• Missed the transit of Venus? Fret not! You can still catch The Myrtle of Venus!
• The lovely graphic at the left of this site’s “sidebar” column, inviting donations for the Cafe Racer shooting victims, was done by our ol’ pal Nick Vroman, an ex-Seattleite now in Japan. He’s also got a lovely site reviewing Japanese cult films.
• With the arrival of Wednesday came The Stranger’s package of Cafe Racer shooting and mourning articles.
• Joel Connelly calls the “war on drugs” America’s “second lost war of the half century.”
• Contemporary art, product logos, graphic design, even web page design—all these fields and more are frequently invaded by rank copycats, whose thievery can be caught red-handed at the site You Thought We Wouldn’t Notice.
• Health Scare O’ the Week: the allegedly imminent arrival of drug-resistant gonorrhea.
• The next frontier in confronting idiot misogyny: Multiplayer gaming.
• Cell phone users are using their cell phones as phones a lot less. Companies plan to respond by raising rates. Huh?
• Our heroine Amanda Palmer wanted to raise $100,000 from a Kickstarter campaign, to release and promote her next record. She ended up raking in a cool million.
• Social-economy guru Richard Florida offers up some theories behind the revival of downtown retail around the country.

dangerousminds.net

• With the death of Robin Gibb, only one Bee Gee (Barry) is still with us. I could try to say something about this tragic loss; but, you know, it’s only words.…
• The UK mag NME lists “50 Massively Depressing Facts About Music.” Most of them have to do with great artists who’ve sold a heckuva lot fewer units than mediocre artists with great marketing. In other words, the same gripe the oldsters used to say about that teenybopper “rock n’ roll” crap pushing out quality material like “How Much Is That Doggy in the Window?”.
• As SIFF moves into full gear, a UK film critic has pot out a book listing 100 Ideas That Changed Film. I haven’t seen the full book, but I have seen the list. Not included in it: product placement, Tyler Perry, or “soundtrack” records that don’t include the actual music in the movie.
• The downtown condo biz is apparently back from the dead.
• Wearing hot pink duct tape in lieu of a top in a bar: cool. Freaking out and attacking cops: not so cool.
• The big Facebook IPO is apparently a failure. The offering’s megabank underwriters had to step in and maneuver in order to keep the stock’s price at or near the offering price through the course of the first day. Perhaps “retail investors” felt Facebook was too reminiscent of the first-wave dot coms (no real “product,” just a lot of site visitors (for now; that could drastically change). Or perhaps there just aren’t as many suckers who still have money to waste anymore.
• Thanks in part to our country’s innumerable tax loopholes, the U.S. has done better than some countries at keeping its own super-rich, instead of losing ’em to citizenships-of-convenience in the Caribbean or Singapore (or wherever Mick Jagger officially resides these days).
• “Black bloc” anarchist protests are getting more violent. Official reactions to them are getting more violent than that, on a virtually logarithmic scale.
• Radical playwright Bertolt Brecht had some caustic caution words against folk who considered themselves too good to be involved in politics. (I don’t know whether Brecht said these words before or after he became a stooge for the East German regime.)

liem bahneman, via komo-tv

• There’s a moon! It’s in the sky! It’s called the supermoon!
• From the Sunday Seattle Times: The Smith Tower is on the rebound; there are sympathetic words toward Occupy Seattle sympathizers; the ex-Kleenex factory in Everett is a toxic waste site; and local students are learning to compose soundtracks for movies and video games.
• We knew it was coming. Now the original QFC supermarket on Roosevelt Way closes on Saturday.
• What the heck does Jay Inslee gotta do to get some press?
• Silicon Valley analyst Farhad Manjoo can’t figure out Amazon’s long-term business strategy, and ponders whether the company even has one. Hey, I don’t fully understand gravity, but I still know it’s there. Of course Amazon has a strategy. Several of them. It aims to be the world leader in online sales of tangible physical stuff, plus intangible digital stuff; to be the go-to company for online retail back-end functions and fulfillment; to rule “cloud computing” and outsourced computer services; and to remain the 500-lb. gorilla of the book biz. There now, wasn’t that simple?
• At the same site, Trevor Gilbert believes he’s figured out why Seattle has so many leading video-game companies.
• The voters of France, like the protestors of Greece, have utterly and thoroughly rejected recession-extending “austerity” regimes. They’ve elected their first Socialist government in 16 years and sending Nicolas Sarkozy packing. Will this send Sarkozy’s wife, ex-supermodel Carla Bruni, back on the runways?

