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theoatmeal.com
Matthew Inman, known to all as The Oatmeal, is Seattle’s (the world’s?) greatest online satirical cartoonist.
He’s also, like so many of us, trying to make a living from his craft in an Internet world in which anything anybody posts is treated as fodder for reposting, revising, or just plain stealing.
Lately, commercial ad-supported dotcoms are using “social media” as their current excuse for taking, and making money from, other people’s creative work without paying those people for such work. “Hey, don’t blame us. We didn’t repost your work. It was one of our users (whom we merely encourage to repost stuff here).”
Inman publicly complained about one such “social aggregation” site, where dozens of his drawings had appeared. Some of his drawings had stayed up at that site, even after others were removed.
The site responded by suing him!
They wanted $20,000 in damages to the reputation of the site’s “brand,” or something like that. At the same time they sent a “cease and desist” letter, demanding Inman stop dissing them.
Inman’s posted response was hilarious; pure Oatmeal snark at its finest.
Inman vowed to start an online fund drive. (Yes, even though he’d already made a cartoon comparing such drives to street begging.)
Then, he vowed to take a photo of himself with the $20,000. The aggregation site’s lawyer would get the photo, plus an original cartoon of the lawyer’s mother (imagined as an unattractive slag) and a Kodiak bear.
The money, however, would be split between the National Wildlife Federation (hence the bear image) and the American Cancer Society.
The (real) fund drive’s title: “BearLove Good. Cancer Bad.”
The result: With 11 days to go, the drive has raised over $165,000!
The aggregation site and its lawyer picked the wrong funnyman to aggravate. (Though the lawyer says he’s thinking of responding with more suits.)
The Power of Oatmeal indeed.
…the value of digital ads decreases every quarter, a consequence of their simultaneous ineffectiveness and efficiency. The nature of people’s behavior on the Web and of how they interact with advertising, as well as the character of those ads themselves and their inability to command real attention, has meant a marked decline in advertising’s impact.… I don’t know anyone in the ad-Web business who isn’t engaged in a relentless, demoralizing, no-exit operation to realign costs with falling per-user revenues, or who isn’t manically inflating traffic to compensate for ever-lower per-user value.
…the value of digital ads decreases every quarter, a consequence of their simultaneous ineffectiveness and efficiency. The nature of people’s behavior on the Web and of how they interact with advertising, as well as the character of those ads themselves and their inability to command real attention, has meant a marked decline in advertising’s impact.…
I don’t know anyone in the ad-Web business who isn’t engaged in a relentless, demoralizing, no-exit operation to realign costs with falling per-user revenues, or who isn’t manically inflating traffic to compensate for ever-lower per-user value.
pleasantfamilyshopping.blogspot.com
east baton rouge parish library
The decline of newsprint has reached the point of the first proverbial dropping shoe.
A major U.S. city will be without a seven-day local printed newspaper.
Hurricane Katrina could not stop the 175-year-old New Orleans Times-Picayune from printing (or at least putting out an online .pdf edition). But the Newhouse/Advance Publications chain (which also owns the Oregonian and the Puget Sound Business Journal) just did.
Starting later this year, the Times-Picayune will only appear in print on Wednesday, Friday, and Sunday.
(Advance’s Alabama papers in Birmingham, Mobile, and Huntsville will also cut to three days.)
One third of the Times-Picayune’s remaining reporting staff (after several years of previous cuts) will be laid off.
The company’s official announcement says it will “significantly increase” its NOLA.com news site, augmented by “enhanced” print editions.
But if you believe that, then you’ve probably paraded too often with Krewe Delusion.
dangerousminds.net
u.s. geological survey
Happy Mount St. Helens Day!
zgf architects via seattle times
The recession has claimed another victim, the Betsey Johnson boutique on Fifth Avenue.
I don’t think you do love America. At least, not as much as you hate everyone in America who isn’t exactly like you.
sobadsogood.com
This is from Sunday’s “Color Run” downtown, a 5K benefitting Ronald McDonald House. Runners were splashed with “color dust” at points along the route. (Note: This is not at all to be confused with the 2005 teen novel The Rainbow Party, or with the false rumor that that novel depicted a real-life fad.)
npr.org
It is with a heavy heart that we must say goodbye to Publicola, for three years the go-to site for insider wonk-knowledge about Seattle political minutae.
Josh Feit and Erica C. Barnett studiously roved the corridors of City Hall and associated parties, fundraisers, caucus meetings, and planning conferences, always coming back with clear, engaging reports.
But, as we previously noted in regards to the equally ambitious SportsPress Northwest, local content sites just can’t make in on banner ads alone.
Goodness knows, Feit and Barnett did all they could.
They added arts and entertainment reviewers (officially billed on-site as the “Nerds”), then dropped them when their contributions didn’t lead to added revenue.
Later they did the same with veteran crime reporter Jonah Spangenthal-Lee.
More lately, their initial financial backers pulled out. Feit and Barnett asked for donations from readers to keep the site going. That helped them to meet an immediate cash shortage.
But Feit, Barnett, and their initial backers knew the site’s long-term prospects as a for-profit, stand-alone entity were poor.
So Publicola, as its own thing, is shutting down.
But Crosscut.com, Seattle Weekly founder David Brewster’s nonprofit local commentary/analysis site, is bringing Feit and Barnett on board. Their coverage will continue at Crosscut in twice-daily installments. Brewster and co. will stage a fund drive to support permanent employment for the two.
meowonline.org
Every person I talk to at a signing, every exchange I have online (sometimes dozens a day), every random music video or art gallery link sent to me by a fan that I curiously follow, every strange bed I’ve crashed on… all of that real human connecting has led to this moment, where I came back around, asking for direct help with a record. Asking EVERYBODY.… And they help because they know I’m good for it. Because they KNOW me.
liem bahneman, via komo-tv