Cafe Racer was first opened by Kurt Geissel and then business partner Staci Dinehart in 2003, originally as the Lucky Dog Espresso.

First with Dinehart and then with longtime manager Ben Dean, Geissel built it into a place that was everything to many people—a coffeehouse, diner, bar, dual art-exhibition space (both permanent and rotating exhibits), eclectic live music venue, and gathering place for both Ravenna/Roosevelt area locals and for several citywide subcultures.

Geissel kept his outside day job all that time, pouring everything the cafe made back into it. It made the front page of the Sunday New York Times arts section for its Sunday all-ages improv-music shows, the “Racer Sessions.”

Some of the other people most responsible for Racer’s rise have included:

• Marlow Harris and Jo David (longtime arts-scene figures who curate the permanent exhibit of unfortunate amateur painting, the Official Bad Art Museum of Art),
• Jim Woodring (creator of the acclaimed graphic-novel series Frank; he led drawing classes at the cafe and cofounded its cartoonists’ peer group Friends of the Nib),
• Andrew Swanson (cofounder of the Racer Sessions),
• Leonard Meuse (the cafe’s chef, who kept a varied comfort food menu going in a too-small kitchen space), and
• Drew Keriakedes, aka Shmootzi the Clod (the round-earringed veteran of the local alt-circus and performance art scenes; he booked most of the musical acts at the cafe, and led its Thursday house band God’s Favorite Beefcake).

As you all know, Meuse and Keriakedes were at the cafe the morning of May 30, when a mentally unstable former customer came in and started shooting. He killed Keriakedes and three other people, and shot Meuse. He fled, shot and killed a woman outside Town Hall, took her car, and was finally found by police in West Seattle, where he fatally shot himself.

Geissel has said he was actually making more money with Racer closed, thanks to insurance. But friends and loyal customers pretty much demanded he reopen. After take a couple of weeks off to get his own head together, he and a crew of volunteers cleaned up and repainted the place and installed a new bar.

Reopening day was all hugs and smiles and closure. There seemed to be a collective sense, not of “normalcy” but of triumph. Meuse was working. Woodring was on hand.

So was Geissel, hauling in fresh supplies of hamburger buns and Tater Tots.

He’s said that not reopening would be letting “the bad” win. Bringing Cafe Racer back, he’s also said, was a process fed by “the tremendous love” expressed by everyone who’s frequented it.

(Cross-posted with City Living.)

wikimedia commons, via komo-tv

• Drugs? Guns? Codeine pain pills? Forget it. What U.S. Customs is really cracking down against on the Canadian border is a bigger threat to America than all those combined. Beware the dreaded candy Kinder Eggs.
• Starbucks apparently has an image problem in NYC.
• How to get shoppers away from dot-coms and back to the malls? How ’bout wine bars, yoga classes, craft-making groups, and jeans stores with special butt-view mirrors?
• Outside estimates put the cost of a spiffed-up Seattle waterfront near a cool billon. That’s a heckuva lot for what’s essentially just another group of “world class” windswept plazas (and we’ve already got more than we need of those). I still say: scrap most of that, bring back the Waterfront Streetcar, and put an amusement park at Pier 62-63.
• The big winner in the demise of Washington’s state liquor stores? Oregon’s state liquor stores.
• Deja Vu’s Dreamgirls really doesn’t want to leave SoDo, not even for a big buyout by the arena developers.
• In the immortal words of Mr. Costello, I don’t wanna go to Chelsea.
• Link Light Rail is three years old and more popular than ever.
• Macklemore’s new pro-gay-marriage hiphop track is getting quite the national attention.
• Boeing wants more engineers and more training for future engineers. Oh, and it also wants more Federal money.

There was a competition going on for short films about Seattle. Some of the entrants (at least they seem like they could be) are showing up online. F’rinstance, here’s a poetic ode to the city by Riz Rollins; and here’s Peter Edlund’s Love, Seattle (based on the opening to Woody Allen’s Manhattan and dedicated to team-and-dream stealer Clay Bennett).

