As the calendar turns a new page into the darker and wetter months, we can’t unsee Jeff Bezos’s (non-pocket) rocket. Plus: the feminist bookstore seen on Portlandia won’t be seen on it anymore; a lesbian pastor at PLU; how to make the police more diverse; good (non-French) press about a coffee genius; and a sorority’s “sacred secrets” get revealed (as if anyone cares).

The biggest weekend of the year is here for both art lovers and Seattle old-timers. We’ve got a link to a guy who explains just why the hydroplane races are still important. We’ve also got a guy who quit running for office but made it to the top-two general election anyway; the need for affordable housing in the ‘burbs; the threat of technological thought-reading; a nascent “co-op” nightclub; and dozens of event listings, art-related and otherwise.

One each of every Boeing “7 series” plane model was all lined up, and it wasn’t a “stacked landing pattern.” We’re also looking at further misadventures in talk-radio “outrage porn;” the looming end of the building known as “Fairview Fanny;” big fee hikes for outdoor events in town; Lauren Jackson’s hail n’ farewell; and Bertha’s makers insisting it was fine when it left the factory.

Why would anyone want to vandalize the Bettie Page House? As you ponder that, also read about more irrational Seattle Times transit-hate; how we won’t have a trans woman in the Legislature this year; the horror of teen and preteen concussions; whether collecting “data” about homeless people might put them at more danger; and the Eastside’s new business slogan (yep, it’s trite).

It’s the day before the big Mem-Day weekend, and the Mariners just won a home series! In other topics: The downtown power failure was our kind of non-injurous “disaster” story;  the Stranger wants you to go see places that no longer existed (or never did); Portland’s police chief’s caught in a gun-related lie; and Microsoft’s Nokia purchase meets an inauspicious endgame.

A big weekend for KEXP listeners, taxpayers, and others begins, as always, with our big list-O-stuff-to-do. Also: denying true respect for a murdered individual; the “Montlake spite house” can again be yours; teaching compassion to Magnolia NIMBYs; UW wins a round vs. city preservationists; whether Puget Sound whales are too “screwed up.”

In December 2013, I wrote in this space about Bill’s Off Broadway, the legendary Capitol Hill pizza joint and bar.

It had just closed earlier that month. Its building at Harvard and East Pine was going to be replaced by a fancy new mixed-use development.

Now, Bill’s is back.

It’s got the same owners, much of the same staff, and the same menus.

It’s got the same interior color scheme.

It’s at the same corner.

But it’s not the same place; and it’s not in the same space.

Only the street-facing outer brick walls remain from the old building. Everything else, including the Bill’s interior, is all-new. Above the brick front, modern steel and glass construction rises six stories up.

This sort of thing is going on all over Pike, Pine, and Union streets on Capitol Hill. Everything from printing plants to luxury-car dealerships has been removed except for the skins. A few blocks away, even the beloved Harvard Exit Theater is being razed-and-rebuilt like this.

It’s going on all over South Lake Union. The massive Troy Laundry building has already been hollowed out. The former Seattle Times building, its interior recently defaced by squatters, will probably also vanish except for its art-deco frontage.

In these and other places around town, you can see forlorn exterior walls of brick and terra cotta, artificially braced up, standing in front of nothing but construction holes.

•

In the frontier towns of the Old West (including pioneer Seattle), main streets were full of “false front” architecture. Grand, pompous storefronts stood proudly as signs of civic ambition, drawing people into the little one- or two-story stick structures hiding behind them.

Today’s “façadism” (yes, that’s a term some people use for this phenomenon) attempts an opposite aesthetic goal.

It seeks to mask the harsh, brutal, hyper-efficient modernity of a structure by offering a make-believe connection to the funky old building it replaced. Long-time residents can drive past it and imagine that the historic old building is still there, as long as they don’t look too closely.

But that’s about all it does.

It doesn’t preserve the spaces within, or their diverse uses.

•

Eugenia Woo, a local historic-preservation advocate and current director of preservation for Historic Seattle, writes about “What Price Façadism?” in the latest issue of Arcade, the local architectural/design journal.

Woo decries the practice, as an aesthetic travesty that fails to preserve the old buildings’ “authenticity”:

“Stripped of everything but its facade, a building loses its integrity and significance, rendering it an architectural ornament with no relation to its history, function, use, construction method or cultural heritage. With only its primary facades saved, the original structure is gone, including the roof, interior features and volume of space.… Further, the scale and massing of the new building change the rhythm and feel of a block and neighborhood.”

