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As promised, here are my observations of Bumbershoot 2012, Seattle’s annual big culture buffet.
As others have noted, it was a sunny but not unbearably hot three-day weekend, bringing out strong-sized crowd despite the steeper than ever ticket prices. (It was either charge $50 a day, or go back to having no musical stars bigger than Hall & Oates.)
Behold, my first ever deep fried candy bar (a Snickers). Gooey. Messy. Yummy.
How are curly fries made? With good old American industrial knowhow, that’s how.
They may call it the Seattle Center Armory now, but to me it will always be the Center House and/or Food Circus.
In this post-record-industry age, live gigs are more important than ever to a band’s financial model. So are gig posters, as lovingly seen at the latest Flatstock exhibit.
The historic video games exhibit (still up) shows the young’uns what real entertainment was like, 8-bit style.
But amid all the fun there’s some deadly serious stuff. World Vision International would like you to know AIDS is still devastating much of Africa.
This “House of the Immediate Future” was named after a model home full of futuristic devices at the ’62 World’s Fair. The new one exemplifies affordable-housing designs that could be factory-built, then installed on small real-estate footprints.
A few inflatable rides are no substitute for the late, great Fun Forest.
The Toyota-sponsored “Whac-A Hipster” game. Hipster-bashing has become corporate,and therefore beyond passé.
The heart of the “Put the Needle on the Record” exhibit, a mini-recording studio where you can record your own music and/or voices for a time capsule, is this recording lathe that cuts real phonograph-record masters.
Today’s greatest ETA (“Elvis Tribute Artist”), El Vez, does his massive act with a massive in-house video production (like all the big music stages had this year).
An inflatable icon of the original Elvis stood over two exhibits.
To the right, the Record Store, a display of classic vinyl LPs with DJs and live small combos.
To the left, the Elvistravaganza. Marlow Harris and Jo David applied their kitsch curatorial touch to the World’s Fair’s most enduring celebrity visitor. I contributed my (quite modest) ETA talents at the all-day karaoke stage.
As I departed the Center grounds to the soothing strains of Hey Marseilles, I regretted the many acts I hadn’t seen but felt enlivened and revived by the ones I had seen.
degenerateartstream.blogspot.com
johncage.tonspur.at
Lying has become so ingrained into the conservatives’ national dialogue that they are now dangerously demagogic or, worse, severely unhinged. Blind rage at the election of Barack Obama has wrecked a once great political party. Its leaders have made so many deals with the devil in their almost pathological obsession with unseating Obama that they have pushed the GOP into its own version of political hell – unable to speak truths to their now-rabid and conspiracy-addled base and unable to right the party back onto a path of responsibility. Only through the disinfectant of defeat can the Republicans, and the two party system, be preserved.
via theatlanticwire.com
slate.com
amnesty international via pickadolla.wordpress.com
By now you’ve heard and/or read about the Russian protest/music/performance-art collective Pussy Riot.
About the group’s carefully staged protest at a Russian Orthodox church against Vladmir Putin, the political boss of Russia’s current crony-driven, corrupt regime.
About the regime’s rote reaction against the protest.
About the two-year labor-camp sentences dutifully dished out to three Pussy Riot members; following five months of imprisonment and a farcical show trial tainted by allegations that the women were beaten, denied food, and weren’t allowed witnesses to speak in their defense.
About the protests throughout western Europe and elsewhere in support of the group.
I found it all to be an extremely well thought out piece of real-life theater.
The group’s English language name and song titles were clearly intended to generate a global support network.
Their act was inspired both by 1990s U.S. “riot grrrl” bands and the recent Ukranian activist group Femen (who’ve staged topless protests against “sex tourism” in their country).
The concept was to put human faces (albeit sometimes masked faces) on what had been a year of mass protests, in Moscow and elsewhere, against Russia’s increasingly oppressive and even neo-Stalinist system.
This face is young, dynamic, colorful, defiant, female, and (even when fully dressed and masked) openly sexual.
It was crafted as a deliberate contrast to a regime that willingly depicted itself as old, staid, grim, mechanical, humorless, and, yes, patriarchal. A machine as repressed as it is repressive; appealing to fear and bigotry to maintain support among older citizens nostalgic for the days of Soviet predictability.
Anti-Putin and anti-Putinism protests are not confined to Pussy Riot. Mass marches have been held in major cities for more than a year. Putin’s somber bureaucrats have issued increasingly suppressive laws to stop them.
Russia’s opposition is broad and deep, cutting across ethnic and class as well as gender lines.
Pussy Riot gives this opposition a face and a voice the outside world can see and hear.
craig hill, tacoma news tribune
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
geneticist.tumblr.com
wikimedia commons
pitchfork media via cartoonbrew.com
The third most famous band from Aberdeen, the Melvins, talk about their “disastrous” first tour, accompanied by appropriately simple Flash animation. (The second most famous band from Aberdeen, of course, is Metal Church.)
As the eyes of the Earth turn again to Mars, let us look back at one of the most surreal and modern-arty “educational” films ever made, the Disney studio’s animated docudrama Mars and Beyond. Made in luscious color, it premiered in black and white on the Disneyland anthology TV show in 1957, just months after the Soviet satellite Sputnik launched the “space race.”
google earth via rhizome.org
perfect sound forever, via furious.com
An earlier version misstated the term Mr. Vidal called William F. Buckley Jr. in a debate. It was crypto-Nazi, not crypto-fascist.