via jerry beck at indiewire.com

• Jonathan Winters, 1925-2013: The groundbreaking comic actor was a made-it-look-easy genius at everything from improv to scripted character roles, from pathos-touched bits to pure zaniness. And his first and last film credits are both in cartoons.
• BuzzFeed lists 35 “Truths About Seattle.” Not all of them actually are true. Not everyone, for instance, works at Microsoft.
• If we really are witnessing the “Death of the PC,” it’s neither Microsoft’s nor Apple’s fault. It’s just that with so much PC use and even functionality centered on Web-based stuff, home users have fewer reasons to upgrade their hardware. (OK, maybe Windows 8 isn’t helping.)
• Seattle will have two teams this summer in the Women’s Premier Soccer League, which claims to be the “largest women’s league in the world” based on the number of teams (70, coast-to-coast). It will also field teams this season in Issaquah, Spokane, Eugene, and something called “Oregon Rush.” (The league’s more exclusive “Elite” division will also have a Seattle team this year, name to be announced.)
• Those forever out-of-order escalators in the Seattle Transit Tunnel have logged their first fatality.
• Bruch Nourish at the Seattle Transit Blog has an idea for improved transit across the Ship Canal: make the Fremont Bridge for transit (and bikes and walkers) only.
• Seattle and New York are vying to be the capital of “Big Data.” I’m still not clear just what “Big Data” is.
• Sports blogger Chuck Culpepper has a lovely remembrance of the late local college basketball coach Frosty Westering.
• Would anybody want to go to a hospital where nurses have to take unpaid overtime and no breaks?
• A British author claims “news is bad for you, and giving up reading it will make you happier.” I know this becuase I read it on a newspaper’s site.
• Reader’s Digest in bankruptcy: But does it still pay to increase your word power?
• Candy doesn’t make you fat. Or so a major candy-industry PR campaign would have you believe.
• The scandal isn’t that Mitch McConnell was caught talking like a scumbag. The problem is that McConnell is a scumbag.
• Having apparently grown tired of waging the War on Women, the Rabid Right is now waging a full-on War on Sex.
• Porn industry revenues have fallen by almost two thirds in the past eight years. The usual suspect: free online content. A less usual suspect: could audiences finally be tiring of formulaic, loveless mating exhibitions?
• Besides books (yes, really), the other legacy-media segment that’s best survived the digital-age “disruption” (a term I’ve already said I hate) is cable TV programming. But with more and more “cord cutters” among the populace, can the cable channels’ owners still demand their lucrative “bundling” deals with service providers?
• America’s most implausible entertainment export these days might be the popularity of subtitled Jon Stewart clips in China.
• Let’s close today with a guy who’s painstakingly made miniature models of iconic TV show settings.

via theverge.com

This did not have to happen.

In a more epathetic world it would not happen.

In a world that was less overrun by sociopaths and their media/political enablers, it would not happen.

famousfoto.com, via mooreslore.corante.com

It seems like just yesterday that I was complaining about KOMO firing its pundits Bryan Johnson and Ken Schram, and about its parent company bringing hate talk back to KVI-AM.

We’ve got a bigger problem now.

Fisher Broadcasting, the only owner KOMO-TV and Radio has ever had, is being sold.

That would be bad enough. Fisher was the last locally-owned major commercial broadcaster around here, and its loss would complete the capture of the Puget Sound’s airwaves by big out-of-state station groups.

But this particular out-of-state station group is far, far worse than most.

It’s Sinclair Broadcasting.

More than any other station group (even Fox’s company-owned broadcast stations), Sinclair imposes right-wing propaganda content on its properties.

In 2003, Sinclair ordered ABC affiliates it owned not to run a Nightline episode about Gulf War combat deaths.

In 2004, Sinclair ordered all its stations to run, in prime time, a propaganda film by the “Swift Boat Veterans for Truth,” spreading false allegations about John Kerry’s service record in Vietnam.

In 2010, Sinclair ordered six of its stations to run, in prime time, an even less-true GOP propaganda film branding Obama as an anti-democracy extremist and an ally of mideast terrorists.

