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chandler o'leary, tacomamakes.com
slate.com
amnesty international via pickadolla.wordpress.com
By now you’ve heard and/or read about the Russian protest/music/performance-art collective Pussy Riot.
About the group’s carefully staged protest at a Russian Orthodox church against Vladmir Putin, the political boss of Russia’s current crony-driven, corrupt regime.
About the regime’s rote reaction against the protest.
About the two-year labor-camp sentences dutifully dished out to three Pussy Riot members; following five months of imprisonment and a farcical show trial tainted by allegations that the women were beaten, denied food, and weren’t allowed witnesses to speak in their defense.
About the protests throughout western Europe and elsewhere in support of the group.
I found it all to be an extremely well thought out piece of real-life theater.
The group’s English language name and song titles were clearly intended to generate a global support network.
Their act was inspired both by 1990s U.S. “riot grrrl” bands and the recent Ukranian activist group Femen (who’ve staged topless protests against “sex tourism” in their country).
The concept was to put human faces (albeit sometimes masked faces) on what had been a year of mass protests, in Moscow and elsewhere, against Russia’s increasingly oppressive and even neo-Stalinist system.
This face is young, dynamic, colorful, defiant, female, and (even when fully dressed and masked) openly sexual.
It was crafted as a deliberate contrast to a regime that willingly depicted itself as old, staid, grim, mechanical, humorless, and, yes, patriarchal. A machine as repressed as it is repressive; appealing to fear and bigotry to maintain support among older citizens nostalgic for the days of Soviet predictability.
Anti-Putin and anti-Putinism protests are not confined to Pussy Riot. Mass marches have been held in major cities for more than a year. Putin’s somber bureaucrats have issued increasingly suppressive laws to stop them.
Russia’s opposition is broad and deep, cutting across ethnic and class as well as gender lines.
Pussy Riot gives this opposition a face and a voice the outside world can see and hear.
craig hill, tacoma news tribune
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
For reasons known only to the Gods, I not only didn’t read David Guterson’s novel Ed King (Oedipus as a Seattle software mogul!) when it came out, I also didn’t notice last November, when it won a British lit magazine’s annual Bad Sex In Fiction award. Don’t be as ignorant as I was—check out an excerpt from the “winning” scene.
Elsewhere in randomosity:
buzzfeed.com
Democrats are campaigning with a swagger, having fun. They know they’ve got the advantage.… We need to embrace reality and shove reality down the GOP’s throats. Because yeah, we are ahead, objectively so. We’re winning and we’ve got to own it. They can whine about biased polls and biased media and biased everything that doesn’t conform to their little Fox News bubble world, all the while we do the work necessary to seal the deal.
wikimedia commons
pitchfork media via cartoonbrew.com
The third most famous band from Aberdeen, the Melvins, talk about their “disastrous” first tour, accompanied by appropriately simple Flash animation. (The second most famous band from Aberdeen, of course, is Metal Church.)
nytimes.com via nytsyn.com
perfect sound forever, via furious.com
An earlier version misstated the term Mr. Vidal called William F. Buckley Jr. in a debate. It was crypto-Nazi, not crypto-fascist.
If you’re going art-crawling this next First Thursday, be sure to see a mini version of the digging machine that will create the Viaduct-replacement tunnel. Go see it even if you normally find such things to be, er, boring.
The Burke Museum has posted a lovely You Tube video showing how the Pioneer Square area was not only settled by Seattle’s founders but altered, filled in, and transformed from a little isthmus into the historic district it is today.
1931 soviet book jacket; new york public library via allmyeyes.blogspot.com
A cowering man in a suit on the screen, waving his hands in front of his face and begging Robocop not to kill him for profiting, for draining the United States dry and exploiting the pain and hard work of others, for doing what businessmen do.
Target (or rather “City Target”), which had its “soft opening” on Wednesday, is the biggest new retail opening downtown since 1998, when Pacific Place opened and Nordstrom moved into the old Frederick & Nelson building.
It’s the first new downtown “department store” since Nordstrom expanded from shoes into clothes in the 1960s.
It’s the first “general merchandise” store downtown since Woolworth’s national demise, and the first in Seattle’s urban core since Kroger turned its Broadway Market site from a small Fred Meyer into a large QFC.
And it’s the first downtown toy store since the fall of FAO Schwarz.
It’s on a historic half block of Second Avenue between Pike and Union streets. That’s where The Bon Marché (sigh) occupied a series of buildings between 1912 and 1929. That complex was taken over by J.C. Penney, and housed that company’s biggest-in-the-nation store until it closed in 1982.
When the Newmark condo tower was built there in the 1990s, the original concept for the retail space was to have been a concourse of shops; an unofficial “New” annex to the Pike Place “Market.” Instead, a PayLess Drug store and a multiplex cinema came in, both short-lived.
Target announced in 2010 that it was moving into all three floors and 96,000 square feet. It’s taken that long for them to completely retool the space.
The company says it’s also spent a lot of time and money determining what merchandise to put in the place, which is about two-thirds the size of a normal suburban Target. (I’m sure the arrangement will be revised once the first sales figures come in.)
The lower (Union Street) level is groceries (and storage and parking). It’s strong where the nearby Kress IGA is weak (prices of packaged-food items) and weak where Kress is strong (meat and produce selection).
The main (Pike Street) level is women’s casual wear, drugs, sundries, office and school supplies (yes, there are downtown residents with kids).
Upstairs (connected by the same shopping-car escalator mechanism seen at the Northgate Target), there’s men’s and kids’ wear, casual home furnishings, DVDs, toys, and electronics.
And throughout on day one, downtown workers and residents strolled and checked prices and met up with one another.
City Target helps fulfill a longtime wish of civic leaders to better connect Pike Place to the retail core.
And it fulfills a slogan mounted on the store’s T-shirt and tourist-merchandise section: CITY LOVE.
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P.S.: I’ve mentioned it before, but the dysfunctional-family aspect of the Target company is always fun to relate.
Target was originally an outgrowth of (the now-Macyfied, alas) Dayton’s department store in Minneapolis. (Thus, the chain’s current “City” push is a return to roots of a sort.)
A scion of that family, Mark Dayton, is a prominent progressive Democrat. In 2011 he became governor of the great state of Minnesota.
Target’s current management spent a whole bunch of PAC money supporting Gov. Dayton’s losing (and virulently anti-gay) Republican opponent.
(Cross-posted with City Living.)