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This is the UW’s Lander Hall dormitory, where thousands of students over the past four-plus decades have slept, drank, toked, screwed, and even studied. It’s being razed this summer so the U can build a new (though not necessarily less ugly) residence-hall complex. It was really time for the building to come down. So much so, that a big slab of a concrete wall cracked off during demolition last Saturday. It crashed down on the closed cab of the excavator machine. The operator is still in the hospital.
Cafe Racer was first opened by Kurt Geissel and then business partner Staci Dinehart in 2003, originally as the Lucky Dog Espresso.
First with Dinehart and then with longtime manager Ben Dean, Geissel built it into a place that was everything to many people—a coffeehouse, diner, bar, dual art-exhibition space (both permanent and rotating exhibits), eclectic live music venue, and gathering place for both Ravenna/Roosevelt area locals and for several citywide subcultures.
Geissel kept his outside day job all that time, pouring everything the cafe made back into it. It made the front page of the Sunday New York Times arts section for its Sunday all-ages improv-music shows, the “Racer Sessions.”
Some of the other people most responsible for Racer’s rise have included:
As you all know, Meuse and Keriakedes were at the cafe the morning of May 30, when a mentally unstable former customer came in and started shooting. He killed Keriakedes and three other people, and shot Meuse. He fled, shot and killed a woman outside Town Hall, took her car, and was finally found by police in West Seattle, where he fatally shot himself.
Geissel has said he was actually making more money with Racer closed, thanks to insurance. But friends and loyal customers pretty much demanded he reopen. After take a couple of weeks off to get his own head together, he and a crew of volunteers cleaned up and repainted the place and installed a new bar.
Reopening day was all hugs and smiles and closure. There seemed to be a collective sense, not of “normalcy” but of triumph. Meuse was working. Woodring was on hand.
So was Geissel, hauling in fresh supplies of hamburger buns and Tater Tots.
He’s said that not reopening would be letting “the bad” win. Bringing Cafe Racer back, he’s also said, was a process fed by “the tremendous love” expressed by everyone who’s frequented it.
(Cross-posted with City Living.)
Target (or rather “City Target”), which had its “soft opening” on Wednesday, is the biggest new retail opening downtown since 1998, when Pacific Place opened and Nordstrom moved into the old Frederick & Nelson building.
It’s the first new downtown “department store” since Nordstrom expanded from shoes into clothes in the 1960s.
It’s the first “general merchandise” store downtown since Woolworth’s national demise, and the first in Seattle’s urban core since Kroger turned its Broadway Market site from a small Fred Meyer into a large QFC.
And it’s the first downtown toy store since the fall of FAO Schwarz.
It’s on a historic half block of Second Avenue between Pike and Union streets. That’s where The Bon Marché (sigh) occupied a series of buildings between 1912 and 1929. That complex was taken over by J.C. Penney, and housed that company’s biggest-in-the-nation store until it closed in 1982.
When the Newmark condo tower was built there in the 1990s, the original concept for the retail space was to have been a concourse of shops; an unofficial “New” annex to the Pike Place “Market.” Instead, a PayLess Drug store and a multiplex cinema came in, both short-lived.
Target announced in 2010 that it was moving into all three floors and 96,000 square feet. It’s taken that long for them to completely retool the space.
The company says it’s also spent a lot of time and money determining what merchandise to put in the place, which is about two-thirds the size of a normal suburban Target. (I’m sure the arrangement will be revised once the first sales figures come in.)
The lower (Union Street) level is groceries (and storage and parking). It’s strong where the nearby Kress IGA is weak (prices of packaged-food items) and weak where Kress is strong (meat and produce selection).
The main (Pike Street) level is women’s casual wear, drugs, sundries, office and school supplies (yes, there are downtown residents with kids).
Upstairs (connected by the same shopping-car escalator mechanism seen at the Northgate Target), there’s men’s and kids’ wear, casual home furnishings, DVDs, toys, and electronics.
And throughout on day one, downtown workers and residents strolled and checked prices and met up with one another.
City Target helps fulfill a longtime wish of civic leaders to better connect Pike Place to the retail core.
And it fulfills a slogan mounted on the store’s T-shirt and tourist-merchandise section: CITY LOVE.
•
P.S.: I’ve mentioned it before, but the dysfunctional-family aspect of the Target company is always fun to relate.
Target was originally an outgrowth of (the now-Macyfied, alas) Dayton’s department store in Minneapolis. (Thus, the chain’s current “City” push is a return to roots of a sort.)
A scion of that family, Mark Dayton, is a prominent progressive Democrat. In 2011 he became governor of the great state of Minnesota.
Target’s current management spent a whole bunch of PAC money supporting Gov. Dayton’s losing (and virulently anti-gay) Republican opponent.
dangerousminds.net
ichiro large bobblehead, available at halloffamememorabilia.com
kiro-tv via marty corey
The last time the city seemed in this much mourning over a single death was for another media personality, Dave Niehaus. And he’d only been part of the Seattle zeitgeist since 1977.