udhcmh.tumblr.com

• The above vintage paperback cover comes from a blog located in a college town—Columbus OH, not Spokane WA. (Found via Pulp International.)
• The Seattle Police have an on-staff graffiti interpreter. And he says only 3 percent of Seattle’s graffiti has anything to do with street gangs.
• State Attorney General and gubernatorial candidate Rob McKenna may have found his most potent nemesis—not election rival Jay Inslee but 90 women who are suing McKenna for participating (in the name of the people of Washington) in the right wing’s anti-Obamacare crusade.
• Scott North at the Everett Herald looks back to Wash. state’s own U.S. Supreme Court Justice William O. Douglas and his role in making forest conservation a real thing.
• Amazon, continuing in its quest to become kings of all media, is starting its own movie production company. And it’s soliciting concepts for “TV style” web shows—sitcoms and kids’ shows, live-action and animated. And unlike some online “screenwriting contest” scam sites, they don’t keep the rights to works they don’t use.
• “He who controls the Spice controls the universe.”
• As the Seattle arena proposal moves forward quickly, ex-City Council member Richard McIver suggests putting it instead in the Rainier Valley, near the Mt. Baker light rail station and I-90. (It would also be near the former site of Sicks’ Stadium, home of minor league baseball for 30 years and Major League Baseball for oen year.)
• Meanwhile, a member of the ownership team that stole the Sonics has lost his chairman role at Chesapeake Energy, due to alleged conflicts of interest. Couldn’t happen to an un-nicer guy.
• From the verdant town of Corvallis (where I spent two formative years of my life) comes the tale of a bright young woman who became a hit with a sports-gambling blog, then became a top contributor to ESPN.com, and then allegedly used this fame to scam would-be business colleagues.
• Ashton Kutcher sure can get all high-horse righteous when he’s denouncing the sex industry. But perpetuating racist stereotypes in commercials—that’s something he apparently doesn’t mind at all.
• Some people don’t want to be Americans anymore. They’re one-percenters trying to flee tax evasion charges.
• Former Wall Street operative Alexis Goldstein describes the milieu of Big Finance as a place where people strive…

to earn enough money so that you can behave in a way that makes the very existence of other people irrelevant.…

Wall Street is far too self-absorbed to be concerned with the outside world unless it is forced to. But Wall Street is also, on the whole, a very unhappy place. While there is always the whisper that maybe you too can one day earn fuck-you money, at the end of a long day, sometimes all you take with you are your misguided feelings of self-righteousness.

