It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
via capitolhillseattle.com
…fraudulently collecting $11 billion in government aid by recruiting low-income students for the purpose of collecting student aid money. Whistleblowers claim that students graduate loaded with debt and without the means to pay off the loans, which are then paid for with taxpayer dollars.
the reason stick at blogspot
shutterstock via gizmag.com
In one of my several unpublished fiction manuscripts, I have a futuristic travel tube that whisks people between cities at almost the speed of sound.
Tesla Motors CEO Elon Musk now says he’ll soon have a working schematic for such a device. He’s calling it the “Hyperloop.”
Until Musk releases any real specs, observers are speculating about how it would work and what its limitations might be.
Some believe it could only travel in straight lines, which means (1) serious tunnel and bridge costs, and (2) potential big bucks to property owners along the way.
If it really works (safely) and if it can really be built at a recoverable cost (remember, dot-com and housing-bubble speculators redefined the degree of speculativeness people will invest in), it would change intercity travel forever, in all the populated/affluent parts of the world.
And it would potentially devastate (or, in Internet-age newspeak, “disrupt”) the existing airline industry and its suppliers, including Boeing.
Boeing had been involved in experimental high-speed rail development programs in the past, and could theoretically bid to help design, build, and equip Hyperloop lines in this and other countries.
Of course, that might require leadership at Boeing that knew what it was doing, which the company seems to not have now.
via wikipedia
wallyhood.org
I’ll have stuff to say about the big gay parade and the potential for NHL hockey in Seattle a little later this week. For now, some randomosis:
kenny johnson, the atlantic via io9.com
A lot of Seattleites, especially on Capitol Hill, have things to be happy about this week.
The gay marriage cause, for which a lot of people here worked very hard this past year, received a big boost from the U.S. Supreme Court—just in time for Pride Weekend.
But folks on the Hill, and all over town, still have a sad occasion today.
The Egyptian Theater closes after 33 years of screenings, including most of SIFF’s main shows.
•
A little history:
The Seattle Masonic Temple opened in 1915. By the 1970s, its big auditorium was regularly used for pro wrestling events.
In late 1975, Daryl McDonald and Dan Ireland leased the Moore Theatre downtown, and renamed it the “Moore Egyptian.” (There had been a previous Egyptian Theater in the U District, which has nothing to do with our story.)
That’s where McDonald and Ireland started SIFF in May 1976, with a short program of 18 screenings.
Four years later, McDonald and Ireland leased the Masonic auditorium and re-christened it the new Egyptian. New management returned the Moore to hosting live concerts and stage shows. SIFF used both rooms for a couple of years, then made the Egyptian its permanent annual home base.
The Masons sold the building to Seattle Central Community College in the mid-1980s. SCCC used the building’s non-auditorium areas for its (also now-ended) film and video program and for assorted offices.
After a few years, the Egyptian came into the Seven Gables chain, founded by local art-house tycoon Randy Finley. He sold his theaters in the mid-’80s. They later went into the national Landmark chain, which in turn was eventually bought by Dallas entrepreneur Mark Cuban. SIFF continued to rent out the Egyptian as its main venue for three and a half weeks each year.
(Cuban also owns the Dallas Mavericks basketball team. In 2008, he was the only NBA owner besides Seattle’s own Paul Allen (representing the Portland TrailBlazers) to vote against moving the Supersonics to Oklahoma.)
Meanwhile, the economics of motion-picture exhibition got steadily sourer.
The Internet, that great Disruptor of All Media, played a part.
So did the consolidation of the big studios and the big theater chains, making things tougher for relatively little guys like Landmark. (Cuban reportedly tried to sell Landmark a couple years ago, but got no takers.)
While the Egyptian was usually full or near-full during SIFF screenings, its 600 seats steadily became harder to fill during the other 48 weeks.
Once this year’s SIFF ended, Landmark quietly told SCCC it wouldn’t keep leasing the space.
The building’s not going away, unlike so many other Pike/Pine landmarks in recent years.
SCCC has fielded applicants to take over the auditorium, but hasn’t announced any new tenant.
SIFF has recently returned to running its own year-round theaters. Would, or could, SIFF add the Egyptian back into its full-time fold?
If SIFF or anyone else wanted to use it for movies, they’d have to get one of those costly digital-cinema projection setups the Hollywood distributors now require, and which have been the focus of “save our theater” fund drives here (Central Cinema, Northwest Film Forum) and elsewhere. Landmark already said it would remove the Egyptian’s digital setup, for re-installation at one of its other properties.
Alternately, the space could become (at least in non-SIFF months) a concert venue or lecture hall. (The stage is too shallow for much live-theater work.)
But, pending any revival as a single-screen cinema, it’s safe to say the Egyptian tradition ends today.
It’s not the last link to Seattle’s 1970s funky art-house aesthetic (the Harvard Exit, Grand Illusion, Guild 45th, and Seven Gables are still with us). But it’s still a loss.
kuow
lostateminor.com
via geekwire
Amazon wants to build a triple-globe shaped, five story thing, variously called a “biodome” and a “greenhouse,” as part of its three-block skyscraper project. It would be on Lenora Street east of Sixth Avenue.
First comment:
Any architectural thang with three segments, in which the two smaller segments are spherical, is bound to lead to a lifetime of snickering jokes.
Arrangements of one or more spherical objects at the bottom of a 50-story tower will engender the same responses.
Amazon’s either being brave, or clueless, or devil-may-care bombastic, or some combo of the above.
