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Tacoma’s own Ventures, kings of instro surf-pop lo all these years, have got their totally deserved berth in the Rock n’ Roll Hall O’ Fame.
…a certain ex-Seattleite you know, is living the not-so-high life in London, eating a macrobiotic diet (but still smoking Marlboros), hiring Orlando Bloom’s Buddhist chanting instructor, and hanging out with the Stings.
…longingly wishes, “I’m only sorry Kurt Cobain left us before he could give the world his Christmas album.”
(Actually, Cobain did a solo guitar track on a William Burroughs holiday-related spoken word EP.)
I’m on “special assignment” the rest of this week. That’s right, another marathon temp gig. I’ll report when I can.
UPDATE: Karen Hansen has some newer info about the late local rock singer Ian Fisher:
“Earlier this evening, I got a call from Jack Hanan, long-time friend and former bass player of the Cowboys. Jack had spoken with Ian’s brother and relayed the following:Ian Fisher had a heart attack in his beach hut in Thailand, in the company of friends (not on a bus) . His body has been cremated, per Ian’s wishes, and we’re not sure if he is in Seattle yet or not. His ashes will be scattered in San Diego and Aberdeen. A memorial event, complete with a big jam session, is in the planning and we’ll keep you posted on the date.”
“Earlier this evening, I got a call from Jack Hanan, long-time friend and former bass player of the Cowboys. Jack had spoken with Ian’s brother and relayed the following:Ian Fisher had a heart attack in his beach hut in Thailand, in the company of friends (not on a bus)
.
His body has been cremated, per Ian’s wishes, and we’re not sure if he is in Seattle yet or not. His ashes will be scattered in San Diego and Aberdeen.
A memorial event, complete with a big jam session, is in the planning and we’ll keep you posted on the date.”
…word’s gotten out that former local rock singer Ian Fisher of the Cowboys has died in Thailand. Further details are scarce at this time.
Fisher and his band were anomalies in the pre-“Seattle Scene” Seattle scene. Back in the early 1980s, local rock bands that sought commercial success played covers of big hits in big bars. Bands that insisted on writing their own material were stuck with far fewer, far smaller venues, and catered to the more specialized tastes of the “alternative” crowd. The Cowboys created their own image and their own music (albeit heavily influenced by the likes of the Knack and the reggae-era Clash). They aspired to, and got into, the big clubs. They didn’t tour much, and never got a national record contract. But Fisher got to live the rock star image, and flamboyantly did so for nearly a decade.
IN MUCH MORE PREDICTABLE NEWS, Clay Bennett did what everybody said he would do from day one, despite his claims that he wouldn’t. He said he intends to move the Sonics to Oklahoma City.
But it’s not a sure thing, despite the fatalistic mumblings of some local fair-weather fans.
There will be legal wrangling.
There will be local potential buyers.
There already are save-the-team booster groups.
There are the hearts and souls of everyone who remembers the Sonics in their ’70s and ’90s primes, who knows the Storm’s more recent triumphs, who knows what a team can do to bring families and communities together.
And we have people who see the sport’s changing economics.
The NBA’s business model, as we’ve said before, is way broken.
The influx of cable TV rights money has peaked or will peak soon, as total viewership declines and fractures among ever-more viewing choices.
As the upward centralization of wealth in America continues, there will be only so many zillionaires to buy luxury boxes and corporate suites.
What’s left for teams to pay superstar salaries from? Shoe endorsements? Team-logo mouse pads?
Pro b-ball needs to stabilize, around its home towns.
It needs to again be a sport of fan loyalty, of community outreach, of human-scale, street-level attention. In this sense, the NBA needs to become more like the WNBA.
And for that to work, the league has to give up on the short-term fixes of subsidized arenas and threats to move. It needs, as Ross Perot or someone said, to “dance with the one that brung ya,” the fans and cities who grew up with the sport.
…of these already, but there’s a need for another benefit concert for a musician who doesn’t have health insurance. This time, it’s our ol’ pal and Fastbacks/Visqueen legend Kim Warnick. She’s come down with something that landed her in a hospital, and we’ve gotta help her out. The usual parade of local music all stars and major raffle prizes will occur Tuesday, Oct. 30 at the new Cha Cha Lounge, 1013 E. Pike.
As more new-music pioneers like Warnick enter the golden years, we’ll have to hold more and more of these benefits. Unless we get our politicians off their collective posteriors and establish a sane health-care system in this land.
Death Cab for Cutie guitarist Chris Walla digitally recorded his first solo album in Vancouver. A recording-studio employee was bringing the finished tracks to Seattle when U.S. border agents seized the hard drive. The hereby-linked AP story says “some music publications hinted” the dispute might have been due to the “politically charged” content on the album. Walla discounts this conspiracy theorizing, noting the agents let tape copies of the songs go through. Barsuk Records says Walla’s album, Field Manual, will be out in January. The feds still haven’t returned the hard drive.
But by that time, the whole company might be sold off.
I can still remember when there were five mass-production breweries in the Northwest alone, each operated by a different company.
Fortunately, we now have a wealth of microbreweries, whose broad range of tasty product has long since rendered superfluous the likes of “Colorado Kool-Aid.”
Both Kerouac and Rand are better known today for their celebrity and their ideas than for their prose stylings.
But both authors’ rambling self-indulgences actually serve their respective egotisms.
Both liked to hype themselves as daring rebels, valiantly crusading against the stifling anti-individualism of grey-flannel-suit America.
Kerouac helped provide an ideological excuse for generations of self-centered dropouts and anarchists to proclaim themselves above the petty rules of mainstream society.
Rand helped provide an ideological excuse for generations of self-cenetered tech-geeks and neocons to proclaim themselves above the petty rules of civil society and rule of law.
But at least Kerouac’s devotees don’t go around declaring that the oil companies and the drug companies somehow don’t have enough power.
(P.S.: Digby has much more lucent thoughts than mine i/r/t Randmania.)
As I mentioned a few days back, I’m working to make my music history book Loser fully available again. This time, I’m dealing with a print-on-demand outfit whose largest standard page size is smaller than the one used for the last Loser print run.
That’s little problem for the original 1995 pages; Art Chantry had designed them for a 10-inch-tall page, rather than the 11-inch-tall size the original publisher used.
But I subsequently designed the 1999 addenda (Chantry was living out of state at the time) for a full 11-inch page. I’ve been adapting those 45 pages to the smaller dimensions without cuting anything.
Now for the big question: How much updating should I make to the 1999-edition text?
…today’s overall downbeat theme, Belltown’s own legendary rock venue the Crocodile Cafe is going through a fiscal rough spot. Apparently it’s been, at best, only marginally profitable the past seven years, as newer and bigger venues compete for the top touring bands. But since founder Stephanie Dorgan’s divorce earlier this year from R.E.M. guitarist Peter Buck, there’s no longer rock-star zillions to plow into the place. Managers say business has rebounded a bit the past few months, but the Croc’s long-term future remains to be seen.
…a Courtney Love-branded perfume? Even she’s not so sure.
My ol’ emo/folkie musician pals Gary Heffern and Chris Eckman (the latter from the Walkabouts), most of whose recordings have only been issued by Glitterhouse Records in Germany, have released their first domestically-distributed music in years. Appropriately enough, it’s a track (called “Wave”) on Song of America, a three-CD box set compiling new versions of classic American tunes, from “Lakota Dream Song” and “Sometimes I Feel Like a Motherless Child” to “I Am Woman” and “Streets of Philadelphia.”
The mastermind behind this master mix? None other than America’s last law-abiding chief lawyer, Janet Reno. (No, unlike her immediate successor, she doesn’t pretend to sing.)