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ONE MORE TIME!
June 7th, 1995 by Clark Humphrey

UPDATE: The Weathered Wall’s new owners are now gonna keep live music there Thurs. and Fri., and maybe add it on other weeknights later on. Anxious bands can contact the club’s new in-house booking agent, Julie Wynn (728-9398).

DEAD AIR RE-REVISITED: One issue in the three-year KCMU Kontroversey was the ongoing drive to turn the station into an adjunct of KUOW. That’s become official, now that KUOW’s taking over KCMU’s administrative and fundraising operations. They’re not changing KCMU’s programming, like they tried during the World Cafe era, but the move sets up a chain of command that would allow it. They fail to understand that KCMU succeeded in the past because it was perceived as a grass-roots operation of people who loved music, not a professional institution out to draw well-heeled donors with bland “upscale” fare. It’ll be up to the next UW prez to sort it out. Let’s hope s/he understands it’s in both stations’ best interests to be separate operations with separate missions.

WISH I’D SAID THAT DEPT.: I don’t normally comment on other things in the Stranger (what do you think this is, the Vill. Voice?). But now and again there’s a piece I get additional thoughts about. Here are some recent ones:

Die Hard w/a Vengeance review (4 * 34): Don’t think it’s been mentioned in the media, but the Seattle Symphony recorded some of the background music for the film. Of course, they also did the theme to KIRO’s old News Outside the Box…

The Voluptuous Horror of Karen Black preview (4 * 34) The V.H. of K.B. singer is like Madonna’s good twin: lo-fi and funky, but still an image-based performance artist who only uses songs as a means to an end, and who as such can be recommended as a live (or home-video) act only. Audio-only documentation of her work is superfluous.

Bathhouses (4 * 33): I know I’m not the only lonely straight guy who’s been jealous of gays for having such an industry . Imagine, going to a place alone and getting laid on the spot, and not by a paid worker but by someone who wants it just as bad as you–the male zipless-fuck fantasy, unencumbered by feminine propriety.

Savage Love (4 * 33): What the letter writer calls “insanity” could also be interpreted as discovering his new lover’s “real” self, not her sociable front persona. If he’s having trouble finding a woman who always keeps the illusion of “sanity” most of us maintain in public, maybe he should resign himself to shallow affairs with married women who want to “bring romance back to their lives.”

The Information book review (4 * 33): Lots of people who think they have talent are jealous of the success of people they think have less talent. Almost every highbrow author-wannabe I’ve met has tried at one time to write a commercially successful work just by making something “bad enough to sell,” without knowing the formulae and disciplines involved in genre lit.

Theater calendar comment (4 * 32): Ah, “risk” in theater. The Empty Space, Bathhouse, Pioneer Square Theater (RIP) et al. have for decades boasted of their daring programming while mounting boomer-friendly wink-wink-nudge-nudge parody revues. AHA! merely follows in this venerable tradition.

COCA feature (4 * 29): Greg implied but didn’t state that bad-boy art might have seemed rebellious and “alternative” enough in the ’80s; but in the Newt era, when the John Carlsons of America drive Harleys and call themselves “rebels,” a different aesthetic may be more appropriate.

Cut & Run (4 * 29): The usual rad-feminist response to an author like ex-Portland punk singer Rene Denfield is to first accuse her of backsliding from the orthodox view of what All Women are or should be. S.P. instead accuses Denfield of the same gross overgeneralizing Denfield accuses Robin Morgan and Andrea Dworkin of. There’s no such thing as All Women, and certainly no such thing as All Feminists. A movement for individual self-realization can’t be (or become) a monolith.

LAST PLUG: Our ninth-anniversary reading/ performance/ video shindig, Fun With Misc., happens this Thurs., 7:30 p.m.-whenever, at the Metropolis Contemporary Art Gallery, downtown on University between 1st and 2nd. BYOB; clothing optional.


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