• Health scare topic of the day: “Rabit bat bites.”
• Online scare topic of the day: “We’re all Internet addicts, and we’re screwed, says Newsweek.”
• Those hipster fashionistas at Vice magazine have devised a “Wheel of Punk,” a wheel chart proclaiming what is the most and least punk. The punkiest, in their summation: “Pre-Rollins Black Flag.” The un-punkiest: the Eagles.
• Unpaid Plug O’ the Day: My fellow Stranger refugee Inga Muscio has a “Stop Thinking, Start Writing” class starting here in Seattle later this week.
• Another year, another round of public college fee hikes.
• Another year, another plea to finally get ourselves a progressive state income tax.
• PETA ranks Safeco Field as baseball’s second most “vegetarian friendly” ballpark. #1: would you believe Philly?
• Yep, Senate Republicans don’t want you to find out who’s funding their campaigns.
• “The average Canadian is now richer than the average American.” And not just in Canadian Tire Money.
• There’s a commercial for tourism to Colombia with the slogan “The only risk is wanting to stay.” Forget about those pesky drug wars. Just enjoy the quaint cities and unspoiled beaches. They’re saying this openly and forthrightly.
• It’s one thing to see Photoshopped® fakes of movie stars’ heads on nude models’ bodies. But when a guy sticks Frida Kahlo’s head on nude models’ bodies (bodies that obviously don’t have the real Kahlo’s injury scars), some Kahlo fans get righteously pissed off.

youchosewrong.tumblr.com

• Ever feel like life’s one big choose-your-adventure book and you’re hopeless stuck on the wrong path? Then enjoy these unhappy endings at “You Chose Wrong.”
• It turns out that with NBC taking full control of MSNBC.com (it already wholly owns MSNBC TV), some or all of the website’s 80 Redmond-based editorial positions will move to the New York region. Just what I need: more laid off journalists in the Seattle area competing for the same scarce jobs.
• The teases of an Almost Live! reunion have been partly revealed. The new venture, The (206), will be an online, not broadcast, series. (This probably means short self-contained skits, not half-hour package episodes.) The only announced performers so far are John Keister, Pat Cashman, and Cashman’s son Chris.
• Got construction or construction-management knowhow but not a job? Do as Gordon Lightfoot said and be Alberta bound.
• When sunscreen is outlawed in Tacoma schools, only outlaws won’t have face blisters.
• KPLU remembers the Seattle (specifically, Cornish College) roots of avant-music giant John Cage.
• Kitty Wells, 1920-2012: The original “queen of country music” had a rawer, less subdued sound and image than Patsy Cline (the only female country singer urban hipsters have heard of, still). Wells’ biggest hit, “(It Wasn’t God Who Made) Honky Tonk Angels,” was an answer song to Hank Thompson’s “The Wild Side of Life.” Today, only country historians remember the latter.
• The Daily, Rupert Murdoch’s iPad-only “online newspaper,” might disappear by the end of the year. The real Daily, thankfully, is here to stay.
• Huffington Post blogger Spencer Critchley (which would be a great character name for a romance-novel hero!) says Romney’s guys are foolishly running a TV-style campaign in the Internet age. By this, Critchley isn’t talking about ad expenditures so much as the operating mentality, imagining that a candidate’s superficial “brand image” is all that matters.

comicsbronzeage.com

Just Sayin’ Dept: Here’s something that hasn’t been publicized much in the World’s Fair 50th anniversary celebrations.

