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AT FIRST, I’d not planned to mention rain in my new Seattle picture book. It’s a cliche, I thought; the topic of too many cutesy-wootsy “jokes” in newspaper living-section columns and dorky greeting cards.
Then something happened. The rain went away, and stayed away most of this past winter.
Dunno ’bout any of you, but I came to miss it. Without the rain and the overcast, winter in Seattle is merely a slightly warmer version of winter in Liverpool.
It was as if all the changes wrought upon the city in recent years had altered not just its economy, its ethnography, and its cost of living but its very climate. All became bright, sometimes glaringly so.
Our usual, predictable seasonal-affective-disorder season got supplanted by nine-hour days of Technicolor brilliance interrupting fifteen-hour nights of crisp (but above freezing), starry skies. Instead of the grim, fatalist aesthetic of Cobain, Lynda Barry, and Ray Carver, we had a cheery, thought-free, go-for-it look and feeling better suited to techno music, glass art, and demographically-correct magazines. (Too bad the economy couldn’t keep up with the sunny disposition, particularly those once high-flyin’ tech companies.)
It was a disconcerting experience for someone accustomed, both psychologically and physiologically, to spending week after week under the low silver canopy of overcast (which inspired the surreal image of a giant indoor city in Stacey Levine’s novel Dra-).
The main salient feature of western PacNW rain isn’t really the precipitation. It certainly isn’t the volume of downpour, which even in an average year is less than NYC and several other big cities. It’s the dim, diffused light that makes going from indoors to out seem like those early Masterpiece Theatre shows where the interiors were in brightly-lit video and the exteriors were in drab 16mm film. (On a heavily overcast day, my new digital still camera insists on flash outdoors at high noon). It’s the lo-visibility “grey-out” conditions on the water. It’s the water-torture drip drip drip. It’s the mildewy scent that gets in your clothes and never goes away.
This past week, the drizzle came back, at least for a few days. Not enough to relieve the alarmingly low levels in our hydroelectric lakes, but enough to remind us what it’s like.
NEXT: Millions are reading and writing more than they ever did before. That’s supposed to be bad?
ELSEWHERE:
OUR PROBLEM COULD BE YOUR OPPORTUNITY.
We’ve got about three dozen copies of Loser that got hurt in, or on their way to, bookstores. They don’t have any faults that would make them any less enjoyable, only less saleable (little bends on the cover, scratches on the spine, etc.) (I know, I know, people have been calling me slightly bent for years, but that’s not the issue here.)
These books have gotta go, and we’re willing to let ’em go cheap. If you already have the 1995 edition, this is your chance to get the new material in the update chapters. If you haven’t yet obtained your own copy of the most complete history ever written about the Seattle rock-music scene, here’s your best chance.
Deal #1: Start or renew a subscription to MISCmedia the print magazine, at $15 a year, and get a slightly-hurt but still ultimately readable Loser for just $10 more (yep, that’s a grand total of $25 US, postpaid.)
Deal #2: Not quite as great a deal as Deal #1, but still worth your trouble. Get an almost-imperceptibly blemished Loser on its own for $14 US postpaid, a whole third off the normal price for a perfect copy.
NEXT: Are self-published books any worse, on the average, than self-released CDs?
IN OTHER NEWS: The wrestling biz plays Monopoly, with WWF taking over onetime arch-rival WCW. Several readers tell me I should care about this.
AMONG THE MOST ENDURING CLICHES in business guidebooks is “branding.”
No, I don’t mean that kinky fetish from The Story of O. I mean the far kinkier, and more humiliating, ritual of treating a brand name as one’s most important asset, of treating everythiing you’ve got (especially yourself) as a “brand” to be marketed, and of building a line of goods and services around that brand.
You’re not a widget maker using the name Brand X, you’re a marketer of the Brand X name and image, which could start out attached to widgets but then be expanded into doodads, thingamajigs, and whatsits. (After a while you could even consider dropping the original widget business entirely, or at least farming it out to overseas subcontractors.)
With this in mind, let us consider the brand that is MISCmedia. (We’ve done this before about a year ago; but this is one of those exercises the guidebooks say one should regularly reprise.)