joybra.com, via seattlepi.com

• Dept. of Things You Never Knew You Needed: UW business students have designed a bra with a pocket for an iPhone.
• Seattle’s (the nation’s? the world’s?) longest running serialized stage play, the Asian American-centric Sex in Seattle series, ends after 12 years with episode 20, opening this weekend.
• Amazon’s quarterly profits are 35 percent lower than a year ago. To Wall Street, that’s seen as good news somehow.
• The Sacramento Kings’ arena deal is apparently dead. The team might or might not be put up for sale any week now. Seattle has a wannabe majority owner, a perfectly functional arena, and the land and initial plans for a new arena.
• Vancouver punk legend Joey “Shithead” Kiethley sez he’ll run next year for a seat in B.C.’s provincial legislature. He’s done this twice before, on Green Party tickets. But this time he’ll run on the ticket of the New Democrats (Canada’s official national “opposition” party). He’s putting into practice his old motto, “Talk – Action = Zero.”
• Gay Divorcee Dept.: A B.C. judge has ruled that a split-up lesbian couple has to split their jointly owned sperm-bank deposit.
• Are outspoken homophobes really gay but suppressing it? All I know is for me, other men’s bodies are like eggplant casseroles. I don’t wanna eat ’em but I don’t mind if you do.
• Will the Arab world need a full-scale “cultural revolution” before women have rights there?
• Nutella: not as “healthy” as some consumers apparently thought.
• The story about Egypt legalizing sex between widowers and their dead wives? A complete hoax.
• In an interview promoting her new film Hysteria (about the first electric sex tools for women and the “medical” excuses advertised for them), Maggie Gyllenhaal talks about why there are so few emotionally powerful sex scenes in U.S. movies. My theory: Most sex scenes in mainstream films are escapist in nature. Many serve as breaks from the plot, like the songs in many musicals. These include scenes choreographed to emphasize the woman’s responses. To use such a scene to reveal a character’s personality, emotions, and vulnerabilities, to show a female character with her sense of public decorum stripped away, is a rare feat.
• Did Romney only tell 10 major lies last week?

escapistmagazine.com

• The Star Wars universe is explained in handy infographic form.
• Rob McKenna is given an opportunity to prove he’s not part of the War on Women. Result: Epic Fail.
• More details about the big waterfront renovation plan have been released. They show a great improvement over the original concept (which, as you may recall, was essentially just a bunch more “world class” windswept plazas, a commodity greater downtown already has in abundance). These proposals actually include stuff people can recreate with. Like a climbing wall, and a swimming pool on a barge in the water.
• The Real Change-sponsored protest against homeless-camp removals went off without a hitch. Now let’s get our officials to do more for the homeless instead of merely against them.
• Wash. state now has over 700 wineries. Twice the number in ’07.
• The first Boeing 787s you’ll be able to get on from Sea-Tac will go from here to Tokyo starting later this year.
• How does DC Comics’ plan for a Watchmen prequel series gibe with the original graphic novel’s creator Alan Moore? If you know anything about Moore, you’ll know he doesn’t much care for the idea.
• Obama is picking his fights carefully, choosing for whom he’s going to strongly fight. Pot users: it’s still not your turn.
• Rex Huppke at the Chicago Tribune announces the “Death of Facts,” following one too many tea bagger fabrication.
• The newest thing to be paranoid about: what employers think about your Klout score. (Yes, the hereby linked article explains just what a “Klout score” is. It has something to do with how active you are on Twitter, or something like that.)

sonics first-year pennant, available at gasoline alley antiques

• As various machinations occur here and elsewhere that just might bring a new men’s pro basketball team to Seattle, national audiences can see the authoritative document of how the team we had got stolen. The Sonicsgate documentary airs this Friday at 7 p.m. PT on CNBC. There’s a viewing party at the Sport bar.
• All sorts of companies are trying to get away with hiring undocumented workers. Even an organic herb farm.
• Seattle’s next P-Patch community garden site: the roof of the Mercer Street parking garage.
• Item: “Seattle company unveils plan to mine asteroids for riches.” Comment: If this works out, the whole scarcity premise behind metals commodity prices could one day disappear. And with it would go the fortunes of certain Third World countries.
• Short sales and foreclosures still account for more than half of all home sales in Snohomish and Pierce counties, and a third of all home sales in King County.
• No, Social Security isn’t going broke any time soon. And there are simple ways to make sure it never does.
• America’s first mad cow is in California, naturally.
• Why didn’t Forbes run articles about male porn stars when ol’ Malcolm Forbes was alive?
• Ex-Harper’s editor Lewis Lapham has a long essay about the future of language in the Internet age, among other things. Lapham rightfully calls for more and better reasoned thinking online. And he echoes my own belief that the web is not primarily made of code but words. But he also casually engages in tiresome elitist stereotyping about a “postliterate sensibility” that’s supposedly “offended by anything that isn’t television.” Any guy who claims to oppose one-dimensional banalities shouldn’t repeat them himself.
• Found: Someone who misses the glory days of MySpace.

will deluxe junk's giant plastic hot dog become homeless?