• Could the Almost Live! cast (or a key portion of it) be reuniting in a new project? A site called The206.tv is being coy n’ teasing about it, at least for now.
• Cafe Racer will reopen. And it’ll look better than ever.
• Seattle’s own Ezell’s has the nation’s greatest fried chicken, according to a highly manipulable Esquire online poll.
• Danny Westneat sees the Sonics Arena plan as a much better deal than the one that was used to rebuild Husky Stadium.
• No, there won’t be a zip line in West Seattle’s Lincoln Park.
• No, there won’t be an Airbus factory in Wash. state. But Gov. Gregoire would really like Airbus to buy parts and services from some of the same local subcontractors and suppliers that service Boeing.
• Just as Rush Limbaugh has his paid phony callers, Mitt Romney buses and flies in loyalist rooters to his campaign speeches. Even to the NAACP!
• It’s the 20th anniversary of the first photo ever posted to a Web site. It was a plug for a retro-cabaret combo comprising “administrative assistants and significant others of scientists” at CERN, the Swiss lab where both the WWW was invented and the Higgs-Boson Particle was discovered. The hereby-linked article includes some of their science-nerd-chic novelty repertoire.
• No, online-meme followers, Bill Gates did not speak at some random unidentified high school and tell the kids, “Life is not fair. Get used to it.” That whole text comes from a newspaper op-ed column dating back to 1996.

Happy 7/11 everyone! And we’ve got a new place to get our free regular Slurpee® on this only-comes-but-once-a-year day. This brand new 7-Eleven franchise is on Virginia Street between 8th and 9th, in the cusp between Belltown, the retail core, South Lake Union, and the Cascade district. It’s got all your favorites—burritos, Big Bite® hot dogs, $1 pizza slices, bizarre potato-chip varieties, coffee lids with sliding plastic openings. It closes nightly at midnight, though (sorry, hungry Re-bar barflies at closing time).

• I can tell you that hate-filled, hyper-aggressive online “comment trolls” existed back in the 1980s days of bulletin board systems (BBSs) and 300-baud acoustic modems. Neil Steinberg at the Chicago Sun-Times sees their antecedents back even further. A lot further.
• There’s only one million-selling music album so far this year. It actually came out last year.
• Jon Talton explains how tax cuts are “the god that failed.”
• ACT Theatre will have the U.S. premiere of a play by Brit mega-playwright Alan Ayckbourn next year. And he’s personally coming over to direct it. This is just about the most establishment-prestige you can get in the play world.

makela steward via rainiervalley.komo.com

Welcome to all our kind readers who still have Internet connections after “Malware Monday.” In today’s randomosity:

• Let’s congratulate the Seattle woman who just became Ms. Plus Size America.
• The Tacoma Art Museum is getting a big collection of “western American art,” and a big new building addition to put it in.
• Wash. state’s wine biz has become big enough for the Gallo empire to move in on it, buying up Covey Run and Columbia Winery. I remember, of course, the late ’70s days when Gallo was radical America’s favorite brand-to-hate, a status later taken by Nike and later still by Wal-Mart.
• Another sometimes-radical-hated company, Apple, said it will stop submitting its products for “green electronics certification.”
• Ex-Posie Ken Stringfellow has done a lot since his last solo CD in 2004, including abandoning the States to become a free man in Paris. Now he’s finally getting another set of music out, incluidng a duet with comedian Margaret Cho. Title: Danzig in the Moonlight.
• One fifth of all “adult fiction” physical books sold in the U.S. this past spring were Fifty Shades of Grey (the submission-porn story set in Seattle by a British author) or one of its sequels.
• Underwater oil-exploration teams have found the lost city of Atlantis in the North Sea, if you believe the U.K. tabloid Daily Mail (which you really shouldn’t).
• As banking-behemoth blunders spread to the Brits, one analyst notes that, within the industry, “it had become acceptable or perhaps even encouraged to provide false information.”
• David Carr summarizes recent developments in the newspaper biz, and, as you might expect, sees a biz whose troubles just keep getting worse.
• Romney (hearts) the Koch Bros., those campaign-funny-money far-right oil/chemical/paper-towel barons who occasionally claim to be “libertarian” (as in, you know, protecting the “freedom” of mega-corps to control everything and ruin the planet).
• Extreme heat, like they’ve had everywhere in the contiguous states except here, is lousy for the fish.
• And finally, local-politics site extraordinaire PubliCola is back! Yaaaayy!

