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liem bahneman, via komo-tv
designboom.com
buddy bunting, via prole drift gallery
udhcmh.tumblr.com
to earn enough money so that you can behave in a way that makes the very existence of other people irrelevant.… Wall Street is far too self-absorbed to be concerned with the outside world unless it is forced to. But Wall Street is also, on the whole, a very unhappy place. While there is always the whisper that maybe you too can one day earn fuck-you money, at the end of a long day, sometimes all you take with you are your misguided feelings of self-righteousness.
to earn enough money so that you can behave in a way that makes the very existence of other people irrelevant.…
Wall Street is far too self-absorbed to be concerned with the outside world unless it is forced to. But Wall Street is also, on the whole, a very unhappy place. While there is always the whisper that maybe you too can one day earn fuck-you money, at the end of a long day, sometimes all you take with you are your misguided feelings of self-righteousness.
Darn, this is gettin’ retro. And not in a good way.
Just like on N30, a serious mass protest against the rule of big money was the target of an attempted hijacking.
Yep, another “black bloc” of masked vandals claiming to be anarchists busted stuff up.
As if that was any more a “political” act than the busting up of stuff last June in Vancouver.
Meanwhile, many thousands more people participated in real May Day protests.
They made statements, made banners, spoke, sang, rapped, networked, and forged connections.
Their goal was not to feel powerful, nor to get their testosterone rocks off, nor to “live without dead time.”
It was, and is, to change the direction of the world.
Socially, politically, and especially economically.
That’s a mighty tall order.
But that’s what Occupy ____ is about.
No single demands.
No simple solutions.
No instant utopias.
No small dreams.
Nothing less than the end of greed, cronyism, and megabuck-influence-peddling; and the revival of democracy.
may1stseattle.org
The whole Occupy movement is staging a nationwide spring “season premiere” Tuesday.
Mayor McGinn has personally warned the local protests just might turn violent, deliberately invoking memories of the WTO riots. (Yes, those really were 12 and a half years ago!) That’s an odd thing for a self styled progressive to do.
Local organizers, in contrast, are billing their events as a “Day of Solidarity, Wonderment, and Merrymaking.”
They’ve got a whole day of speakers, rappers, and musicians at Westlake Park, and a march to the Wells Fargo tower.
And they’re calling for folks to leave work and school, refrain from shopping and banking, to think of Tuesday as a one-day general strike.
•
May Day has been principally a Euro-radical thing for so long, it’s hard to remember it started with the American labor movement, in its first courageous drives for basic workers’ rights (and the corporate/governmental violent reactions to same).
Meanwhile, BBC economics commentator Paul Mason takes a gander at the new wave of protest-related visual art (a movement accelerated, but not started, by the Occupy protests). Mason believes this populist underground work could be the start of a new art movement, one that could render obsolete “contemporary art” as we know it (i.e., something made within a rarified bohemian elite for sale to “the multimillionaire-oriented art market”).
irwin allen's 'the time tunnel' (1966), via scaryfilm.blogspot.com
…building businesses whose only way of making money will be through advertising. Are there as many different ways to slice things as all the startups, collectively, would have you believe? And when they’re done, what will happen to them?
joybra.com, via seattlepi.com
j.r. simplot co./idaho dept. of environmental quality, via kplu
escapistmagazine.com
foodbeast.com
via 'what makes the pie shops tick' at flickr.com
one of rob vasquez's many out-of-print 45s, via aarongilbreath.wordpress. com
(No snickering jokes from this corner about a certain three-digit number.)
anti-riaa ad from the electronic frontier foundation; via university of texas
Two reasons why Hilary Rosen, Ann Romney’s recent verbal sparring partner, should not be considered a spokesperson for the Obama campaign or for any “progressive” thing:
(1) She became a PR shill for BP, post-gulf-spill.
(2) and most important: She infamously headed the Recording Industry Association of America during the start of that outfit’s notorious “anti-piracy” extremism.
Rosen didn’t just shut down Napster and Audiogalaxy. She fostered the music-industry lobby group’s policy of punitive aggression in the name of the Almighty Intellectual Property.
After she left the RIAA, the staff she’d hired served all those ridiculous suits for ridiculous sums against lowly individual file-sharers—and against some individuals who’d never shared a file in their lives.
Elsewhere in randomland: