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'he-man and she-ra: a christmas special,' part of the festivities at siff film center on xmas eve
And a dreadful sorry for not posting in the last 12 days.
What I’ve been up to: Not much. Just wallowing in the ol’ clinical depression again over my first mom-less Xmas, trying to figure out how the heck I’m gonna pay January’s rent.
(For those of you who came in late, I’m not independently wealthy despite the old rumors; a few little local photo books don’t earn anything near a decent living; and my eternal search for a little ol’ paying day job has gone nowhere slowly.)
But I have vowed to stay at it. And there will be new MISCmedia products in the new year.
And, as always, it’s the time of year for MISCmedia’s annual In/Out List, the only accurate guide to what will become hot and not-so-hot in the coming 12 months. Send in your suggestions now.
On with the accumulated random links:
ward sutton
‘Tis election day. The most infuriatingly nervous day of the year, or in this case of the quadrennium. (I believe that’s a word.)
The polls, even the progressive leaning polls, predict a tighter race than I want. I want Obama across the board over Mr. Lying One-Percenter Tax Cheat Hypocrite in previously “red” states, and all victorious long before the Pacific Time Zone results show up. If I can’t get that, I at least want an Obama victory big enough that even the partisan-hack dirty tricks in Ohio and Florida (and even here) can’t threaten it.
Back to randomosity:
amidst-the-everyday.com
“Amidst the Everyday,” a project by photographers-artists Aaron Asis and Dan Hawkins, aims to reveal “elements of the unseen urban environment.” You go to places around town, scan QR codes (etched in wood!) at various buildings, and receive images of their hidden treasures. (Above, one of the unoccupied-for-decades upper floors of the Eitel Building at Second and Pike.)
shewalkssoftly.com
via movieline.com
The queen of Euro-softcore was no sexual “swinger” in real life. Instead, she preferred other earthly pleasures, such as the pleasures of cocaine, alcohol, and tobacco. The first destroyed her finances; the latter contributed to her final physical decline.
She appeared in dozens of films (including The Concorde: Airport ’79, Private Lessons, Madame Claude, Mata Hari, the 1981 Lady Chatterley’s Lover, and particulalry Claude Charbol’s underrated Alice or the Last Escapade).
But she’ll be forever known for Emmanuelle. It played in Paris for 13 years. It still “inspires” in-name-only sequels and ripoffs.
There’s a key scene nobody remembers toward that film’s start. It’s when Emmanuelle is left alone in an idling car on the streets of Bangkok. Screaming child panhandlers surround the car and pound on the windows. Kristel looks like she wants to implode.
In this wordless throwaway scene, Kristel communicates that Emmanuelle is a creature of delicate tastes, with no patience for the harsh realities of the romantic places she visits.
via fastcompany.com
andraste.com via the smoking gun
the impossible project via engadget.com
via theatlanticwire.com
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
For reasons known only to the Gods, I not only didn’t read David Guterson’s novel Ed King (Oedipus as a Seattle software mogul!) when it came out, I also didn’t notice last November, when it won a British lit magazine’s annual Bad Sex In Fiction award. Don’t be as ignorant as I was—check out an excerpt from the “winning” scene.
Elsewhere in randomosity:
theatlantic.com
Brown was already 40, and settled down in marriage with the future co-producer of Jaws, when her breakthrough book Sex and the Single Girl came out. It took the Age of the Pill for Brown’s simple message (sex is fun, for both genders, with or without a wedding ring!) to be considered major-publishing-house material.
(Imagine: Women sleeping around, and not only not heading toward certain doom but having good, clean, healthy fun!)
That led to a stint of over 32 years helming Cosmopolitan magazine.
In those pages, behind the cleavaged “Cosmo Girl” cover models, Brown forged a solid formula of libido and materialism mixed in with traditional women’s-mag fashion and self-help fare.
Whole books have been written about the world of Brown’s Cosmo, its influence, and its contradictions (independence/man-pleasing, confidence/size-ism).
I’ll just say it’s hard to imagine the First Avenue bar scene, with its gaggles of high heeled, well heeled young ladies out for FUN, without Brown’s aesthetic and social vision showing the way.
If you’re going art-crawling this next First Thursday, be sure to see a mini version of the digging machine that will create the Viaduct-replacement tunnel. Go see it even if you normally find such things to be, er, boring.
The Burke Museum has posted a lovely You Tube video showing how the Pioneer Square area was not only settled by Seattle’s founders but altered, filled in, and transformed from a little isthmus into the historic district it is today.