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grouchymuffin.com
Don’t ask me how or why, but I’ve again gotten volunteered into performing at this year’s Seattle Invitationals, a contest for Elvis Tribute Artists (ETAs). It starts at 8 p.m. tonight (Sat. 1/14/12) at the Experience Music Project within Seattle Center. Be there or be Pat Boone.
1975 opening; from onelifetolive.wikia.com
(Again this year, I’ve been drafted into participating in the Seattle Invitationals, a contest for Elvis Tribute Artists (ETA; and yes, that acronym is used within this particular scene). In keeping with the 50th anniversary of the Seattle World’s Fair (and of It Happened at the World’s Fair), this year’s edition is under the Space Needle at the Experience Music Project, 8 p.m. Saturday. Be there or be Fabian.)
Once again, the Space Needle held a fireworks spectacular to ring in the new year. It almost makes me forgive ’em for their role in the Chihuly gallery fiasco.
This year’s boom-boom lasted a healthy eight minutes, with a vast array of colors and effects.
My wishes for the year to come:
Besides my current contract job deep within the belly of the publishing beast (now on week 12 of what was to have been 7.5 weeks), I’m coming off of a horrid and still undiagnosed chest thang that had me coughing and hacking like hell.
So I’ve been spending most of my non-working hours resting, not preparing blog posts.
Here are some random links I’ve been saving up.
A state of being defined by lack, self-oppression and ultimately the judgment of others.
a teenage pugmire as 'count pugsley'
Before he gained national cult fame as “the world’s greatest living Lovecraftian writer,” Wilum Hopfrog Pugmire already had several other claims to fame.
He’d played the costumed mad scientist “Count Pugsly” at the Jones Fantastic Museum in Seattle Center.
He’d published Punk Lust, a literate and intimately personal zine chronicling his life as a queer Mormon, doing restaurant work to support his obsessions with punk rock, horror fiction, and Barbra Streisand.
He’d been a constant figure on the local music scene, sometimes appearing at events in goth-white face paint with ruby red lipstick.
Finally, in recent years Pugmire’s horror fiction has risen in stature, from a few short stories in scattered anthologies to full-length, limited edition books.
He hasn’t been very visible lately. He was stuck at home, taking care of a dying mother.
Now he’s the patient. He’s reportedly now in a Seattle hospital, dealing with a worsening heart condition.
Several days ago he wrote a blog post announcing his retirement from writing. In it, he described his condition as follows:
I have been extremely ill for over a month, and it doesn’t seem like I’m gonna get better any time soon. Tonight has been one of the worst nights. I think my ailments are a combination of heart disease and lingering bronchitis. One of my ailments is coranary arterial spasms, which happens usually when I recline in bed and try to sleep–they jerk my body and produce a little yelp, making sleep impossible so that I am a zombie moft of ye time.
I know no more about Pugmire’s condition at this time. Will Hart, at the horror blog CthuluWho1, is keeping track.
from 62worldsfair.com
illo to hugo gernsback's story 'ralph 124C41+,' from davidszondy.com
As we approach the Century 21 Exposition’s 50th anniversary, Seattle magazine asked a bunch of local movers, shakers, and thinkers what one thing they’d like to see this city build, create, or establish. Contributors could propose anything at any cost, as long they described one thing in one paragraph.
This, of course, is in the time honored local tradition of moaning about “what this town needs.”
In my experience, guys who start that sentence almost always finish it by desiring an exact copy of something from San Francisco or maybe New York (a restaurant, a nightspot, a civic organization, a public-works project, a sex club, etc.).
But this article’s gaggle of imaginers doesn’t settle for such simplistic imitation.
They go for site specific, just-for-here concepts.
Some of the pipe dreams are basic and obvious:
Other dreamers dream bigger:
•
As for me, I could be snarky and say that what this town needs is fewer people sitting around talking about what this town needs.
But I won’t.
Instead, I’ll propose turning the post-viaduct waterfront into a site for active entertainment.
We’ve already got Myrtle Edwards Park and the Olympic Sculpture Park for passive, meditative sea-gazing and quiet socializing.
The central waterfront should be more high-energy.
Specifically, it should be a series of lively promenades and “amusement piers.”
Think the old Fun Forest, bigger and better.
Think pre-Trump Atlantic City.
Think England’s Blackpool beach.
Heck, even think Coney Island.
A bigass Ferris wheel. A monster roller coaster. Carny booths and fortune tellers. Outdoor performance stages and strolling buskers. Corn dogs and elephant ears. People walking and laughing and falling in love. Some attractions would be seasonal; others would be year-round. Nothing “world class” (i.e., monumentally boring). Nothing with “good taste.” Everything that tastes good.
atlantic city steel pier, from bassriverhistory.blogspot.com
SIDEBAR: By the way, when I looked for an online image to use as a retro illustration to this piece, I made a Google image search for “future Seattle.” Aside from specific real-estate projects, all the images were of gruesome dystopian fantasies. I’ll talk about the current craze for negative futurism some time later.
…Making simple products is way more difficult than making complicated products…. Simple is more complicated, simple is elegant, simple is harder.”
Mayor McGinn found places at Seattle Center to put both a for-profit Chihuly glass-art gallery and a new home for KEXP.
The latter, which will include a live-performance studio with viewing windows, will be built out with no city funds. Expect even-longer pledge drives on the station starting next year.
The space will be in the Northwest Court buildings. That’s where the Vera Project is now and SIFF Cinema will be soon.
Of course, this means all of the Northwest Court’s rental spaces will be taken over by permanent tenants. Hence, they are no longer available for Bumbershoot’s visual and literary arts exhibits. This will result in these programs either getting diminished, or relocated to other Center spots. Let’s hope it’s the latter.
The northern part of Seattle Center’s former Fun Forest amusement-park site is set to become something called “Center Square.”
Which leads to the rather obvious question: Paul Lynde or Whoopi Goldberg?
I recently posted a link to marketing guru Garland Pollard’s list of  “brands to bring back.”
Now, the local angle on missing brands.
Pollard’s blog has praised Seattle’s Major League Soccer franchise for wisely keeping the beloved Sounders name.
He’s scolded the retailer formerly known as Federated Department Stores for trashing its beloved regional store names, including The Bon Marche. He’s suggested bringing those back at least in some capacity.
And when the Post-Intelligencer folded as a print daily, Pollard suggested things Hearst bigwigs could do to keep the P-I brand active, beyond a mere Web presence, such as a weekly print paper or magazine. I think that’s still a good idea.
I, of course, have my own faves I’d like brought back:
Our pal David Goldstein at HorsesAss.org has what I think is a splendid idea: instead of replacing Seattle Center’s doomed Fun Forest with a huge hoity-toity paid-admission Dale Chihuly glass exhibit, let’s put in a really great new family play area.