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The National Review founder and Firing Line TV host wrote in 1986, “I asked myself the other day, `Who else, on so many issues, has been so right so much of the time?’ I couldn’t think of anyone.” Some of the issues he was “so right” on included the civil rights movement (emphatically against), Joseph McCarthy (for), the Vietnam war (for), US support for “friendly” homicidal dictators (for), and rock music (against).
His early opposition to the John Birch Society was mostly tactical and cultural; he wanted a more respectable right wing, with a clear, one-way flow of power from Wall Street to Main Street. Similarly, his latter-day opposition to the Iraq war can be interpreted as a plea to put some brakes on a conservative movement heading inexorably toward a train wreck.
…your Starbuckless evening. Now on to a new day!:
…couple-O-daze for yr. o’b’d’n’t web-scribe. I did a marathon temp gig in exotic Renton. (It’s now ended.) I was there, methodically shoving pieces of paper through a machine, when my Evening Magazine segment aired. (They’d promised they’d tell me when it would run; damn.) You may be able to see it at this link.
Other things have happened as well.
…rolls along, even into primary states. Elsewhere:
…here’s what’s happenin’:
…could possibly resist the clarion call of Obamamania? Douglas County, that’s who.
In other nooze:
…blogged about Friday’s huge Obamapalooza at KeyArena. Allow me to interject a few thoughts of my own.
First, it was a spectacularly attended event. Here are about half of the people who didn’t get in. KeyArena was filled above its official capacity, far surpassing any SubSonics crowd this season. They’d said the doors would open at 11. I’d shown up at 10:15 a.m. The line was still snaking around the Seattle Center grounds. I barely made it into the upper nosebleed seats.
They all showed up for what turned out to be a simple, direct spectacle. The Obama campaign showed some of its commercials on the DiamondVision screens. Local musician Jake Bergevin showed off the pro-Obama music video he’d made with Pat Wright and Matt Cameron.
Warm-up speakers were kept to a brief, all-local lineup of Mayor Nickels, Rep. Adam Smith, and Gov. Gregoire.
The Sen. Obama gave the 50-minute version of his current stump speech. No podium, no graphic “slides,” only a few strategic banners. He essentially said what he’s been saying these past months: “It’s easy to be against something. But people want to be FOR something.”
You already know what he says he’s for: Peace, prosperity, affordable health care (sans mandates), unions, civil rights, competent government, choice, economic fairness, eco-sanity, gay rights (though perhaps not gay marriage), people coming together to work for a better tomorrow.
Some pundits have claimed the biggest differences between Sens. Obama and Clinton right now are their personalities and their brand images. If so, the question then is which of these personalities, which of these brand images, is most capable of trouncing Sen. McCain and the walking ghosts of the Bushies.
…on the Obama speech soon. You can read about Clinton’s Tacoma event at Horse’s Ass. In other nooze:
…in Saudi Arabia arrested an American woman for sitting with a man at a Starbucks. (One of the news items about the incident included a pic of the chain’s Arab-world logo, in which the mascot mermaid is completely missing.)
NOW WE KNOW why David Letterman rattled off so many Mitt Romney jokes this past week—he wasn’t gonna get to tell ’em much longer.
…is over, and the party races are just as muddled as before. In other nooze:
…publicly endorsed any candidates in Election Ought-Eight. (I’d briefly, privately, been an Edwards guy.) But here’s a local, unofficial pro-Obama music video shot at the Columbia City Theater, with gospel singer Pat Wright and Pearl Jam member Matt Cameron among its participants.
(My apologies if that word-wraps weirdly in your browser.) As we await the potential end of at least one party race, knowing we’ve got our own state caucuses this Saturday, here’s some other nooze:
…that this Presidential campaign is indeed about the Sixties legacy—specifically, that aspect of said legacy whose epicenter was not Berkeley but Birmingham.