Our products, such as they are, are packages of written words, in both online and printed form. But what does the Mm brand really stand for under these guidebooks’ rules? And, based upon that, what other products might it be slapped onto?
Sure, Mm stands for witty oration and smart-alecky pontification. But it also represents a worldview, a zeitgeist of bemused befuddlement. It says to the world, “I want to understand you, world, but it’s just too darned complicated, and I can’t pretend it’s not too darn complicated; all I can do is laugh a quick laugh and get on with it.”
From this brief imaging statement could conceivable arise an entire line of Mm goods. Some of these just might include:
Don’t have time for the full course? Then check out our short-cut guide to utter confusion, Stupidity for Dummies.
One design might depict the (admittedly already stale) image of a former future dot-com millionaire on the streets, shivering in his Casual Friday attire, holding up a perfectly desktop-published sign offering to write CGI-BIN scripts for food.
Another, slightly less didactic, design might display a leggy sueprmodel clad in the latest styles, seated at a downtown library table, pondering a weighty tome by Hegel and pondering (according to the poster caption) whether there really is a perfect antithesis for every thesis, and who or what might be the ideal antithesis to her.
Or, I could just put out some T-shirts and coffee mugs.
NEXT: The most eternal, unsung aspect of the Seattle zeitgeist–whining.
BARRING ANY UNFORESEEN year-2001 computer bugs, this will be the first MISCmedia entry for the year of “Also Sprach Zarathustra.”
So what might you, my loyal (in your own fashion) readers, expect here over the coming months?
Many folk these days are claiming pure “content” websites, as business propositions, are molding corpses from 1998. I believe, now that the stupid money has largely abandoned the field, we can all get back to the work of figuring out just what might work in this crazy, still-new medium. Remember that broadcast radio was around almost a decade before the first national commercial networks started; and TV’s developers spent the whole of the 1940s working out the medium’s operational shticks.
To make it more than a “personal zine,” albeit a professionally written and designed one, will require a move up to a thicker, slicker, and possibly more infrequent format. Perhaps something along the lines of the great old humor magazines (Punch, the original New Yorker); though for that I’d need some outside investment and a lot more content contributors.
TOMORROW: Two books, two different “radical” interpretations of the WTO protests.
SOME SHORTS TODAY, starting with some great news.
THE NEXT MISCmedia book project is provisionally entitled City Lite (until we think of something better).
It’s my tribute to the city I have a lifelong lover’s quarrel with, in words (by me) and pictures (by hotshot photog Lori Mason).
It’ll be a personally guided tour-in-print of Seattle’s people, places, things, group gatherings, workdays, and playtimes.
With any luck, it’ll be out in time to coincide with Seattle’s 150th birthday in September 2001. If we can get the right financial backing, it’ll even be in color.
What we need from you now: Please feel free to send in your ideas of what images, scenes, scenic views, buildings, personalities, signs, and spectacles ought to be in it. Leave your suggestions by email to clark@speakeasy.org or on our luscious MISCtalk discussion boards.
HEY KIDS, WHAT TIME IS IT?: Yep, time for the annual MISCmedia In/Out List, another chance to ask your input. Send in your nominations for the people, places, things, fads, fashions, foods, and socioeconomic constructs you predict will rise or fall in prominence over the coming year (not necessarily what’s hot or not-so-hot right now).
NEWSPAPER STRIKE WATCH: The scab dailies are veering further and further rightward. Most blatant example: A Seattle Scab Post-Intelligencer front-page piece on Wednesday which began by quoting a few leftys who’d like a WTO-anniversary event every year–then, after the story jumped inside, audaciously compared it to Detroit’s once-annual arson sprees! (As if to imply the WTO protestors were out to destroy stuff, not to construct a more democratic or eco-friendly society.)
All character-defamation aside, an annual celebration of global solidarity/economic democracy/eco-awareness/worker rights/etc., celebrated here and wherever else enough gatherers can gather, could be a great thing. It needn’t, and shouldn’t, directly have to do with the WTO protests; but can instead use “N30” simply as a convenient date on which to publicly question the machinations of Global Business and to renew the spirit of empowerment and action. In a generation or two, it could even become the next big national holiday.