•

Crosscut.com’s Knute Berger recently noted that property owners have sometimes manipulated the façades they’re supposedly preserving.

Berger writes that preservation advocates “have accused developers of damaging the historic integrity of building exteriors to ensure their building won’t be made a landmark, yet preserving the building’s skin as a ploy to win approval for more height for a new project. In other words, façade protections could actually be undercutting true preservation.”

Berger also notes that, at least in the Pike/Pine Corridor, current regulations have the effect of encouraging façadism instead of true preservation: “If an old building’s exterior is deemed to have architectural and contextual character, a developer can get additional height for a new structure in exchange for saving the façade. In other words, extra density and square-footage is dangled as an incentive to save an original exterior.”

•

The current tech-office boom, a legacy of city officials promoting urban development at almost any price (except in “single family” zones), and popular trends that see urban life as more attractive than suburban life have combined to create a “perfect storm” of development fever. This has put pressure on  the continued existence of old commercial and industrial buildings, throughout Seattle.

Growth, say pro-development “urbanists,” is inevitable.

But façadism needn’t be.

There are other ways to keep Seattle’s built history alive, while accommodating new residents and new uses.

Instead of false façades, Woo would rather see a form of “smart planning” that either preserves historic buildings whole or replaces them whole with “new projects that are well designed, perhaps the landmarks of tomorrow, cohesively knitted into the streetscape.”

(Cross-posted with City Living Seattle.)

startribune.com

My ex-UW Daily editor (and proud Armenian-American) Suki Dardarian is the latest SeaTimes leading light to leave the Bore on Boren (née Fairview Fanny). She’s now a senior managing editor at the Minneapolis Star-Tribune.

She’d been a managing editor here, until SeaTimes management transferred her out of the daily deadlines and into the position of “strategist on audience development and community engagement.”

Her hubby (and fellow Daily vet) Peter Callaghan, currently one of the best remaining reporters about Wash. state government, will join Dardarian in Flour City upon the end of his current contract with the Tacoma News Tribune.

via charlesapple.com

The Seattle Times hasn’t shrunk much more lately, so we haven’t used our “Seattle Times Shrinkage Watch” meme much lately.

The same can’t be said for the monopoly daily in Portland, the Advance Publications (S.I. Newhouse family)-owned Oregonian.

Like Advance’s New Orleans Times-Picayune, the Oregonian has cut back on home delivery (to four days a week).

Like the T-P and other Advance papers, it’s been corporately reorganized as a “digital first” operation.

Its shrunken newsroom staff has faced a series of management dictates to post at least three online news items per day, to participate in (and start) comment threads for each item, and to eternally chase the Almighty Pageview Count. (As if standard “content site” target analytics from circa 2008 were still valid and could still lead to profits.)

And, as of last week, the print Oregonian is now a tabloid.

They officially call it a “compact” format, but it’s the same approximate page size as the Stranger. (That’s about three-quarters the current page size of the Seattle Times.)

It has (or is capable of having) color on every page. Each section is stapled (though management vows it’s all still fully recyclable).

The acres of national/international wire stories that used to dominate the front section have been slashed into a few stories and digests at the section’s back. Local coverage is still around (including, this week, a series on workplace sexual harassment), but is far more tightly edited.

However, the paper seems to have only dropped one comic strip (Rex Morgan M.D.).

These aren’t the final changes coming to the once-venerable “Big O.”

Like many shrunken daily papers, it’s moving out of its historic headquarters building, into smaller rented office quarters.

And management has told the remaining reporters they’ll soon be judged, and incentivized, for their stories’ online pageview counts and “engagement” statistics.

Expect a lot less boring but important local-paper-of-record stuff and a lot more cute cat pictures.

Classic P-I building from my book 'seattle's belltown;' museum of history and industry collection

I left the Missy James post up as this blog’s top item for a month, both to remember her and because I’ve been laser focused on finding paying work.

But it’s time for me to get back to the “writing” thang.

And there’s no more appropriate day to do so than on the fifth anniversary of the last printed Seattle Post-Intelligencer.

The city lost a huge chunk of its soul and its collective memory when the Hearst Corp., awash in losses here and in its other print-media operations, pulled the plug on our town’s “second” yet superior daily paper.

There’s been a P-I sized hole in the local media-scape ever since.

Yeah, we’ve got the Seattle Times, albeit a shrunken one (though it’s apparently stopped shrinking any further, at least for now).

We’ve got the Stranger, Seattle Weekly, Crosscut, Publicola, and SportsPress NW.

