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from smelllikedirt.wordpress.com
scene from antiwar protest downtown, march 2003
After all the recycled bluster about the police and the firefighters and especially the troops, about the valiant politicians and the flag waving celebrities, about the need to never forget the horrible day which begat the horrible decade of the endless wars and the mass intimidation and the institutionalized fear mongering and the ugly racism and the corruption of democracy, what more is to be said?
Quite a bit.
We can remember the World Trade Center’s Seattle architect, Minoru Yamasaki (1912-1986). His local works include Puget Sound Plaza, Rainier Square, the Pacific Science Center, and the IBM Building (based on his early WTC design work).
Yamasaki didn’t live to see the towers attacked. But he knew the consequences of war-inspired fear and prejudice.
It was only the intercession of an early employer, and the fact that he was working in the northeast at the time, that got him exempted from the WWII internment of western Americans of Japanese ancestry.
We can remember the opportunities for international cooperation to build a safer world. And how those opportunities were deliberately quashed by the Bush-Cheney regime.
We can remember the Patriot Act, the TSA, the “total information awareness” domestic eavesdropping scheme, the media’s ignoring of an initially strong antiwar movement, and all the big and little ways the regime waged war on its own citizens.
We can remember the Americans troops still in harm’s way in Afghanistan and, yes, in Iraq. And those who didn’t make it back. And those who are back home but seriously harmed physically and psychologically, and who have received insufficient care.
We can remember the thousands of Iraqis and Afghanis who had nothing to do with the original attacks but died in the ensuing wars and occupations.
We can remember we still need exit strategies from both occupations, strategies that will protect Iraqis and Afghanis of all sexes and ethnicities.
We can remember the terrible damage wrought on the U.S. budget by war spending, combined with the millionaires’ tax cuts and the rest of the neocon economic misadventure.
And remembering all that, we can say, yes, “never again.”
Never again will we be manipulated by fear, either by foreign civilians or by our own leaders.
Never again will we let peace and reason be treated as dirty words.
Never again will we invade first and ask questions later.
Never again will we strike against entire nations over the horrendous crimes of a few dozen individuals (most of whom had never lived in either invaded nation).
Never again will we allow fear of “Islamic” fundamentalist repression to become an excuse for “Christian” fundamentalist repression.
Never again will we sacrifice our freedoms under the excuse of protecting them.
619 western's exterior during the 'artgasm' festival, 2002
from alleewillis.com
It’s a shotgun aesthetic, firing a wide swath of sensationalistic technique that tears the old classical filmmaking style to bits.… It doesn’t matter where you are, and it barely matters if you know what’s happening onscreen. The new action films are fast, florid, volatile audiovisual war zones.
The cowriter (with Mike Stoller) of countless hits for Elvis, Peggy Lee, Ben E. King, Shirley Bassey, Big Mama Thornton, Bill Haley, the Drifters, the Coasters etc. died 34 years to the week after Presley’s own death.
While Leiber and Stoller hadn’t many new hits after their ’50s-’60s heyday, their older songs remained alive in the oldies canon, as well as in the general culture.
Alice Walker wrote an oft-reprinted 1983 essay lauding Thornton’s version of “Hound Dog” as superior to Presley’s (an opinion with which Leiber agreed).
Twenty years ago, the Broadway revue Smokey Joe’s Cafe mixed slick-sanitized renditions of 40 Leiber/Stoller oldies within a fab-’50s nostalgia theme.
In the early 2000s, Leiber was an outspoken co-plaintiff in the record industry’s lawsuits to shut down online file sharing.
And, of course, there was the Leiber/Stoller tribute episode of American Idol this past May with guest star Lady Gaga.
OK, so Seattle is one of America’s most predominantly caucasian big cities.
But it’s not nearly as totally white as some people seem to think it is.
Enter Sarah Lippek, who offers “a few words on the purported whiteness of my hometown:”
If you do not see people of color on your block, at your job, or in your schools, it is decidedly NOT because Seattle’s population is too white. It’s because your block, your job, and your school are actively maintaining racial segregation.
Lippek then explains our town’s history of restrictive “racial covenants” in real estate contracts. From there, she relates that while minorities aren’t legally forbidden from owning homes in large parts of the city any more, the legacy continues:
These boundaries were drawn by racist law, and are enforced by income inequity, imprisonment and disenfranchisement, the property-tax based education system, the drug war, repressive police strategies – and by white peoples’ continued willful blindness to the very existence of people of color in the city.
1983 ad from vintagecomputing.com
j.p. at the pike place market centennial, 2007
2005 fremont solstice parade goers at the lenin statue
Boredom should not be abused, exploited, ignored, sneered at, rejected or talked down to as a product of laziness or of an idle, uninventive and boring mind. It’s there to help, and its advice should be welcomed and acted upon.
pride parade viewers at the big popsicle
(A relatively long edition this time, bear with.)