The Sub Pop Silver Jubilee was about the best-organized and best-managed festival I’ve seen in many a day.

And it was all free, and (except for one stage) all-ages.

Not that there weren’t people you could give money to.

All up and down the closed-off Airport Way “hip strip” in Georgetown were food trucks, T-shirt stands, and a few chosen charitable causes. One of them was the Parkinson’s Foundation, fighting the disease Sub Pop cofounder Jonathan Poneman now faces.

You don’t need me to tell you all that was there. There was a “pop up” (temporary) revival of the Sub Pop Mega Mart retail store. There were photo and poster exhibitions., DJ sets, and panel discussions.

And there was live music well into the evening on four stages. They ranged from the label’s new stars, such as THEESatisfaction (above),…

…to some of the label’s original acts, such as Tad Doyle (above left), just as grindingly-heavy as ever with his current outfit Brothers of the Sonic Cloth.

For an indie record label to have survived 25 years to today’s Age of Disruption is an amazing thing. Especially for a label that almost died at least three times in its early days.

And the Silver Jubilee, a combo of a street fair and an outdoor concert festival, was as near a perfect day as could be made.

For a few brief hours, it seems like garage-y guitar rock was still the “sound of young America” and a beacon to the future.

• I’ll have my own comments about the big Sub Pop anniversary shindig in a bit. But here’s Charles Peterson’s definitive pic of the event.
• The next local funky institution to fall victim to overdevelopment: the venerable downtown music club Noc Noc.
• We already told you of the development scheme that would erase Wallingford’s beloved Chinese restaurant and dive bar Moon Temple. Now it turns out CVS, a pharmacy chain with little presence in this region heretofore, is anchoring the project. A petition has been started.
• One of those Forbes.com “contributors” describes today’s Pearl Jam as a “mature lifestyle business.”
• How do artists make it fiscally in today’s Seattle? With great difficulty.
• The Pike Place Market’s “gum wall” is bigger than it’s supposed to be.
• At Microsoft today, “radical” reorganizations are almost as frequent as they used to be at Apple. (By the way, here’s what Jean-Louis Gassée, who led Apple during some of that firm’s reorgs, had to say last year about MS’s callous way of picking people to fire.)
• UW students are planting anti-human-trafficking messages with feminine napkins. The story doesn’t say how the students plan to get the products to the intended recipients.
• Alaska Airlines doesn’t want the City of SeaTac to impose “living wage” requirements on airport-based workers.
• Still need a tourist destination for the rest of this summer? Check out Pocatello ID’s “Museum of Clean.”
• Some extremist nutjob tried to pass off footage of the 2011 Vancouver Canucks fan riot as if it were Miamians protesting the Zimmerman verdict, instead of depicting the peaceful, anti-violence protests here and elsewhere.
• Mark Sumner at Daily Kos ponders whether humankind’s strive toward a greater future could just putter out.
• Bob Moser at The American Prospect sees the south turning solidly progressive, but perhaps not for another decade.
• Some YouTuber has edited all of Terry Gilliam’s animations from Monty Python’s Flying Circus together into four complilations.

I got a pic of the historic Mudhoney set on the Space Needle Roof on Thursday, but it didn’t quite come out as I’d hoped. Here’s a far better shot by my ol’ pal Charles Peterson (and here’s a link to video of the set):

charles peterson

As it happens, both the band and its longtime record label Sub Pop are 25 years old. The latter’s celebrating its milestone all day Saturday in Georgetown.

Thursday’s gig was an all-afternoon live affair on KEXP, including two opening solo-acoustic acts and DJs and interviews with Sub Pop personnel past and present downstairs on the Needle’s observation deck.

KEXP had its own 40th anniversary last fall, but waited until today to hold an all-hands reunion party at the Sunset in Ballard.

For those who tuned in late, KEXP (renamed at the behest of onetime funder Paul Allen) began as KCMU, part of the UW’s School of Communications (“CMU” was the UW’s course-code prefix for Communications classes).

