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SEX ROLE MYSTERY DATE
Jun 26th, 2002 by Clark Humphrey

LET’S ALL PLAY

SEX-ROLE STEREOTYPE

MYSTERY DATE!

This proposed role-playing game will involve two separately-shuffled decks of cards.

The female player draws a card at random from the Pink Deck to determine which of the following grossly overgeneralized female character types (taken from popular images in “mainstream” and “alternative” media) she must adopt.

Then the male player does the same from the Blue Deck, containing various one-dimensional male character types. The two players then proceed to have a bitter verbal argument, in their characters.

The loser: The player who breaks character first.

The winner: There are no winners.

The point of the game: NOT to have fun, but to be as adamant and as miserable as you can be.

THE FEMALE ROLES:

  • The Destructive Temptress

    Description: Says she’ll love you; will really kill or at least totally humiliate you.

    Visualization: Blonde, sultry, with a come-hither expression, cleavage, and a knife held behind her back.

  • The Mean Teen

    Description: Stuck-up high school brat

    Visualization: Perfect body, perfect hair, perfect clothes, the facial expression of someone who’s just confronted horse feces on the sidewalk.

  • The ‘Anti-Sexist’ Sexist

    Description: Believes stereotyping people by gender is the worst crime in the world, that it’s done by no women and all men, and if you disagree you’re part of the universal male conspiracy.

    Visualization: Butch in leather with a permanent scowl.

  • The Drama Queen

    Description: The emotionally abusive, all-purpose victim of everything. Transforms in an instant from bawling to anxious to wrathful.

    Visualization: Overemotive Shakespearean actress; or the couch-swooner from that Edward Gorey book cover. Might be finishing a drink carried in one hand while pouring another drink with her other hand.

  • The Body-Image-Obsessive

    Description: Completely lacking a mind or will of her own. Enslaved by TV and magazine ads that don’t want her to buy stuff, just to make her feel miserable.

    Visualization: mirror in her hand, standing on a scale, rail-thin but seeing herself in the mirror as voluminously obese

  • The Virgin ‘Slut’

    Description: Victim of the Mean Teen’s putdowns for merely looking insufficiently ladylike. Because she has the skankiest reputation in school, no boy will have her–and none ever has.

    Visualization: Not seductive, merely “cheap” and semi-pathetic looking. Ill-fitting denim jacket, last year’s jeans style, the wrong brand of cigarettes, too much makeup.

  • The Ditsy Princess

    Description: Her mischievous giggle and batting eyes can make men give her fortunes, which she’ll waste in an instant on one really fabulous consumer purchase.

    Visualization: Carefully contrived fake absentmindedness.

  • The Porn Bimboid

    Description: The woman every man’s supposed to go absolutely crazy about and if you don’t what’s wrong with you?

    Visualization: An almost kabuki-like absurdist characterization made from her own thoroughly-surgeried body; plus overbleached and overteased hair, big vacant eyes, surgically-thickened pouting lips, impossibly high heels, and a vinyl or gold-lame jumpsuit.

  • The PC Prude

    Description: Diligently works to create a society where everything’s uniformly blah and anything that could even possibly be fun would be outlawed.

    Visualization: Stern emotionless behind big round glasses, blah hair, blah clothes,

  • The Dresser for Success

    Description: Your new boss, who uses conniving and treachery to get to the top (whereas your old male boss simply used bluster and bullying).

    Visualization: Nordstrom-suited adult version of the Mean Teen. Shoulder pads capable of playing football in.

  • The Emasculating Bride

    Description: doesn’t want to kill you, just enslave you.

    Visualization: Perect demure smile, bridal gown, holding handcuffs or a lasso, perhaps dreaming a “thought balloon” of screeching children and a minivan.

  • The Girl Gone Wild

    Description: In high school she was the Mean Teen. In adulthood she will be the Dresser for Success. But now in college, she’s sowing more oats than Quaker–and will voraciously defend her right to do so.

