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NOT-SO-PACIFIC RIM: What if the Salmon War escalated into a trade war on all fronts between the U.S. and Canada? It could be fun, seeing which side would dare to live without the other’s products the longest. They’d have to stop going to most movies, driving most cars, eating most packaged food products, and shopping sprees to the Burlington, WA outlet mall. We’d have to give up hockey, Crown Royal whiskey, and–oh yeah–cheaper grades of paper, like the newsprint that becomes fine weekly tabloid-size newspapers. Maybe it wouldn’t be so fun after all. Maybe we should figure out a way out of this mess before it gets to that point.
SPICE GIRLS: One of the things I miss most about Moe was its dining room’s large selection of obscure indie hot sauces. There’s more of these out there than ever, thanks to increased demand for exotic foods, bigger supermarkets with more space for different items, and that ol’ pop-cult blessing/ curse, the collector. The trade mag Fancy Food quotes Jennifer Trainer Thompson, author of The Hot Sauce Collector’s Guide, as saying there’s “such a demand today for collectible hot sauces and gifts that makers are releasing the same sauce over and over again and just putting different labels on it.”
One example of creative labeling is the same mag’s ad for Pepper Girl sauces from Calif.-based Peppertown USA. Each product has a label inspired by ’40s-’50s pin-up illustration: Fifi’s Nasty Little Secret (pineapple-jalapeno, with a French maid on the label); Kitten’s Big Banana (banana-mango-habanero, with a bathing beauty); Wrong Number (chipotle-mango-habaerno, with a lingirie model holding a dial telephone); Bad Girls In Heat (papaya-pumpkin-habaerno, with two hitchhikers in slinky dresses); and Sultan’s Main Squeeze (passion fruit-Thai pepper, with a belly dancer). Those female diners who might disapprove of those brands might instead prefer an ad elsewhere in the magazine, for the Atlanta-made Scorned Woman Fiery Barbecue Sauce (slogan: “Don’t Get Mad, Get Even!”).
BRING ON THE WARM JETS: In past years, I used to annually print my arguments in defense of Seafair. I skipped it last year, but with the Blue Angels’ noisy spectacle returning to the lineup this weekend I figure it’s time. With Bumbershoot admission getting pricier every year, the Seafair parade and hydro races comprise two of the city’s three most populist gatherings; the first is the Bite of Seattle. This annual triumverate of events reject both the “quiet good taste” of Seattle’s yuppified official culture and the too-cool-to-have-fun taboo that constricts much of our “alternative” community. Sure these are “family” events, as advertised; but they’re for real families: bratty kids, horny teens, dysfunctional parents, grumpy oldsters. They promise pleasant times out-of-doors with food, drink, and unpretentious entertainment (plus a lot of noise). They deliver humanity in all its gross-out, homely, cantankerous, troublesome, pathetic, amazing, loveable variety (plus a lot of noise).
Nature poets (like the poets who used to hold anti-Seafair reading events every year) love to move to communities connected to The Land and The Water, but have a hard time cohabiting with the castes of people who live off of said resources. Seafair honors the people who work in and on the water (sailors, fishers, shipbuilders, stevedores) and those who feel affinity with them (regular working stiffs)–not the people with million-buck “cabins” on the islands. Similarly, the Bite (particularly the Times-sponsored portion) purports to honor the town’s yupscale restaurant segment, but really celebrates the all-American deadly sin of gluttony as thoroughly as Mardi Gras revels in lust and modern Christmas honors greed. Unlike Folklife’s moderate hammered-dulcimer lovers, the Bite’s a true celebration of the common person. The streets of downtown, increasingly unhospitable to the non-affluent, became on Aug. 1 a temporary invasion site for the forgotten Seattleites. This weekend, the brahmins of Lake Washington are bracing for the onslaught of gauche sex-joke T-shirts, decidedly non-REI rubber rafts, and people at least officially not drinking alcohol in a public park. Plus a lot of noise. Even noisier with the Blue Angels back. I can’t wait.
(Next week: The Misc. midsummer reading list.)
I just spent half a week in Corvallis (Latin for “Heart of the Valley”), the Oregon hamlet where I’d spent some of my post-adolescent years. I was there to revisit childhood memories (unlike Seattle, most of the buildings there in the late ’70s are still there) and to meet my aunt and uncle. Uncle Kurt looks just like the late Days of Our Lives star Macdonald Carey; like Carey’s character, he was (before his retirement) the leading physician in an isolated college town, a pillar of kindly authority in a place that valued such things. Unlike Days’ fictional town of Salem, Corvallis has no known international spy rings or demonic-possession cases (there’s more treachery in Oregon’s real Salem, the state capital).
Corvallis is a place you have to want to go to, deep in the fertile Willamette Valley. It’s 10 miles from the freeway and Amtrak (both at Albany), 50 miles from commuter air service (at Salem or Eugene), 100 miles from Portland. It’s a place of unbeatable scenery, especially with the low cloud ceiling and the summertime field burning. It’s a real town, a feat of collective architecture/ planning/ whatever. Narrow streets are lined with big trees and shrubs. The buildings are human-scale, mostly amiacably rundown. Downtown’s still intact and prosprous, despite the loss of a few big chain stores (the Penney’s storefront now holds a Starbucks and a Noah’s Bagels). The outlying cul-de-sac streets are still part of the town, not elite-retreat suburbs.
It’s a company town, and the company’s Oregon State University (née Oregon Agricultural College), home of the fighting Beavers. It’s a damn handsome college, with low-rise ’20s brick classroom buildings built close together. At the campus’s heart is the Memorial Union (“Vnion” in the exterior stone lettering), an elegant, state-capital-like student union building.