That’s where I DJ’d a little show of party tunes with Robin Dolan, then went on to my own shift, modestly entitled “Broadcast Radio of the Air.”

Ran into a lot of the old gang at the Sunset. Along with much of the station’s current team, including John Richards and Kevin Cole (again, sorry for the bad snapshot quality).

Also there was Faith Henschel-Ventrello, one of the old KCMU gang. She now does big event planning in Calif. but is back to work on the Sub Pop jubilee shindig.

Seeing these old station newsletters, stickers, T-shirts, and a box of LPs from its early vinyl collection (complete with DJ-scrawled “Yes!” endorsements), and meeting all these onetime champions of youth culture now propelled inexorably into adulthood (if not into “maturity”), really made me feel like (1) we’d been on the ground floor of something that became mighty, and (2) damn I’m old.

• Nostalgia Alert: M.J. McDermott, KCPQ’s morning weatherperson, was “Ronnie” on Roscoe and Ronnie, the last local kids’ show on commercial TV. It was axed in ’95, when KSTW’s out-of-state owners killed all that station’s local programming. Now she’s petitioning the FCC, to encourage shows like that to be brought back.
• Roberta Byrd Barr, recently deceased at age 74, was Seattle’s first female high-school principal, and the first African-American to host local TV public-affairs shows.
• Seattle without the original Ivar’s Acres of Clams? It could happen, for as long as nine months. It’s one of 15 waterfront businesses the City wants to pay to keep closed during tunnel construction.
• Seattle Times Shrinkage Watch: Executive editor David Boardman’s quitting after 30 years, to work at Temple U in Philly.
• Seattle Central Community College’s health-ed programs could move into part of the old Beacon Hill hospital tower that was once Amazon’s HQ.
• Amazon’s getting into comix publishing, specializing (at least at first) in adaptations of Nerderati-favorite novelists.
• Edward Snowden: Courageous whistleblower or right-Libertarian Obama-basher?
• The Beats: Daring nonconformists or sexist dweebs?
• UK publisher Felix Dennis sold the U.S. edition of Maxim and two other “lad mags” for $250 million. Six years later, Maxim is for sale again, for a mere $20 million.
• A federal judge has ruled against Apple and the big book publishers in that e-book price-fixing suit.
• Health Scare of the Week: Fish oil capsules could give men cancer.
• Just because most people who believe themselves to be MSG- or gluten-intolerant probably aren’t, it doesn’t mean they don’t get real symptoms.
• Take away the “hipster”-bashing headline and there’s still a potential real problem with people who decide they can’t run their backyard chicken coops anymore, and who just drop off the critters at animal shelters.
• The Quebec oil-train disaster was caused by plain ol’ crude catching on fire, just like in the Gulf of Mexico.
• The Next Big (Televised) Thing, according to the Norwegians: “Slow TV.” Long-attention-span (or simply hypnotic) umpteen-hour, real-time explorations of train trips, knitting demonstrations, and salmon fishing.
• After 40 years as everybody’s favorite “obscure music” band, the Residents deserve better than for have Ke$ha’s backup dancers to steal their trademark eyeballs-and-tuxedos look.
• Back in the mid-’90s, Penn and Teller set out to create the world’s dullest and most infuriating video game. They probably succeeded.