Oh—and like so many other companies in so many industries, it’s been severely hiking executive pay packages while severely cutting workers’ wages.

via redmolucca.wordpress.com

Margaret Thatcher’s recent death has sprung off a veritable gusher of reaction, much of it vitriolic.

This is to be expected in regard to the woman who oversaw the brutal decimation of the UK’s “welfare state” and the destruction of its once-mighty industrial base.

The woman who so firmly delivered that nation into the hands of financiers that even the opposition felt it had to conform (becoming the anti-working-class “New Labour”).

The precursor (and intellectual superior) to Reagan (whose regime, as you recall, was also run by “a strong woman”) and an inspirer/co-conspirator in the crimes of Reaganism, crimes whose long term effects still plague this country today.

The friend of despots and state terrorists who never met a dictator she didn’t like (so long as said dictator professed to be anti-Communist).

The inspirer of a wealth of deservedly angry protest music, which helped to transform punk and “postpunk” from an aesthetic niche into a sociopolitical movement, at least in the British Isles.

In her day, and since, some have argued that Thatcher should at least be respected as “a strong woman,” and even as a feminist of sorts.

I would argue that she helped disprove one of the most easily disproven tenets promoted by some feminists, that “Women” are innately the Moral Sex.

And Thatcher helped prove another tenet, that a woman is capable of doing anything. Including very, very bad things.

Thatcher, of course, didn’t do all she did by herself.

She was an active frontwoman for a group of movements with different but similar goals—to defund the poor, to smash organized labor, to redistribute wealth into fewer and fewer hands, to turn the state into the tool of financial speculation, to prop up even more brutal regimes from Chile to South Africa.

And Britain, and the world, are still feeling the ills from them.

via seattle bike blog

• Enterprising citizens calling themselves “Reasonably Polite Seattleites” took it upon themselves to install unauthorized “bicycle lane protectors” (reflective plastic pylons) along Cherry Street uphill from downtown. The city vows to remove them.
• Seattle police chief John Diaz will retire, allowing Mike McGinn (or perhaps a successor mayor next year) to put in another figurehead for uncontrolled street-cop brutality.
• In a Belltown where anything non-one-percenty is increasingly out of place (more about that in a day or so), Roq La Rue has been kicked out of its longtime space in the old Film Row RKO distribution offices. Fortunately, Seattle’s premier “pop surrealist” art gallery has found new quarters in Pioneer Square, effective some time this summer.
• Meanwhile, a Crosscut contributor named Andy Fife asks whether there is a “Seattle arts aesthetic.” Actually, there are several. There’s the “world class or bust” desperate slickness of most of SAM’s big permanent displays. There’s the “rich ex-hippie” mellow slickness of Chihuly and company. There’s the “modern monumentalist” big stuff seen at the G. Gibson and William Traver galleries. There are the house styles of Cornish and Gage and their recent alums. And there’s the “let’s put on a show” urban folk/pop styling of most of my personal faves.
• New Orleans city bosses apparently want to simultaneously (1) shut down music venues, and (2) promote their city as a live-music tourist destination.
• NBCNews.com blogger Wilson Rothman claims Apple’s iTunes is “out of date and out of touch.” Specifically, Rothman dislikes the whole idea of having to pay for song recordings. He seems to prefer the Spotify model, in which artists make fractions of fractions of pennies. That’s supposed to be the modern way?
• Here’s one author who hates the new economics of the book biz—Scott Turow, one of the few writers who’d thrived under the old system.
• Joshua Macht at the Atlantic claims Time magazine has perhaps three years to live.
• Hacked computer data shows the global one-percenters are hoarding trillions in secret overseas tax-haven accounts. Leaders of nations other than ours claim to be aghast.
• The newspaper industry has started measuring revenue from online paywalls and ancillary products/services. The resulting figures show papers are now losing a little less money than previously thought.
• The death last week of Spanish exploitation-film giant Jess Franco has been followed by the loss of another of that country’s great directors of sex and/or violence, Bigas Luna.
• Annette Funicello, 1943-2013: The only original Mickey Mouse Club cast member to have a real adult showbiz career was the wholesome sex symbol in the Beach Party movies, and a pop singer of unusual clarity and panache. During her cameo in the Monkees’ film Head, she proved not afraid to parody (without breaking) her squeaky-clean image. She remained gracious and classy, even during her long slow illness.
• We’ve also lost Les Blank, who directed 42 documentaries of varying lengths and topics (all shot on film). He’s probably best known for Burden of Dreams, the “making-of” film about Werner Herzog’s Fitzcarraldo. Many critics considered Blank’s behind-the-scenes story to be more compelling than Herzog’s feature.
• And another goodbye, this one to Hilly Krystal, influential owner of NYC punk club CBGB. While he opened it as a hippie spot dedicated to “country, blue grass, and blues,” he quickly adjusted to welcome the burgeoning Bowery underground scene. The result was what the New Yorker called “the ultimate garage—the place garage bands everywhere want to play.” (Update: This hereby-linked story is from 2007. Krystal’s still worth remembering nowadays, though.)
• Femen and associated groups held an “international topless jihad day” across European capitals, though the slogans painted upon themselves seemed to almost all be in English.
• Ending the drug war was never one of Obama’s top priorities. I suspect it’s because the whole bohemian-relaxation vibe clashed with the striving-for-progress zeitgeist that informed Obama’s worldview. But, as with gay marriage, he may be soon forced to act by a groundswell of popular opinion.
• The Nielsen ratings now claim there are 5 million “zero television” households in the U.S., up from a mere 2 million in ’07. (The “kill your television” “radicals” will, naturally, completely ignore this information.)
• Meanwhile, Rupert Murdoch’s minions threaten to pull the Fox broadcast network off of over-the-air stations (including affiliates tied up in long-term contracts) and go cable-only, unless the courts outlaw a service to stream local over-the-air stations to local viewers via Internet connections.