It’s a place where small-town kids arrive, learn a trade in concrete, physical-plane-of-existence stuff (food growing and processing, computers, machines, chemicals, earth sciences), and in the process learn about getting along with people. One of the things they learn how is interracial dating’s no big deal–the college imports out-of-state black athletes (like future Sonic Gary Payton), who invariably end up dating white women (Af-Am females being scarce, even with the rise of the women’s basketball program). (One of the few Af-Ams to grow up in Corvallis was ex-Mariner Harold Reynolds. No, I don’t know anything gossipworthy about either Reynolds or Payton.)
State budget cuts have hit OSU hard. While private funding is helping keep the physical plant up (with several big new buildings going up this summer), enrollment is now less than three-quarters of its 1990 peak of 16,000. Fewer students mean local merchants sell fewer kegs of beer, fewer copies of Penthouse, fewer jogging bras. What’s kept the town going are the office-park businesses that like to put down roots near tech schools, such as the Hewlett-Packard plant and the CH2M-Hill engineering firm.
Also, there’s not much nightlife (though they’re finally getting regular punk shows and have an improving college-radio station). There’s a granolahead scene, but it doesn’t rule the town like in Eugene. There is a “Music of Your Life” radio station (the network KIXI used to belong to). The yellow pages list more multimedia production companies than video-rental stores. There’s a feminist small press (Calyx), and a strong gay-lib movement (surrounded by Lon Mabon’s notorious anti-gay crusaders elsewhere in the valley).
Despite these struggles, Corvallis was recently cited in one of those “top places to live” books as one of America’s most progressive towns. I don’t know if the honor’s deserved, but it is a near-perfect example of the kind of strait-laced yet “mellow” place Utne Reader readers might love. Oregon was always Washington’s older, more patrician sibling; Corvallis is a jewel-box setting for this staid “civil society” attitude. It’s the sort of town where almost nobody’s too rich, too poor, or too dark; where everybody (in certain circles) has some post-high-school education, where everybody wears sensible shoes and drives sensible cars; where even the frat houses separate their bottles for recycling; where Lake Wobegon and Reagan’s “Morning in America” prove to be the same fantasy–soothing for some, scary for others.
MY ADORATION OF JACK BENNY notwithstanding, I decided years ago I wouldn’t rue or deny the inevitable entry into the fourties. I wouldn’t be like those pathetic boomers, forever striving to retain ever-fading remnants of youthful bodies and identities. (My recent diet-exercise regimen had nothing to do with staying young; I was as out-of-shape at 17 as I was last year.)
No, I plan to age disgracefully into a crochety old geezer. Having bosses younger than me, at a paper targeted at readers younger than me, has offered plenty of practice. “Back in my day Sonny, we had real music. Einstruzende Neubauten! Skinny Puppy! Throbbing-fuckin’-Gristle! That crap they listen to these days: Why, it’s just noise!”
I also plan to enjoy the collected experience of my years on Earth. A few years ago I wrote something called “Everything I Ever Really, Really Needed to Know I Learned on the Playground.” Since then I’ve learned a few more things, including the following:
WELCOME BACK TO MISC., the pop-cult column that just can’t think of any good jokes about the Eastside having its own area code. When the outer reaches of western Washington became “360,” at least one could joke about “going full circle” or “matters of degrees.” But there’s nothing worth saying about a nothing number like “425.” It’s the Bellevue of three-digit numbers.
SIGN OF THE WEEK (outside Bruegger’s Bagels in Pioneer Square): “Our salmon is smoked. We’d appreciate it if you didn’t compete.”
MEN ARE FROM MARS, WEIRD WEBSITES ARE FROM VENUS: Amid all the media coverage earlier this winter when the Deja Vu strip-club chain bought the Showbox building downtown (but not the nightclub operating therein), nobody mentioned how its retail spaces had been previously porn-related. First Avenue in the ’40s hosted a string of penny arcades, bowling alleys, and other inexpensive entertainments. One of these was the Amusement Center, operating in the Showbox building’s ground floor. By the ’70s, the Amusement Center had become a porn peep-show operation. In 1978, the peep show took on the name “The Venusian Church,” enveloping its attractions within a New Age-esque ideology of sexual freedom. (It got written up in national media as “the churchof the sacred sleaze.”) Besides the coin-op movies and live strippers, it advertised sex-ed classes and workshops, some of which were held at a camp-like compound outside Bothell. Those who paid for the workshops were invited to pay more to join the church, with assorted consensual “encounters” promised as a benefit. But by the early ’80s, one the group’s founders had died; its compound was razed for suburban sprawl; the peep operation was sold (eventually morphing into today’s Lusty Lady across the street); and the Venusian Church faded from public sight. Some members continued to practice group marriage and tantric-yoga sex rituals at a house on the Eastside, but offered no publicly-advertised programs.
But now, like disco, Qiana, and other ’70s relics, the Venusians are back. They’ve got a website which sells $50 “associate memberships” providing access to online porno stills, which (according to the free samples) appear to have be from pre-existing CD-ROMs. For $100, they throw in enrollment in a “divine sexuality” course called Pathway to Paradise, billed as a prerequisite for more advanced levels of involvement. These advanced levels are advertised on the web site as taking place on “The Isle of Eros,” and as including everything from revelations of eternal sacred mysteries to real sex rituals, the latter including “a mystical marriage” with “a divine priest or priestess.” The site’s vague about what the latter entails, but it’s not direct sex-for-money; the “priesthood” is billed as comprising advanced group members rather than hired help.