the new yorker

• Today’s educational cartoon: “The History of Western Architecture in Under 15 Minutes.”
• Nope, there won’t be an NHL hockey team in Seattle next season. But you probably suspected that would be the case. I don’t want Seattle to be invoked as “leverage.” I want Seattle to have a team.
• I’ve been learning first hand how too-damn-high the rent is around these parts these days.
• How does a metal piece from a wood-chipper machine fall from the sky and crash into a Seattle house? And will the Coen brothers make a movie of it?
• Jason Everman is more than the guy who got kicked out of both Soundgarden and Nirvana. He later became a member of the U.S. Army Special Forces in Afghanistan, and a real war hero.
• The only self-proclaimed socialist in this year’s Seattle mayoral race was among several foreclosure protesters arrested at a Wells Fargo branch downtown.
• Did a Seattle “drifter” really murder a CIA-connected Wall St. financier in 1985? And even if she did, was there, you know, something more behind the act?
• Steinway (which owns several other famous musical-instrument brands as well as its legendary pianos) was bought by a leveraged-buyout specialist known infamously as an “asset stripper.”
• The Jacksonville Jaguars have a sure-fire idea for getting more fans at home games: let the fans watch telecasts of better NFL teams on stadium monitors.
• Douglas Englebart, R.I.P.: The inventor of the computer mouse was also part of many research projects that took computing from the realm of punch cards to PCs and the Internet. (He was also a Portland boy and an OSU alum!)
• Could the original Lone Ranger (debuting on Detroit radio in 1933) have been based on an African American Deputy U.S. Marshal?
• Slate’s Barry Friedman and Dahlia Lithwick assert that “the left” should be about more than easy-to-frame, easy-to-poll issues such as gay marriage. It should be about democracy, economic fairness, saving the planet, abortion rights, and other tough topics.
• And remember everyone, have yourselves a fab holiday and celebrate this nation’s traditions appropriately. I will do so by singing our national anthem with its original lyrics (an English drinking song about the joys of carousing and screwing!).

via wikipedia

kiro-tv

Known for decades as a cranky reactionary political commentator, you might find it hard to believe he’d started as a Seattle Times art and theater reviewer.

There, and later as managing editor at the P-I, he regularly advocated for the “fine arts” as a civilizing force, a means toward furthering the region’s progress from frontier outpost to respectable conservative community.

When the Seattle World’s Fair ended, Guzzo famously editorialized that the fair grounds (to become Seattle Center) should be devoted entirely toward arts/cultural pursuits. He specifically did not want any amusement-park rides there. He lived to see them finally removed.

One of Guzzo’s closest allies in this education-and-uplifting ideology was Dixy Lee Ray, who ran the Pacific Science Center. He later worked for Ray at the Atomic Energy Commission and during her one term as Washington Governor.

After Ray was primaried out of a re-election bid in 1980, Guzzo became a regular commentator on KIRO-TV. That’s where, in 1986, he delivered a blistering attack against greasy-haired, anti-social punk rockers. (The motivation was the infamous Teen Dance Ordinance, which Guzzo supported.)

In response, a local hardcore combo called the Dehumanizers released a blistering attack on him, in the form of a 45 entitled “Kill Lou Guzzo” (which began with a sample of Guzzo’s original commentary). Guzzo sued the band and its record-label owner David Portnow. Portnow responded by pressing more copies.

After retiring from KIRO at the end of the 1980s, Guzzo started a “voice of reason” website and self-published several books.

the fullbright company

The Penny Arcade Expo (PAX) is one of the video-game industry’s biggest conventions. Appealing to both fans and industry people, it often sells out its annual occurrence at the Washington State Convention Center.

One game company, with a major new product to promote, won’t be there.

The Portland-based Fullbright Company has a “story exploration” title Gone Home. Set in a large, mysterious Oregon house in 1995, it includes musical tracks by ’90s Riot Grrrl-era bands Bratmobile and Heavens to Betsy.

Fullbright got an invite to show off Gone Home at PAX’s “Indie Megabooth,” a portion of the Convention Center show floor dedicated to games from small developers.

Fullbright’s small staff turned the invite down.

They cite several reasons, but basically they’re offended by stances and “jokes” made by PAX founders Jerry Holkins and Mike Krahulik.

•

It’s a long story, but here’s the short version:

PAX, as anyone who’s even thought of going to it knows, is an offshoot of Penny Arcade, a web comic by Holkins and Krahulik. The strip is full of in-jokes about games and gamers.

In August 2010, PA ran a strip called “The Sixth Slave.”

The strip was a one-off gag about user challenges in multi-player games such as World of Warcraft, in which users challenge other users to “kill 10 bad guys” or “save five prisoners” in an allotted amount of time.

