It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
from boobsdontworkthatway.tumblr.com
seen outside the capitol hill block party
oh, NOW they get customers.
first 'weekly' cover, 1976, from historylink.org
The late investor and arts patron Bagley Wright lived just long enough to see one of the local institutions he jump-started, Seattle Weekly, descend from troubled to pathetic.
First, the paper got caught up, through no fault of its own, in the PR campaign against its parent company Village Voice Media and VVM’s online escort-ad site Backpage.com. Mayor McGinn has ordered the city to not advertise in the Weekly until VVM closes Backpage.
Second, and this is something local management’s responsible for, was a cover story about an S&M practitioner accused of turning a consensual encounter with a streetwalker into a non-consensual violent assault. Feminist blogger Cara Kulwicki has called the story’s writer and SW’s editors “rape apologists,” citing the author’s speculating that the event might have simply been “a bondage session gone haywire.”
Now, they’ve put out a cover piece about local true-crime author Ann Rule. The article’s writer (who’d never written for the Weekly before) claimed Rule had written lies and/or conducted sloppy research about an Oregon woman convicted of murder, in Rule’s 2003 book Heart Full of Lies. The issue was published before SW editors figured out the article had been written by the convicted woman’s boyfriend.
Setting aside the matter of Backpage, over which the SW staff has no power, the once solidly establishment Weekly is drowning in sensationalism. Maybe it should swim back toward safer areas like politics (oops, VVM cut way back on the Weekly’s formerly formidable news staff) or arts coverage (oops, ditto).
I knew I was going to attend the final group exhibit opening/closing party at the 619 Western art studios.
I didn’t know, until Wednesday, that I already have.
The city’s Department of Planning and Development suddenly proclaimed the building’s tenants have to get out by Oct. 1, six months earlier than the previous eviction date.
And, what’s worse, the tenants can’t hold public events in the building by Aug. 1.
That means no August First Thursday openings.
from sightline.org
…Making simple products is way more difficult than making complicated products…. Simple is more complicated, simple is elegant, simple is harder.”
happy bite of seattle consumers
No matter what you think of big box retail chains, I always find it sad to see one go.
Especially when it’s in an industry for which I have particular fondness (and in which I’ve invested much of my life).
This is the case this week. Borders Books and Music, not too long ago one of the Big Two of bookselling, didn’t find a buyer and will probably shut down. Going out of business sales at the remaining 399 branches (down from 1,249 in 2003) may start Friday.
You can read exhaustive histories of the company elsewhere. If you do, you’ll learn how the Borders brothers of Ann Arbor, MI started a book superstore operation that was bought by Kmart, which merged it with the mall chains Waldenbooks and Brentano’s; then the whole “books group” was spun off into a separate company.
“My” Borders, the downtown Seattle location, opened circa 1994, during the Kmart ownership. At the time, it was considered a major vote of corporate confidence in a downtown that had lost the Frederick & Nelson department store  two years before.
It seemed a warm and friendly place despite its size. It had downtown’s best CD selection, including a healthy stock of local consignments. It had a children’s section that served as a play area for shoppers’ tots. It had in-store events nearly every weekend, ranging from readings to acoustic musical performances and chocolate tastings. Its charity gift wrap table helped many a bachelor such as myself every Christmas season.
But the local store, no matter how cool it was, could not escape the parent company’s troubles.
As local staff was cut back, the in-store events disappeared. The up-only escalator to the mezzanine level was removed. The music and DVD departments were severely shrunk. The various book genres were shuffled around, and a huge section of floor space was given over to long-shelf-life stationery items and even iPhone cases.
Now it will be a brief bargain store, then get gradually emptier, then go dark.
There will still be physical places to acquire physical books, including Barnes & Noble and Arundel Books downtown.
But what of the Borders downtown space?
It’s not like there are a lot of other big chain stores itching for a two story space like that. (Though if you’re listening, University Book Store? Powell’s? Even JC Penney?….)
•
A secondary loser in the Borders shutdown: Starbucks. Its Seattle’s Best Coffee subsidiary had dwindled in the past few years, mostly to a string of coffee stands inside Borders stores. Will the rest of SBC’s stores survive this?
About three weeks ago, I wrote about the long term decline of cable access TV, once one of Seattle’s most fertile loci of creativity.
Today, of course, we have online video streaming.
This is so much more convenient for niche-audience programming in several ways. Viewers don’t have to tune in at any specific time. They can easily catch up with past episodes. They can watch wherever they have a computer (or tablet or smart phone) and a broadband or WiFi connection.
And with contemporary digital video gear so much cheaper to buy (or rent) these days, low-budget and no-budget producers can accomplish quite a degree of slickness.
Take for example The Spit Show with Indus & Raquel (produced by Indus Alelia, written and directed by Dan Desrosiers, hosted by Alelia and Raquel Werner).
Like many cable access comedy shows of the 1990s, The Spit Show consists of comedy and music bits, with continuing characters and a loose storyline.
But unlike those older shows, it has fancy production values and is edited with brisk comic pacing.
And without a weekly time slot to fill, it can put out episodes of any length (more or less 10 minutes) at a relatively leisurely frequency (four episodes since February).
Alelia and Werner aren’t asking you to be home at any particular time. They’re not asking you to invest 29 minutes into deciding whether you like their work.
But if you do like their work, they’d like you to keep coming back.