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(Other than the NH primary, in which candidates won who hadn’t won in Iowa, leaving everything still pretty much wide open):
Jim Demetre has a response to Charles Mudede’s review of Seattle’s Belltown.
…we must say goodbye to one of the legends of “outsider” music, risque cabaret singer-songwriter Ruth Wallis. The creator of “Davy’s Dinghy,” “Drill ‘Em All,” and “A Pizza Every Night” had finally been (re) discovered in recent years with an off-Broadway revue of her compositions, Boobs! The Musical.
As always, this, the most accurate In/Out list published anywhere, compiles what will become hot and less-hot in the upcoming year, not necessarily what’s hot and less-hot at this current point in time. If you believe everything that’s hot now will just keep getting hotter in the future, we’ve got some subprime mortgage hedge funds to sell you.
Meth
Blood Orange
Judge Judy
Loonies
Bird flu
HD-DVD
Beijing Olympics
Havana
Vitamin Water
Dance Dance Revolution
Second Life
M. Coy Books is indeed shuttering, after 18 years on Pine Street. The last non-chain, general-topics bookstore in the downtown retail district has indeed lost its lease, and the two Michaels who run it have decided the business is too marginal to relocate. The Michaels have always supported my work, even when I was reduced to self-publishing.
THE VIRGINIA INN’S current incarnation closes Jan. 13. It will reopen in an expanded “double wide” format, including a full kitchen, in March.
AND CRANIUM, the local board-game enterprise that got big with a deal to sell games at Starbucks, is selling out to toy mega-monster Hasbro. The latter’s brands include Monopoly, Scrabble, Candy Land, and the locally-invented Magic: The Gathering.
…disappearing city-wise: Ballard’s Sunset Bowl, the last remaining bowling center north of the Ship Canal and one of Seattle’s last 24-hour eateries, has lost its real estate and is closing, probably by April.
And things aren’t looking that rosy for the lease of my fave new-book store, M Coy (the last non-chain general-book outlet in the downtown retail core). Details to follow.
…as you may know. But I like sometime NPR contributor John Hockenberry’s account of how he never quite fit in at Dateline NBC. He alleges the show’s producers (1) wanted only stories with an “emotional center,” but only if those emotions were the ones the producers wanted to exploit, (2) didn’t get that the Internet age was irreversably fragmenting the former mass audience, and (3) were too caught up in corporate-culture nonsense that actively discouraged creative thinking.
…to love one of my alma mamas: Oregon State U. researchers have found beer can fight cancer!
…in I don’t know how long, my work is the subject of serious criticism. My erstwhile Stranger colleague Charles Mudede has written a nuanced, lucid review of Seattle’s Belltown.
Essentially, Mudede seems to like the book for what it is, but wishes it had more. That, I’ve learned, is a common response to Arcadia Publishing’s slim photo-history tomes. Arcadia’s formula of many pictures and few words has proven very commercially successful, here and around the country. But many aspects of any place’s story will necessarily get left out by this broad-strokes approach. Some readers would like more oral-history material. Some would like more human-interest anecdotes. Some would like longer passages about specific people and places of interest to them.
Mudede specifically wishes Seattle’s Belltown included more emotional, human history. He’d have liked more of “a sense of horror or sadness or wonder at the great and rapid sequence of events that shaped Belltown.”
And he’d like the book to have a stronger sense of advocacy. After all, he notes, the neighborhood’s an “explosive battleground of competing land use and architectural ideas, of private and cultural capital, and a variety of class issues. Even in a book as small as this, one wants the writer to take a stronger position on these pressing matters, presenting not only conclusions but also solutions.”
These are all good things to yearn for, and not just in books.
It’s a level of discourse beyond Arcadia’s format. (They are trying to move units through Costco and Walgreen’s.)
But it’s certainly something I can work harder at in my other forums, including the Belltown Messenger and this site.
Have I got answers to the ongoing disappearance of living-wage jobs, affordable housing, artist spaces, and the Crocodile? No, at least not any good ones, at least not tonight.
But let’s keep talking about it.