In the cartoon, a character pleads with another character to save him from slavery:

…The comic features a (white, male) slave begging for rescue from another character. “Hero!” he pleads. “Please take me with you! Release me from this hell unending! Every morning, we are roused by savage blows. Every night, we are raped to sleep by the dickwolves.” The hero tells him, “I only needed to save five slaves. Alright? Quest complete.” The prisoner protests, “But…” The hero interrupts him, “Hey, pal. Don’t make this weird.”

The above description comes from a post by guest blogger “Milli A”, at the feminist/political blog Shakesville. As you might expect, she didn’t like the gag at all.

She explained that she didn’t like any reference to rape in a context of attempted humor. Even in meta-fantasy situations; even with a male victim; even when it’s mentioned as a violent crime, within a list of other violent crimes.

Holkins and Krahulik’s attempted explanation in a subsequent strip merely further annoyed critics. Many of these critics interpreted the explanation as the product of game-geeks who didn’t “get” the experiences of real-life victims of violence.

Holkins and Krahulik’s subsequent responses to the increasing controversy seemed to depict their critics as outsiders who didn’t “get” gamer culture and the strip’s humor (which, admittedly, is sometimes morbid and often requires deep knowledge of gamer tropes).

Krahulik, in particular, seems to have gone “extreme” in condescending Twitter and email “jokes” about the critics. It’s as if he were consciously trying to affirm the common stereotypes of male game-geeks (and of male scifi/fantasy geeks in general) as socially-inept dweebs who can’t relate to anyone outside their own subculture, especially if that anyone is a female who’s not wearing spandex.

This is a shame for many reasons. One reason is that PA and PAX have been supportive of female gamers and game creators in the past.

Can they realize, and once-n’-for-all state, that there’s nothing daringly “politically incorrect” about their past statements?

wallyhood.org

I’ll have stuff to say about the big gay parade and the potential for NHL hockey in Seattle a little later this week. For now, some randomosis:

• Seattle’s next potentially doomed institution: Wallingford’s infamous Chinese restaurant and un-“restored” dive bar, the Moon Temple.
• By killing King County Metro’s chance to save itself, State Sen. Rodney Tom is not only a traitor to the Democratic Party but to the people of his own county.
• Here’s Dan Ireland, co-founder of SIFF and the Egyptian Theater, commenting on that storied film venue’s recent demise.
• Blistering Eastern Washington heat + booze + “rave drugs” mixed by who-knows-whom from who-knows-what = danger.
• Seattle’s first civil-rights sit-in occurred 50 years ago this week at the old Municipal Building, protesting racial discrimination in housing and the City’s sluggish pace at doing anything about it. An anti-discrimination law still took five years after that to get enacted.
• The NY Times (heart)s Macklemore.
• Some guy’s list of the “100 Greatest Female Film Characters” is long on “costume” roles (such as Catwoman) from action blockbusters, crowding out more ambitious drama/comedy parts.
• Kansas City’s all-underground office complex is only one of the “weirdest urban ecosystems on earth.”

kenny johnson, the atlantic via io9.com

io9.com

• “Geek” vs. “Nerd,” definitively differentiated at last!
• The state will probably avoid “sequester junior.” But can the Legislature overcome Republican do-nothing-ism and pass a transportation plan that saves King County Metro?
• Gross out news of the day (local): Three women beating up on another woman in broad daylight at Westlake Center, while shoppers stand by and do nothing.
• No, legal pot won’t automatically lead to balanced state budgets or “make everyone happier, hipper and cooler.”
• Could Seattle’s “scuzziest” charity really be the police union?
• Tacoma tap water, coming soon to a bottled-water shelf near you.
• Just in time to just possibly potentially become an NHL arena, the Tacoma Dome’s selling naming rights.
• Dominic Holden claims the Voting Rights Act isn’t quite as dead as it may appear to be.
• The Texas Republicans are pretty much caught red handed trying to steal that state-senate anti-abortion vote. Of course, as they say on Daily Kos, “IOKIYAR” (“it’s OK if you’re a Republican”).
• R.I.P. Alan Myers, Devo’s drummer during the band’s major-label years. His perfect “human metronome” timing laid the foundation for the Mothersbaugh and Casale brothers’ quick changes of tempo and key. His most flamboyant work was in the opening of “Freedom Of Choice.”