via david haggard at flickr.com

• One of my pop-culture obsessions is the history of cartoons. That’s how I stumbled across this tragic tale of the songwriter who gave us “Whistle While You Work” and “Who’s Afraid of the Big Bad Wolf?”. He was a depressive and an alcoholic who shot himself in 1942, with his music for Bambi yet to be released. He was estranged from his 20-year-old daughter from a first marriage; his last wife remarried weeks after his death, to a family employee (who then took her for everything she had and dumped her).
• One of the Seattle music scene’s longest running teamings (over 30 years!) has come to a sudden end. Hard-rock mainstays Queensryche have fired frontman Geoff Tate. Tate tells Rolling Stone the next step will be lawsuits, “and it’s probably gonna get ugly.”
• The lawyer guy who sued local web cartoonist The Oatmeal isn’t suing him anymore.
• Kurt Eichenwald at Vanity Fair says he knows exactly why Microsoft has had what he calls “a lost decade.”
• Here for your comment-thread wins is a handy list of “logical fallacies” used by people who can’t really back up their arguments.
• For a movement that allegedly seeks to persuade us all to the righteous logic of its ways, today’s right wingers can be so inhumanely rude. Today’s example: a onetime 13-year-old “teen conservative idol” who’s now resurfaced as a 17-year-old progressive. The insults by wingnut web-pundits and comment trolls against him, and against his mother, are as predictable as they are pathetic.
• The 24/7 Wall St. site has another list of brands predicted to disappear within the year. Among them: American Airlines, Suzuki cars (in the U.S.), Talbots stores, and two media enterprises that Wall Street Republicans would like to see go away (Current TV and Salon.com).
• David Auerbach at the webzine “n + 1” would like to remind you of the continuing “stupidity of computers.” Still.
• Why does broadcast radio just get blander and less listenable every year? Seattle Weekly found a new villain: the Portable People Meter, which tracks listenership more intensely than the previous diary-based ratings system. I’d place the blame elsewhere, on the huge corporate “station groups” and their anti-creative chains-O-command.
• And finally, please say hello to Gus the Diapered Duck. He appeared this past First Thursday at the Core Gallery in Pioneer Square’s T/K Building. The adjacent feet belong to his mistress, artist Kellie Talbot, who depicted Gus in a series of paintings about a New Orleans character called “Ruthie the Duck Lady.” (And yes, the T/K Building is just up the road from the old Pioneer Square Theatre building, where a certain insurance company used to have its regional sales office.)

Nothing says freedom, pride, and independence like being able to crack jokes about how nothing says freedom, pride, and independence like watching stuff get blown up.

Especially if it’s at someplace as beautiful and as centrally situated as Lake Union.

Did we mention yet how there was a great huge full moon in a cloudless sky, on the night after the first warm day in weeks? Well there was.

For the first time since the Washington Mutual implosion, Seattle’s fireworks had a big-name sponsor this year (Starbucks). Last year, a local tech-job placement company stepped in; the year before that, local talk radio hosts successfully pleaded for donations to keep the show going.

So: One more “best show ever.” Twenty minutes of color light and noise on a grand scale. And unlike the San Diego show, the rockets didn’t all go off at once.

In case you had a TV on during a home viewing party but muted the sound after the fireworks were over, the band playing live to round out the telecast was Pickwick. They’re the current neo-neo-neo-blue-eyed-soul sensations around town.

Back when the Stranger was still assigning me stories (just never running them), I researched the long and convoluted history of the Eitel Building at Second and Pike. Mr. Savage believed it might be cool to have a story about what he described as “Seattle’s only downtown slum” or words to that effect.

I’d first come to know the 1904-built midrise medical-office building (it was called “the 2nd & Pike Building” by the 1980s) as the storefront home to Time Travelers, a record and comix shop that was a vital early punk-scene hangout.