• On the heels of the development threat against the Bauhaus block on Capitol Hill, now comes another funky institution in danger. Deluxe Junk, a second hand furnishings and curios store, is the heart n’ soul of the Fremont district. It was just given an eviction notice by its landlords of 34 years, the Doric Masonic lodge upstairs from it.
• Is it the name? The phallic symbolism? Or just the taste? Whatever the reason, China (heart)s our geoducks!
• Seth Kolloen at The SunBreak analyzes local sports marketing: “The Sounders are a Mac, the Mariners are a PC.”
• C’mon guys! Somebody’s gotta want Beacon Hill’s PacMed building!
• What could be Puget Sound’s third major “economic cluster“? How about novelty gifts? Fringe theatre? Heck, let’s take over the music and film industries from their respective obsolete old guards?
• Today we might learn who won the auctions for the state liquor stores.
• One of the last remnants of Regrade Park’s pre-dog-park incarnation, the “Gyro Jack” sculpture, is under attack by some park users.
• While the media weren’t looking (or were obsessed with their own declines), arts employment in the U.S. has taken a severe nosedive.
• Update #1: The U.S. nuns whom the Vatican wants to censure or even disband because they spend their time caring about poor people instead of hating gays? They refuse to be shut up.
• Update #2: A few days ago we discussed the studio-imposed need for all movie theaters to acquire costly digital projection gear, and the trouble smaller operators might have affording it. Here’s one way they could. Fans of one mom-and-pop theater in little Harmony, Minn. organized a big $75,000 fund drive so their beloved local cinema could go digital. (The author of the above piece also has a long background article about the rise of digital cinema after almost two decades of hype.)

fanboy.com

Back when daytime soaps were still a profitable low-budget genre, producer Dan Curtis hit on the idea of making one inspired by the “gothic romance” paperbacks of the day. (You know, the ones with covers showing young women in flowing dresses running from houses.)

Dark Shadows was initially a ratings failure.

As a last-ditch effort, Curtis wrote in a vampire character and cast a journeyman Canadian actor to play him.

Frid was a hit. The revamped show was also a hit. Despite being made on the same low budget and impossible schedule as the more domestically-oriented soaps, it evoked realms of supernatural fantasy and even multiple time streams.

It inspired two feature films, a slew of merch, a brief revival series in 1991, and a forthcoming spoof film.

Frid became a classic typecasting victim. He went on to a smattering of other movies, one Broadway play, and many years eking out a living touring colleges in one-man shows.

Whatever it took to stay alive undead.

alliance for pioneer square via seattlepi.com

• An artistic ad poster, promoting the native American cause “Honor the Treaties,” was wheat-pasted in multiple copies all over a series of artists’ murals in Pioneer Square. The “Honor” campaign didn’t do it, and neither did the poster’s original artist. It was PosterGiant, the city’s leading poster putter-uppers.
• Congress just might kill off “Boeing’s bank.”
• One idea to save journalism is the concept of a nonprofit news website. Several of these are already up in scattered spots around the country. But the IRS is taking its own sweet time processing some of their applications for official nonprofit status.
• Here’s King County Metro’s current plan for bus changes effective September. A few new routes would be added, but a lot of key current routes would be reduced or dropped.
• You’ve only got 44 more days to enjoy your state liquor stores.
• This story speculating about potential “robot prostitutes” reminds me of (1) that whole “dildonics” nonsense in the 1990s, and (2) Westworld. Remember: Nothing can possibly go wrong….

widescreenmuseum.com

The next big thing in cultural preservation: indie and art-house cinemas, and their need to buy (and maintain) costly new digital projectors.