A lot of Seattleites, especially on Capitol Hill, have things to be happy about this week.

The gay marriage cause, for which a lot of people here worked very hard this past year, received a big boost from the U.S. Supreme Court—just in time for Pride Weekend.

But folks on the Hill, and all over town, still have a sad occasion today.

The Egyptian Theater closes after 33 years of screenings, including most of SIFF’s main shows.

•

A little history:

The Seattle Masonic Temple opened in 1915. By the 1970s, its big auditorium was regularly used for pro wrestling events.

In late 1975, Daryl McDonald and Dan Ireland leased the Moore Theatre downtown, and renamed it the “Moore Egyptian.” (There had been a previous Egyptian Theater in the U District, which has nothing to do with our story.)

That’s where McDonald and Ireland started SIFF in May 1976, with a short program of 18 screenings.

Four years later, McDonald and Ireland leased the Masonic auditorium and re-christened it the new Egyptian. New management returned the Moore to hosting live concerts and stage shows. SIFF used both rooms for a couple of years, then made the Egyptian its permanent annual home base.

The Masons sold the building to Seattle Central Community College in the mid-1980s. SCCC used the building’s non-auditorium areas for its (also now-ended) film and video program and for assorted offices.

After a few years, the Egyptian came into the Seven Gables chain, founded by local art-house tycoon Randy Finley. He sold his theaters in the mid-’80s. They later went into the national Landmark chain, which in turn was eventually bought by Dallas entrepreneur Mark Cuban. SIFF continued to rent out the Egyptian as its main venue for three and a half weeks each year.

(Cuban also owns the Dallas Mavericks basketball team. In 2008, he was the only NBA owner besides Seattle’s own Paul Allen (representing the Portland TrailBlazers) to vote against moving the Supersonics to Oklahoma.)

Meanwhile, the economics of motion-picture exhibition got steadily sourer.

The Internet, that great Disruptor of All Media, played a part.

So did the consolidation of the big studios and the big theater chains, making things tougher for relatively little guys like Landmark. (Cuban reportedly tried to sell Landmark a couple years ago, but got no takers.)

While the Egyptian was usually full or near-full during SIFF screenings, its 600 seats steadily became harder to fill during the other 48 weeks.

Once this year’s SIFF ended, Landmark quietly told SCCC it wouldn’t keep leasing the space.

•

The building’s not going away, unlike so many other Pike/Pine landmarks in recent years.

SCCC has fielded applicants to take over the auditorium, but hasn’t announced any new tenant.

SIFF has recently returned to running its own year-round theaters. Would, or could, SIFF add the Egyptian back into its full-time fold?

If SIFF or anyone else wanted to use it for movies, they’d have to get one of those costly digital-cinema projection setups the Hollywood distributors now require, and which have been the focus of “save our theater” fund drives here (Central Cinema, Northwest Film Forum) and elsewhere. Landmark already said it would remove the Egyptian’s digital setup, for re-installation at one of its other properties.

Alternately, the space could become (at least in non-SIFF months) a concert venue or lecture hall. (The stage is too shallow for much live-theater work.)

But, pending any revival as a single-screen cinema, it’s safe to say the Egyptian tradition ends today.