    Visualization: Standing up in the back seat of a convertible, either flashing or simply thrusting her bosom forward. Expression of out-of-control glee.

THE MALE ROLES:

  • The Maxim Magazine Frat Boy

    Description: Ape-ish, vulgar, boorish, yet boistrously unaware.

    Visualization: Abercrombie & Hilfiger designer slop, backward baseball cap, puking while holding a bottle of Goldschlager.

  • The Clueless White ‘Gangsta’ Teen

    Description: Can’t read, speak, or think. Can barely stand. Yet fantasizes about being a drug-running, woman-beating street tough.

    Visualization: Baggy butt-cleavage jeans, blank permanent-stoner expression, skateboard, lanky and hunched over.

  • The Post-Dot-Com Hustler

    Description: Believes in Breaking All The Rules, especially rules that prevent him from doing anything he wants to anything (or anyone) he wants.

    Visualization: Loud “GQ” attire, Ray-Bans, smug smirk, cocky strut, posing in front of a huge-ass vehicle with anti-environmental and/or just plain rude bumper stickers.

  • The Militia Creep

    Description: Wishes for the chance to create, from violence and chaos, a new world of total purity. Doesn’t yet realize such a world would immediately declare him not pure enough.

    Visualization: Crew cut, huge-ass gun, stern stare, KKK robe showing beneath his fatigues.

  • The Middle Class Dittohead

    Description: Watches TV and doesn’t read “alternative” newspapers; and hence is personally responsible for everything wrong in the whole world.

    Visualization: The vacuous ’50s daddy figure from the cartoon This Modern World.

  • The Patriarchist

    Description: Exists only to oppress women; dreams of a world where men are men and women stay barefoot & pregnant.

    Visualization: Malicious-looking brute with slick hair and a slick thin moustache, in a disco suit with gold chains and a thick mound of fake chest hair.

  • The Dunderheaded ‘Guy’

    Description: From man-bashing TV commercials, the clueless househusband who can’t even open a can of beans without a woman to help.

    Visualization: Clumsy oaf in the middle of a pratfall.

  • The Self-Emasculated Wimp

    Description: Believes the only way a male can have a soul is to renounce his body. Eats a special macrobiotic diet devised by Chinese monks to completely suppress the sex drive. Women frequently tell him of their platonic respect for him, in between relationships with Patriarchists.

    Visualization: Ponytail down to here; paisley pajama-esque clothes, open-toed Earth Shoes.

  • The Paternalistic Snot

    Description: The school principal, college professor, company president, court judge, government official, parole officer, doctor, cop, father, banker, or other authority figure whose only joy in life is keeping you down.

    Visualization: A sadistic yet somehow blasé expression, a more or less wrinkly face, and a more or less formal business suit.

  • The Domesticated Husband

    Description: The perfectly trained mate. Ready and eager to perform any chore (from cunnilingus to grouting) without notice. Will be cheated on within a year and divorced within two.

    Visualization: Sweater, tastefully poofy curly blond hair, the expression of a puppy dog eager to please. Perhaps cooking, gardening, or mending socks.

  • The Ethnic Threat

    Description: White women see him as a potential stealer of purses. White men see him as a potential stealer of jobs.

    Visualization: Thin; dressed in an overly-anxious-to-fit-in looking formal suit. Face is silhouetted (the particular ethnicity of this man, whatever it is, isn’t the point).

  • The Perfect Man, Who’s Gay

    Description: Perfect BECAUSE he’s gay and therefore safely unavailable; the object/recipient of female fantasies involving every possible virtue.

    Visualization: Perfectly dressed, perfectly groomed, boyish looking (but not queen-y).

THE RECORD LABELS and the Religious Right…
Jun 20th, 2002 by Clark Humphrey

…aren’t the only people who want to put a muzzle on what you can say or do online. Now some aspiring political operatives in the state that gave us our duly-appointed President are putting out the big guns against a website that apparently offered lots of consumer-information posts about escort services and links to the services’ own sites. (The site itself is now down.)