I knew people who were involved in the old Venusian operation and either loved what they learned from it or got bored and wandered away. Still, the new Venusian pitch rings off alerts in my Skeptic Zone. It combines the promise of relief from spiritual isolation with the promise of relief from sex frustration, two of the most effective come-on lines known to humanity–especially to lonely, isolated Net users of any gender. (The site includes many buzzwords from “sex positive feminism” as well as more traditionally male-directed orgy fantasies.) I’m fully in favor of spiritual exploration, and of finding safe ways to learn about your sexual nature. But I’d try to find out what a group’s really about, in plainer language than the Venusians’ sales hype, before plunking down big bucks. (Those without Web access can write the Venusians at P.O. Box 2607, Seattle 98111.)
‘TIL NEXT WE MEET, observe but don’t buy the Dennis Rodman fashion doll at FAO Schwarz, and consider these observations from Susan Sontag: “We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
(Mark your calendars now for our grandioser-than-ever Misc.@11 anniversary party; Sunday, June 8 at Ace Studio Gallery, 619 Western Ave.)
IN STORE: The operators of Pin-Down Girl and Speedboat, those two nearly-adjacent Belltown hipster-clothing boutiques, have decided to no longer run two stores with such similar stuff so close. Some of Speedboat’s current stock will be consolidated at Pin-Down; the rest will be shipped to a new store the owners plan to open somewhere in California. They’re keeping the Speedboat space, and will turn it into a new business concept, as yet not officially announced.
SPIN AND MARDI: Sit & Spin’s little Mardi Gras Burlesque Revue was everything one could reasonably expect from a Carnival celebration among the infamous reservedness here in City Lite. It expressed a more sophisticated debauchery, and a more spirited approach to sexuality, than “alternative” subcultures usually endulge in.
Among the most pleasant surprises at the show was the presence of a large deaf contingent (serviced by a sign-language interpreter) at such a relatively non-saintly affair. Think about it: Blind people, in media representations, get to have the full range of human qualities (Ray Charles, Scent of a Woman, that Air Touch Cellular spokesdude), but deaf people are stereotyped as benchmarks of PC propriety (the closest thing to an exception was Ed Begley Jr.‘s womanizing character on Mary Hartman, Mary Hartman). Even Edison and Beethoven are usually depicted as saintlier figures than they really were. Until TV closed-captioning and opera “supertitles” became widespread, the only culture thangs the hearing-impaired were welcomed into tended to be either evangelical church services or concerts by self-congratulatory folk singers. I’d always figured that putting up with such unrelenting sanctimonies could be a tougher thing to live with than deafness itself.
KIDSTAR RADIO, R.I.P.: Worthy attempt at a business model for commercial radio that didn’t depend on Arbitron’s ratings, instead using “membership” magazines and other promotional goodies to attract and keep sponsors. I’ve been writing and complaining about the suckiness of the Arbitron-controlled radio biz for over a decade. The problem has merely been exacerbated by recent government-approved station consolidations. Today’s radio biz only gives a damn about specific segments of the citizenry, ignoring preteens, people too old to be boomers, and (in this region) minorities. Teens and young adults were similarly ignored by almost all local radio throughout the ’80s, when virtually nobody who wasn’t an upscale ’60s-generation person was deemed worthy of the medium’s attention. In the universe of commercial radio (and of essentially commercial “public” radio), to be demographically incorrect by Arbitron’s standard is to not exist.
INSIDE SCOOP: Someone at the Kingdome Home Show was passing out “Save Our Shows” petitions, asking the powers-that-be to ensure room for home shows, auto shows, RV shows, etc. in any future Kingdome or replacement-stadium project. It’s only fair. The original idea behind the Dome was one structure to host different sports and different floor shows. If economics now indicate separate arenas for each game are more lucrative, there’s still a need for a place to have rotating sales booths in.
The marketplace-bazaar setup, with ailes of separately-run sales and demonstration booths, is among the world’s oldest and most widespread social institutions. More diverse and enticing than big single-operator stores, more sociable than scattered strip-mall stores, it appeals to a sense of discovery and spectacle rather than mere utilitarian acquisition. If I were county exec Ron Sims, negotiating with Paul Allen’s people about subsidies for a replacement football stadium, I’d demand an exhibition space at least as big as today’s Dome plus its overflow pavilion, with the county getting a slice of rental income from it. And I’d hustle to have that space booked year-round: Health fairs, book fairs, computer fairs, kid fairs, senior fairs, new-age fairs, arts and performance fests, carnivals, Convention Center overflow exhibits, world’s-largest-rummage-sales, etc.
FAST MONEY: Somebody tried to tell me once how computer technology was like Jeopardy!, an answer in search of a question. I replied if that was the case, then Microsoft was more like Family Feud, where the most popular answer is decreed to be correct. Whether this means Gates will be compared by posterity to the eternally gladhanding Richard Dawson (or even to the more tragic figure of Ray Combs) remains to be seen.
KISS THE PICTURES! LICK THE PRINT! CHEW THE STAPLES!: After a seeming lull period, local zines and periodicals are again popping up. Here are a few that have slipped by lately:
*Â How to Tell If You’re Dead, by Michelle Beaudry and Lord Carrett: There are worse illustrated-joke books out there, but this at least qualifies for dishonorable mention. “You’re Dead If… Minnie Pearl’s price tag is on her toe.” ($6 from Laffbooks, 6201 15th Ave. NW, Seattle 98107.)
*Â The Movie Marquee. Somebody tries to start a self-published mainstream movie-review zine just about every year. This one’s from local freelancer Doug Thomas. It’s little better or worse than any of its ilk, desperately seeking artistic or at least financial significance the action thrillers made by the studios it wants to advertise. ($15/6 issues from 3015 NW Market St., #B115, Seattle 98107.)
