It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
…the value of digital ads decreases every quarter, a consequence of their simultaneous ineffectiveness and efficiency. The nature of people’s behavior on the Web and of how they interact with advertising, as well as the character of those ads themselves and their inability to command real attention, has meant a marked decline in advertising’s impact.… I don’t know anyone in the ad-Web business who isn’t engaged in a relentless, demoralizing, no-exit operation to realign costs with falling per-user revenues, or who isn’t manically inflating traffic to compensate for ever-lower per-user value.
…the value of digital ads decreases every quarter, a consequence of their simultaneous ineffectiveness and efficiency. The nature of people’s behavior on the Web and of how they interact with advertising, as well as the character of those ads themselves and their inability to command real attention, has meant a marked decline in advertising’s impact.…
I don’t know anyone in the ad-Web business who isn’t engaged in a relentless, demoralizing, no-exit operation to realign costs with falling per-user revenues, or who isn’t manically inflating traffic to compensate for ever-lower per-user value.
As many of you know, I’ve been at least a semi-regular customer at Cafe Racer on Roosevelt, ever since it opened almost a decade ago as the Lucky Dog Cafe.
It’s been a food, booze, and coffee joint, the site of Marlow Harris and Jo David’s “Official Bad Art Museum of Art,” a space for more ambitious art works, a home to comix-drawing sessions, and an eclectic live-music live music. It was the latter role that got it a big front-page paean in the Sunday NY Times arts section.
The music booker at Racer also led its house band, performing at the space at least once a week. He’d been a sword swallower in the long-running Circus Contraption troupe.
He, and another member of the band, were among the three who died from a gunman’s madness. Even if a motive for the shooting gets discovered, it will still be, and will always be, senseless.
I wish all condolences and serenity to Racer’s staff, its owner Kurt Geissel, and the many communities that coalesce there.
pleasantfamilyshopping.blogspot.com
east baton rouge parish library
The decline of newsprint has reached the point of the first proverbial dropping shoe.
A major U.S. city will be without a seven-day local printed newspaper.
Hurricane Katrina could not stop the 175-year-old New Orleans Times-Picayune from printing (or at least putting out an online .pdf edition). But the Newhouse/Advance Publications chain (which also owns the Oregonian and the Puget Sound Business Journal) just did.
Starting later this year, the Times-Picayune will only appear in print on Wednesday, Friday, and Sunday.
(Advance’s Alabama papers in Birmingham, Mobile, and Huntsville will also cut to three days.)
One third of the Times-Picayune’s remaining reporting staff (after several years of previous cuts) will be laid off.
The company’s official announcement says it will “significantly increase” its NOLA.com news site, augmented by “enhanced” print editions.
But if you believe that, then you’ve probably paraded too often with Krewe Delusion.
This is the Great Wheel, now taking shape at Pier 57 on the waterfront. It is already the greatest addition to Seattle public architecture since the Koohaas downtown library. The rest of the waterfront should be redeveloped around it.
dangerousminds.net
u.s. geological survey
Happy Mount St. Helens Day!
zgf architects via seattle times
The recession has claimed another victim, the Betsey Johnson boutique on Fifth Avenue.
I don’t think you do love America. At least, not as much as you hate everyone in America who isn’t exactly like you.
sobadsogood.com
This is from Sunday’s “Color Run” downtown, a 5K benefitting Ronald McDonald House. Runners were splashed with “color dust” at points along the route. (Note: This is not at all to be confused with the 2005 teen novel The Rainbow Party, or with the false rumor that that novel depicted a real-life fad.)
“Supporting traditional marriage” as an excuse for banning gay marriage is like “supporting lettuce” as an excuse for banning cabbage.
npr.org
Thriller author Barry Eisler, a born-again proponent of self-publishing (and the first established author to sign with Amazon’s publishing division), told a local audience that :
Needless to say, in many parts of the book establishment (the most tradition-bound establishment in all the lively arts), them’s fightin’ words.
•
Meanwhile, authors Sarah Weinman and Maureen Ogle have put up separate online essays. Each questions the future of “serious non-fiction” in the digital age.
Under the old regime, profitable publishing houses subsidized this work with large advances against royalties. In many cases, the publishers knew authors would never earn these advances back. It was the companies’ way of subsidizing prestigious “loss leader” works.
But if self-publishing becomes the new business-as-usual, Weinman and Ogle ask, what will become of long, research-heavy projects—projects that could take as many as five years of an author’s full-time attention?
There’s always Kickstarter.com. That’s where local comix legend Jim Woodring is raising funds so he can work full-time on his next graphic novel.
And there are always grants, fellowships, teaching gigs, and working spouses (for those authors who can land any of them).
And there’s another answer, one that’s right under Weinman and Ogle’s proverbial noses.
Both essayists note that the most successful e-book self-publishers, thus far, are fiction writers who churn out several titles per year.
Non-fiction writers can do likewise.
They can chop up and serialize their longer works, one section at a time.
When it comes time to put out the full book, authors can still revise and re-sequence everything.
In another sector of the digital media disruption, music-biz attorney Ken Hertz reminds you that even (or especially) with the new marketplace, bands still face tremendous odds against “making it.”
It is with a heavy heart that we must say goodbye to Publicola, for three years the go-to site for insider wonk-knowledge about Seattle political minutae.
Josh Feit and Erica C. Barnett studiously roved the corridors of City Hall and associated parties, fundraisers, caucus meetings, and planning conferences, always coming back with clear, engaging reports.
But, as we previously noted in regards to the equally ambitious SportsPress Northwest, local content sites just can’t make in on banner ads alone.
Goodness knows, Feit and Barnett did all they could.
They added arts and entertainment reviewers (officially billed on-site as the “Nerds”), then dropped them when their contributions didn’t lead to added revenue.
Later they did the same with veteran crime reporter Jonah Spangenthal-Lee.
More lately, their initial financial backers pulled out. Feit and Barnett asked for donations from readers to keep the site going. That helped them to meet an immediate cash shortage.
But Feit, Barnett, and their initial backers knew the site’s long-term prospects as a for-profit, stand-alone entity were poor.
So Publicola, as its own thing, is shutting down.
But Crosscut.com, Seattle Weekly founder David Brewster’s nonprofit local commentary/analysis site, is bringing Feit and Barnett on board. Their coverage will continue at Crosscut in twice-daily installments. Brewster and co. will stage a fund drive to support permanent employment for the two.