At the time I researched that later-killed Stranger piece, its then-owner wanted to demolish it for the usual Exciting New Office/Residential/Retail blah blah blah.

But shortly afterward, in 2006, the city slapped landmark status on it, against the owner’s wishes.

At the height of the real estate bubble a few years back, Master Use Permit boards appeared on it proclaiming an imminent 16- to 22-story structure that would incorporate the Eitel’s outer facades but nothing else. That, obviously, never happened.

But now, just weeks before Target opens in the Newmark megaproject across the street, new developers announced a new scheme.

The Eitel will remain intact on the outside, with a “boutique hotel” opening inside sometime in 2014.

•

But to me it will always be what I’ve always known it to be—one of the last major surviving, un-gentrified remnants of what the Pike Place Market and surrounding blocks to be like. A hard, scruffy place whose “original elegance” had long since settled into comfy sleaze.

The Eitel’s storefronts and basement spaces have held a wide variety of uses over the decades, few of them frou-frou.

There was the original practice space for Ze Whiz Kidz, a pioneering gay cabaret troupe. There was the needle exchange. There were several indie and local-chain fast food outlets, including the current longstanding Osaka Teriyaki.

What there wasn’t was anything on floors 2 through 7. The upper floors have been boarded up since at least 1978. Even the occupied parts have had little in the way of basic upkeep.

The one major change to the exterior cladding was a black faux-deco treatment, done some time in the 1970s and not in keeping with its original appearance.

But that just made it a more lovable little victim of neglect.

Nice to know it will survive, even if it’s not as the funky place I’ve known.

'jseattle' at flickr, via capitohillseattle.com

Yes, it’s been nearly a week since I’ve posted any of these tender tidbits of randomosity. Since then, here’s some of what’s cropped up online and also in the allegedly “real” world:

• There’s still no official hint on what the proposed Sonics Arena might look like. But the wannabe developers of East Pine Street’s “Bauhaus block” have released a drawing of their proposed mixed use development. At least in its idealized-drawing form, it’s not as monstrous looking as some other recent structures in the area.
• In other preservation battles, Seattle’s people again rally around a thing about which the elites don’t give a darn. They’re striving to bring back the Waterfront Streetcar.
• Meanwhile, a study claims if the viaduct-replacement tunnel charges tolls high enough to pay for it, drivers will clog the surface streets rather than pay those tolls.
• Seattle Opera faces a $1 million shortfall, and will mount fewer new shows in future years. But don’t count ’em out yet, folks. It’s not over until, well, you know.
• The late writer-director Nora Ephron had many major achievements. Sleepless in Seattle, let us all admit, is among the least of them.
• Did you know there was a real hostelry in Fife called the “Norman Bates Motel“? Emphasis on the was.
• America’s cities: they’re back! (Of course, some of us knew this for some time.)
• In a pleasant surprise, one of the Supreme Court’s pro-one-percenter flank betrayed his masters and voted to uphold Obamacare. In response, some members of the Rabid Right’s noise machine claimed the great American Experiment was over and they’d hightail it to Canada (which, uh, has had universal health care in place for some time now).
• If you’re on liberal/progressive websites at all these days, you’ll find a lot of comment threads hijacked by folk who claim to be lefties disgusted by Obama’s centrist tactics, so much that they won’t vote this November, and want you to not vote either. At least some of these comment trolls turn out to be paid employees of right-wing dirty tricks outfits.
• Rupert Murdoch’s splitting his News Corp. into two companies. One will contain his print properties (including HarperCollins Books, The Wall St. Journal, the New York Post, and his besieged London tabloid operation), plus the iPad “newspaper” The Daily. The other will hold his “entertainment” properties. Yes, Fox “News” goes with the entertainment half.
• Paul Krugman tells the PBS NewsHour all about his “cartoon physics” theory of the American economy.
• Google’s putting out a tablet device with a 7-inch color screen, just like Amazon’s Kindle Fire. But the exciting part of this Wall St. Journal link is at the bottom, where they mention another forthcoming Google hardware product. It’s a streaming-media player that attaches to TV sets, and it’ll be made in the USA!
• Ann Althouse looks at a famous parody of trashy sex novels, and asks rhetorically if those who make and read such parodies are really bashing the potboilers’ readers (i.e., women).
• Nordstrom’s opening a branch in New York City. Make way for NYC media outlets to describe it as a brand new startup.
• Headline: “The media covers Kardashians, not climate change.” Comment: The media covers the-media-not-covering-climate-change more than it covers climate change.