*Â Replicant: A Journal of Seattle Area Industrial & Darkwave Musings. Small, personal, infrequent newsletter for Goth and industrial-dance music lovers. Recent issues have featured DJ Webb’s series “Name Calling,” offering handy intros about the confusing genres and sub-genres in recent dance music. (Pay-what-you-can from P.O. Box 48213, Seattle 98148.)
*Â ReAct: Practical Strategies for Ending Violence. Py Bateman ran the Alternatives to Fear self-defense school for umpteen years; her new monthly newsletter goes beyond the specific tactics of her classes, into larger issues of personal safety, power, and fear. In issue #3 she breaks with her profession’s traditions by including one story about a male assailee. ($25/year from P.O. Box 23316, Seattle 98102.)
* No Apologies: The Best of Real Change Poets, 1994-1996. I’ve never claimed to be a qualified judge of modern-day poetry, but this is the Real Thing with a capital RT. It’s not grad students sympathizing with (or slumming among) down-and-outers, it’s down-and-outers talking for themselves, with pride, anger, humor, wistfulness, nostalgia, and not a speck of malaise. The highlight is Dr. Wes Browning’s memoir “Art in Balance,” about (among other things) meeting Betty White at a USO show. ($6.95 from Real Change, 2129 2nd Ave., Seattle 98121.)
*Â Code: The Creative Culture Magazine. For some reason, this is the first issue I’ve seen yet it claims to be #5. It’s supposed to be the “Work Issue,” but at least half the 44 pages (on heavy-slick paper) seems to be about the personal life of the staff, particularly editor Lou Maxon. Squint past the sub-Ray Gun typography (hint: Adobe Courier is not a suitable magazine text face), and you read about how Maxon left the NYC rat race to end up working at a trauma center (presumably Harborview’s) while noblely struggling to get his friends’ names into print. You also get a lot of house ads, scattered around plugs for other people’s zines. ($3 plus postage from 2400 Westlake Ave. N., #21, Seattle 98109.)
* Steelhead: The Handbook of the Next Northwest. As ambitious as Code and more serious. Its 48 densely-packed pages are mostly devoted to cultural regionalism, to taking a hard look at the world directly around you and networking with like minds nearby; even though its second-longest piece is a semi-fiction story set entirely in California. I also don’t get the editors’ obsession with that dumb fashion mag George. Still, at least an attempt to ask some big questions about the Big-Big-Big Picture. ($3.95 from 4505 University Way NE, #420, Seattle 98105.)
*Â Slant. Issue #7 of the out-of-state zine that publishes more Seattle writers and artists than some local zines is about travel, foreign and domestic. The gargantuan newsprint rag includes words and/or pix by locals Charles Peterson (photos from Vietnam), Jan Gregor, Tom Kipp, Andy Cohen, Tim Midgett, Keith Bearden, and Leslie Talmadge Woodward, plus a visit to James Acord’s atomic art in Richland by Toronto writer Brian Freer. It’s free at Urban Outfitters (which publishes it), but if you subscribe you get a darling mailing label with the defiant slogan, “We Are Not An Alternative Publication.” ($4.50/3 issues from 1809 Walnut St., Philadelphia, PA 19103.)
MISC. HATES TO say it, but the rest of the local media were more than a bit mistaken about the hyped-up overimportance of a certain out-of-state chain restaurant opening up shop in Seattle. Now if White Castle had moved into town, that would’ve meant something.
Besides, we’ve already got a watering hole for Seattlites who love film. It’s called the Alibi Room. Instead of loudly pandering to manufactured celebrity worship (just what has B. Willis actually done to deserve this kind of Messiahdom?), this place quietly honors the art and craft of making film, with published screenplays on a shelf for browsing and many of Seattle’s growing tribe of director and cinematographer wannabes hanging out and networking. They’re even mounting a local screening series, “Films From Here.” Seldom has the divide over competing visions of America’s cultural future been more clearly shown than in the contrast between a corporately-owned shrine to prepackaged Global Entertainment and a local independent gathering place for creators.
LOCAL PUBLICATIONS OF THE WEEK: The Vent may be the only alternative literary zine published on that rock of antisociality known as Mercer Island. The current issue’s highlighted by “Rage,” George Fredrickson’s two-paragraph micro-essay on “how crazy it is 2 live on Mercer Isl. and b black at da same time.” Free at Twice Sold Tales on Capitol Hill or pay-what-you-can from 3839 80th Ave. SE, Mercer Island 98040… July’s Earshot Jazz newsletter has an important piece by new editor Peter Monaghan about DIY indie CDs and some of the pitfalls unsuspecting musicians can face when they try to become their own record producers. (Free around town or from 3429 Fremont Pl. N., #309, Seattle 98103.)
NET-WORKING: the same week I read this month’s Wired cover story on “Kids Cyber Rights,” I also found a story from last September’s Harper’s Bazaar about “Lolitas On-Line.” In the latter article, writer David Bennahum claims there’s a trend of teen females (including “Jill, a precocious 15-year-old from Seattle”) acting out sexual fantasies in online chat rooms and newsgroups. Bennahum proposes, that online sex talk isn’t necessarily a Force of Evil but can, when used responsibly, be a tool of empowerment and self-discovery; letting users explore the confusing fascinations of sexual identity safely and pseudonymously.
In the Wired piece, Jon Katz offered some similar notions. I’m particularly fond of his assertions that children “have the right to be respected,” “should not be viewed as property or as helpless to participate in decisions affecting their lives,” and “should not be branded ignorant or inadequate because their educational, cultural, or social agenda is different from that of previous generations.”