latimes.com

So much has been written already about the beloved film critic, TV host, author, Russ Meyer screenwriter, champion of obscure good films, vilifier of stinkeroos, and stoic survivor of one of the worst cancers anybody ever had.

I can only repeat what’s already been said—that Ebert was admirably both a film-lore geek and a populist, a man of aesthetic standards who wasn’t above enjoying (and helping make) down-n’-dirty exploitation, and a great wit.

Here are two pieces of his that have been rediscovered of late.

In the first piece from 2010, he looks back at his post-adolescence, in an era when college administrations still actively attempted to prevent students from having sex.

Then in his 2011 memoir Life Itself, he discusses his completely grody cancer and says, “I do not fear death.” And he explains his political stance:

“Kindness” covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world.

Here are reminiscences of Ebert by two Seattleite members of his longtime blogging team, Jeff Shannon and my ol’ UW Daily staffmate Jim Emerson.

8tracks.com

As I’ve written here before (see category tag “books”), the book industry is not, repeat NOT, dying.

(That’s the newspaper industry, the music industry, and the non-cable TV industry.)

Book sales have held their own in this one-two punch era of economic blecch and Internet “disruption” better than most any other “old media” business, with the possible exception of movie theaters.

And the percentage of book sales held by indie bookstores has also held about even. Online and e-book sales ate disproportionately into the revenues of big chain bookstores, leading directly to Borders’ collapse.

For a more thorough look at the book biz—past, present, and future—check out “What Is the Business of Literature?,” an essay by Richard Nash for the Virginia Quarterly Review.

Nash believes, as do I, that the literary biz has been a hidebound, inefficient beast, and that the sooner it gets dragged kicken’-n’-screamin’ into the modern age, the better:

Book culture is in far less peril than many choose to assume, for the notion of an imperiled book culture assumes that book culture is a beast far more refined, rarified, and fragile than it actually is. By defining books as against technology, we deny our true selves, we deny the power of the book. Let’s restore to publishing its true reputation—not as a hedge against the future, not as a bulwark against radical change, not as a citadel amidst the barbarians, but rather as the future at hand, as the radical agent of change, as the barbarian. The business of literature is blowing shit up.

The setting: KeyArena, 2:20 on a Wednesday afternoon. The place is filled with 15,000 middle- and high-school students and their adult chaperones. I’m in a staff lounge, preparing to start working on the tear-down crew at the end of this event, watching the on-stage action from a video feed.

