared well as Seattle radio personalities. Can Shirley Jones’s pretend-spawn do likewise?
• Seattle Weekly shrinkage watch: Perhaps in a pathetic attempt to get back at Mayor McGinn, over the latter’s allegiance to the crusade against SW sister company Backpage.com, the paper filed a public disclosure request seeking any instances of McGinn’s office using swear words in emails.
• Farm worker shortages aren’t just for Alabama anymore.
• Even Ken Schram agrees: The state can’t get out of its fiscal mess by cuts alone.
• Living costs (led by rent) have risen faster in Seattle than in the state as a whole.
• Separated at Birth: Microsoft’s new “video of the future” and AT&T’s 1993 “You Will” commercials?
• Much of what “they” say about the Internet today, was said at its infancy 15 years ago.
• Could hydroponic farming, that old pot-inspired technology, actually become a viable way to grow veggies in cities and suburbs?
• A blogger at the site Zen Peacemakers says the economic reform movement shouldn’t be about “the 99 percent,” but about uniting everybody toward a common, better future.
• Right wing outrages of recent days include a Halloween-themed Virginia Republican email depicting a zombie Obama shot in the head.
• And in corporate outrages of recent days, Citigroup settled (without admitting guilt) a case in which the big bank allegedly, knowingly, sold worthless mortgage-burger securities, while simultaneously “selling them short” (essentially betting they would fail). And the big banks still insist that all they have is an “image problem.”
• Kemper Freeman outrages of recent days include the Bellevue Square mogul and anti-transit obstructionist spearheading a trumped up “crusade” against a pro-transit Bellevue politician.
• And in deference to what has become America’s favorite adult holiday, here are the Occupy Seattle pumpkins at Westlake.

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Before Thomas Frank became a renowned author of geekily-researched anti-conservative sermon books, he co-ran a tart, biting, yet beautifully designed journal of essays called The Baffler.

It was based in Chicago for most of its existence. Its original focus was the intersecting worlds of corporate culture (including corporate “counterculture”), entertainment, and marketing. (It’s where Steve Albini’s 1994 screed against the music industry’s treatment of bands, “Some Of Your Friends Are Already This Fucked,” first appeared.) As Frank’s concerns steered toward the political, so did The Baffler‘s.

Its one consistent aspect was its irregular schedule. Though it was sometimes advertised as a “quarterly,” only 18 issues appeared from 1988 to 2009.

This will now change.

The title was bought in May by essayist/historian John Summers. Last week, Summers announced he’s attained backing from the MIT Press. MIT and Summers promise to put out three Bafflers a year for the next five years.

This is good news, because we need its uncompromising voice more than ever.