Twenty years of punk rock should have proved kids can make their own culture and don’t like being treated as idiots. Yet the Right still shamelessly uses “The Family” (always in the collective singular, as one monolithic entity) to justify all sorts of social-control mechanisms. Near-right Democrats try to muscle in on the far right’s act, using “Our Kids’ Future” to promote gentrification schemes that make family housing less affordable, while cracking down on any signs of independent youth culture (punks, skaters, cruisers) and going along with dubious “protection” schemes like V-chips and Internet censorship. And too many of yesterday’s Today Generation (like Garry Trudeau) mercilessly sneer at anyone too young to be From The Sixties. (In ’92 a Times subsidiary hired me to write for its tabloid for teens; I was laid off when its baby-boomer bosses found, to their surprise, that actual teens could indeed compose their own sentences.)
Yes, teens and preteens face a lot of problems. They always have; they always will. But they’re far more likely to get abused by daddy than by an e-mail correspondent. They’ll hear more (and more creative) cuss words in the playground than on HBO. Let’s stop stunting kids’ growth by forcing them into subhuman roles they often can’t stand. Instead, let’s treat kids as human beings, who could use a little friendly advice now and then (as could we all) but who ultimately should, and can, take responsibility for their own lives. John Barth once wrote, “Innocence artificially preserved becomes mere crankhood.” I’d add: Innocence excessively enforced becomes fetishization.
MISC. CAN ONLY admire the Times for daring to run a front-page banner headline on 6/24 with the quotation “I’m Really Boring.”
THE GRIND: McDonald’s now offers official Babe Happy Meal toys with purchase of a hamburger, cheeseburger, or Chicken McNuggets. No, you can’t substitute a Sausage McMuffin (I tried).
CASH FROM CHAOS DEPT.: Remember when Misc. reprinted a slogan from the Usenet newsgroup alt.society.generation-x, “I Am Not A Target Market”? The June YM had that very phrase–as the tease line for a slick fold-out Nike ad section. Only Nike (and its ad agency, Weiden & Kennedy) would try so desperately to be hip as to try to co-opt youthful rebellion against co-option. Speaking of clever bizpeople…
WHAT’S ON SECOND?: Spurred by the success of Mama’s Mexican Kitchen, a bunch of other eatin’-&-drinkin’ joints wanted to make of Second Ave. in Belltown blossom with a whole string of sidewalk dining spots. It’s been slow in coming, thanks to bureaucrats in the city and at the state Liquor Board holding up the permitting process. The Lava Lounge and the Crocodile got their al fresco OKs, but Goodchow and Tula’s haven’t yet and the Speakeasy’s request was refused. Maybe somebody’s worried about hoped-for hordes of volunteers not being able to navigate narrowed sidewalks to get to the Norm Rice for Governor campaign office, also on Second.
MONEY CHANGES EVERYTHING DEPT.: The Nation had a comparatively flimsy essay a couple months back bashing “profits from poverty”: companies discovering new opportunities from the downsizing of America (dollar stores, check-cashing stands, gambling, “secured” credit cards, telephone-reconnect services, etc.). The article claimed something was wrong in this. I say it’s not something companies persue out of spite, exploitation, or evil thoughts. It’s value-neutral, like most of capitalism. If you wanna argue that value-neutrality is exactly what’s wrong with capitalism, I’m willing to listen. Besides, what’s capitalism good for if it can’t properly service its own victims? Speaking of outfits servicing diverse clienteles (or are supposed to)…
DOWN THE PIKE: The heavy hand of demographic cleansing continues on assorted fronts around Seattle. Seems like just yesterday (really a couple years back) the Pike Place Market fended off a hostile-takeover bid from NYC investors who wanted to turn it into a prettified, market-research-driven mall-oid exclusively for yups and tourists. Now, market activists (including theInternational Examiner newspaper and sometimes-heretic market council member Michael Yeager) charge market management with attempting this process on its own. Their claimed evidence: (1) six recent evictions or lease non-renewals of Asian-American shopkeepers who’d sold non-yup wares; and (2) a statement to the press by market executive director Shelly Yapp, in which she envisioned the market as a place primarily for upscale shoppers in competition with Larry’s Markets and Westlake Center. Twenty-five years ago this summer, the Pike Place Preservation and Development Authority (the city agency employing Yapp) was chartered to preserve the market as a real place for real people, including low-income, elderly, and non-whitebread people. If Yapp and her staff really are ignoring or abrogating this aspect of the market’s mission, then it’s time for a few changes. Pike Place, like the city as a whole, should be for everybody, not just the upscale elite already served by retail institutions that don’t get taxpayer support.
SIGN OF THE WEEK: The following message, each line in descending type size a la an eye chart, is the only thing visible at a boarded-up storefront in Westlake Center: “We waited a long time to get this location and we wanted to keep it a secret and build suspense but the manager of Westlake Center said that according to the lease we were obligated to put something up in the window to let everybody know something exciting is happening in the mall which really surprises us but they probably buried important information like that in the fine print just like we’re doing. Announcing the grand opening of our new store. (Coming soon!)” In the short time it took me to copy the sign’s words into a notebook, three shoppers asked if I knew what the store would be. (I don’t.)
Misc. began on June 6, 1986 as a column in ArtsFocus, the Lincoln Arts Center’s monthly tabloid. When that paper faded in 1989, Misc. became a newsletter with as many as 1,000 free copies and 100 paid subscribers. It joined The Stranger at the paper’s ninth issue in November 1991. Last year I stopped the newsletter and started the Misc. World HQ website, <http://www.miscmedia.com>.