MONDAY: The rearing of Generation S&M.
BACK ON FRIDAY AND MONDAY, we discussed whether I should “reinvent” myself and my written/published/posted work, according to the principles of Seth Godin’s business book Unleashing the Ideavirus.
That book claims the key to success in business today is to have a strong, easy-to-understand, and easily-spread idea.
Other business guides, including Tom Peters’s The Brand Called You and Rick Haskins’s “Branding Yourself” courses, insist that individuals have to start thinking about themselves as if they were products, and devise brand images and marketing strategies thusly.
My problem with that is my “product,” comprising the words you read here, is difficult to define in a sound bite or a Hollywood “pitch line.” The points of view expressed within these words are also hard to succinctly summarize.
So: How to accomplish this “self-branding” thang? (And doesn’t that sound too much like a scarification fetish?)
1. I’ve got a slogan already. “Popular Culture in Seattle and Beyond.” But that’s deliberately broad and vague.
2. The Seattle side of the premise is comparatively easy to explain. We’re chronicling the ongoing evolution (and, in some aspects, devolution) of one of North America’s great cities–particularly as these changes affect the arts-‘n’-entertainment scenes and assorted “youth” and “alternative” cultures.
3. The national pop-cult topics discussed here are more nebulous, but potentially could become more popular than the local parts (due to this ‘Net thang being so borderless and all). The MISCmedia title accurately implies a melange of many culture-and-media related topics.
But a little bit of all sorts of things is precisely what these “branding” experts warn their readers against. The well-branded enterprise or individual has to be about one really simple thing.
4. But much of the cultural philosophy expressed in these cyber-pages involves rants against too-simple thinking.
5. This insistence upon the value of complexity might actually be the most apt “simple idea” with which to describe this ongoing work. As the back cover blurb of The Big Book of MISC. says,
“Confused by today’s ever-morphing, ever-bifurcating, ever-weirder culture? Good. Get used to it. Learn to love the chaos.”
“Confused by today’s ever-morphing, ever-bifurcating, ever-weirder culture?
Good.
Get used to it.
Learn to love the chaos.”
Maybe my next book oughta be a manifesto specifically about the transition to a more “Misc.” world, and why that’s nothing to fear. (Unfortunately, the phrase “Chaos Culture” has already been in use, by commentators specifically discussing rave-party culture or trends in conceptual art. But other, equally-appropriate slogans are surely out there.)
TOMORROW: The greatest Northwest reference book ever written.
IN OTHER NEWS: The great Josie and the Pussycats creator’s-rights lawsuit.
THE SIXTH ISSUE of the print MISCmedia magazine should be out to subscribers by now, after (yet another) delay.
I’m learning this thing as I go along. One of the things I’m learning is I can’t put out this thang at its current size on its originally-promised monthly schedule, without the budget to hire additional help in the editing, layout, and distribution sides of the operation.
There will be at least one more issue under the current format. After that, it’s hard to tell. It’s not going away, but it is at a crossroads. Either it becomes smaller and stays monthly or it comes out less often and stays the same size (or, if operating capital can be raised, perhaps even grows into a bigger and slicker thang).
What is becoming clearer as I go along is what I’m trying to do with it. (And before you ask, none of the following is to be considered a “mission statement.”)
Seattle’s on the verge of greatness. Seattle’s also on the verge of losing it all to rampant upscalism and sprawl. We could become another Paris or Rome (or at least another Vancouver); or we could instead just become another Aspen or Phoenix.
Of course, to achieve any or all of these goals, I may have to start running the magazine more like, dare I say, a business. And that might mean reading, and heeding, more of those goofy business pep-talk books.
More about that tomorrow.
TOMORROW: Seeking a cure for the “Ideavirus.”
IN THE FOUR MONTHS OR SO since we started the MISCmedia print magazine, we’ve been trying to resolve some of the differences between the print and online versions.
Right now, a lot of material appears online (including some stuff I’m rather proud of) that doesn’t make the cut for the limited print space we can currently barely afford to create.