Wedes had been western Washington’s surrogate dad since 1958, when he starred in KIRO-TV’s first local show on the station’s first day on the air.
He’d already played several kidvid roles on Minneapolis TV. He took over the “J.P. Patches” character name and makeup design (originally a creepy unibrow look) from another Twin Cities actor, then took that with him to Seattle.
Even after most of the other local kids’ hosts around the country hung up their respective hats, KIRO kept the Patches show going. Even the legendary network show Captain Kangaroo had only its second half-hour seen here, because J.P. commanded the 7:30-8:30 a.m. hour.
At his peak, Wedes had a morning show, an afternoon show, and a Saturday morning show to boot (Patches’ Magic Carpet). Along with loyal sidekick Bob Newman (as Gertrude, Ketchikan the Animal Man, and assorted other characters), Wedes masterminded a mostly ad-libbed realm of clever wordplay and character-based gags. He didn’t really do normal “clown” bits, such as juggling or pantomime comedy. J.P. was a character all his own, who just happened to wear greasepaint.
Ensconced in his “magic house” at the City Dump (which, in real life, was where the University Village mall is now), he presided over a supporting cast of humans, quasi-humans, and puppets (almost all played by Newman), going through happy little comedy skits and slapstick storylines in between cartoons and commercials (the latter of which Wedes performed live until the Feds said he couldn’t anymore).
And he kept doing it until 1981, well after national advertisers and cartoon syndicators stopped servicing his kind of local shows. At its end, it had been the longest-running local kids’ show in the country.
KIRO kept him on the payroll as a floor director until 1990.
And he maintained a personal-appearance schedule, donning the costume and the makeup for everything from county fairs to Soundgarden concerts.
A statue of J.P. and Gertrude was erected in Fremont in 2008. A version of the show’s set was rebuilt at the nearby History House. Archie McPhee’s made a bobblehead figure. Wedes and Bryan Johnston co-authored a coffee-table book of Patches show memories. Wedes and Newman appeared on several KCTS pledge-drive specials, built around home-video compilations of the show’s existing episodes (of which, alas, there aren’t many).
Finally, Wedes felt the need to stop these appearances last autumn, when his blood cancer got too bad.
But the love remained.
His show’s purpose had been to sell sneakers and junk food to impressionable tots. But he had a sincerity that shone through both the jokes and the merchandising.
And people got it. Even people who’d not seen the original show, but had only known Wedes from the later live appearances.
To close, here’s what KIRO’s retrospective newscast quoted Wedes as having been his show’s only message: “Have fun, take care of your parents and your brothers and sisters, and be a good friend to everyone.”
From Universal’s 1939 serial The Green Hornet, based on the radio show of the same name.
chibi neko's 'bad literature bingo' review of 'fifty shades of grey;' mybookgoggles.blogspot.com
The world of books, specifically the world of “women’s” books, is roiling with scandal and outrage.
First, there was a book-review site called “ChickLitGirls.” It sent emails to small and self-publishers who wanted their boks reviewed on the site. It claimed it had become overwhelmed by such requests; but that publishers could ensure not only a review but a positive one for one small payment of $95.
The site quickly disappeared once authors and bloggers started complaining about its practices, only to get emails from the site’s operators describing the criticism as “harassment and threat” and threatening to sue.
Along with the scandal concerning positive reviews, there’s also one concerning negative reviews.
Specifically, about reader-submitted reviews posted to the influential social media site Goodreads.
Some people love to post nasty, snarky reviews. (And, let’s face it, the explosion in self-published ebooks means lots of easy pickings for any would-be online insult comic.)
But some of these posts cross or at least stretch the line between critiquing the work and defaming the author.
And, as you might expect, a lot of self-e-published authors are sensitive souls, unused to having their work dissected and pilloried on the public stage.
Thus, there’s now a site called Stop the GR Bullies. Its express purpose: to expose and vilify Goodreads contributors who get too nasty.
Of course, “too nasty” is a matter of personal judgment.
At least one book blogger, using the name “Robin Reader,” believes Stop the GR Bullies is itself bullying toward Goodreads users who’d simply posted negative but not “bullying” reviews:
Something is very wrong with us, and by “us†I mean the online community of (largely) women authors and readers. What is wrong is the “outing,†threatening, shaming, and silencing of readers who are perceived to be too critical of or hostile to authors. And for those in this online community who believe that this is not their concern or their harm, I would ask them to think again.
Fellow book-blogger Foz Meadows similarly asserts:
…Simply disliking a book, no matter how publicly or how snarkily, is not the same as bullying. To say that getting a handful of mean reviews is even in the same ballpark as dealing with an ongoing campaign of personal abuse is insulting to everyone involved.
In completely non-related book news:
buzzfeed.com
Future John Galts would have to sleep in castles, behind a wall of guards protecting them from us. A philosophy that detests the “gun” of government coercion would survive only by imposing such coercion on everyone else. The masters of a Randian society would rule a wasteland of clear cuts, poisoned streams, and empty seas, except for those patches they personally owned and protected.
This is as close as I got to Thursday’s appearance by Will Ferrell and Zach Galifianakis at the Local Color coffeehouse on Pike Place.
Nice that their handlers chose a cool independent beanery to plug their new movie The Campaign.
What’s hard to understand is the sheer enormity of the turnout. Besides Pine Street (as seen here), crowds were sardine-packed along Pike Place, Pike Street, and even First Avenue.
Even Ranger Rick, the venerable kiddie eco-icon, showed up, eager for a captive audience to spread his conservation message.
wikimedia commons, via komo-tv
cafe racer, june 20, 2012
Cafe Racer reopens this Friday.
Here’s the press release by owner Kurt Geissel:
A note from Cafe Racer’s owner: “No one needs to be reminded of what happened at Café Racer on May 30, 2012. Each day the grief of losing our loved ones lessens, but not our love for them or the love they brought into our lives. Drew, Joe, Kim, Don and Gloria were people who gave more of themselves than they ever received. This is why the community was so devastated by their loss. This is also why that community of which they were a part of will carry on. The outpouring of love and support from this community was astounding to me. Not only for the loss of our loved ones, but for the love and concern for Café Racer itself. It became clear to me that the café is more than just a place to pick up a coffee, food or have a drink, but it is a part of the community. The love didn’t just come from the ones we lost, it comes from everyone. This is the main reason that I’ve decided to keep the cafe open, to forge ahead with the vision that is Café Racer by providing a place for diverse people and groups to come together and have a loving, safe place to gather. There may be some physical changes to the cafe, the main ingredient which makes Café Racer unique will remain the same, Love. There is no way I can express my thanks to the hundreds of people who gave me, and everyone who is involved with the café, their love and support. YOU make Cafe Racer what it is.†– Kurt Geissel Owner, Café Racer Friday July 20th –Seattle: Café Racer will be re-opening its doors to the public
A note from Cafe Racer’s owner:
“No one needs to be reminded of what happened at Café Racer on May 30, 2012.
Each day the grief of losing our loved ones lessens, but not our love for them or the love they brought into our lives. Drew, Joe, Kim, Don and Gloria were people who gave more of themselves than they ever received. This is why the community was so devastated by their loss. This is also why that community of which they were a part of will carry on.
The outpouring of love and support from this community was astounding to me. Not only for the loss of our loved ones, but for the love and concern for Café Racer itself. It became clear to me that the café is more than just a place to pick up a coffee, food or have a drink, but it is a part of the community. The love didn’t just come from the ones we lost, it comes from everyone.
This is the main reason that I’ve decided to keep the cafe open, to forge ahead with the vision that is Café Racer by providing a place for diverse people and groups to come together and have a loving, safe place to gather. There may be some physical changes to the cafe, the main ingredient which makes Café Racer unique will remain the same, Love.
There is no way I can express my thanks to the hundreds of people who gave me, and everyone who is involved with the café, their love and support.
YOU make Cafe Racer what it is.†– Kurt Geissel Owner, Café Racer
Friday July 20th –Seattle: Café Racer will be re-opening its doors to the public
There was a competition going on for short films about Seattle. Some of the entrants (at least they seem like they could be) are showing up online. F’rinstance, here’s a poetic ode to the city by Riz Rollins; and here’s Peter Edlund’s Love, Seattle (based on the opening to Woody Allen’s Manhattan and dedicated to team-and-dream stealer Clay Bennett).
Tuesday was WB-Day in greater downtown Seattle and much of the south end.
In this case, I mean not Warner Bros. but Wave Broadband, the locally based company that’s taken over the bankrupt, inferior-in-so-many-ways Broadstripe Cable.
On Tuesday, starting about 12:20 a.m., the new Wave channel lineup began to “propogate” on my DVR.
Some of the new channels are walled behind new pay-tiers. These include Boomerang (retro cartoons), Ovation (arts and classical music), Comcast SportNet (Portland TrailBlazers basketball), and the Fox and MGM movie channels.
But there are still new fun attractions on the basic and digital-basic tiers, channels Comcast customers have had for some time: IFC, Current, This TV (KOMO’s digital sub-channel).
But the big (or rather, wide and crystal-clear) news is the added hi-def lineup. We now get the HD versions of KSTW (at last), CNN, MSNBC, Cartoon Network, Comedy Central, AMC, TCM, Discovery, the Science Channel, and several more.
The Deadliest Catch, Ice Road Truckers, Whale Wars, and the like are the sort of big-country spectacle that’s just not worth watching in ordinary-def when you can get it in fabulous-def.
Then there’s the likes of Factory Made and Build It Bigger. I’ve come to call these shows “Work Porn.”
You watch them in the day, when you’re sitting with the TV in the background and a laptop in front of you, staring at online job applications.
You see them working. Up and about. Doing stuff. Making stuff.
You get to live vicariously through their active days.
Then when it’s over you realize you’re still sitting with a laptop in front of you at home.
youchosewrong.tumblr.com