Second, slightly more serious, comment:
As gargantuan New Seattle monuments to world-class-osity go (and I wish a couple of them would go), this one looks at least somewhat friendlier than the planned central waterfront makeover, kitschier (in a good way) than the Sculpture Park, and not nearly as brutalistic as Chihuly Garden & Glass.
Depending on how it works out, and how tolerant its staff is toward civilian activity within, it could be a welcome addition to the cityscape. Or at least a place in which to hide out from the rain for a bit.
capitolhillseattle.com
boxofficequant.com
seattle dept. of transportation
…historically the stingiest, most fiscally conservative, most technologically resistant and investment-averse people ever, with the highest percentage of luddites per capita.
roadfood.com
For sale: One herd of cows (ceramic, plywood, fabric, paint, etc.). Comes with a supply of warm, gooey cinnamon rolls and a classic cafe.
After 25 years, Jeanne Mae Barwick is retiring from Mae’s Phinney Ridge Cafe in Seattle’s Greenwood neighborhood. She’s put the place up for sale, and threatens to close it in March or April if an appropriate buyer isn’t found.
There’s been a cafe at this location since the 1920s. But when Barwick took it over in 1988, she transformed it from a neighborhood destination into a city institution.
phinneywood.com
Michael Stern at Roadfood.com describes it as “a multi-room cafe decorated everywhere with pictures, statues, blow-up dolls and every sort of nick-nack imaginable, all depicting cows (an ode to the proprietor’s Wisconsin roots).”
On weekend mornings, it can take as long as an hour to get seated. Besides the cinnamon rolls (baked in-house), it offers large portions of your basic American breakfast and lunch fare, plus such specialties as trout and eggs.
It closes at 3 p.m. daily; in offering the business for sale, Barwick notes a new owner could make more money by opening for dinner and offering alcohol.
In an email sent to customers, Barwick says she may hold an “open house and garage sale” at the cafe in March. Depending on what items a new owner may want to keep, the sale could include the cafe’s cow-shaped salt and pepper shakers “and other miscellaneous moo-morabilia.”
Barwick also says she’ll continue to host her popular “Karaoke Bingo” once a month at the Greenwood Senior Center.
(Cross-posted with Unusual Life.)
the aurora kmart in 2002
via huffington post
No, and there’s supposedly some potential legal maneuver by some Sacramento Kings minority owners that could potentially disrupt the deal, supposedly.
Sports Illustrated, meanwhile, has some classic photos of the classic Sonics (see above), as we await what could be the team’s return.
And Knute Burger believes the latest potential Sonics arena design looks like a Jell-O mold. Hey: Let’s get some of the designers and artists who lived at Seattle’s original Jell-O mold building (the S.C.U.D. artist apartments on Western, where the original Cyclops restaurant was), to help design the new arena. That place housed the likes of Art Chantry (designer of countless band posters and my book Loser), Louie Raffloer (Black Dog Forge), Ashleigh Talbot (Madame Talbot’s Victorian Lowbrow), and several more.
(NOTE: For reasons unknown to me, the first version of this post completely disappeared from the site. I’m rewriting it as best as I can remember.)
I have always called Seattle’s Dexter Avenue “Dextrose Avenue.”
That’s in honor of one of its major attractions, the Hostess Bakery.
Since some time in the 1930s, it has been a mainstay of the originally industrial, now posh-ified Cascade (now “South Lake Union”) neighborhood.
It had its logos built in to its concrete-block architecture.
Day and night, it enveloped the surrounding environs with the glorious smells of sugar, flour, egg whites, chocolate, etc. being poured, mixed, baked, and packaged.
At one time, they separated eggs and re-ground flour by hand; before the treats fully became the automated factory products they’d always appeared to be.
As a child during the early years of kids’ TV, I remember the live local kids’ hosts performing commercials, with the big cutaway props of Hostess Cup Cakes, Twinkies, Tiger Tails, etc.
(My favorites were always the Sno Balls. Even at a tender age, two side by side pink hemispheres meant something to me.)
Later on, after the FCC stopped local kids’ hosts from appearing in commercials (a move that essentially killed most of those shows), Hostess created animated talking versions of its goodies—Twinkie the Kid, Captain Cup Cake, Fruit Pie the Magician. (Unlike Will Vinton’s later M&M’s spots, these ads never addressed the implications of these “baked” toons inviting you to eat their relatives.)
Hostess treats will still be sold here (see below).
But they won’t be made here anymore.
The Seattle plant, and two others, will be closed.
Management blamed an ongoing bakers’ strike. (However, the mayor of St. Louis, whose Hostess branch is also closing, says he’d been informed of the closings months before the strike.)
The strikers refused the company’s demands for wage cuts and big layoffs; after the company already erased pension accounts.
That was as part of a bankruptcy procedure, the company’s second in a decade.
Hostess Brands has been slowly dying for longer than that, under three different owners.
Too many parents in recent years have demanded only “healthy” foods for their kids.
In response, Hostess re-targeted its advertising at adults, with little success.
And there are so many, many newer snack product brands, local, regional, and national.
Also, let’s not forget the impact imposed on all consumer-products companies by Walmart. It regularly sets ever smaller wholesale payments, which companies dare not challenge.
The Hostess site will surely be redeveloped, probably as a posh condo project.
A lot of these places are named after the things they’d replaced.
In this case, we should all demand the condo be christened “Twinkie Towers.”
UPDATE: Hostess Brands’ next bankruptcy move might be a staged “liquidation.” That could take several paths, but probably would involve Hostess Brands disappearing (and taking many obligations and all labor contracts away with it), then transferring assets to a shell company that would start a nonunion “new” Hostess.