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Last June, I wrote a piece entitled “Notes to a Potential Girlfriend.”
That piece was all about me.
This time, I’m fantasizing/riffing about who I would like that potential girlfriend to be.
She would be, more or less, as follows:
filmschoolrejects.com
Alexander Wolcott at Vanity Fair ponders the not quite as rare as it used to be phenomenon of male nudity in U.S. movies, and sees farce and weakness and busted bravado. He goes on to describe these scenes as…
…caution flags, symbolic indicators of a national power drop that encompasses politics, economics, education—the works. Now that we’re no longer king of the world, American self-confidence is undergoing its own shrinkage; no one believes in the Top Gun jockstrap bravado anymore, and the joshing attitude and shrugging posture our movies have adopted reflect a country and a culture that have lost their spunk and don’t feel like keeping up the pretense of swagger anymore.
As my half-namesake Kenneth Clark might say, more lucidly than I, there are many ways to see a naked man.
The typical Hollywood way is best exemplified in the (phallus-free) Porky’s films: Female nudity is drama; male nudity is comedy. Every sex (or almost-sex) scene turns from enticing to ridiculous the instant the guys drop trou.
And thus you get the premise of Seth Rogan’s entire career.
Anna North at Jezebel.com doesn’t like that male parts only appear on screen to be laughed at:
This stereotype is a bummer for men, many of whom enjoy the chance to be admired. But it’s also sad for heterosexual women, reinforcing the notion that they don’t really desire men, that they’re only interested in guys’ fame or money or desire to get married, and not in, say, their butts.
As for the nation-in-decline part of Wolcott’s premise, there are historical examples to the contrary.
Imperial Greece had plenty of statues and paintings of nude men (or rather, of men with boy-size privates).
Victorian England had a mini-renaissance of nude studies (albeit carefully coded in mythological narrative, at least at first).
And stern-faced nude dudes were prominent in Nazi kitsch art.
Of course, nude paintings, statues, and even posed still photos tend to depict what Kenneth Clark called “the Ideal Form.”
Which isn’t something the makers of the Hangover movies care much about.
treasurenet.com
sherilynn fenn in 'two moon junction'
The former bit actor (born Zalman Lefkovitz in 1941) made his first big career splash in 1988 when he wrote and produced the softcore classic 9 1/2 Weeks.
That film’s success led to a career as America’s premiere erotic filmmaker of the time, with the minor classics Wild Orchid, Two Moon Junction (Sherilynn Fenn’s springboard to fame), and Delta of Venus (arguably a better Anais Nin adaptation than the higher-budgeted Henry and June).
Even before Henry and June‘s disappointing box office led Hollywood’s theatrical distributors away from sex flicks, King had branched out into late night cable shows, starting with the still-famous Red Shoe Diaries (David Duchovny’s springboard to fame).
In a sub-genre known for some of corporate media’s shoddiest production values, King’s shows and TV-movies stand out. They display lush (if clichéd) lighting/photography and poetic dialogue/narration. The sex scenes are choreographed to convey warmth more than “heat,” accompanied by King’s trademark fusion-jazz sax soundtracks. King helped fund these projects by distributing them on video, emphasizing distribution at Blockbuster and other outlets that didn’t carry hardcore porn.
A devoted family man in spite of his subject matter, his wife and two daughters were key members of his production team.
From time to time he branched out beyond the skin-flick genre, including documentaries about dancers and surfers. But those were sidelines to the sex stuff. Battling cancer in recent years, he kept producing and sometimes directing more TV-movies and series. A pay-per-view website for these was announced last year but never launched.
And yes, he died at the age of 69.
freecabinporn.com
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revel body, via geekwire.com
A few days late but always a welcome sight, it’s the yummy return of the annual MISCmedia In/Out List.
As always, this listing denotes what will become hot or not-so-hot during the next year, not necessarily what’s hot or not-so-hot now. If you believe everything big now will just keep getting bigger, I can score you a cheap subscription to News of the World.
Local news items, and my one-take comments on them, should return in greater quantity starting Wednesday. Meanwhile, some more stuff from here and from the larger online world:
I’m still on the highly time-consuming contract job I’ve been at for a while. This Monday starts week 11 of what was to have been a 7.5-week gig. But it looks like it’s finally on the closing stretch. I’ll have a full report when it’s done.
Meanwhile, I’ve continued to collect wacky n’ weird links fer y’all. They include the following:
I haven’t been posting lately because I’ve been working overtime at a contract job. It was originally to have lasted 7.5 weeks. I’m now on week 9, with perhaps two more to go.
I’ve also been fighting off a persistent bug. It’s not bad enough to lay me up, but enough that I’m staying home this holiday (rather than risk exposing my 81-year-old mother).
But back to this temp gig I’ve been doing. I’ll tell the whole story (well, that which I’m allowed to tell) at a later date. But for now, I will just say that what I’m doing involves books. They include some of the best, worst, and weirdest books available to U.S. readers.
How weird, you ask?
One of my co-workers is chronicling some of the weirdest at the blog Wet & Wilde. (It’s severely not safe for work, if your work isn’t mine.)