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via quietbabylon.com
There’s quite a story behind the controversial “Keep Calm and Rape a Lot” T-shirt.
Turns out none were ever sold or even made.
It was offered on Amazon as a print-on-demand item, along with several hundred other slogans. This was done by a company that used a software algorithm to create the phrases.
Tim Maly offers a very poetic account of the fiasco at his site Quiet Babylon. In it, Maly also offers this image of the e-tail realm:
Amazon isn’t a store, not really. Not in any sense that we can regularly think about stores. It’s a strange pulsing network of potential goods, global supply chains, and alien associative algorithms with the skin of a store stretched over it, so we don’t lose our minds.
fox broadcasting via cbs news
Following Netflix’s online streaming debut of House of Cards (a remake of an acclaimed UK TV series), its even more highly anticipated revival of Arrested Development will show up in May.
As with House of Cards, all 14 episodes (up from an original order of 10) will show up on the service’s menu screens on the same day. All the producers say about the content is that each episode will focus on a different character.
It’s been seven years since the critically-beloved, low-rated sitcom ended its original 2.5-year run on Fox. Fans all have their ideas on what they want to have happened to the highly dysfunctional Bluth family. Here’s mine:
<FAN FICTION MODE>
</FAN FICTION MODE>
Meanwhile, one Helen Rittelmeyer at FirstThings.com makes a good case that Arrested Development could be an uncredited remake of The Brothers Karamazov!
editorandpublisher.com
Former Seattle Times staffer Glenn Nelson has thoughts of his own about the paper’s pending online paywall (or, as he calls it, its “digital tin cup”).
Nelson mentions how, following his Times years, he served in several “subscription-model Internet startups.”
At those places, Nelson kept fretting that the Times would suddenly wake up and smell the digital coffee, then trot out online products based on the vast manpower the paper had (at the time) in sports, entertainment, food, and business coverage, and in photojournalism. (Nelson doesn’t think a better Times local-news site would have mattered, because “general news already was being rendered a commodity on the Internet.”)
These sites, had they been created, would have blown away any indie-startup competition.
But they never showed up.
•
Meanwhile, news-biz pundit Alan D. Mutter dissects why many people under the age of 45 don’t like print newspapers. It’s because they’re just too inconvenient to have around.
Mutter quotes venture-capital exec Mary Meeker as claiming…
…that young people don’t want to own CDs, haul around books, buy cars, carry cash, do their own chores, or be committed to a full-time job. Instead, they use their smartphones to buy, borrow, or steal media; rent shared cars at home and book shared rooms when they travel; hire people to buy groceries or cut the grass; and use apps from Starbucks and Target to pay for lattes and redeem coupons. Many of the digital natives even prefer short-term gigs that allow them to arrange their work around their life, rather than arrange their life around their work.
Actually, many younger (and older) adults would like full time jobs if there were any around to be gotten. But that’s beside the point here.
More important is Mutter’s observation that…
…The warmed-over digital fare offered by the typical newspaper falls well short of the expectations of two whole generations of consumers who are not only empowered by technology but also damn well sure of how to get what they want.
So it has come to this. The Seattle Times, unable (just as most all metro dailies are unable) to survive on shrinking print-ad volume and meager online-ad revenue, is resorting to the “paywall.”
Starting some time in mid-March, full access to the Times website will be restricted to paid subscribers.
Print subscribers will get full online access. Online-only subscriptions will be available at $3.99 per week (following an initial discount). That’s higher than the Sunday-only print subscription price, at least within King County. This is undoubtedly devised to prop up the paper’s print numbers, particularly on ad-flyer-heavy Sunday.
In announcing the paywall on Sunday, Times executive editor David Boardman wrote that the money’s needed “to support quality journalism.” The essay’s comment thread, natch, is full of wags snarking that “quality journalism” is worth paying for but the Seattle Times isn’t.
Even more than some metro dailies, the Seattle Times has painted itself into this corner, over many years.
It’s held to a bland, institutional ethic and aesthetic; even as its average reader became older, squarer, and whiter than the metro area’s overall demographic.
Its editorials hewed as close to a GOP party line as the Blethen family dared, in a solid-Blue city.
Faced with ever-declining revenues, it chose not to “reinvent” itself. Instead it became an ever-smaller version of its same-old same-old.
One issue this past month hit a new low of 22 pages (the bare minimum under its current design).
If there’s anything I’ve learned in my many years of studying the media, it’s that if you want to be “supported,” you’ve got to make people actively want to support you.
A thin assortment of lifeless stories about the ritual dances of politicians and corporate press releases ain’t gonna accomplish that.
(Meanwhile, one national commentator claims paywalls aren’t really working so well for non-national, non-business-centric papers.)
via messynesychic.com
gawker.com
seattlestairwaywalks.com
via imcdb.org
ap via nwcn.com
beth dorenkamp via grindhouse theater tacoma
the aurora kmart in 2002
via huffington post
igor keller at hideousbelltown.blogspot.com
via kip w on flickr
via jim linderman on tumblr