It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
webpronews.com
The premise of Soul Train was elevator-pitch simple: an American Bandstand for soul music. A hip but authoritative producer/host. Kids, dressed in the latest teen fashions, dancing in a studio to the latest hits. Two or more in-person guests each show, performing live or lip-syncing.
Anybody in the industry, including Bandstand impresario Dick Clark, could have launched such a show.
But nobody had (on a national level) until Cornelius came along.
Cornelius had been a news reader and backup DJ on Chicago radio, and had hosted teen “record hops” in the area. He started Soul Train on a local Chicago TV station in 1970. The following year, it moved to syndication (and to Hollywood). Within a year from that, it was on in 25 cities.
By 1974, when its theme song “TSOP” became a top 10 hit, it was an institution. It easily buried the rival show Soul Unlimited (Dick Clark’s imitation of Cornelius’s imitation of Bandstand).
For two more decades, the show was the showcase for soul, R&B, and the emerging hiphop and breakdance scenes.
By 1993, rap and its related dance moves had steadily gotten more “hardcore,” far from Cornelius’s personal tastes. He hired a series of replacement hosts while continuing to own and run the show, which aired on fewer stations in more obscure time slots.
Soul Train wound to a close in 2006. Reruns aired for another couple of years. After that, Cornelius sold the rights to an outside company, which has put out DVD sets and a YouTube clip channel. (Cornelius had tried to keep Soul Train performances off the Internet, employing staff to hunt down, and order the deletion of, any such clips.)
In his later years, the man who’d preached prosocial messages to his young audiences was accused of domestic violence by his estranged second wife.
But the legacy of his career shines on.
“And as always in parting, we wish you love, peace, and soul!”
crypt-orchid.blogspot.com
Today marks David Letterman’s 30th anniversary on late night TV.
Appropriately enough, his principal guest last night was Bill Murray, the first guest on both his NBC (1982) and CBS (1993) premieres.
When the NBC Late Night with David Letterman began, it was a breath of fresh air. It was knowing, it was snide, it respected its audience’s intelligence and its love of the bizarre.
The premiere opened with Calvert DeForrest (descendent of radio pioneer Lee DeForrest) reciting a “be very afraid” spiel in front of the Rainbow Room peacock dancers (yes, female “peacocks,” an actual attraction at the rooftop lounge in the RCA (now GE) Building).
Then came the first mini monologue and the first studio comedy bit (a backstage tour). The Murray segment ended with him and the host suddenly leaving the stage, and the screen switching to old film of the 1973 World Series.
That first episode ended with a comedian reciting the opening scene from an obscure Bela Lugosi movie. By the time I saw that bit, I knew I’d be a fan for life.
•
Letterman, the self-spoofing, genre-busting insurgent, is now the establishment, and has been for some time.
A persona that was once hip-to-be-square is now the grand old curmuddgeon. In this respect, he has become more like his onetime occasional foil Harvey Pekar (as seen above).
A collection of shticks that playfully (or awkwardly) toyed with the established celebrity-talk format has become a well-tuned programming machine, that regularly disseminates well-scrubbed guests plugging their films/shows/CDs.
Little comedy bits that had been cute and playful are now trotted out with slick animated openings and pompous fanfares. More of them these days are pre-taped or assembled from news footage, instead of acted out on stage.
The biggest flaw in Letterman’s current formula is the 12:15 a.m. commercial break, following the first guest spot. It runs between five and eight minutes, stopping the whole proceedings. It essentially begs viewers to shut ‘er down and hit the hay.
Still, there are worse fates to befall a creative performer than to become the sort of bigtime mainstream institution he had once scoffed.
Letterman could have grown old much less gracefully.
Like Leno.
PS: Here are some Letterman guest spots that one entertainment site considers classics. At least one actually is an all-time moment—a totally laugh-free, in-character Andy Kaufman spot from Letterman’s 1980 morning show.
PPS: Letterman began his career on Indianapolis TV in the early 1970s. The ill-fated, Seattle-born actress Frances Farmer ended her career in the same place and time. If I ever meet him, I’ll ask if he’d ever met her.
freecabinporn.com
The law, in its majestic equality, forbids the rich as well as the poor to sleep under bridges.
boxx corp.