As with many adapt-or-die technology transitions, it’s partly propelled by money. In this case, it’s the money of the big Hollywood studios.

They now spend more than a billion dollars each year making and shipping film prints. They’d rather spend that on supporting artistically ambitious but less commercial filmmakers cocaine and whores.

The studios want all theaters to convert to digital, as quickly as possible. They’re offering financial incentives to theaters who accept movies on hard drives instead of 35mm reels.

(As I briefly explained a few years back, the digital formats for theaters are called “2K” and “4K.” The latter offers about four times as many pixels as Blu-ray discs, or about 10 times the detail of DVDs. Theaters receive “digital prints” on hard drives, inserted into specially made projectors. The exhibition side of digital cinema is called “DCP” (for “Digital Cinema Package”.))

Already, the studios are refusing to rent out 35mm prints of many classics. Within three years, they might not send out any films on, you know, film.

Even with the studio incentives (which come with significant restrictions and which smaller distributors can have trouble matching), the transition’s tough enough for the big chain cinemas (where attendance is the lowest it’s been since the mid 1990s).

For the smaller operators and the nonprofit exhibitors, the cost could be fatal. But if they stick with only analog equipment, they might have nothing available to show on it.

•

And if film factories and labs lose the business of theatrical prints, it might not be financially feasible to make and process 35mm film for movie cameras.

Which brings us to the other end of the process.

Many directors (not just the George Lucases and James Camerons) now prefer to shoot their movies digitally.

It’s more versatile than film. It reduces the time needed to set up a shot. It makes 3D and other special effects a lot easier. It allows more and longer shots (including the single continuous take that is Russian Ark). The equipment’s smaller, less delicate, and easier to learn. Outtakes don’t waste costly film. Directors can shoot more “alternate takes,” then decide during editing which ones best fit a film’s overall pacing.

Digital shooting has also been a godsend for documentaries and indies. The whole Seattle independent filmmaking scene of the past decade has relied almost entirely on digital shooting.

•

But the technology that’s a boon to people who make indie movies is a burden to people who show them.

Nationally, about two thirds of all theaters have DCP gear. The two SIFF Cinemas are already digitally equipped, as are the chain-owned theaters SIFF uses during the festival. (Though the process has had its hiccups.)

As for the rest, they could settle for showing digital movies (from non-major distributors) on lower-res Blu-ray or even-lower-res DVD discs. (This is what the Northwest Film Forum’s apparently doing, at least for now.) For smaller rooms with smaller screens, Blu-ray output might be good enough. It displays almost as many pixels as the 2K digital-cinema standard (but doesn’t have the extra-tuff copy protection and other Big Brother features the big studios demand). And because Blu-ray uses mass-market gear, it’s a lot cheaper for both exhibitors and distributors.

Or they could combine hi-res projectors with hi-bandwidth Internet connections or satellite dishes, to get programming direct from the distributor. (That’s what those cinema airings of live Metropolitan Opera shows use.)

Or they could spring for DCP, even with its cost and its studio-decreed operational restrictions. Some nonprofit art houses might need special fund drives for the gear, which starts at around $60,000 without 3D capability.

Or they could just close up shop.

One industry analyst guesses maybe 5 percent of the country’s current 5,700 cinemas could close due to the digital transition. Many of those could be small-town theaters and drive-ins, whose big-studio fare will become available only via DCP.

•

Then there’s the little matter of storage and presentation.

Digital editing and retouching have done wonders for film restoration.

But nobody knows yet how long the physical media on which the digits are stored will last.

Or whether the machines to play them will still exist in future centuries.

For foolproof long-term keeping of movies, there’s still nothing like real film.

•

P.S.: I’ve linked to this before, but this post is the perfect excuse to re-link to it. It’s my favorite work of “technical writing,” a pinnacle of depth and clarity. It’s a 1930 RCA instruction manual for movie theater operators, teaching them how to properly present those newfangled talking pictures.