Over these 10 years I’ve discussed many things, loosely tied to the concept of “popular culture in Seattle and beyond.” I’ve shared a few laffs and a few tears. But I’ve had one overriding subject–the city with which I have an ongoing lover’s quarrel. Seattle’s always had more than its share of vibrant, creative people. But they’ve long struggled against a social order opposed to anything too unclean, unrich, or unquiet.
The Commons people never understood why so many have grown tired of a city government exclusively By The Upscale, Of The Upscale, and For The Upscale. The “Parks Are For Everybody” slogan was clearly a desperation move by campaigners uncomfortable with the existence of non-yuppies and the need to appeal to such proles.
In much of the US, politics is controlled by money-stooges pretending to be “conservatives.” In Seattle, it’s controlled by money-stooges pretending to be “liberals.” Other politicians pay lip service to abortion foes and censors; ours pay lip service to gay-rights advocates and environmentalists. Both sets of politicians do these to buy votes while holding to their real cause, the worship of Sacred Business.
But I also believe politics is a subset of culture. Seattle’s politics tie directly into a culture that merely pretends to value “diversity.” A culture so thoroughly whitebread, it remembers the Sixties only as a playtime for college boys. A culture descended from Anglo Protestant “progressives” in Wisconsin and Minnesota, who’d championed an elitism of educated, understated “taste” to help keep working-class German Catholics out of power.
When Misc. started, Seattle’s arts had been for seemingly ever (at least since 1973) under the thumb of an extremely conservative “liberalism” I’ve since called Mandatory Mellowness. You know, the standard of “good taste” that wouldn’t merely discourage but forbid any art more challenging than Chihuly, any music more contemporary than Kenny G, any theater more immediate than doo-wop versions of Shakespeare, any literature more urbane than whale poems, any apparel more daring than “Casual Friday” suits, or any lifestyle more “decadent” than drinking whole milk instead of 2-percent.
While this aggressively bland anti-aesthetic still rules the city’s official culture, something else arose from the underground. Punk rock remained a relevant stance in Seattle throughout the ’80s precisely because it was the best available means of rebellion against the hypocrisy of mellowness. What the media called “grunge” was and is an aesthetic of darkness, but also one of honest discourse, passionate expression, and real pleasures. It values thrift and ingenuity, not the dictates of fashion. It sees Seattle as a city for Tugboat Annie, not for Niles Crane. It loves the south Lake Union neighborhood as it is. It would rather be “unhappy” yet truly alive than succumb to the Stepford-Wifedom of “The Northwest Lifestyle.” What the media call “cocktail nation” is the expression of these values through other means, to relive the best of pre-hippie pop culture and even to make jazz a populist genre again. Indeed, the staccato, disjointed Misc. format has always been a (perhaps feeble) effort to preserve the jazz-age three-dot column of Walter Winchell, Irv Kupcinet, and the P-I era Emmett Watson–perhaps America’s greatest literary invention.
If I’ve played any tiny part in popularizing these values, the values that made Seattle and real progressivism great, then I’ve succeeded at my goal–the Highlights for Children slogan, “Fun With a Purpose.”
(Thanx and a hat tip to those who attended the Misc. 10th anniversary party and to those who helped make it plausible; including Glen Allen, the band Big Sister, BSK(T) Screenprinting, Cellophane Square, Staci Dinehart, Rebecca Frey, Joseph Givens, Laughingas Productions, Verlayne McClure, Metropolis Contemporary Art Gallery, Moe, Mountain Sound, the New Store, Occupied Seattle, Charlotte Quinn, Frank Randall, Jeannine Uhrich, Joseph Weaver, and a host of others.)
Welcome back to Misc., the local pop-culture column that tried to follow its bliss, until its bliss filed a restraining order against it.
WHERE THEY ARE NOW: Ross Shafer was poised to make it big in 1988 when he quit as the original host of KING’s Almost Live to star in the final post-Joan Rivers version of the Fox Late Show. His career since then has been one pathetic comeback try after another. Now he’s shamelessly ripping off the “Guy” comedy of Tim Allen, Jeff Foxworthy, and Red Green. He’s showing up on celebrity talk shows in overalls and no shirt to promote a “humor” book, Cook Like a Stud. You can imagine the routine, wreaking creaky gags out of the use of shot glasses as measuring spoons, claw hammers as meat tenderizers, and hubcaps as baking sheets.
WHERE THEY WERE THEN: Some of you may recall Marni Nixon as the singing hostess of KOMO’s late-’70s puppet showBoomerang. A few of you might also know the Seattle-native Nixon had a studio-singing career in the ’50s and ’60s before she returned home. She was perhaps the most famous “unknown” in Hollywood, the real soundtrack singer in such musical hits as Gigi, West Side Story, The Sound of Music, and My Fair Lady. But few know her connection to that more-popular-now-than-ever master of space age pop, Juan Garcia Esquivel. In the liner notes to the recent CD compilation Music From a Sparkling Planet, vocal director Randy Van Horne credits Nixon as a session singer on Esquivel’s first U.S.-made LP, Other Worlds, Other Sounds (1958). Somehow, the vision of the perky, homey Nixon of Boomerang shrieking “Pow!” and “Zu-Zu-Zu!” seems oddly satisfying.
ANOTHER KIND OF PAY TV: The Seattle area’s getting an all-new TV station for the first time in 12 years, but don’t look for it to have any shows between its commercials. A Minneapolis company called ValueVision, partly owned by Montgomery Ward, is planning to launch an all-new UHF TV station in Tacoma (tentative call letters: KBGE). Actually, the broadcast transmitter’s just a loss-leader (at a reported cost of $4.6 million); they’re going on the air in order to force their home-shopping informercials onto local cable systems, thanks to an FCC rule requiring cable systems to carry all local over-the-air channels.