From the elaborate stage, event hosts Craig and Marc Kielburger tease an already hyped-up crowd with the promise of a final surprise guest. Then they introduce said guest.

This is followed by the screechingly loudest human noise imaginable, as the young crowd screams in unison.

It is only due to the miracle of modern amplification that local hereos Macklemore and Ryan Lewis (with their full live band) can be heard.

Thus ended the first non-sporting event I’d been to in KeyArena since presidential candidate Barack Obama’s visit in the spring of 2008. That event, like this, was a rousing call to action.

But the Obama rally was a mere toe-tapper compared to the rafters-shaking experience that was We Day, a five-hour celebration of kids getting involved in their communities and in the larger world.

We Day has been staged in cities across Canada for the past six years. This was the first one held south of the border.

Its parent organization, Free the Children, was started by the Kielburger brothers when Craig Kielburger was age 12. Their original intent was to crusade against forced child labor in Pakistan.

Since then, the organization has grown and evolved. It supports activities in 45 countries from Ecuador to India. These include schools, clean-water projects, and cottage industries making craft products. These projects’ overall goal is to “adopt” whole villages, helping create a sustainable infrastructure of education, health, and livelihood.

On the home front, Free the Children works to get kids involved in social change. It encourages kids to raise money and volunteer their time for overseas projects. And it empowers kids to work in their own communities against hunger, abuse, bullying, and dropping out of school.

Every part of Free the Children’s outreach to North American students is about positive empowerment. Burnout, or “compassion fatigue,” has no place in this outfit’s mindset. Everything’s about getting up, getting involved, doing things, speaking out (or, in the case of its forthcoming Day of Silence project, deliberately NOT speaking).

We Day is both a call to action and a celebration for those who’ve already been active. Kids got to go to it by having volunteered for both local and global causes.

In return, they got to spend a day out from school among kids bused in from all over the state. They got gift bags containing motion-powered light up plastic wristbands (donated by Microsoft, one of the event’s local sponsors). They got to partake of an extravaganza of entertainment and exhortation, of high-energy rally speeches alternating with live music and video segments of kids making a difference.

I worked on a part of the setup and teardown crew, and found a highly efficient organization behind it. Perhaps no recent event at the Key had needed so much stuff placed in so many places throughout the building. Besides the huge main stage (with two video walls) on the arena’s south end, a secondary stage with a video floor was set up on the north end. A gift bag was placed on every seat in the auditorium. Booths selling T-shirts and giving away promotional flyers were set up along all the concourses. Some lounges and luxury suites were reconfigured to welcome event staff, volunteers, adult supporters, and sponsors. Ground-floor dressing rooms had to be spiffed up at least a little for all the celebrity guests.

Those guests included Sonics legend Gary Payton, Mia Farrow (Payton Place meets Peyton Place!), Martin Sheen (delivering a rousing secular sermon about making a difference), MC Hammer, Martin Luther King III, Nelly Furtado, and local breakdance stars the Massive Monkees.

The most enthusiastically-received of the announced guests, “Dreamgirls” star Jennifer Hudson, performed two high-energy song and dance numbers.

But even Hudson couldn’t raise louder screams than Macklemore, wearing a replica Sonics jersey embossed with the slogan BRING ‘EM BACK. (A men’s pro basketball team bearing that name may indeed show up in KeyArena later this year.)

But this day was not about sports fandom, despite the presence of Payton, Magic Johnson, and Seahawks coach Pete Carroll and several of his star players including Russell Wilson.

What We Day was all about was getting involved in things bigger than sports, things bigger than yourself.

And having a raucously good time while doing so.