One answer would be to revamp the online version.
All the print content would still appear on the site, but the concept of a full-length column every weekday would change–into something more like the group of short comments idea behind the original Misc. column.
I’ve been toying and experimenting offline with a site revamp that would have links to the print magazine’s pieces along one side of the page, and an ever-changing daily column thang on the other side. This would be made like those “Weblog” sites, with new items added at the top daily and old items eventually scrolling off the bottom.
On the ever-proverbial other hand, there is something nice about this here site being a refuge for semi-serious argumentative thought on the Web, where so much else seems to be a deluge of briefs, half-thought-out Attitude statements, and links to links to links.
Thoughts or ideas on any of this? Lemme know.
IN OTHER NEWS: Saw the Fremont Solstice Parade on Saturday. Besides the clever and fancy human-propelled floats (including a locomotive decorated with high-rise condos threatening to run over humans dressed as little houses) and the tight performing groups (including two dozen belly dancers in choreographed formations), the event was highlighted, as always, by the now world-famous Naked Bicyclists. (I met several spectators from out-of-state who’d read about the bikers in nudist-advocacy magazines and had gone to the parade just for them.)
This year, the bikers expanded upon their act. Most of the real nudies (as usual for the event, about two-thirds male) wore elaborate body paint; the faux-nudies in the group donned fig-leaf decorations atop their flesh-tone body stockings. As they’ve done in prior years, they not only appeared at the parade’s start but weaved back and forth, through and between the “official” parade attractions.
The regular parade performers also got into the act this year. Several troupes included one or more women wearing decorative pasties in lieu of tops. The final float starred a bare-breasted woman with henna body paint standing proudly atop a tall float (a la the Rio samba parades), waving to spectators young and old as the goddess she knew she was.
All in all: A great way to celebrate the human form and the summer sun, to playfully “rebel” for a moment against social put-ons, and to help teach children that bodies are nothing to be scared of or offended at.
(More about this tomorrow.)
TOMORROW: Will the real Idiots please stand up?
ANOTHER YEAR, another MISCmedia anniversary party, another in-person questionnaire.
Here, in no particular order, are a few highlights of the two dozen or so responses filled in by attendees at last Thursday night’s big event at the Ditto Tavern:
Favorite food/drink:
Favorite store:
Favorite website:
Favorite catch phrase:
What I’d like on the MISCmedia website:
What I’d like in MISCmedia magazine:
The chief legacy of the WTO protests:
What should happen to Microsoft:
The Experience Music Project building books like:
What this town needs (other than construction projects):
If this region has so much wealth, why can’t we…:
TOMORROW: Short stuff, including that other monopolistic company Paul Allen used to be involved in.
A FINAL REMINDER to make plans for our MISCmedia@1 party on Thursday, June 8, starting around 7:30 p.m., at the quaint Ditto Tavern, 5th and Bell. Yeah, it’s 21 and over.
YEP, IT’S A BIRTHDAY for the current business incarnation of MISCmedia (1 year), this website (5 years), the ongoing Misc. project (14 years), and yr. ob’t. corresp’n’d’t (a whoppin’ 43 years).
And while I’ve made every attempt to stave off the threat of looming geezerdom, sometimes I can’t help but go all back-in-my-day-Sonny. (You think a 56K modem’s slow? You never had to use a 300-baud acoustic coupler!)
And there are definitely certain activities which just seem a lot less fun if practiced while in ones forties, such as:
On the other hand, many activities are just as exciting now as ever:
SOME SHORTS TODAY:
THE MAY ISSUE of the MISCmedia print magazine may be delayed a week or so, for reasons to be discussed later. (I’m feeling fine and everything; just job and personal complications have taken their time toll.)