We’ve got four local TV news stations (plus NorthWest Cable News), four local radio news stations, and all their respective websites.

We’ve got Seattle magazine, Seattle Met, and CityArts.

We’ve got the Daily Journal of Commerce, the Puget Sound Business Journal, and assorted tech-biz news sites.

We’ve got Horse’sAss, Seattlish, The Seattle Star, and dozens of other (mostly volunteer-run) blogs covering local politics, sports, and arts.

And, oh yeah, we’ve got SeattlePI.com.

It’s still run by Hearst. It still has Joel Connelly’s acerbic political commentary, Josh Trujillo’s dramatic photojournalism, and the occasional excellent news story.

But its staff has shrunk to 14 reporters, photographers, and “producers,” down from the 20 it had at its stand-alone start in ’09. That, in turn, was a small fraction of the team the print P-I had.

That’s still a full-time payroll comparable to that of any newsroom in town, except those of the Times and the TV stations.

But it’s stretched thin by the requirement to post dozens of “click bait” and “listicle” stories every day.

Hearst is running PI.com according to the 2009 rules of a “content” web business.

Those rules, which nationally gave us the likes of BuzzFeed and Elite Daily, have proven profitable only among the most sensationalistic and most cheaply run operations that feed either on gossip, noise, or national niche audiences.

It’s no way to run a local general-news operation.

And it’s no way to pay for professional local journalism on a sustainable basis.

But neither Hearst nor any of America’s other old-media giants has figured out a better way.

So it’s become the job of us “street level” bloggers to find new rules, new concepts, to forge a new path beyond the ugly web pages stuff with worthless banner ads. To create the New-New News.

My personal bottom line:

I want a local news organization, staffed by folks who know what they’re doing and who are paid living wages.

I want it to attract an audience at least as loyal (and as willing to help support it) as KUOW’s audience.

I want it to be the first place this audience looks to to learn what’s been going on around here, in the last day or the last hour.

I want it to reach out across subcultures and social strata.

I have collected a few ideas in this regard, a few potential pieces of this puzzle.

And I’d love to hear some of yours.

For the 28th consecutive year (really!), we proudly present the MISCmedia In/Out List, the most venerable (and only accurate) list of its kind in this and all other known solar systems. As always, this is a prediction of what will become hot and not-so-hot in the coming year, not necessarily what’s hot and not-so-hot now. If you believe everything hot now will just keep getting hotter, I’ve got some BlackBerry stock to sell you.

imagined audio-book listeners on a train, 1894

Back in the early days of telephones and phonograph records (1894 to be precise), essayist Octave Uzanne claimed “The End of Books” would soon be at hand. Uzanne predicted people would much rather listen to storytellers (with what are now called audio books) than read:

Our eyes are made to see and reflect the beauties of nature, and not to wear themselves out in the reading of texts; they have been too long abused, and I like to fancy that some one will soon discover the need there is that they should be relieved by laying a greater burden upon our ears. This will be to establish an equitable compensation in our general physical economy.

Elsewhere in randomosity:

• Our ol’ friend (and onetime print MISC zine contributor) Jenniffer Velasco is now designing clothes in NYC, and making a name for herself.
• The Seattle Times‘ vendetta against Mayor McGinn just gets more petty.
• Sadly, criminal attacks in and near Cal Anderson Park on Capitol Hill just keep occurring.
• If you ever get a text from a number you’ve never heard of, claiming to be from a woman “naked and waiting” for you to arrive with a pizza at a UW dorm, it’s best to not believe it.
• The UW, meanwhile, ranks #27 in some list of the world’s top 100 universities. Just think what could happen if it got the state funding it deserves.
• Seattle is #2 in some list of top world cities for “economic development.” Number one: Ottawa.
• Could Puget Sound’s seaports finally stop competing against one another, thus driving down revenues to all?
• Would-be neo-Sonics owner Chris Hansen gave money to a political campaign that’s essentially trying to stop a new arena in Sacramento. His admission of this might or might not diminish his chances of eventually landing a franchise.
• Is Forever 21 demoting full-time workers to part-time as a sick revenge against Obamacare, or just to be mean?
• Is Walmart doing badly this year because it treats its workers badly, or just because downscale customers still haven’t got their past spending power back?
• Would Obama’s proposed student-loan “reforms” just make ’em more usurious?
• Blogger Allen Clifton makes the simple, provocative claim that today’s “Republicans aren’t Christians.”
• Orson Scott Card, the Ender’s Game novelist who wants you to be tolerant of his anti-gay intolerance, also wrote a little essay fantasizing about Obama hiring “urban gangs” into a personal army to make him dictator.
• Sophia McDougall at the UK mag New Statesman says she hates the stereotype of the “Strong Female Character,” particularly in big-budget action movies. She’d much rather see more, more believable, and more different female characters (i.e., different from one another).
• Vice magazine, onetime would-be darling of the fashionably decadent, is now partly owned by Fox.
• Anti-sex-trafficking advocate Rachel Lloyd would really like all of you to cease using the terms “pimp” or “pimping” in any admiration-type context.