(Cross-posted with City Living.)

david rosen, west seattle herald

• All the local mainstream media today believed you all were really really interested in the slow seaborne arrival of Bertha the boring machine.
• As you know, I normally loathe the term “world class,” particularly when used to describe something someone wants to impose on Seattle. But this might be the exception: Stunning Seattle, a project to festoon the city with “world class murals.”
• In my last Random Links post I neglected to mention the deaths of two longtime local politicos, campaign operative extraordinaire Blair Butterworth and former Seattle City Councilmember Cheryl Chow. Both, in their own ways, helped the cause of progress in the state and the city.
• Newspaper Shrinkage Watch: Starting June 1, the Aberdeen Daily World will now only print three days a week (Tue/Thu/Sat). Publishers promise they won’t fire any more reporters when they make this move.
• Art Thiel’s got a great piece in Seattle Business about the new Husky Stadium, and how the UW managed to get it built without state tax dollars. Among the tricks: The U sent out the construction bids at the nadir of the late 2000s real-estate slump, and got a cash windfall from the new Pac-12 Network.
• Paul Rosenberg at Alternet ponders whether “rational decision making” has become too unpopular in this country—not among the faux-populist teabaggers but among “the elites.”
• Every week, more ultra-rare film and TV material shows up online and within the film/video trading circuit. And for almost 10 years now, Film Threat‘s Phil Hall has kept track of it at his column “The Bootleg Files.”
• Fujifilm won’t make motion picture film any more.
• Intel’s supposedly working on an online-based alternative to cable TV. It probably won’t cost any less, though, because the big cable channels will want to collect the same “carriage fees” per subscriber.
• Meanwhile, Variety lists Microsoft and Amazon among the other companies “that pose the biggest threat to pay TV.”
• I’ll believe Leno is really being shown the door this time when I see it, and perhaps not even then. Supposedly it’ll be next February.
• Good news for everybody who hates those horrible, deliberately badly-written, how-to and self-help articles clogging up the top of various Google search results. Web-pundit Steve Floyd now proclaims that “search engine optimization” or “SEO,” that mystical pseudo-science of crafting useless web pages in order to game the search engines, “is dead.”
• The “Harlem Shake,” that 15-seconds-of-fame online video “meme,” was largely crafted and publicized by corporations.
• Allen Clifton at ForwardProgressives.com has assembled a handy series of compelling arguments you can use on your right-wing relatives.
• Finally, some beautiful, haunting images of Greek prostitutes by photojournalist Myrto Papadopoulos. They’re shown as regular (albeit beautiful) folks just trying to make it in a lousy economy.

The legendary B-filmmaker helmed “at least 199” films (not counting re-edited and retitled versions) in a six-decade career, many of which he also wrote, photographed, edited, scored the music for, and acted in.

He disguised his massive productivity in part by taking a variety of pseudonyms, including the names of some of his favorite jazz musicians. He always worked on time and in budget (both usually minimal). Among his tricks to achieve this was reusing locations and even entire shots in different films.

He worked in numerous genres but usually dealt in varying proportions of horror and sex (up to and including hardcore).

His best known works include Vampyros Lesbos and She Killed In Ecstasy (both with the ultra-stunning Soledad Miranda), the James Darren version of Venus in Furs, 99 Women, The Awful Dr. Orloff, Succubus, Eugenie: the Story of Her Journey Into Perversion, and The Blood of Fu Manchu.

Even when his financing dried up, he kept working, making shot-on-video features on even tinier budgets. He released three of these last year.

He was preceded in death by his wife, muse, and most frequent star Lina Romay (who was appearing in his productions, and still doing nude scenes, well into the 1990s).

• My ol’ colleague Art Chantry’s got a poster design listed as “object of the day” by the Smithsonian’s design museum. Couldn’t have happened to a nicer guy.
• One Reel wasn’t making an April Fool’s joke when it said it hadn’t rounded up enough sponsorship for a Fourth of July fireworks show.
• Metro Transit is in deep fiscal muck, again. It needs the Legislature’s help. Only the Legislature’s been taken held hostage by deliberate gridlockers.
• It’s that time of the year again, the time when we get to say the Mariners are 1.000.
• SeattlePI.com Shrinkage Watch: Four years after the death of the Post-Intelligencer, Ernie Smith at Medium.com looks at the paper’s online-only successor and sees “a shell of its former self” heavy with “ad-covered wire copy”:

Here’s a company that had a four-year head start to reinvent its model, its journalism, and its overall mission. And here’s what the business side has apparently been doing the whole time — figuring out new ways to run advertising on top of advertising on top of advertising… It shows how bereft of ideas the business side is for making money from journalism on the Internet.

• Can video game heroine Lara Croft be revamped to look less, well, gratuitious?
• Jiffy Mix, a good cheap product from a good responsible company.
• Tim Goodman at the Hollywood Reporter believes “the TV industry needs its version of Steve Jobs.” If there really were another Jobs out there (a polymath genius who can grok tech hardware, software, design, marketing, and management simultaneously), he or she would likely be working on ways not to save the TV industry as we know it but to further “disrupt” it (I know, a horrid term for a horrid phenomenon).

washington dept. of natural resources via kxly-tv spokane

• Here’s the big Whidbey Island landslide from Wednesday.
• “Apartments are expensive, hard to find in Seattle area.” Damn. I need one and soon.
• Update #1: The Elvis statue that got stolen from Mama’s Mexican Kitchen in Belltown was found and returned.
• Update #2: Canterbury Ale & Eats, the legendary Capitol Hill dive bar, is still scheduled to close later this year. But its landlord, the nonprofit Capitol Hill Housing, wants to replace it with another “affordable” eatery-drinkery.
• Update #3: The sudden controversy over artist Charles Krafft’s longstanding ultra-right-wing beliefs has made the New Yorker.
• My ol’ acquaintance, painter Billy King, would like a “1 percent for the arts” program for commercial real-estate developments, particularly the ever-enlarging Amazon campus.
• And local sci-fi legend Neal Stephenson would like his fellow fantasists to get back to the old SF game of imagining practical, possible utopias, instead of the escapist cyberspaces and grim nightmare futures they’re mostly imagining these days.
• Michelle Shocked shows up at clubs that canceled her gigs after her anti-gay rant, claiming to be a free-speech martyr.
• “Shoppers tired of Walmart’s empty shelves and long lines are bolting to Costco and Target.” The empty-shelves part is only partly due to Walmart’s notoriously lousy labor policies that drive potential workers away. It’s also due to suppliers getting sick n’ tired of Walmart’s notorious “my way or the highway” stance toward them.
• Salon asks, “Is there anything 3-D printing can’t do?” Actually, there’s a heckuva lot it can’t do. Yet.
• Many (white female) porn stars still refuse to perform interracial sex scenes on camera. Comment #1: Yes, women (including sex workers) should be able to turn down anything they want to turn down. Comment #2: It’s still a sad sign that some performers (and, presumably, viewers), in a genre once thought to be the cutting edge of “free speech” progress, can’t get beyond one of society’s most tired old prejudices.
• Micheal Schuman at Time sees a new relevance for that ol’ policy nerd Karl Marx, as the global one-percenters wage “class struggle” against all the rest of us. But Schuman doesn’t see, or recommend, any serious counter response.

