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…publicly endorsed any candidates in Election Ought-Eight. (I’d briefly, privately, been an Edwards guy.) But here’s a local, unofficial pro-Obama music video shot at the Columbia City Theater, with gospel singer Pat Wright and Pearl Jam member Matt Cameron among its participants.
…a handy guided-tour-in-print to some of Seattle’s most beloved former rock clubs.
…arrives with the belated announcement of Gruntruck/Skin Yard frontman Ben McMillan’s demise, following an eight-year bout with advanced diabetes. McMillan was a hard-drivin’, hard-playin’, hard-livin’ hard rocker who never got his due piece of the Seattle Music Scene hype.
Can’t anybody stage a hiphop club night without somebody firing guns outside?
…anxiously awaits the long-threatened but still nonexistent Snowstorm ’08, here’s what else has been going on:
…a fountain of snowflakes descend upon the frozen tundra of Green Bay, I knew the gods would be with the other team, not with ours.
In other Sunday nooze:
…we must say goodbye to one of the legends of “outsider” music, risque cabaret singer-songwriter Ruth Wallis. The creator of “Davy’s Dinghy,” “Drill ‘Em All,” and “A Pizza Every Night” had finally been (re) discovered in recent years with an off-Broadway revue of her compositions, Boobs! The Musical.
Why doesn’t the Music Choice cable channel called “Musica Urbana” have any bands from downstate Illinois?
…I hope, this evening (Friday), 6:30-8:30 p.m., for the fantabulous next book event starring yr. loyal web-author. It’s at Not A Number, an artistic and subversive gift and card shop on N. 45th in wondrous Wallingford.
IN OTHER, LESSER FRIDAY NOOZE:
…and occasional rock star Sean Nelson’s got a handy guide to the worst movie endings ever.
…this totally fictional (for now) ad would show up. (I found it at Seattlest; it’s been poppin’ up all over the local blog-O-sphere.)
As far as reality, there’s little more to report Croc-wise. The joint’s still closed. Stephanie Dorgan, its owner these past 16 years, isn’t talking to the media. At least one potential new ownership group has apparently shown up, but a lot of behind-the-scenes haggling would need to be done. Shows had been booked at the Croc into January (some touring gigs had been booked into next April); new venues or cancellations will be announced one show at a time.
I’m trying to figure what to say about the beloved, loud, crowded Croc, it of the tasty bar grub and the long lines, the way past-their-pull-date ceiling hangings and the exterior windows still (partly) commemorating the place’s 10th anniversary in 2001. The opening party for Loser took place there in 1995; I took care to place hand-scrawled signs at the door, warning that it wasn’t a secret Pearl Jam show.
I fell in love several times in that building, and out of love at least once. Darn, I hope someone figures out how to revive the place.