It’s not the last link to Seattle’s 1970s funky art-house aesthetic (the Harvard Exit, Grand Illusion, Guild 45th, and Seven Gables are still with us). But it’s still a loss.

animalnewyork.com

• We already told you about the elderly Japanese man who makes landscape art using Excel spreadsheet documents. In another example of Microsoft products and their unintended creative uses, a couple of Spanish video artists made a motion-capture erotic art clip using the XBox 360’s Kinect camera.
• It’s boom time for chickpea farmers in Wash. state, as hummus mania takes over as America’s new snack-O-choice. Even more fun, it turns out the market for the bland beige spread’s controlled by a joint venture of Pepsi and an Israeli company. (As for myself, I have declared my body to be a hummus-free zone.)
• Sick of the Sims? Then experience a fictionalized version of working class street-vendor existence in the locally made video game Cart Life.
• A pair of Seattle Times guest opinionators remind you that Wash. state can’t, or at least shouldn’t, rely on importing educated workers instead of educating our own folk.
• Some Seattle neighborhoods are getting wowzers-fast Internet service next year.
• Eric Alterman asserts that the American populace is “much less conservative than the mainstream media believes.”
• Arrogant, elitist, crooked mega-bankers: Ireland’s got ’em too.
• White House economist Alan Krueger spoke at the Rock n’ Roll Hall of Fame in Cleveland. His topic: how today’s winner-take-all economy resembles the old superstar-dominated rock scene.
• Meanwhile, author George Packer claims the “Decline and Fall of American Society” began in the pre-Reagan late ’70s. But Packer blames it, in part, on the Reaganist “self-interested elites.”
• We’ve linked previously to Camper Van Beethoven/Cracker frontman David Lowery’s blog calling for “an ethical and sustainable Internet.” Now, Lowery has posted his Pandora songwriting royalties for one of his biggest hits. It got played a million times and he got less than $17.
• New carbon-fiber cables could lead to longer-distance elevators, which in turn could lead to mile-tall skyscrapers.
• Mia Steinberg at XOJane offers advice on “How Not to Be a Dick to Someone With Depression“:

When you tell someone with depression that they should maybe try harder to be happy, it’s essentially like telling a diabetic that they could totally make an adequate amount of insulin if they just concentrated a little harder.

• Finally, some pathos combined with memories of commercialized “fun,” in the form of the world’s abandoned amusement parks.

chris luckhardt via seriouslyforreal.com

thecoffeetable.tv

A big batch-O-randomness today, catching up after several days without it.

To start, there’s yet another indie “webisode” series made here in Seattle. It’s called The Coffee Table. It’s a simple scifi comedy, in which some dudes n’ dudettes are propelled into another dimension by the titular table, which turns out to be “an ancient alien artifact.”

Elsewhere in randomosity:

• After all the sturm-n’drang over the almost-neo-Sonics debacle, could Seattle really get an NHL hockey team without really trying? And if so, what the heck would we do with it? And what would we call it? Our old hockey team names, “Totems” and “Metropolitans,” would certainly do. But ya know, there’s nothing wrong with “Coyotes,” the current name of the team that could go here. After all, Wile E. Coyote creator Chuck Jones is a Spokane boy.
• The City’s back into the biz of harassing all-ages clubs again.
• Should city council elections be publicly funded under a heavily incumbent-favoring formula?
• Also closing this week besides the Egyptian Theater: the Copper Gate, the Ballard upscale bistro and sometime music lounge on the site of (and including a nude relief backbar mural from) a onetime legendary dive bar.
• And, having already lost Costa’s Opa in Fremont, Seattle loses another classic Greek joint. The Continental Pastry Shop in the U District, having served affordable Euro entrees and treats to students and others for four decades, calls it quits this week.
• Call it Sequester, The Local Edition. Do-nothing Republicans could shut down huge parts of Wash. state government this week.
• It’s not just turncoat ex-Democrats in our own State Senate who get off on Seattle-bashing. So did a pro-coal West Virginia Congressman recently.
• KUOW remains atop the local radio ratings by very carefully orchestrating a day-long “sound massage,” in which no news/talk segment runs longer than five minutes.
• A Canadian study claims people who read more “literary fiction” (you know, the highbrow, less-genre-formulaic stuff) increases one’s tolerance for “ambiguity.”
• On the other end of the certainty spectrum, it’s sadly not true that right-wingers are all low-IQ racists. Some of them are calculating evil geniuses.
• Affirmative action has “helped white women more than anyone,” sez Time. I remember back in ’98 when there was an anti-affirmative-action initiative. The campaign to defeat that measure put up TV spots displaying not a single nonwhite face, only white little girls.
• Lameness on top of sadness: A lame “satire” site (from China) ran a fictional piece claiming that James Gandolfini wasn’t dead and that everybody who (truthfully) said he was was a victim of a hoax.
• Management at the Men’s Wearhouse no longer likes the way their founder/spokesdude looks.
• A guy who’d spent two years building up the “brand” of his travel blog found a big corporation completely stole his name and concept for a marketing campaign.
• Similarly, Nike thought nobody would mind if it ripped off a famous Minor Threat record cover. Wrong again.
• Economic scandals you probably already knew: BankAmeriCrap guys lied to and swindled mortgage holders, and financial-ratings companies inflated the grades of mortgage-burger investment packages.
• The editor of American Elle insists her mag, and mags like it, do indeed carry “serious journalism.”
• Some dude’s list of history’s “Top 10 Most Evil Women” leaves out “Typhoid Mary” and Paula Deen.
• We close for today with a 73-year-0ld Japanese guy who makes beautiful landscape art with Excel spreadsheets!