• When bad covers happen to good novels….
• The (beautiful) wooden Elvis statue outside Mama’s Mexican Kitchen was stolen. We who all adore it need it back.
• Every now and then, civic boosters talk about bringing the Olympic Games to Seattle. Such efforts have traditionally been quashed quickly by locals worried about traffic and local-government subsidies. But this time (for the 2024 Summer Games), could the boosters have the upper hand over the NIMBYs?
• City Councilmember Richard Conlin says housing for poor people should be kept in the south end, away from all the nice-upscale people.
• (Meanwhile, it’s good to remember that America’s urban ghettos were the historic result of specific policy/planning decisions. Do an online search for “redlining” and “blockbusting” to learn more.)
• “Tiny houses” are all the rage in certain circles. But wanting to plop one down inside a city, well that’s news.
• At least one ESPN pundit predicts the Seattle Mariners will be “this year’s surprise team.” In recent years, as you know, the M’s have provided too many of the wrong kind of surprises.
• Wash. state is Number One! (In making higher education unaffordable, that is.)
• Seattle teachers’ protest against standardized testing has reached the eyes and ears of the New Yorker, which notes that this particular test is not used so much to evaluate students as it is to evaluate the teachers themselves.
• The Catholic Northwest Progress, the regional archdiocese newspaper, is the latest grave in the print-media cemetery. The paper’s incessantly anti-gay-marriage stance probably didn’t help.
• The years-in-the-promising Bell Street “boulevard park” project is finally starting construction. When it’s done, Bell will have one lane of traffic and one lane of parallel parking; the rest of the right-of-way will be extended sidewalks and planters.
• The thing about the Vancouver BC company’s inadvertently see-thru yoga slacks: The women who attend these classes and wear these clothes are often trying to show off their figures, not to men but to other women, not to attract desire but admiration/envy. But that doesn’t work if the “exposure” is too blatant.
• In the ten years since the Iraq War, the buildup to same, and the almost unquestioned media cheerleading for same, have we learned anything (except to distrust the media)?
• In the Internet era, news readers have umpteen sources for big national/global stories, but far fewer people reporting local events or investigating local dirt.
• Montana may make roadkill legal to eat: On tonight’s dessert menu, chocolate moose.
• After testing the waters in commercial book genres (romance, mystery, etc.), Amazon’s getting into the “literary” book racket.
• While the “people of the book” were making their usual noisy gripes that everything was going to hell, independent bookstores have staged a quiet comeback.
• Speaking of naysaying the naysayers, Bono would like you to know that many worldwide trends (poverty, AIDS, etc.) are actually on a positive swing these days.
• Is Jay Leno finally being pushed into retirement? For real this time?
• Urban-planning pundit Richard Florida made big bucks from instructing cities how to pursue “the creative class.” Now he says (sort of) that that doesn’t work.
• Following Chris Ware’s acclaimed Building Stories, local art-book press Marquand Books is putting out another “box set” graphic novel, containing objects of different sizes and shapes telling one meta-narrative. It’s The Magician, by onetime Dallas arts promoter Chris Byrne. It’s an ultra-limited-edition product. Its artistic ambitions, if anything, are greater than those of Ware’s work.

I’ve known, and occasionally worked with, Gillian G. Gaar for as long as I’ve been writing these MISC ventures.

You know her from her contributions to the Rocket, the Stranger, ArtsFocus, Tablet, the Belltown Messenger, and other local and national periodicals; as well as her books about Elvis Presley, Nirvana, the Beatles, and women in rock.

She needs some expensive surgery to restore the vision in her left eye.

Like so many in and on the periphery of the music scene, she has no insurance.

She’s started one of those online fundraising drives.

She’s a quarter of the way to her goal already, and could use your help getting the rest of the way there.

•

Dennis White, who runs the Dadastic! record label, has been making T-shirts commemorating Belltown’s still-mourned Dog House diner and piano bar.

For a limited time you can get one for $17 (with a free CD thrown in), and have $5 of the proceeds go to Gaar’s medical fund.

(The hereby-linked page says the deal is over, but White says you can just mention it when you order and he’ll still do it.)

• I was at the last day of the Alki Tavern, that venerable unrepentant dive bar. So was videographer Nick Adams.
• “Pot tourism” still has a few snags before it can become big business here.
• The Boeing engineers’ union approved the contract proposal they’d previously rejected.
• Post-dam Elwha River: I’m getting sedimental over you.
• Providence’s drive toward near-monopoly status in the hospital biz of much of Wash. state hits a snag, as Olympia hospital employees go on strike. Among the issues: cuts to the employees’ own health benefits, while the CEO rakes in millions.
• The Rev. Rich Lang, writing for Real Change, compares modern society to that once bemoaned by the Bible’s “apocalyptic” writers.
• Apparently, indie-folk oldie act Michelle Shocked (who’d once sort-of claimed to be lesbian 22 years ago) now says she was just kidding when she made virulently anti-gay remarks on stage in San Francisco.
• In brighter women-in-music news, meet “Laura the Luthier,” the collective name for the women who kept Gibson Guitars in production during WWII.
• By now you’ve heard about the Steubenville OH teen-rape verdict, and about certain cable-news commentators who went all over in sympathy with the young convicted criminals while downplaying or making excuses for their crime. Mia McKenzie at the blog Black Girl Dangerous has a slightly different view. McKenzie acknowledges it’s sad that the convicts will go into the “prison industrial complex” like so many kids who aren’t white or football stars. But she still expresses more sympathy to the rape victim.
• That widely disseminated “meme graphic” of a Swedish department store with “realistic” mannequins? The picture’s real. But it wasn’t taken in an H&M but in another store, and it was photographed three years ago.