THE FOLLOWING is the actual text of the story in the bottom-left corner of the Seattle Times front page on Sunday, 4/16, under the headline, “In Europe’s eyes, America becomes uglier and uglier”:
Newspaper This text is set in Century Old Style at 9.8 points with 10.6 points of leading. It should be replaced with the real story. You now have 1 inch of standard body copy. 1 inch. This text is set in Century Old Style at 9.8 points with 10.6 points of leading with standard tracking, hyphenation and justification. It will be replaced with the story when it is ready. You have 2 inches of standard body copy. 2 inches. This text is set in Century Old Style at 9.8 points with 10.6 points of leading. It should be replaced with the real story. You now have 1 inch of standard body copy. 1 inch. This text is set in Century Old Style at 9.8 points with 10.6 points of leading with standard tracking, hyphenation and justification. It will be replaced with the story when it is ready. You have 3 inches. This text is set in Century Old Style at 9.8 points with 10.6 points of leading with standard tracking, hyphenation and justification. It will be replaced with the story when it is ready. You have 4 inches of standard body copy. 4 inches. This text is set in Century Old Style at 9.8 points with 10.6 points of leading. With standard tracking, H & J. It will be replaced with the story when it is ready. You have 5 inches of standard body copy. 5 inches. This text is set in Century Old Style at 9.8 points with 10.6 points of leading with PLEASE SEE Story slug on Xx
Newspaper
This text is set in Century Old Style at 9.8 points with 10.6 points of leading. It should be replaced with the real story. You now have 1 inch of standard body copy. 1 inch.
This text is set in Century Old Style at 9.8 points with 10.6 points of leading with standard tracking, hyphenation and justification.
It will be replaced with the story when it is ready. You have 2 inches of standard body copy. 2 inches.
It will be replaced with the story when it is ready.
You have 3 inches.
It will be replaced with the story when it is ready. You have 4 inches of standard body copy. 4 inches.
This text is set in Century Old Style at 9.8 points with 10.6 points of leading.
With standard tracking, H & J.
It will be replaced with the story when it is ready. You have 5 inches of standard body copy. 5 inches.
This text is set in Century Old Style at 9.8 points with 10.6 points of leading with
PLEASE SEE Story slug on Xx
STACKED: More fascinating info keeps emerging about Rem Koolhaas, the “world class” (code word for out-of-state) architect picked to design the new main Seattle library. For one thing, he just got his profession’s top award. Even cooler, the Times reported he once wrote an unproduced screenplay for everybody’s favorite sexploitation filmmaker, Russ Meyer! (I don’t know if it had anything to do with the naked-in-the-library fantasies occasionally reported on with bemusement in the Abada Abada weblog.)
DID YOU FEEL TIRED last Friday? Everyone I met that day said so. At least those who had enough energy to get out of the house. I was in line at Tower Records at 4 p.m. and everybody was yawning.The bars I hopped among were nearly deserted later that evening; folks who should’ve been bouncing and dancing were shuffling and moping instead.Was it just the arrival of cool weather after a week of warm temps, or was it a post-full-moon energy drop, or unconscious Good Friday solemnity?
TOMORROW: Seattle as photo-copyright capital of the world.
YESTERDAY, we mentioned some of the big-money, big-power shticks being used by Big Media companies in the U.S., to try and hold on to their position of profitability and influence.
It’s not just that they’re acting like bullies.
They’re acting like scared bullies.
As well they should.
The various centralization moves within the media biz aren’t happening half as fast as the various decentralization moves within the larger cultural universe.
And your ob’d’t MISCmedia site’s rarin’ to be part of it.
Starting this very day (if everything goes right), there’ll a streaming Net-radio station as the newest piece of your favorite popcult site in the world.
MISCmedia Radio will focus, initially, on Northwest indie pop, power pop, punky pop, and ballady pop. (There are many other musical genres I adore, but this is what we’re starting with.) We’re assembling a massive library with hundreds of Hi-NRG faves, to give you a boost through your computer-workin’ day and your home-entertainin’ evening.
It’s all legal, being run thru a server that’s got the proper ASCAP/BMI licenses and everything.
The one thing holding up the project’s completion, besides the time investment in assembling everything: Much of my personal music library’s on vinyl and tape. If any of you out there in Readerland have an analog stereo hooked up to a computer and can help me get this fabulous tuneage digitized, email me.
