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capitolhillseattle.com
boxofficequant.com
junkee.com
wikipedia via king5.com
No.
And that’s an official, final no, for the next year at least.
factmag.com
via criminalwisdom.com
via wikipedia
Pay close attention to the above image.
It indirectly has to do with a topic that’s been going around here of late, including on this site.
The premise: Seattle has become the new nexus of the book industry.
Amazon now firmly pulls the strings of both print and e-book sales, at least in the realm of “trade books.”
Costco and Starbucks also hold huge influence over what the nation reads.
Nancy Pearl’s NPR book recommendations hold huge sway.
And we buy lots of books for local consumption, giving Seattle readers an outsized role in making bestsellers and cult classics.
See anything missing in the above?
How about actual “publishing” and “editing”?
•
Now to explain our little graphic.
Cincinnati companies once had an outsize influence in the TV production business.
Procter & Gamble owned six daytime soaps, which in turn owned weekday afternoons on the old “big three” networks.
Taft (later Great American) Broadcasting owned Hanna-Barbera, which in turn owned Saturday mornings on the networks.
But if you think of TV content actually shot in Cincinnati, you’ll probably remember only the credits to the L.A.-made WKRP In Cincinnati.
And maybe a similar title sequence on P&G’s N.Y.-made The Edge of Night.
We’re talking about one of America’s great “crossroads” places. A town literally on the border between the Rust Belt and the South, in a Presidential-election “swing state,” often overshadowed by cross-state rival Cleveland. A place with innumerable potential stories to tell.
But few of these potential stories have made either the small or big screens.
The last series set in Cincinnati was the short-lived Kathy Bates drama Harry’s Law.
The only TV fare made in Cincinnati has been a couple of obscure reality shows.
The lesson of the above: prominence in the business side of media content isn’t the same as prominence in the making of media content.
What of the latter, bookwise, is in Seattle?
Fantagraphics has tremendous market share and creative leadership in graphic novels and in comic-strip compilation volumes.
Amazon’s own nascent publishing ventures have, so far, aroused more media attention than sales.
Becker & Mayer packages and edits coffee-table tomes for other publishers, and now also provides books and “other paper-based entertainment… direct to retailers.”
The relative upstart Jaded Ibis Productions combines literature, art, and music in multimedia products for the digital era.
We’ve also got our share of university presses, “regional” presses, and mom-n’-pop presses.
Still, the UW’s English Department site admits that…
Seattle is not exactly a publishing hub… so job openings are very limited and most local presses are small and specialized.… In any location, those seeking jobs in editing and publishing far exceed the number of jobs available; competition is very vigorous.
And these are the sorts of jobs people relocate to get, or even to try to get.
Of course, Seattle also has many writers and cartoonists of greater and lesser renown. But that’s a topic for another day.
neil hubbard via cousearem.wordpress.com
tom banse via kplu
networkawesome.com
upwardspiral.blogs.com
And from the looks of it, it’s one big no for next season and the indefinite future.
Yep, NBA commissioner David Stern played all of us for fools.
Again.
We had been what Los Angeles has been to the NFL brass, nothing but a bargaining ploy.
Drat.
And double drat.
capitol records via wikipedia
usatoday.com
The first half of the Gannett Co. boss’s career was relatively ordinary.
He ran a company that bought up local-monopoly daily newspapers across the country. The papers (including, for a time, the Bellingham Herald and the Olympian) became more “professional,” if blander and more budget-conscious, under Gannett management.
By the late 1970s, Gannett owned papers (and printing presses) near most major metro areas.
That turned out to be the quiet groundwork for Neuharth’s real dream, USA Today.
Launched in 1982, “The Nation’s Newspaper” never completely fulfilled its journalistic promise, to be a paper whose “home town” was the entire country (as opposed to the “media capital” cities of NY/DC).
But it revolutionized domestic newspaper design and organization.
It revived the old newspaper tradition of short, sharp prose and a lively attitude.
It predated the Web with its emphases on graphics and on juxtaposing a wide swath of subject matter.
It became a companion for America’s business-trip nomads, that small but demographically significant caste of people living much of their years between airports and hotels.
It brought out-of-town sports and weather coverage (and snippets of news coverage) to people living far from their old homes and home teams.
And its success led the NY Times to launch national distribution. (For the longest time you could only get the NYT in the Northeast or from specialty out-of-town newspaper stands.)
No, USA Today never met lefty intellectuals’ Platonic ideals for newspapers. (To do that, it would have to have been an NYT clone with semiotics essays added.)
And even by its own standards and ambitions, its front (news) section was usually its weakest part.
But it added a “new voice,” a different set of news priorities, to the national conversation.
seattle dept. of transportation
…historically the stingiest, most fiscally conservative, most technologically resistant and investment-averse people ever, with the highest percentage of luddites per capita.
seatacmedia.org
Earlier this year, KUOW and MOHAI came up with a list of 25 “objects that tell Seattle’s story.”
They range from the obvious (a Boeing B-17, a poster announcing the Japanese-American internment, a Starbucks coffee cup) to the more obscure (an ancient, giant ground sloth).
A little more recently, SeattlePI.com ran a list of “25 things we miss in Seattle.”
These also ranged from the truly famous (the Lusty Lady sign, Frederick & Nelson’s window displays) to the lesser known (the Woodland Park Zoo’s nocturnal-creatures exhibit).
I’ve got my own list of Seattle pop culture icons. All of them are things I’ve personally seen or owned.
And yes, there are 25 of them. (Why break a routine that works?)
In no particular order, they are: