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king5.com
This past weekend saw, at last, the moment for which TV viewers in the entire region had waited, patiently and otherwise, for a long long time.
But enough about the season premiere of Downton Abbey.
Instead let’s welcome the return to local screens of my ol’ UW Daily buddy John Keister and his longtime cohort Pat Cashman, plus the debut of Cashman’s son Chris, on their new sketch comedy show The [206].
It airs after Saturday Night Live at 1 a.m. Sundays, when reruns of Keister and Cashman on Almost Live! had aired since that show’s 1999 demise. It also airs Sundays at 7:30 and 11:30 p.m. on KONG-TV.
At the time Almost Live! was canceled, KING said the video landscape had become too fragmented to support a local comedy/entertainment show. That scene is even more fragmented now; and there are so many other electronically based home entertainment options (including the one you’re looking at now).
So what makes this show feasible now, when AL! was no longer feasible then?
In three words: Outsourcing, Downsizing, and Tech.
via interestingengineering.com
via kathrynrathke.blogspot.com
All good tidings and shout-outs to my fellow Stranger refugee and prominent commercial illustrator Kathryn Rathke. She’s created the new official logo for Wendy’s restaurants. The deceptively simple mascot caricature took three years of client approval and market testing.
It’s 10/11/12! The sort of date-progression that only happens 11 times in a century and is utterly, completely meaningless!
Elsewhere in randomness:
seattle chapter, american institute of architects via kplu.org
from an estee lauder skin cream ad
… is at the bottom of this image.
realismblog.com
I’ll have more to say about Bumbershoot 2012 later.
But I have to talk about the posthumous tribute exhibit to local urban-landscape painter Christopher Martin Hoff.
The show itself was fabulous, a loving homage to a man who loved the world around him and who deftly expressed all the color, detail, and even love he saw.
At least that’s what I saw in Hoff’s works.
Gary Faigin sees something else.
He’s a cofounder of the Gage Academy of Art and a contributing art critic on KUOW.
He wrote an introductory statement displayed at the Hoff exhibit.
Faigin’s statement begins:
Seattle is not a beautiful city. Its architecture is banal, its layout arbitrary and confusing. It is redeemed by its setting—dream-like mountains and islands tantalizingly close—but one would never know that by looking at the paintings of Christopher Hoff. It was Hoff’s lifework—tragically short, as lives go—to patiently go out into the gritty streets of the Seattle urban core, day after day, week after week, in good weather and bad, and attempt to extract the timeless and poetic from what most of us see as an everyday blur.
I most emphatically disagree with the first three sentences.
And I believe, without having known him, that Hoff would have done likewise.
thestranger.com
Hoff saw beauty in the everyday. In the weather. In the streets. In intersections both straight and angular. In handsome 1920s apartment buildings and in graffiti- and poster-encrusted commercial walls. In warehouses and gas stations and billboards.
He saw the beauty in all this because it was all there to be seen.
Because Seattle IS beautiful.
And not just the picture-postcard parts, the water and the mountains,the Pike Place fish throwers and the glass artists.
All of Seattle is beautiful.
Just as all of you are beautiful.
bumbershoot.org
(PS: This entry’s title, “I Acknowledge Beauty Exists,” comes from a Facebook page devoted to “body image,” inner beauty, and championing the diversity of all peoples. That page’s founders, in turn, based its name on another online activist space, “I Acknowledge Class Warfare Exists.”)
Today’s historic-preservation outrage involves the Jefferson Park Golf Course clubhouse. It’s a magnificent structure, “homey” yet elegant, that’s served city residents for more than 75 years. The City wants to raze it to put up a new driving range. It’s rushing through a plan to deny landmark status to the building, in cahoots with the architects that are planning the redevelopment scheme.
craig hill, tacoma news tribune
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
For reasons known only to the Gods, I not only didn’t read David Guterson’s novel Ed King (Oedipus as a Seattle software mogul!) when it came out, I also didn’t notice last November, when it won a British lit magazine’s annual Bad Sex In Fiction award. Don’t be as ignorant as I was—check out an excerpt from the “winning” scene.
Elsewhere in randomosity:
Let’s admit it, skepticism does have a way to make us feel intellectually superior to others. They are the ones believing in absurd notions like UFOs, ghosts, and the like! We are on the side of science and reason. Except when we aren’t, which ought to at least give us pause and enroll in the nearest hubris-reducing ten-step program.
coregallery.org
If you want me to spend $5,000 for a painting of words outlining an image, the words had better be spelled properly. They should read “More Than Its Weight In Gold.” No apostrophe dammit.
nytimes.com via nytsyn.com