TO OUR READERS #1
Jun 19th, 2002 by Clark Humphrey

The summer print MISC, which was supposed to be out next week, has been delayed; basically because certain freelance contributions have been slow or nonexistent. Think of this as YOUR opportunity. We need your essays, op-eds, and fun facts (800 words or shorter), particularly about the issue’s previously advertised theme: “More Sex, Less Gender.” E-mail for particulars.

TO OUR READERS #2: We get a lot of e-mails from folx who’d like this site to plug their new Net-based audiovisual technology doohickeys. For them, I have a simple six-word response: Wake me when it’s Mac-compatible.

TODAY, MISCMEDIA.COM is dedicated…
Jun 17th, 2002 by Clark Humphrey

…to one of the true greats at the still-new art of web writing, Rodney O. Lain, who passed away over the weekend.

Lain, who at various times wrote for nearly every Macintosh-centric website, quickly established himself as an outspoken, well-written, detector of pomposity and dissecter of corporate hype. In perhaps his most memorable piece, he audaciously compared his status as a black man in a white world to his status as a Mac man in a Windows world.

AS WE APPROACH the 10th anniversary of the filmed-in-Seattle semiclassic Singles, Forbes magazine has placed Seattle right in the smack-dab mediocre middle of its listing of “America’s Best Cities for Singles.”

As you might expect from the magazine’s other priorities, its index included “cost of living” and “economic growth” among its criteria–areas in which the Nor’West is admittedly doing piss-poor these days. But SeaTown also ranked less than stellarly in the more subjectively-defined areas of “culture” and “nightlife,” areas in which I firmly believe we’re more than fully competitive with other cities in our population “weight class.”

But then we come to the most potentially damning part of the piece: “Seattle ‘solo artists’ say the town is still a bit tougher than other places when it comes to dating, as denizens tend to be more reserved than folks in sunnier spots…” As one who’s proud to call himself one of those reserved denizens, I think it a badge of honor that I don’t stoop to screaming dorky pickup lines at women; and I enjoy that my taste in the single ladies tends more toward smarties and less toward silicone.

Yes, Nor’Westers might be a little harder to get to know. But, like so many other advanced disciplines of life, we’re darned well worth it.

OPPONENTS OF MODERN ART have a new pet accusation. Instead of calling it obscene, at least one critic is now saying it’s bad for your mental health.

TEENS HAVE BODIES
Jun 1st, 2002 by Clark Humphrey

FROM, OF ALL LEAST-LIKELY SOURCES, a straight-talkin’ non-exploitative essay on FoxNews.com:

  • “Last week, U.S. News ran a rather sensational cover story on teen-age sex, making what I think is the mistake of treating teen-age sex as something novel or unnatural.”Teen-agers have been having sex forever. Their bodies are maturing, their hormones are raging and doing what comes naturally is, well, natural. Indeed, for most of human history, teen sex was an entirely normal part of life, since people tended to marry and be treated as adults at what were, by modern standards, very early ages. Programs that don’t take that into account aren’t likely to succeed, and media coverage based on sensationalism doesn’t help.”
I.B.T.C.
May 24th, 2002 by Clark Humphrey

A TRIBUTE PAGE by a woman who admires “women who have small breasts and still look amazing.”

IF YOU'RE IN CANADA…
May 21st, 2002 by Clark Humphrey

…or some other equally exotic foreign land, don’t you dare click on this link to a corporate PR document whose “information is intended for U.S. residents only.”

SPICE-O-LIFE DEPT.: From the Toronto Globe and Mail site, a piece praising Internet porn for the sheer variety of tastes and fetishes to which it can cater.

CULT CEOS & NO 'WOODY' JOKES
May 8th, 2002 by Clark Humphrey

See carefully posed images of faceless art-school wooden dolls having sex.

THE BRAND CALLED THEM: According to a recent cover story in The Economist, “The world is falling out of love with celebrity CEOs.”

As if there was anything particularly lovable about such grandstanders in the first place.

The article, if accurate, reflects the inevitable burnout of a phenomenon that exploded during the dot-com mania of the late ’90s. There had, of course, been famous industrialists and financiers since the dawn of corporate America. But the PC/Internet/tech services/website industries honed and refined the phenom beyond the mere Celebrity CEO, into something approaching religious status.

The Cult of the CEO quickly developed its own rules and practices. Among them:

  • The Cult CEO must be a white male.
  • The Cult CEO should preferably be 6′ 2″ or taller. Bill Gates, the ultimate Cult CEO, gets away with being an exception to this rule, just as he gets away with nearly everything.
  • The Cult CEO is always referenced by first-name-only within the company. New employees are told, usually as the first item on the first day of training, to always call the CEO simply “Bob” or “Glen” or whatever. This can perhaps be traced to the old “est” motivational training organization, whose adherents always called their leader “Werner.”
  • The Cult CEO demands total loyalty, both to the company and to himself as its avatar.
  • The Cult CEO demands total dedication. The most effective of these can successfully make their employees/worshippers want to work 168 hours a week (three quarters of that in the form of unpaid overtime, the rest for deferred stock options); and then to spend the rest of their time writing “grassroots” emails to elected officials demanding the Cult CEO’s lifetime exemption from income taxes.
  • The Cult CEO is the entire reason for the company’s existence, or is depicted as such in all corporate PR. Every product launch, every patent, every profitable quarter, every rise in the stock price is due solely to the CEO’s omniscient decisiveness. (Every unprofitable quarter or decline in the stock price is blamed on the federal government not letting the CEO have everything his way.)
  • The Cult CEO is the sole purpose for all company activities. Potentially successful products are scuttled if they rely on “Not Invented Here” technologies that wouldn’t enhance the CEO’s trailblazer image. Vital employees are sacked at wholesale levels, just so the CEO can appear to be taking decisive actions. And of course, profits (or directions that might lead to profitability) are routinely eschewed in favor of tactics designed solely to boost the CEO’s personal stock-worth.
  • The Cult CEO demands ritual sacrifices. No employee/worshipper can claim true devotion to the CEO except by renouncing any semblance of family, personal life, or present/future sanity; by enthusiastically working one’s way into (a) a premature heart attack, (b) emotional burnout verging on catatonia, (c) the attainment of a spiritual epiphany akin to that achieved by fasting and self-flogging for six months straight, or (d) all of the above.

Now, as you all know, dozens of Cult CEOs have been deposed and desanctified by the whims of the marketplace. Thousands of hyper-loyal followers have been shoved out of the organizations that had been their entire lives’ focuses. These men and women need our empathy; but more importantly they need our help.

This is why MISCmedia.com is proud to announce the first of what will, with all luck and fortitude, become a nationwide circuit of CEO-cult deprogramming centers.

The lonely, the forlorn, the purposeless humans left behind by defunct CEO cults (as well as those who were expunged or escaped from still-extant CEO cults) will enter (either on their own volition or upon interventions by loved ones) for resident stays of one to six weeks, depending on the severity of their conditions. They will learn to respond to their own names, to use common kitchen utensils, to wash and clothe themselves, to write complete sentences without the use of emoticons, and eventually to form and express personal opinions without first asking for permission.

This type of treatment is expensive. But think of it as an investment in our society’s future.

Send your donations now to OPERATION IRL (for “In Real Life”), in care of your local 12-step organization or sex-toy shop. And don’t give ’til it hurts; give ’til it feels good.

ART UPDATE
May 6th, 2002 by Clark Humphrey

Following the spat over Patricia Ridenour’s male nude photos at the Benham Studio Gallery, the space put up another photog’s show full of men for this month. But the personas shown in this show are clearly gay–which makes them actually less threatening than Ridenour’s straight-guy nudes in the topsy-turvy, reverse-double-standard realm of the Seattle art world.

FASHION UPDATE: Artist-designer Godis Nye asked me to tell you she created some of the set pieces seen in the fashion-show photos below.

BRIT VS. BRITNEY: A Londoner taunts the all-too-apparent hypocrisy of today’s poster child for “abstinence education.”

TODAY, MISCmedia.com IS DEDICATED…
Apr 24th, 2002 by Clark Humphrey

…to the memory of LInda Lovelace, whose topsy-turvy life (now ended with a car crash at age 53) pivoted around her status as the first woman to become an above-ground celebrity for appearing in an explicit sex film.

Hardcore porn on theater screens, and pubic hair in magazines, emerged in 1970-71, which meant the media became obsessed with sex at exactly the same time I did. (But by the time I was old enough to legally view hardcore films, they’d already started to become the formulaic tripe porno videos are now. I preferred softcore, and still do, because it was more attractive to look at and gave me female characters to fall in love with, not just female physiques to hunger for.)

Lovelace’s post-porn memoirs were believed by conservatives who’d never read them to be righteous indictments against the whole genre of sex films. The books could be more accurately described as tales of a personal abusive relationship with a controlling husband-manager and his small-time-hood cronies. (I’ve never heard anyone invoke the marital ordeals of Ronnie Spector or Tina Turner as a pretext to condemn the entire institution of pop music.)

Her private troubles and triumphs aside, Lovelace will forever be the first real Sex Star. There had been famous upper-class courtesans thoughout history; some of whom performed in live sex shows at discreet venues for the decadent rich; there had also been “stag reel” hardcore films screened surreptitiously in private clubs and homes. But those women were still perceived all too often as “fallen women,” unfit to be mentioned in polite society. There had been famous nude models and dancers in North America and Europe for decades, but these were women who proudly displayed themselves with an essence of decorum and dignity. The early-’70s porn queens, in contrast, were shown doing the full down-‘n’-dirty, to the point of total out-of-control mindless ecstasy (or at least imitations of it), in garish color images projected ten feet tall. And for doing this they were marketed as not just respectable ladies but as admirable goddesses.

If you remember that this had never been done before in anything even close to “mainstream” American culture, you might more easily understand how it would rile a lot of people–not just political conservatives but also many progressives and feminists who’d traditionally equated women’s empowerment with rising above such tawdriness. You can also imagine how, when Lovelace had left both the relationship and the business, she could have identified the two as interchangeable incarnations of extreme ickiness.

Nowadays, porn is just another corporate, LA-monopolized entertainment enterprise. There’s also a more “respectable” (though almost as formulaic) parallel genre of woman-friendly “erotica.” (There’s even a whole consumer trade show of middle-class-couple oriented “sex-positive” seminars and merch sales in Vancouver this weekend.)

In her last published interviews, Lovelace claimed to have come to terms with both her porn and anti-porn careers. She said she’d never found anything wrong with being or looking sexy, that she didn’t advocate censorship but simply “awareness,” and that the best sex she’d ever had was in an ongoing relationsip with a guy she liked. She’d finally become an ordinary woman who’d found her peace with the world.

PENTHOUSE IN THE CELLAR
Apr 9th, 2002 by Clark Humphrey

ONE OF THE ODD THINGS about the Net is the way news articles might not appear (or no longer appear) on the site of the organization that originated them, but might still be found on sites that buy syndicated content. Thus, this link peculiarly takes you to a site in India discussing a magazine that, to the best of my knowledge, still can’t legally be obtained there.

The magazine in question, Penthouse, is suffering from the publishing/advertising slump worse than most. Thirty-three years after it first launched as Playboy’s most ambitious rival to date (early slogan: “We’re going rabbit hunting”), and three years after bringing true hardcore porn imagery to regular newsstand-distributed magazines, it’s swimming in red ink and can’t borrow any more money. Bossman Bob Guccione (now a 70-year-old widower who’s battled cancer) has put his art collection up for hock and his NYC mansion up for sale. Circulation has fallen, as all the other skin mags (except Playboy and Perfect 10) have quickly moved to match its sleaze quotient, and as hardcore video and pay-per-view have grabbed a bigger share of American self-loving males’ inspiration budgets. Many of the magazine’s advertisers, meanwhile, have fled to the bureaucratically safer (though ultimately just as stupid) nipple-free “tease” magazines of the Maxim/FHM formula. Penthouse has tried to make some bucks in Net porn, but that effort was undercut by the fiscal troubles at its erstwhile online partner, Seattle-based Internet Entertainment Group.

If Penthouse does disappear sometime this or next year, as some financial analysts predict, it would mean the end to one of the odder experiments in magazine entertainment photography–the ongoing attempt to gussy up porn scenes (up to and including actual coitus) with pretentiously “arty” lighting and composition. (Of course, any aesthetic ambitions in the photo-narratives are immediately negated by the models’ kabuki-like copious amounts of bleach, silicone, and heel lengths.)

There’s still money to be made in 2-D representations of 3-D physiques. But the sleaze side of that market is way too overcrowded. The softcore side is almost totally the property of Playboy, which in its current ossified state is a tired (and not very enticing) remnant of its old formula. What this country needs is a good, respectable hetero sex mag. Those who would wish to help me start one can contact the email address below for investment opportunities.

PAINT MODEL
Apr 5th, 2002 by Clark Humphrey

A LOT OF PEOPLE have told me they read the print MISC in the lavatory, but this is the first pants-down reader I’ve been able to document. Christine was one of the models for a body-painting exhibition last night at the Forgotten Works Gallery. (There were a total of two ladies and two gents with unclad but all-decorated physiques; though one of the guys kept a loincloth on.) All the models were bright and vivacious and (except for the loincloth guy) had no apparent qualms about total strangers seeing their total bodies (even bare feet) live and in person. You’ll be able to meet Christine, fully and fabulously dressed, on April 25 at the Fashion Underground show in the Catwalk club in Pioneer Square. (Yep, she not only wears clothes most of the time, she designs ’em.)

SPEAKING OF THE PRINT MISC, the Science vs. Science Fiction issue will be out next week. (Anyone who’d like to help with distro should email me.) We go straight into production from there on the More Sex, Less Gender issue. (Get your story ideas in now.)

And consider yourselves warned: There will be another public MISCmeeting soon after the new issue comes out. Among the topics: Figuring out how to make this quixotic venture at least a little more fiscally self-sufficient. (Despite apparent rumors to the contrary, I’m not independently wealthy and cannot keep running it at a loss indefinitely.)

RANDOMNESS
Mar 29th, 2002 by Clark Humphrey

CAN WE REALLY think for ourselves anymore after a century of sneaky PR campaigns? (I, of course, will say yes.)

A LUSCIOUS net-radio stream of snazzy lounge and swanky easy-listening music, coming to you from servers in Russia (where, presumably, it might escape the wrathful attacks of a corporate music industry out to essentially quash indie net radio.)

IT’S NOT JUST a dictionary, it’s YourDictionary!

SOME WEBLOGS attempt to be all things for all readers (or at least many readers). A blog called GoodShit simply reflects one man’s range of interests: Philosophical discussion, classical art, political debate, and breasts.

THE CUTTING CREW
Mar 14th, 2002 by Clark Humphrey

‘A BRIEF HISTORY of banned music in the United States” contains snippets about various censorship drives, conservative and/or “radical” denunciations of songs and singers, and other assorted sanctimonious nonsense (including Wash. state’s thankfully overturned “erotic music” legislation).

SERIOUS SCHOLARLY WRITING…
Mar 8th, 2002 by Clark Humphrey

…about people fascinated with other people whose sex lives might be duller than their own.

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