…play their parts in an implausible story of a world that could never exist, acting out nonexistent conflicts while delivering dialog that insults the intelligence. That’s not because they’re stupid. It’s because they think you are.
(from the Tacoma News Tribune):
An item on Page A2 of Wednesday’s paper incorrectly stated that it was singer Etta James’ 74th birthday. James died last week.
delamar apartments (built 1909); from queen anne historical society
Here’s the start of another irregular feature on this site, which will probably sputter off and fade away like so many other shticks here.
It’s about how “radical politics” devolved into a lifestyle niche long ago, and how it’s become virtually useless as a vehicle for actual change in North American society.
Today’s course material is a blog post at Huffington Post, by Occupy Seattle advocate Mark Taylor-Canfield.
It was about the local protest against the Supreme Court’s “Citizens United” ruling, which one year ago loosened most restrictions against big-money campaign spending by corporate lobbyist outfits.
This protest had been scheduled for last Friday, but was postponed to the following day, due to the continuing extreme weather conditons.
But Taylor-Canfield’s headline is not about the protest itself, or the cause it espoused. It’s “News Blackout Greets Citizens United Protest in Seattle.”
That is NOT the most important aspect of the events being discussed here.
The headline and lead of this piece should not be about what corporate media did or did not mention. It should be about the event ITSELF.
And if you’re the first person to spread the word about it, you can hype that fact up with “Exclusive Scoop Big News You Heard It Here First!” language.
But if your intent is to proclaim alternatives to corporate society, your first priority should not be what corporate society thinks of you.
Besides, if you know anything at all about the dreaded “mainstream media” these days, you know they’re mightily understaffed these days. Especially on the local level, and especially on weekends. If they don’t get around to you, it’s not necessarily an act of overt conspiracy to silence you.
This particular weekend, there were still weather-aftermath stories to cover, which used most of what few people the Seattle Times and the radio/TV stations had in the field that day.
(Many of these sources had mentioned the original protest date’s postponement, even though they didn’t send anybody to the protest when it did occur.)
Besides, anti-corporate movements should neither rely on corporate publicity nor find it “newsworthy” when corporate publicity does not appear.
Especially in the Net era, ya gotta be making your own cultural infrastructure.
from three sheets northwest
Ex P-I sportswriters Art Thiel and Steve Rudman started SportsPress Northwest a little over a year ago. It boasted a professional, fully staffed sports reporting team.
Since then, the realities of ad-dependent content sites have dug in.
From an initial slate of nine writers, the site now lists only Thiel, Rudman, and local sports historian Dave Eskenazi.
Game summaries are taken from KING-TV, in a reciprocal linking arrangement.
It’s not Thiel and Rudman’s fault; SportsPress’s content was top-quality from the start.
It’s the web-content business model (not so much “broken” as never properly “built” in the first place).
Most cable TV customers in Seattle have to deal with the industry colossus Comcast.
But there’s a second cable provider in town. It covers the neighborhoods Comcast’s various predecessor companies (Viacom, TelePrompTer, AT&T Cable, Group W) chose not to wire up.
This other cable company has variously been known, under various mergers and buyouts, as Seanet, Summit, Millennium, and Broadstripe.
Under all those regimes, it seldom kept up with the services and channel lineups offered by the bigger boys.
But this might finally change.
Broadstripe’s Washington and Oregon operations were bought by a Kirkland firm, Wave Broadband.
It may take a few months, but Wave promises to upgrade these newly acquired systems.
And from the channel lineups on Wave’s existing systems, this upgrade could be substantial.
I’m talking HD versions of some of my fave channels (CBC, Comedy Central, Cartoon Network, MSNBC, CNN, AMC, TCM, HBO, NBC Sports Network (formerly Versus, formerly Outdoor Life Network)).
And channels I want but Broadstripe doesn’t carry (IFC, Current, Ovation, Boomerang, CSPAN2, MLB Network, HDNet).
Still no Sundance Channel, though.