WHAT’S IN STORE: Vintage clothing was considered the latest “hot” thing in some circles, even before KING-TV heard of Cocktail Nation. And where there’s hype, money invariably follows. So it should come as no surprise that corporate-backed vintage chain stores are moving in big on what had been the territory of indie merchants and (usually) nonprofit thrift stores. You already know the Bufallo Exchange circuit; similar outfits rumored to be Seattle-bound include Crossroads (no relation to the Bellevue mall) and Wasteland. The Urban Outfitters chain has recently offered shelves of reconditioned garments alongside its new inventory. One indie vintage operator, the New Store, has started trying to defend its market share with flyers touting itself as the local, homespun alternative to “big corporate resale chains.”
GOOD NEWS: Centralized globalist culture may have peaked! An NY Times story, “Local Programming Cuts Into MTV,” notes with thinly-disguised alarm how broadcast and cable producers in assorted European and Asian countries are capturing viewers by offering local videos, in local languages–something MTV’s continent-wide satellite feeds just can’t offer. Seems audiences in assorted countries have increasingly had it with passive-aggressive acceptance of prepackaged superstar acts.
Since some global MTV acts in recent years have emanated from Seattle, some of you might see this as another sign of the long-hoped-for end of Seattle’s musical influence. I don’t. Most of our best bands and promoters weren’t trying to become global superstars; they were trying to smash the concept of global superstars. They were trying to promote a different attitude toward making and listening to “pop” music, as a creative force speaking directly to audiences rather than a brand-name entity to be manufactured and marketed. The more people there are around the world who make their own sounds, the more the Seattle scene’s real message to the world will have taken hold.
As we’ve done since 1988, this list reflects what will become big over the next 12 months, not what’s big now. If you believe everything big now will keep getting bigger, we’ve got Power Rangers movie videos to sell you.
INSVILLE..................OUTSKI
Mac clones.................Windows 95
Sun/Netscape...............Intel/Microsoft
Gentlemen..................Guys
Pete & Pete................Friends
Pinky & the Brain..........X-Men
Bravo......................HBO
Flagship Ale...............Muenchener
Community syndicalism......Global capitalism
Many-to-many...............One-to-many
Freedom....................Censorship
The City...................Melrose Place
Bizarro....................Dilbert
Sophia Loren...............Marilyn Monroe
Curling....................Snowboarding
Condo-izing office towers..Exurbs and "edge cities"
Albuquerque................New Orleans
Rotterdam..................Prague
Avant-Pop fiction..........Cyberpunk
Steak houses...............Coffee houses
Puppetry...................Computer animation
Electric cars (finally)....Luxury 4 x 4s
Kitty Wells................Patsy Cline
Fedoras....................Baseball caps
African food...............Thai food
Rosicrucianism.............Neopaganism
Opium tea..................Herbal ecstasy
Citizens Utilities.........Green Day
Sherman Alexie.............bell hooks
Padded butts...............Silicone
DVD........................CD-ROM
ADSL.......................ISDN
Dr. Laura Sleshinger.......Limbaugh and his wannabes
Coal.......................Alanis Morissette
Leonardo DiCaprio..........Jim Carrey
Lounge.....................Techno
Zog Logs...................Pog
H.L. Mencken...............Hunter Thompson
Raconteurs.................Stand-up comics
Virgin Megastore...........Sam Goody
Shoe Pavilion..............Payless ShoeSource
Crossroads.................Bellevue Square
Indian musicals............Special-effects thrillers
Women's basketball.........Beach volleyball
Poker......................Magic: The Gathering
Boa constrictors...........Pot-bellied pigs
Union jackets..............Gas-station jackets
Co-ed strip clubs..........Cybersex
"Return to civility"......."Return to elegance"
Mandalas...................Fractals
The power of love..........The love of power
Skepticism.................Cynicism
Braided pubic hair.........Genital piercings
Garcia sightings...........Elvis sightings
Black Jack.................Bubble Yum
Free Quebec................NAFTA
Percogesic.................Melatonin
Ang Lee....................Paul Verhoven
Lili Taylor................Sharon Stone
ESPN2......................Sonics pay-per-view
Infobahn...................Wired
Phrenology.................Astrology
Aldous Huxley..............Terence McKenna
Hypertexts (finally).......In/Out lists
CORREC: Sorry for misstating the first name of syndicated talk-radio goon Bob Grant a few weeks back. Incidentally, an out-of-town reader of the Misc. World HQ website emailed to say he’d followed Grant’s local NYC show for years, and he believed Grant’s racially-charged demagoguery wasn’t based on organized white-supremacist ideology but on simple obnoxiousness–as if that makes it any better.
DUDS: The new downtown Ross Dress for Less is all done up inside like a mall store, with all the old Woolworth magic gutted out of the building. And they don’t have my favorite Woolworth apparel section, the $17 fedoras. But the new store’s something downtown’s needed since the demise of the Bon Budget Floor in the late ’80s. It’s a place where non-yups can actually buy useful products. And I do like the Giant Wall Of Sox downstairs. As Seattle’s business establishment and the politicians it owns keep striving to turn this into a city By The Upscale, Of The Upscale and For The Upscale, I invite all of you to regularly visit the Wall Of Sox and meditate on its deeper meaning, representing what residents really need from a city. (Now if we could only get a store that brought back some of the key Woolworth features: the fedoras, the bins of bridge-mix candy, the shelf of easy-crossword and confessions magazines.)
JUNK FOOD OF THE WEEK: Squeeze Cone, made by the Amurol unit of Wrigley’s, is a chocolate-flavored corn syrup concoction in a toothpaste-like tube. The experience is akin to gorging on the gooey insides of off-price assorted box chocolates without the milk-chocolate outsides.