For now, though, please listen to what we’ve got so far by pointing your MP3 player (RealPlayer, Macast, SoundJam, WinAmp, et al.) to http://166.90.148.106:8458. You can also access MISCmedia Radio thru our server supplier, Live365.com. (Just enter “MISCmedia Radio” in the search box.)
Artists and labels that would like their stuff played on the station can send such stuff to MISCmedia, 2608 2nd Ave., #217, Seattle WA 98121. As you might expect, we’ll listen to everything but can’t promise to play it.
(NOTE: At the time this is being written, a 30-minute test broadcast is currently up on the station’s server. With any luck, a full playlist will commence later today.)
TOMORROW: Were the Democrats ever as progressive as Jim Hightower wishes they’d become?
IN OTHER NEWS: Waiting for the threatened big e-tail collapse.
TO OUR READERS: There may or may not be an announcement in Wednesday’s online edition, which may or may not affect how the site’s updated later this month.
MADONNA SONGS are rarely part of the “soundtrack of my life” (actually, my life doesn’t have a soundtrack so much as it has a DVD “commentary track,” but that’s a topic for another day).
Yet I couldn’t help but running a Madonna song through my head last Sunday–“This Used to Be My Playground.”
I was at the former art-studio building at 66 Bell, where I wrote my first Misc. column in June 1986 for the old Lincoln Arts Association paper. This was my first time there since the building owner had kicked all the artists out and arranged to have the whole place redeveloped into luxury condos.
It wasn’t ugly (the new interior was still heavily under construction, so it still had that “unfinished” look and didn’t have any pretentious decor-elements yet). But it was still creepy.
What used to be a cheap, funky space for young Caucasian adults who sought creative careers and urban lives, is now going to be an expensive, slick space for young Caucasian adults seeking creative careers and urban lifestyles.
What people like me have been calling the strangulation of the local contemporary-arts subculture has been interpreted by others (including some condo sellers) as the ultimate triumph of the scene’s aesthetic.
These condos are being marketed as artsy experiences for gals ‘n’ guys who always wanted to live the artsy life but who haven’t had the chance (or the fiscally-ruinous compulsion) to try to make a career out of painting/sculpting/designing/writing/acting/music-making.
Instead, a lot of these buyers are in what euphemists sometimes call “the information industry.”
They may design and sell software, engineer computer-networking schematics, set up corporate databases, schlep books for Amazon, or think up PR campaigns for business-to-business e-commerce solution enablers or whatnot. But what they really want, in the condo marketers’ ad fantasies, is to live in the middle of all the artistic stuff.
This pattern has already occurred in several other “artistic neighborhoods” in several other North American cities. By the time enough condos are installed in one of these “artistic neighborhoods,” much of the “artistic stuff” devolves into commercial activities designed to service the condo dwellers–cheese shops, sushi bars, thumpa-thumpa electronica bars.
It’s not that the gentrifiers hate the milieu of struggling artists. They love it. To death.
But it doesn’t have to be this way.
If some of the material resources of some of these “artistically minded” info-biz professionals could get ploughed back into the artistic communities that used to reside in some of those buildings, everyone involved might become a little better off.
TOMORROW: A little more of this.
THERE’S A BOX somewhere near the lower-right corner of this page. Click it and you get invited to take a demographic survey about this site.
Actually, I already know more than a few things about the sorts of folks who read this site and its associated print magazine:
MONDAY: The savior of daily newspapers?
FIRST OF ALL, a huge thanks to all who attended the group lit-fest I participated in last Sunday at Titlewave Books.
Whenever I do something like that, I pass out little questionnaires to the audience. Here are some of the responses to this most recent survey:
Favorite historical era:
Favorite Pokemon character:
Favorite word:
What this decade should be called:
My biggest (non-money) wish for the year:
I think the Experience Music Project building looks like:
Favorite local band/musician:
The Seattle music scene’s biggest legacy/lesson?:
How I’d preserve artist and low-income housing:
What This Town Needs (other than construction projects):
MULTIPLE CHOICE PORTION
What should be done with Schell:
What should be done with Microsoft:
What should be done with Ken Griffey Jr.:
I’d pay for MISCmedia magazine:
TOMORROW: Confessions of a Microsoft refugee.