via spoon-tamago.com

via musicruinedmylife.blogspot.ca

The Fastbacks, the “Seattle Scene’s” most enduring band (and one of its most loveable), recorded lots of great cover songs (originally by the Raspberries, the Sweet, and even Sesame Street!) in addition to their many originals. Some of these were buried on “tribute” compilation CDs. Here’s a list of 17 such tunes, and a slightly longer but still incomplete list.

Elsewhere in randomosity:

• According to Richard Metzger, the greatest document of Paul McCartney’s post-Beatles musical career is a concert doc filmed in Seattle—in the acoustically notorious Kingdome, even.
• David Meinert’s growing restaurant empire will include the successor to Capitol Hill’s legendary dive bar the Canterbury.
• Time to restart the neo-Sonics rumor mill again. Now, Chris Hansen and co. are reportedly negotiating for an expansion franchise.
• The state’s thinking of authorizing private pot smoking clubs. I only ask that they be ventilated in such a way as to keep that weed stink off the streets.
• The Republican-stalled Legislature still hasn’t saved King County Metro Transit. But, on the Seattle-only transit front, Mayor McGinn still plans to invest in a new downtown streetcar line. This probably means the mourned Waterfront Streetcar will remain dead for the foreseeable future.
• Meanwhile, the second Monorail Initiative tell-all book is out. It’s called Rise Above It All. It’s written and self-published by Dick Falkenbury, the ultimate political outsider and co-instigator of the plan that would have had trains on grade-separated tracks, roughly where the RapidRide C/D bus goes now.
• MTV’s playing music videos (remember them?) again. But just for half a day, on the Fourth of July.
• A woman at the big video-game industry confab Tweeted® a complaint about the lack of female starring characters in new video games. Cue the bigoted trollbots in 5, 4, 3….
• R.I.P. Arturo Vega, associate of the Ramones for their entire band-career and designer of the group’s “All American” logo (still worn on T shirts by people who weren’t alive when the band was together).
• Steven Spielberg sez the reign of action mega-blockbusters (and of the big Hollywood studios!) is only a few box-office flops away from being over. Then he says audiences can expect really high prices for the privilege of seeing a movie in a theater (yes, even higher than they are now).
• Robert Reich sez we could have full employment, even in an age of robotized manufacturing and other techno-“innovations,” if we only had the political will to make it so.
• A UK pundit with the appropriate name of Tom Chatfield agrees with me that society, far from becoming “post literate,” is actually more dependent upon written language than ever. And he ponders whether it’s a good thing:

There is no such thing as a private language. We speak in order to be heard, we write in order to be read. But words also speak through us and, sometimes, are as much a dissolution as an assertion of our identity.

