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io9.com
via flavorwire.com
animalnewyork.com
When you tell someone with depression that they should maybe try harder to be happy, it’s essentially like telling a diabetic that they could totally make an adequate amount of insulin if they just concentrated a little harder.
chris luckhardt via seriouslyforreal.com
thecoffeetable.tv
A big batch-O-randomness today, catching up after several days without it.
To start, there’s yet another indie “webisode” series made here in Seattle. It’s called The Coffee Table. It’s a simple scifi comedy, in which some dudes n’ dudettes are propelled into another dimension by the titular table, which turns out to be “an ancient alien artifact.”
Elsewhere in randomosity:
via spoon-tamago.com
kuow
lostateminor.com
ap via nbc news
While I’ve been busy doing whatever (looking for a new home, etc.), I missed a few big birthdays here in online-land.
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Tim Berners-Lee opened the first public World Wide Web site on 4/30/93 at the CERN particle-physics lab in Switzerland. For the occasion, that site has been put back up at its original URL.
Berners-Lee was, and still is, an idealist. In the original CERN site’s documents, he described the WWW as something that could open up information to the masses.
Instead of “walled garden” online networks such as CompuServe, Prodigy, and the original AOL, the Web would be open to all comers and contributors. Anybody could put anything on, or receive anything from, it.
This ultimate “disruptive technology,” creator of LOLcat memes and destroyer of newspapers, record labels, and middle-class livelihoods, got its start with the most noble of intentions.
(Just like many a mad-scientist-movie experiment.)
By pure coincidence, the first issue of Wired magazine was out that same month.
From the start, it was intended to be a lot more important than a mere buying guide to PC gear. It was to chronicle tech as the biggest economic, societal, and even ideological movement of our time.
It posited loudmouth, alpha-male San Franciscan Libertarians as the Voice of the Future. It sneered at governments, residents of “Tired” locales (France, Manhattan, Seattle), and people who dared to think about the well-being of others as backward-thinking parasites.
In the world according to the early Wired, CEOs were the new rock stars, even the new royalty. No social or environmental issue could be discussed in its pages, unless there was a potential solution that would also enrich (or at least never inconvenience) big business.
In the end, the bosses and bosses’ lackeys Wired worshipped got most of their way.
And as cyber-critic Jason Lanier notes, the 99 Percent are still trying to pick up the pieces.
That same week 10 years later, Apple launched the first version of the iTunes Store.
The iTunes application had been around since 2001, when Apple bought and revamped a third-party program called SoundJam MP.
Steve Jobs had identified music (and eventually general media) playback as a technology in which Apple had to lead, for the sake of the company’s survival. Otherwise, Windows-only applications and file formats (remember WinAmp?) would shut out Mac users, threatening Apple’s presence in home environments. By making iTunes, and making a Windows version of it, Jobs and co. stayed in the home-computer game.
Two years later, Windows Media-only file protection schemes were threatening to put a lock on “legal” (commercial) music downloads. Again, the Mac and its users would be shut out. Apple’s response not only had to be Windows-compatible, it had to dominate the market on both platforms.
The iTunes Store did that, and more.
Its stand-alone hardware adjuct, the iPod, quickly dominated the new market of portable digital music machines.
And along the way, iTunes allegedly “killed the old music industry.”
(Of course, many of us felt the old music industry had deserved to die, but that’s not the point here.)
But now, the notion of music downloads seems as archaic as the notion of buying music on little compact discs.
The big hype these days is for streaming music subscriptions, a field which Apple has yet to enter.
Yet through all these industry changes, one thing remains constant.
Most recording artists themselves still get the fiscal shaft.
'every driver every time it ever rains ever'
slate
junkee.com
factmag.com
via criminalwisdom.com
neil hubbard via cousearem.wordpress.com
The setting: KeyArena, 2:20 on a Wednesday afternoon. The place is filled with 15,000 middle- and high-school students and their adult chaperones. I’m in a staff lounge, preparing to start working on the tear-down crew at the end of this event, watching the on-stage action from a video feed.
From the elaborate stage, event hosts Craig and Marc Kielburger tease an already hyped-up crowd with the promise of a final surprise guest. Then they introduce said guest.
This is followed by the screechingly loudest human noise imaginable, as the young crowd screams in unison.
It is only due to the miracle of modern amplification that local hereos Macklemore and Ryan Lewis (with their full live band) can be heard.
Thus ended the first non-sporting event I’d been to in KeyArena since presidential candidate Barack Obama’s visit in the spring of 2008. That event, like this, was a rousing call to action.
But the Obama rally was a mere toe-tapper compared to the rafters-shaking experience that was We Day, a five-hour celebration of kids getting involved in their communities and in the larger world.
We Day has been staged in cities across Canada for the past six years. This was the first one held south of the border.
Its parent organization, Free the Children, was started by the Kielburger brothers when Craig Kielburger was age 12. Their original intent was to crusade against forced child labor in Pakistan.
Since then, the organization has grown and evolved. It supports activities in 45 countries from Ecuador to India. These include schools, clean-water projects, and cottage industries making craft products. These projects’ overall goal is to “adopt” whole villages, helping create a sustainable infrastructure of education, health, and livelihood.
On the home front, Free the Children works to get kids involved in social change. It encourages kids to raise money and volunteer their time for overseas projects. And it empowers kids to work in their own communities against hunger, abuse, bullying, and dropping out of school.
Every part of Free the Children’s outreach to North American students is about positive empowerment. Burnout, or “compassion fatigue,” has no place in this outfit’s mindset. Everything’s about getting up, getting involved, doing things, speaking out (or, in the case of its forthcoming Day of Silence project, deliberately NOT speaking).
We Day is both a call to action and a celebration for those who’ve already been active. Kids got to go to it by having volunteered for both local and global causes.
In return, they got to spend a day out from school among kids bused in from all over the state. They got gift bags containing motion-powered light up plastic wristbands (donated by Microsoft, one of the event’s local sponsors). They got to partake of an extravaganza of entertainment and exhortation, of high-energy rally speeches alternating with live music and video segments of kids making a difference.
I worked on a part of the setup and teardown crew, and found a highly efficient organization behind it. Perhaps no recent event at the Key had needed so much stuff placed in so many places throughout the building. Besides the huge main stage (with two video walls) on the arena’s south end, a secondary stage with a video floor was set up on the north end. A gift bag was placed on every seat in the auditorium. Booths selling T-shirts and giving away promotional flyers were set up along all the concourses. Some lounges and luxury suites were reconfigured to welcome event staff, volunteers, adult supporters, and sponsors. Ground-floor dressing rooms had to be spiffed up at least a little for all the celebrity guests.
Those guests included Sonics legend Gary Payton, Mia Farrow (Payton Place meets Peyton Place!), Martin Sheen (delivering a rousing secular sermon about making a difference), MC Hammer, Martin Luther King III, Nelly Furtado, and local breakdance stars the Massive Monkees.
The most enthusiastically-received of the announced guests, “Dreamgirls” star Jennifer Hudson, performed two high-energy song and dance numbers.
But even Hudson couldn’t raise louder screams than Macklemore, wearing a replica Sonics jersey embossed with the slogan BRING ‘EM BACK. (A men’s pro basketball team bearing that name may indeed show up in KeyArena later this year.)
But this day was not about sports fandom, despite the presence of Payton, Magic Johnson, and Seahawks coach Pete Carroll and several of his star players including Russell Wilson.
What We Day was all about was getting involved in things bigger than sports, things bigger than yourself.
And having a raucously good time while doing so.
(Cross-posted with City Living.)
david rosen, west seattle herald
washington dept. of natural resources via kxly-tv spokane