• Nostalgia Alert: M.J. McDermott, KCPQ’s morning weatherperson, was “Ronnie” on Roscoe and Ronnie, the last local kids’ show on commercial TV. It was axed in ’95, when KSTW’s out-of-state owners killed all that station’s local programming. Now she’s petitioning the FCC, to encourage shows like that to be brought back.
• Roberta Byrd Barr, recently deceased at age 74, was Seattle’s first female high-school principal, and the first African-American to host local TV public-affairs shows.
• Seattle without the original Ivar’s Acres of Clams? It could happen, for as long as nine months. It’s one of 15 waterfront businesses the City wants to pay to keep closed during tunnel construction.
• Seattle Times Shrinkage Watch: Executive editor David Boardman’s quitting after 30 years, to work at Temple U in Philly.
• Seattle Central Community College’s health-ed programs could move into part of the old Beacon Hill hospital tower that was once Amazon’s HQ.
• Amazon’s getting into comix publishing, specializing (at least at first) in adaptations of Nerderati-favorite novelists.
• Edward Snowden: Courageous whistleblower or right-Libertarian Obama-basher?
• The Beats: Daring nonconformists or sexist dweebs?
• UK publisher Felix Dennis sold the U.S. edition of Maxim and two other “lad mags” for $250 million. Six years later, Maxim is for sale again, for a mere $20 million.
• A federal judge has ruled against Apple and the big book publishers in that e-book price-fixing suit.
• Health Scare of the Week: Fish oil capsules could give men cancer.
• Just because most people who believe themselves to be MSG- or gluten-intolerant probably aren’t, it doesn’t mean they don’t get real symptoms.
• Take away the “hipster”-bashing headline and there’s still a potential real problem with people who decide they can’t run their backyard chicken coops anymore, and who just drop off the critters at animal shelters.
• The Quebec oil-train disaster was caused by plain ol’ crude catching on fire, just like in the Gulf of Mexico.
• The Next Big (Televised) Thing, according to the Norwegians: “Slow TV.” Long-attention-span (or simply hypnotic) umpteen-hour, real-time explorations of train trips, knitting demonstrations, and salmon fishing.
• After 40 years as everybody’s favorite “obscure music” band, the Residents deserve better than for have Ke$ha’s backup dancers to steal their trademark eyeballs-and-tuxedos look.
• Back in the mid-’90s, Penn and Teller set out to create the world’s dullest and most infuriating video game. They probably succeeded.

the new yorker

kiro-tv

Known for decades as a cranky reactionary political commentator, you might find it hard to believe he’d started as a Seattle Times art and theater reviewer.

There, and later as managing editor at the P-I, he regularly advocated for the “fine arts” as a civilizing force, a means toward furthering the region’s progress from frontier outpost to respectable conservative community.

When the Seattle World’s Fair ended, Guzzo famously editorialized that the fair grounds (to become Seattle Center) should be devoted entirely toward arts/cultural pursuits. He specifically did not want any amusement-park rides there. He lived to see them finally removed.

One of Guzzo’s closest allies in this education-and-uplifting ideology was Dixy Lee Ray, who ran the Pacific Science Center. He later worked for Ray at the Atomic Energy Commission and during her one term as Washington Governor.

After Ray was primaried out of a re-election bid in 1980, Guzzo became a regular commentator on KIRO-TV. That’s where, in 1986, he delivered a blistering attack against greasy-haired, anti-social punk rockers. (The motivation was the infamous Teen Dance Ordinance, which Guzzo supported.)

In response, a local hardcore combo called the Dehumanizers released a blistering attack on him, in the form of a 45 entitled “Kill Lou Guzzo” (which began with a sample of Guzzo’s original commentary). Guzzo sued the band and its record-label owner David Portnow. Portnow responded by pressing more copies.

After retiring from KIRO at the end of the 1980s, Guzzo started a “voice of reason” website and self-published several books.