lindsay lowe, kplu

• It’s like Animal Planet’s Whale Wars, only without the whales. It’s Greenpeace submarines trailing Shell oil-exploration rigs in the Arctic.
• There’s a “celebration of life” service for my mother today in Marysville.
• Huge swaths of Wash. state exist in a “rural information ghetto,” with little local news media, little or no broadband access, and even spotty or no cellphone reception.
• Local bands in Spin‘s all-time greatest-band-names countdown include Mudhoney and Bikini Kill. But Motorhead as the #1 greatest band name of all time? Sorry. Do over.
• Speaking of which, Duff McKagan will be this year’s Seafair Grand Marshall. Still waiting for Mark Arm’s equally deserved official recognition.
• Online Media Shrinkage Watch: Salon.com, one of the pioneers of web-based punditry, is bringing in exactly half the revenue it needs to survive.
• Who owns the rights to the classic series Route 66 and Naked City? Hard to tell. What’s more certain is that the two shows’ exec producer had some very rough final days.
• If the producers of The Looney Tunes Show had wanted to effectively depict Bugs and co. in a domestic setting, they should have perused old issues of the Looney Tunes and Merrie Melodies comic books.
• Tired of stick figure construction workers? Then look at these animated .GIFs in which the moving objects tend to be graceful women’s skirts and hair.

beautifullife.info

komo-tv

• More tsunami debris is showing up on Northwest beaches. Darn, I remember when all you’d find there were dead seals.
• Publicola, having just broken up with Crosscut, has announced its nuptials with Seattle Met. The lifestyle mag will own and host the local inside-politics blog, starting some time next month.
• The Downtown Seattle Association’s raising money to install a semi-permanent family playground at Westlake Park (which would just coincidentally make it a less hospitable locale for, say, Occupiers).
• Pearl Jam’s biggest nemesis isn’t Ticketmaster but its own ex-business manager.
• Seattle’s arts world is a nearly half-billion dollar business. And that’s just the nonprofit side.
• But the arts alone (or the gays or the hipsters) isn’t enough to drive a city’s economy, let alone turn one around. That’s the lesson from Minneapolis writer Frank Bures, who’s out to debunk pundit Richard Florida’s whole “Creative Class” shtick.
• KIRO-TV’s exposé of an elementary school janitor was a big hunk of lies n’ half-truths, according to some local “media watchdog” types.
• The president of the U. of Virginia was fired, allegedly for nothing more than insufficiently sucking up to corporate interests.

Band name suggestion of the month: “Premier Instruments of Pleasure.” (From the “Sexual Wellness” section of the Amazon subsidiary Soap.com.)

• The new Microsoft tablet device will be called the “Surface.” How, er, superficial does that sound?
• Plastic shopping bags disappear in Seattle on 7/1. You have 12 days to stock up on those magnificently reusable Bartell Drug bags while you still can.
• Local hiphop artist Prometheus Brown would like you to care about the victims of gun violence, and not only when those victims are white people from “nice” areas.
• Nick Eaton joins city and county officials in jeering at the Seattle Times‘ fact-stretchin’ anti-Sonics arena editorials. In other news, somebody still reads the Seattle Times editorials.
• The waterfront streetcars Seattle can’t seem to find a place for anymore, even though the folks loved ’em? St. Louis transit officials would like ’em.
• There’s a 20-year-old intern/blogger at NPR’s All Songs Considered named Emily White. (This is NOT the Emily White who used to work for The Stranger.) She recently wrote a confession that she’s almost never paid for the music she’s downloaded. In response, Camper Van Beethoven and Cracker frontman David Lowery penned a screed denouncing her and people like her for shelling out bucks for computers and Internet connections but not for the content they thereby attain:

Why do we value the network and hardware that delivers music but not the music itself?

