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The recession has claimed another victim, the Betsey Johnson boutique on Fifth Avenue.
I don’t think you do love America. At least, not as much as you hate everyone in America who isn’t exactly like you.
sobadsogood.com
This is from Sunday’s “Color Run” downtown, a 5K benefitting Ronald McDonald House. Runners were splashed with “color dust” at points along the route. (Note: This is not at all to be confused with the 2005 teen novel The Rainbow Party, or with the false rumor that that novel depicted a real-life fad.)
Thriller author Barry Eisler, a born-again proponent of self-publishing (and the first established author to sign with Amazon’s publishing division), told a local audience that :
Needless to say, in many parts of the book establishment (the most tradition-bound establishment in all the lively arts), them’s fightin’ words.
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Meanwhile, authors Sarah Weinman and Maureen Ogle have put up separate online essays. Each questions the future of “serious non-fiction” in the digital age.
Under the old regime, profitable publishing houses subsidized this work with large advances against royalties. In many cases, the publishers knew authors would never earn these advances back. It was the companies’ way of subsidizing prestigious “loss leader” works.
But if self-publishing becomes the new business-as-usual, Weinman and Ogle ask, what will become of long, research-heavy projects—projects that could take as many as five years of an author’s full-time attention?
There’s always Kickstarter.com. That’s where local comix legend Jim Woodring is raising funds so he can work full-time on his next graphic novel.
And there are always grants, fellowships, teaching gigs, and working spouses (for those authors who can land any of them).
And there’s another answer, one that’s right under Weinman and Ogle’s proverbial noses.
Both essayists note that the most successful e-book self-publishers, thus far, are fiction writers who churn out several titles per year.
Non-fiction writers can do likewise.
They can chop up and serialize their longer works, one section at a time.
When it comes time to put out the full book, authors can still revise and re-sequence everything.
In another sector of the digital media disruption, music-biz attorney Ken Hertz reminds you that even (or especially) with the new marketplace, bands still face tremendous odds against “making it.”
meowonline.org
Every person I talk to at a signing, every exchange I have online (sometimes dozens a day), every random music video or art gallery link sent to me by a fan that I curiously follow, every strange bed I’ve crashed on… all of that real human connecting has led to this moment, where I came back around, asking for direct help with a record. Asking EVERYBODY.… And they help because they know I’m good for it. Because they KNOW me.
udhcmh.tumblr.com
to earn enough money so that you can behave in a way that makes the very existence of other people irrelevant.… Wall Street is far too self-absorbed to be concerned with the outside world unless it is forced to. But Wall Street is also, on the whole, a very unhappy place. While there is always the whisper that maybe you too can one day earn fuck-you money, at the end of a long day, sometimes all you take with you are your misguided feelings of self-righteousness.
to earn enough money so that you can behave in a way that makes the very existence of other people irrelevant.…
Wall Street is far too self-absorbed to be concerned with the outside world unless it is forced to. But Wall Street is also, on the whole, a very unhappy place. While there is always the whisper that maybe you too can one day earn fuck-you money, at the end of a long day, sometimes all you take with you are your misguided feelings of self-righteousness.
Our ol’ acquaintance Timothy Egan has a nice piece about the book and reading scenes here in Seattle.
One statement is particularly important.
Egan notes that even while e-books have boomed, print book sales in the U.S. have remained steady or declined just a little.
This means the book biz has weathered the simultaneous trends of the Great Recession and the Internet convergence a helluva lot better than other media genres—theatrical movies, DVDs, radio, broadcast and cable TV, magazines, and especially newspapers and recorded music.
This totally contradicts the incessant whines of those “book people” who insist that they are a disappearing elite.
joybra.com, via seattlepi.com
j.r. simplot co./idaho dept. of environmental quality, via kplu
foodbeast.com
The renovation (read: upscaling) of the old Food Circus in Seattle Center’s Center House had one sad, unpublicized aspect.
The project pushed out the last Pizza Haven.
It was an unsung end to a company founded in 1958 by Ron Bean (son of Pay n’ Save Drug/Lamonts Apparel mogul Lamont Bean).
It started with a single dine-in location on University Way and a home delivery operation (the first of its kind around here). Instead of baking pies to order, Pizza Haven’s trucks originally cruised around with pre-made inventory in warming ovens, ready to go wherever radio dispatch operators sent them.
At its peak the chain had 42 outlets down as far as northern California, and even franchises in Russia and the Middle East. It had a cute cartoon “Mr. Pizza” mascot, and fun TV commercials with angels welcoming you to “Haven—Pizza Haven, the place all good pizza eaters go when they’re hungry.”
Then Domino’s came to town, and Pizza Hut added delivery-only stores.
Pizza Haven repositioned itself into slice stands in mall food courts. But fiscal troubles continued.
The chain declared bankruptcy in 1997. The following year, every branch except Center House closed.
Bean tried to relaunch Pizza Haven in 2001, but it didn’t get off the ground.
The Center House slice stand continued for another decade, feeding the tourists and the local old-timers who’d grown up with the brand.
Until now.
will deluxe junk's giant plastic hot dog become homeless?
via 'what makes the pie shops tick' at flickr.com
alliance for pioneer square via seattlepi.com
goodreads.com
Amazon wants you to stay in their electronic ecosystem for buying ebooks (and music, and movies, and apps and games). So does Apple, Barnes & Noble and Google. None of them are interested in sharing you with anyone else, ever. Publishers, alternately, are interested in having as many online retailers as possible, each doing business with them on terms as advantageous to the publishers as possible.