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Today’s historic-preservation outrage involves the Jefferson Park Golf Course clubhouse. It’s a magnificent structure, “homey” yet elegant, that’s served city residents for more than 75 years. The City wants to raze it to put up a new driving range. It’s rushing through a plan to deny landmark status to the building, in cahoots with the architects that are planning the redevelopment scheme.
zoo atlanta via king-tv
seattle mariners via mynorthwest.com
chandler o'leary, tacomamakes.com
craig hill, tacoma news tribune
art thiel, sportspress nw
In an unfinished 1997 TV pilot partly set at a bowling alley, I remarked that in baseball, a perfect game is when nothing happens; while in bowling, a perfect game is when everything happens.
What I didn’t say was that baseball’s “nothing” can be a thrilling, suspenseful, even joyous nothing.
Baseball, as the philosophers of the sport (and it’s the only U.S. sport that has philosophers) say, is the game where the defense controls the ball. It’s not based on metaphors of insemination, but on control vs. chaos. The star of any particular moment of any particular game is the pitcher, high on his dirt pedestal in the center of the field.
The fly-by-night fans root for lots of cheap home runs, for moments of high action.
The hardcore fans, though, they love the control. They love that near-oxymoron, a “pitchers’ duel.” (They never actually combat one another, and in the AL they’re never on the field at the same time.)
They love the intricacy of a pitcher’s “arsenal” of different styles of pitches. They love a pitcher who doesn’t just have speed and power, but also finesse and versatility and endurance.
Here, in what had previously turned out to be yet another Mariners season of futility (capped with the anticlimactic loss of Ichiro, the team’s only other superstar, to the damn Yankees), pitcher Felix Hernandez accomplished the sport’s rarest and most prized single-game feat.
He made history.
Heck, he even made Wikipedia.
And yes, the damn Yankees (or at least damn Yankee fans) now want him. Figures.
ted s. warren, ap via seattlepi.com
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
seatacradio.com
So shortly after the death of Chris Wedes (J.P. Patches) comes the loss of another beloved local media icon. Taken too young, after too many years of stoically living through pain and surgeries and chemo.
Goertzen’s natural charm and adept on-air skills made her one of the longest running local news anchors in the nation.
She survived in a field that is often unkind toward formerly-young females. But she couldn’t survive the tumors that wouldn’t stay dead.
geneticist.tumblr.com
Let’s admit it, skepticism does have a way to make us feel intellectually superior to others. They are the ones believing in absurd notions like UFOs, ghosts, and the like! We are on the side of science and reason. Except when we aren’t, which ought to at least give us pause and enroll in the nearest hubris-reducing ten-step program.
nytimes.com via nytsyn.com
kiro-tv via missy chow
Another Seafair Sunday, Seattle’s own civic holiday, has come and gone.
And this one was a beautiful one.
Everything went as expected. Oberto won the race; but not without some thrills (and thankfully, no spills) along the way.
The weather was beautiful and scorchy.
The original piston-powered thunderboats made a spectacular cameo.
The only thing missing was the Unlimited Light fleet of smaller race boats. The UL circuit folded after last summer, sadly. Taking their place, we had tiny “Formula One” boats brought in. Fun but just not the same.
Let’s try to bring back the ULs in ’13. Seafair itself has had to be fiscally “saved” several times. If local sponsorship could be found for the big boats, it ought to be available for the middle-sized boats.
ioffer.com
The first Spider-Man cartoon series (ABC, 1967-70) is fondly remembered by the geekerati, not only for its low-budget thrills but for its bold, saucy, spooky music.
You know the theme song, perhaps from its many remakes and cover versions. (It’s the only song the Ramones slowed down when they covered it!)
The background music has been a lot harder to track down.
Among the reasons why:
Fans eventually figured out that most of the music cue for seasons 2 and 3 came from KPM, a “library music” provider based in London (and now owned by the about-to-be-dismembered EMI).
Once KPM put up a website with samples of its library, these fans sorted out which tracks had been used on Spider-Man, and began to post some of them online.
But that left the season 1 background cues, composed expressly for the show by Ray Ellis and Bob Harris.
As this 2007 story on WFMU’s blog goes, some longtime fans of the show tracked down Ellis in L.A. He told them he’d left the original tapes behind when he moved from New York, but would track them down the next time he went there. Ellis died in 2000, before ever making that trip.
Other fans later reached Harris’s widow, who said she had no idea about the Spider-Man music tapes’ existence.
Not only were the original recordings a dead-end, no M&E tracks (music-and-sound-effects soundtracks, which some studios keep for foreign-language redubbing) were around either. Only the dialogue-heavy final episodes.
Dan O’Shannon, a writer-producer who’s worked on Cheers, Frasier, and Modern Family, is another of the ’60s Spider-Man‘s lifelong obsessive fans. O’Shannon’s taken it upon himself to reassemble the first-season cues.
So far he’s posted 34 tracks. He’s mixed and matched sections of the same tunes from different episodes (or different parts of the same episode) to avoid the dialogue.
O’Shannon hasn’t, however, been able (or wanted) to edit out the frequent THWIP! sound effect of Spidey’s web shooters.
The Seafair Torchlight Parade is more than a relic of “a simpler time,” or an opportunity for Seattle merchants and restaurants to make money from visiting suburbanites and exurbanites.
It’s an opportunity for all of us to get back in touch with the values and aesthetics that helped make this city great.
At a time and place where these values are often scoffed at, Seafair proclaims there’s still plenty to admire in squareness.
Squares gave us the Space Needle. Squares gave us Boeing (and, hence, the “international jet set”). Squares gave us computers and software.
Towns at at least a little removed from the metro core still understand the positive aspects of squareness, and revel in them. I come from one of these.
Remember: Square DOES NOT necessarily equal boring or white. Values of family, tradition, and togetherness cut across all ethnic and subcultural lines.
There are three special things to mention about this year’s parade. The first is the Seafair Clowns’ heartfelt tribute to Chris Wedes/J.P. Patches.
The second thing was something I’d previously noticed last month at the gay parade—spectators using cam-equipped iPads to get a better-than-the-naked eye view of the proceedings.
And finally, what was Grand Marshal (and Fastbacks drummer #2) Duff McKagan doing in a horse and buggy? Wouldn’t a bitchin’ vintage muscle car be more his flavor?
The Burke Museum has posted a lovely You Tube video showing how the Pioneer Square area was not only settled by Seattle’s founders but altered, filled in, and transformed from a little isthmus into the historic district it is today.