P.P.S.: Even with digital’s cost advantage, many filmmakers defiantly still film and edit on actual film. And now, for the first time in 50 years, a film is being made in original three-strip Cinerama!

Seventy degrees on Easter. It felt like the whole outdoors had come back to life.

• Amazon’s PR image within the book biz has gotten to the point where even when it does demonstrably good things, like giving back to literary groups and small presses, its motives get suspected. That’s never a good sign.
• What greater downtown Seattle doesn’t need is a ____ restaurant just like the ____ restaurants of San Francisco. What it does need, and just might get in 2019, is a public school.
• There just might be a deal to settle the Lake City bike rack ruckus.
• More females in the military has come to mean, alas, more female homeless vets.
• Two Washington Monthly pundits hace compiled a list of the “Top 50 Things Accomplished by President Barack Obama.” Yeah, he’s not done everything he said he wanted to do, and even less of what lefties wanted him to do. But what he has done is still a lot.
• We told you State Sen. Val Stevens has been a part of ALEC, the notorious megabucks lobbying group that gives GOP state legislators handmade corporate-written legislation. Now, here’s a list of all the legislators in all the states with shameful ALEC ties.
• RIP Don Foster, who helped run the Seattle World’s Fair and the Seattle Rep, then built the Foster/White Gallery into the city’s premiere commercial art house.
• I thought the indie film scene was about spurning the hype n’ nonsense of Hollywood, such as the obsession with weekend box office numbers. Apparently I was wrong.

casey mcnerthney, seattlepi.com

• Will the student-made, privately-financed, but oversize Lake City Way bike rack be allowed to stay?
• Happier real estate news for a change: El Centro de la Raza’s affordable-housing project on Beacon Hill is finally a go.
• Cornish College to Mike Daisey: No honorary degree for you!
• Sasha Pasulka at Geekwire says Seattle dot-coms really need to brush up on their marketing to users. I have an additional idea, for dot-coms here and elsewhere: Pay a living wage to the people who make the content (you know, the stuff people actually see when they log onto your site), not just the coders and the execs.
• Does anybody really want to live in “America’s #1 city for hipsters“?
• The U District’s Metro Cinemas tenplex has been sold to a Robert Redford-led consortium.
• One of the big Republicans in the State Senate wants to eliminate medical assistance to the poor, while he himself gets monthly disability payments. He sez, of course, that he really deserves the aid; while those pesky poor people are only sick because of “poor lifestyle choices” they’ve made.
• Martin H. Duke at the Seattle Transit Blog offers up one way how non-subsidized, affordable urban housing comes to exist…

…In the long term today’s affordable housing comes from yesterday’s luxury flats, and cutting off the supply of the latter will deny our children the former in the absence of massive, unsustainable public subsidy.

• The “Painter of Light” has now gone into the light.
• In what Jezebel.com claims to be a “revolutionary” business venture, three business students at a German college have placed ads for “the world’s first free sex brothel for women,” with themselves as the volunteer gigolos. They say they’ve had five “clients” thus far, out of 80 email inquiries. I wouldn’t call it a “business” per se, as no money’s involved. Rather, it’s a marketing operation, with these guys promising they’ll satisfy the women while making no demands of their own.
• Looks like it’s going to take court action to stop Michigan’s right-wing monopoly government from essentially turning that state into a dictatorship.
• Mobutu Sese Seko at Gawker decodes decades of right-wing racist-code-word politics, and sees them culminating in the backlash campaign to defame the Florida shooting victim.
• Lynn Parramore at Alternet insists big corps. are not “job creators” but rather instigators of layoffs, offshoring, and massive wage cuts; and will probably continue to be so.
• Rick Ungar at Forbes (yes, Forbes!) offers a simple answer to the health care crisis: Single-payer plans, established at the state level. He says this “dose of socialism” would be a boon to businesses in states that adopt it.
• The Economist has found at least one dead shopping center that’s being put to new use. It’s in San Antonio, and it’s become the HQ of a web hosting company. We already did this in Everett, where Fluke Manufacturing turned an old big-box strip mall into an electronic test-equipment factory. (Too bad they didn’t call the place “Ye Olde Mall.”)
• Neuroscientists claim stories “stimulate the brain and even change how we act in life.” How to intrepret this: not as another excuse for the “eat your broccoli” definition of book reading; but as a lure, a promise that fiction gives you mental/emotional turn-ons of a kind you can’t get from games or movies.

