It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
'every driver every time it ever rains ever'
slate
capitolhillseattle.com
boxofficequant.com
junkee.com
wikipedia via king5.com
factmag.com
via criminalwisdom.com
via wikipedia
Pay close attention to the above image.
It indirectly has to do with a topic that’s been going around here of late, including on this site.
The premise: Seattle has become the new nexus of the book industry.
Amazon now firmly pulls the strings of both print and e-book sales, at least in the realm of “trade books.”
Costco and Starbucks also hold huge influence over what the nation reads.
Nancy Pearl’s NPR book recommendations hold huge sway.
And we buy lots of books for local consumption, giving Seattle readers an outsized role in making bestsellers and cult classics.
See anything missing in the above?
How about actual “publishing” and “editing”?
•
Now to explain our little graphic.
Cincinnati companies once had an outsize influence in the TV production business.
Procter & Gamble owned six daytime soaps, which in turn owned weekday afternoons on the old “big three” networks.
Taft (later Great American) Broadcasting owned Hanna-Barbera, which in turn owned Saturday mornings on the networks.
But if you think of TV content actually shot in Cincinnati, you’ll probably remember only the credits to the L.A.-made WKRP In Cincinnati.
And maybe a similar title sequence on P&G’s N.Y.-made The Edge of Night.
We’re talking about one of America’s great “crossroads” places. A town literally on the border between the Rust Belt and the South, in a Presidential-election “swing state,” often overshadowed by cross-state rival Cleveland. A place with innumerable potential stories to tell.
But few of these potential stories have made either the small or big screens.
The last series set in Cincinnati was the short-lived Kathy Bates drama Harry’s Law.
The only TV fare made in Cincinnati has been a couple of obscure reality shows.
The lesson of the above: prominence in the business side of media content isn’t the same as prominence in the making of media content.
What of the latter, bookwise, is in Seattle?
Fantagraphics has tremendous market share and creative leadership in graphic novels and in comic-strip compilation volumes.
Amazon’s own nascent publishing ventures have, so far, aroused more media attention than sales.
Becker & Mayer packages and edits coffee-table tomes for other publishers, and now also provides books and “other paper-based entertainment… direct to retailers.”
The relative upstart Jaded Ibis Productions combines literature, art, and music in multimedia products for the digital era.
We’ve also got our share of university presses, “regional” presses, and mom-n’-pop presses.
Still, the UW’s English Department site admits that…
Seattle is not exactly a publishing hub… so job openings are very limited and most local presses are small and specialized.… In any location, those seeking jobs in editing and publishing far exceed the number of jobs available; competition is very vigorous.
And these are the sorts of jobs people relocate to get, or even to try to get.
Of course, Seattle also has many writers and cartoonists of greater and lesser renown. But that’s a topic for another day.
capitol records via wikipedia
seattle dept. of transportation
…historically the stingiest, most fiscally conservative, most technologically resistant and investment-averse people ever, with the highest percentage of luddites per capita.
seatacmedia.org
Earlier this year, KUOW and MOHAI came up with a list of 25 “objects that tell Seattle’s story.”
They range from the obvious (a Boeing B-17, a poster announcing the Japanese-American internment, a Starbucks coffee cup) to the more obscure (an ancient, giant ground sloth).
A little more recently, SeattlePI.com ran a list of “25 things we miss in Seattle.”
These also ranged from the truly famous (the Lusty Lady sign, Frederick & Nelson’s window displays) to the lesser known (the Woodland Park Zoo’s nocturnal-creatures exhibit).
I’ve got my own list of Seattle pop culture icons. All of them are things I’ve personally seen or owned.
And yes, there are 25 of them. (Why break a routine that works?)
In no particular order, they are:
via jerry beck at indiewire.com
famousfoto.com, via mooreslore.corante.com
It seems like just yesterday that I was complaining about KOMO firing its pundits Bryan Johnson and Ken Schram, and about its parent company bringing hate talk back to KVI-AM.
We’ve got a bigger problem now.
Fisher Broadcasting, the only owner KOMO-TV and Radio has ever had, is being sold.
That would be bad enough. Fisher was the last locally-owned major commercial broadcaster around here, and its loss would complete the capture of the Puget Sound’s airwaves by big out-of-state station groups.
But this particular out-of-state station group is far, far worse than most.
It’s Sinclair Broadcasting.
More than any other station group (even Fox’s company-owned broadcast stations), Sinclair imposes right-wing propaganda content on its properties.
In 2003, Sinclair ordered ABC affiliates it owned not to run a Nightline episode about Gulf War combat deaths.
In 2004, Sinclair ordered all its stations to run, in prime time, a propaganda film by the “Swift Boat Veterans for Truth,” spreading false allegations about John Kerry’s service record in Vietnam.
In 2010, Sinclair ordered six of its stations to run, in prime time, an even less-true GOP propaganda film branding Obama as an anti-democracy extremist and an ally of mideast terrorists.
Oh—and like so many other companies in so many industries, it’s been severely hiking executive pay packages while severely cutting workers’ wages.
via seattle bike blog
latimes.com
So much has been written already about the beloved film critic, TV host, author, Russ Meyer screenwriter, champion of obscure good films, vilifier of stinkeroos, and stoic survivor of one of the worst cancers anybody ever had.
I can only repeat what’s already been said—that Ebert was admirably both a film-lore geek and a populist, a man of aesthetic standards who wasn’t above enjoying (and helping make) down-n’-dirty exploitation, and a great wit.
Here are two pieces of his that have been rediscovered of late.
In the first piece from 2010, he looks back at his post-adolescence, in an era when college administrations still actively attempted to prevent students from having sex.
Then in his 2011 memoir Life Itself, he discusses his completely grody cancer and says, “I do not fear death.” And he explains his political stance:
“Kindness†covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world.
Here are reminiscences of Ebert by two Seattleite members of his longtime blogging team, Jeff Shannon and my ol’ UW Daily staffmate Jim Emerson.
david rosen, west seattle herald