• Turns out the heroine from Brave isn’t the only female character in cartoons (and toys) to have been “tarted up” in recent years. Just look what they’ve done to Strawberry Shortcake!

ebay photos, via thestir.cafemom.com

jordan stead, seattlepi.com

• The J.P. Patches memorial street sign is a thing. A wonderful thing.
• Was an area teen denied entrance to her high school prom because she had large breasts, or because her gown had revealed too much of them?
• The guy who took highly unauthorized pictures of himself atop the Space Needle (and not in an approved way) has been found out.
• The living members of Alice in Chains were in a web chat, where they offered the following (facetious) advice to young bands:  “Just quit now. Save yourself before it’s too late.”
• A local musician gave an informal poll of his colleagues to determine the best and worst places to play in Seattle.
• A moment of silence, if you will, for the career of disgraced now-ex Snohomish County executive Aaron Reardon.
• One of those regional speech variants surveys lists, among other differentiating words, the ways people in different parts of the country pronounce “crayon.” The article didn’t list the way everyone in my school said it: “color-cren.”
• Ex-Seattleite Lindy West, as some of you know, appeared on a cable talk show to debate the issue of whether rape “jokes” were, by their nature, unfunny. (She essentially said they were.) The usual way-stoopid web trolls showed up on comment boards, claiming that both (1) they’re not tools of “rape culture,” and (2) they wished someone would rape West. What?
• Big Pharma has been looking for years for a “Viagra for women.” Now a company supposedly has a “female libido booster.” And (male) scientific observers and pundits are expressing worry that it might work too well, unleashing that long-feared chaotic force that would enflame the planet in unabashed… (Better stop before I start talking like a semiotician.)
• Elsewhere, Swiffer thought it would be cool to depict the WWII icon “Rosie the Riveter” as a cleaning-obsessed housewife. Uh, nope.
• Michael Lind at Salon asks if Libertarianism is so great, how come no country on Earth has ever tried it? (Of course, the same thing could be said about “real” Socialism, etc.)
• CollegeHumor.com offers sample home pages answering what would happen “if all news sites worked like BuzzFeed.” (Or Huff Post, or any of a score of click-whoring aggregation sites.)

collegehumor.com

joshua trujillo, seattlepi.com

• There was a remembrance in Cowen Park marking one year since the Cafe Racer tragedy.
• Unlike some of the “radicals” fighting against low wages at fast-food joints, I actually patronize fast-food joints. And I want the fine people who prepare my meals to be properly compensated for the fine work they do.
• The FBI investigated the song “Louie Louie” for two whole years, only to find a simple love lyric made unintelligible.
• Will legal pot in our society lead, invariably, to corporate pot?
• To Microsoft’s regret, it just can’t get people to say “Let’s Bing it.”
• Our ol’ pal Gillian Gaar reports the “Welcome to Aberdeen: Come As You Are” sign might come down.
• Who, besides “out o’ sight, out o’ mind” NIMBYs, benefits from the suburbanization of poverty?
• A Cheerios commercial features a nice interracial family. The usual dorks and trolls respond as you’d predict.
• Lawrence Lessig would like a Democratic Party that’s less beholden to corporate funders.
• Texas: future Democratic stronghold?
• Some people will miss making fun of Michelle Bachmann. I won’t.
• The Chicago Sun-Times, once billed as “Chicago’s Picture Newspaper,” is firing all its photographers.
• No, Ms. magazine, the 10 most important things American women could not do before the 1970s wold probably really include more important things than “read Ms. magazine.”
• Istanbul was Constantinople. Now it’s a battleground of democracy vs. shady dealmaking.
• WikiLeaks dude Julian Assange sees today’s Google as an increasingly reactionary gang of government-butt kissers.
• Let’s close with a haunting look at a run down (but still open!) tourist site, the Flintstones theme park in Arizona.

messynessychic.com