Why are we willing to pay for computers, iPods, smartphones, data plans, and high speed internet access but not the music itself?

Why do we gladly give our money to some of the largest richest corporations in the world but not the companies and individuals who create and sell music?

• Elsewhere in piracyland, when last we mentioned The Oatmeal online cartoonist Matthew Inman, he’d complained about a “social media” humor site that had posted his art without credit or payment. Then an attorney for that site sued him for defaming his client’s character. Inman replied back by starting an online fundraising campaign for the amount of the lawsuit—only with the proceeds going to charities instead. Now, the attorney has re-sued Inman, and has sued the site hosting the fund drive and even the charities it benefits. To quote one of America’s greatest contributions to comic satire, “Whadda maroon.”

• Gay marriage update: Now that the opponents of equality have filed enough petition signatures, Ref. 74 goes to the ballot in November. Pro-equality folks, who were asked to “decline to sign” the referendum petitions, will now have to vote “yes” on the referendum itself to keep marriage for all on our state’s books. (Too bad, though, about the “Approve R 74” campaign logo. It looks too much like a Hanford radiation leak.)
• Heads up, TV viewers in Comcast-less areas of Seattle. The full transition from the pathetic Broadstripe Cable to the much more promising Wave Broadband takes full effect on July 17. Soon to arrive at last: Current TV! IFC! Ovation! MLB Network! NFL Network! C-SPAN 2! And HD versions of HBO, TCM, CNN, MSNBC, Comedy Central, and Cartoon Network! (Still no Sundance or the French channel TV5, though.)
• In previous posts about the above topic, I’d called Wave Broadband “locally owned.” It’s now been sold to out-of-state private equity interests, but remains locally based.
• That Seattle Children’s Hospital patients’ lip-sync music video, based on the Kelly Clarkson song “Stronger?” The record label got it pulled from YouTube. You can still see it at the Huffington Post.
• CNN wants to pick a fight between Seattle and Portland, apparently in the name of regional bragging rights. Why bother?
• Some Shell Oil execs held a PR fest at the Space Needle, celebrating the opening of a new drilling platform in Alaska. Only the three-foot-tall “oil rig” drink dispenser malfunctioned, making a big mess. Lots of blogs snickered at the ill-timed fail. Except: It wasn’t real. It was all a hoax stunt, devised by anticorporate hoax-stunt devisers The Yes Men.
• We must say goodbye to Travelers Tea Co., the East Indian themed gift, food, and home-furnishings shop and cafe on East Pine, after 14 years. Travelers’ one-year-old second restaurant location on Beacon Hill remains.
• I haven’t seen ’em, but supposedly there are web-guru essays chastizing Pinterest for attracting a predominantly female user base; as if Grand Theft Auto discussion boards were valuable “mainstream” services but “girls’ stuff” was just too insubstantial for tech investors to put their money into.
• An ad man claims we’re heading into “the golden age of mobile.” He means media and advertising made for smartphones and tablets.
• Is an ex-Coca-Cola marketing exec really sincere about renouncing his junk-food-shilling past, or is he just trying to sell himself in a new shtick as a health-food marketing exec?
• The print magazine business has apparently stabilized, if you believe this account from, ahem, a print magazine.
• Colson Whitehead has a lovely memoir of his childhood as a horror movie fanatic.
• Black activist A. Phillip Randolph put out a short book in 1967 advocating A Freedom Budget for All Americans. Randolph and his co-authors claimed their plan, based on Federal economic incentive spending, would essentially end poverty in America within eight years. The whole document’s now online, and it’s full of economic-wonk language to support its claims.