via shelligator.tumblr.com

You will note we posted nothing on 4/1. We’ve had enough trouble over the years with people thinking the stuff posted here’s just made up.

• SyFy premiered a set-in-Seattle, filmed-in-LA cheesy horror flick at the local Comicon, somehow expecting folks here would love it. They were wrong.
• (By the way, from my brief visit to the Comicon, the most popular costume inspiration this year is Cartoon Network’s playful series Adventure Time.)
• We must say goodbye to local landscape painter Christopher Martin Hoff, known for setting up his easel around town and painting street scenes on and at the spot.
• Also gone this week is Georgia/Florida novelist Harry Crews, who deftly made the most improbable scenarios seem as normal as everyday life in those states (which, admittedly, already includes some mighty improbable stuff).
• On the one hand, Amazon continues to put down roots in the Heart-O-Seattle; while most U.S. tech and dot-com outfits headquarter themselves in far-flung exurban office parks. On the other hand, the company gives damn little to local arts and charitable groups, and maintains a lower-than-low-key civic presence  (even regarding its own real estate moves).
• The Arizona-founded company now calling itself Village Voice Media turns out (thanks to an investigative campaign by another wannabe anti-Backpage.com crusader) to be half owned by its top two execs. The rest of the stock is also privately held, with a fund managed by Goldman Sachs having a 16 percent share.
• A Zoroastrian sect in England has gotten preliminary approval to build a 300-foot funeral tower, to be called the “Tower of Silence,” next to a popular seaside beach. More than just a memorial, it will actually have believers’ remains hoisted atop it, in keeping with the group’s belief that dead bodies “pollute the earth.” The local authorities say they hope to revive the town’s sagging fortunes via “funeral tourism.”
• It’s been 50 years since Michael Harrington’s book The Other America spread the idea that poor people were some “Other,” a different tribe than you and me, trapped in a “culture of poverty” rather than simply not making enough money to go around. As Barbara Ehrenreich puts it, Harrington helped perpetuate the dangerous meme that poor people were lazy and ignorant, when they really often work their asses off just to barely get by.
• Finally, here’s local pastor Catherine Foote with a Palm Sunday address against what she calls the “divisive fear” threatening to tear U.S. society apart.

• Can the lovely deco Harborview Hall be saved after all?
• Ex-Seattle Times arts writer Terry Tazioli and still-Seattle Times arts writer Mary Ann Gwinn have a new author-interview show on KBTC (the Tacoma PBS affiliate) and TVW (the state-owned cable channel). However, Gwinn errs in the hereby linked piece when she calls TVW a “public access” channel. Ordinary members of the viewing public cannot make their own shows and put them on TVW (the real definition of “public access”).
• KEXP’s Rachel Ratner has some fond words toward the now-threatened Funhouse punk bar.
• One big union of all the actors! And just in time for the return of filmmaker tax breaks in Wash. state.
• Keith Olbermann has quit and/or was fired again. This time it’s from the one channel that would give him a long-term home to do almost whatever he pleased. It was one thing to have his wrathful temper attacking the sleazemongers of the Bush era and their remnants. But he apparently maintained that same unrelenting ire toward his own coworkers; never good.
• In honor of the Wisc. recall election against sleazemonger Scott Walker going forward, let’s listen to the GOOD Scott Walker.