A GREAT GIFT IDEA: Out-of-town readers in search of more non-mall maniacal media now have another option. The WFMU Catalog of Curiosities, put out by a college radio station that somehow survived the mid-’80s demise of the college that owned it, has gone national. It comes from the same North Jersey suburbs where Nickelodeon films The Adventures of Pete & Pete, and displays a similarly Petean attitude toward defining what others would call “weirdness” as the stuff of everyday reality. You know you’re reading the right catalog when the first page offers an import CD of William Shatner’s infamous spoken-word LP The Transformed Man, followed on the very next page by a Sun Ra retrospective. But there’s more: Music from legendary amateurs theShaggs and the late Pere Ubu co-founder Peter Laughner! The Mondo Cane and Forbidden Planet soundtracks! Tapes of Mexican border-radio announcers hawking scrotum implants made from goat glands as a supposed cure for impotence! Books of “outsider art” and conspiracy theories. I could tell immediately WFMU’s my kinda people; and I’ve never even heard their station. The catalog’s free from P.O. Box 1568, Montclair, NJ 07042, or online at <<http://www.wfmu.org>>.
DUNNO ‘BOUT YOU, BUT: LOVE that salad-in-a-bag. Green leafy vegetables as a convenience food, who’da thunk it?… Overheard at Tower Records: “I normally don’t care for alternative music, but I like Candlebox…” It’s just so dang fun to re-use America Online’s freebie floppy discs to store files downloaded from the Internet… If you seek the next stage in the lounge-music revival, check out the Sazerac Sextet. They carefully straddle that delicate cusp between that safe tongue-in-cheek lounge sensation so popular these days and the naked despair of Edith Piaf/ Billie Holiday territory… Great to see The Baffler back after an interminable absence for another carefully thought-out treatise on the survival of human values in the Age of Marketing. This one takes particular aim at the Gingrich/ Toffler “promise” that in the CyberFuture everybody will live in the suburbs, as if we all wanted to… I normally have little nice to say about media mega-mergers, but the possible Time Warner-Turner deal will mean Warner Bros. will finally regain control of all the Warner cartoons, allowing for more complete home-video collections (but also more latter-day censorship of classic violent gag scenes)…
(Those who missed my prior promos for Loser: The Real Seattle Music Story can attend a free talking/ signing event next Friday afternoon, Nov. 10, 3-4 p.m., at the University Book Store.)
In Praise of Male Heterosexuality
Original online essay, 1/9/95
I write to defend, yea to praise, the most commercially exploited sexuality in the so-called “mainstream” culture and the most viciously disrespected sexuality in the so-called “alternative” culture.
I assert that male heterosexuality is just as valid a lifestyle as female and/ or gay sexuality, and that male heterosexuals are just as human as women and gays. Not superior, but not inferior either.
The male heterosexuality I praise is neither the crude stereotype presented by the commercial sex industry (which seeks to turn men into mindless stimulus-response machines) nor that presented by the anti-porn movement (which avers that men already are such machines). Nor is it the “mystic warrior” stereotype (often a regression to presexual YMCA/ Boy Scout notions of “playing Indian”), nor the postmodern masochist (all too eager to accept self-pitiful guilt trips over other men’s crimes), nor the crude sexual boasting of “macho” rappers and metalheads (all about playing dumb power games with other guys and nothing about reaching out toward a woman’s heart).
No, I praise the man of passion and soul, of heart and joy, of unpretentious self-confidence and mutual respect, the man who eats and drinks and makes love with a big heart, who gives his lust to a woman while receiving grace from her and vice versa.
It is this passion, this yang zest for living and loving, that is obscenely absent from most manifestations of “sexual liberation” inside the “alternative” culture.
Without going too far into my private affairs, I will admit that I’m still on the path toward discovering my passions and releasing my inhibitions. But at least I know now where I need to be. I need to explore the fullness of my positive male self.
This does not mean by becoming a mere consumer of corporate sex, which is even more life-denying and unfulfilling than corporate food or corporate entertainment.
Nor does it mean the soulless “casual sex” advocated by the Hipster Chamber of Commerce types in NY, LA and especially SF. TheCyborgasm CD, hyped to death in the Frisco “alternative” media, is as loveless a formula product as any XXX video. And S/M can be equally life-denying. Of all the pictures in the recent local “Definitive Erotica” fetish-photo exhibit, only one held any real eroticism. It was also the only picture in which the two models appeared to like one another.
Perhaps love’s opposite isn’t hate or even indifference but power. It’s easy for some of us to see the destructive effects of power madness in the political Right. It can be harder to see it within ourselves. Power madness destroys the heart through the mind, by instilling the false but oh-so-tempting concept of Good People and Bad People (instead of average people who do good and bad things).
The people (of any demographic or political stripe) who claim to be The Good People are the ones who most need to be confronted with their averageness. That’s one of the things sex can teach you, that you’re not one separate loner rebel but a node of the biological continuum.
The devilish temptation of power is not the exclusive property of the Right. You see it in gay bars that use slogans like “Dare to be Different” then post a six-foot-long dress code inside the door. You see it in new-age “men’s movement” zines that promote misogyny in the guise of denouncing misandry. You see it in the stifling codes of thought emanating not only from the Right (denouncing almost all sexualities) but also from the neo-Puritan Left (endorsing almost all sexualities except het-male). And yes, you see it in “radical” ideologies that brand straight men as one mass entity of cruel, idiotic woman-haters.
The true heterosexual male, in my definition, doesn’t hate women. He likes them, having alredy learned to like himself. He takes honest pride in abetting the life and dreams of the woman he loves. The Mahabarata said that “the mark of an efficient society is its respect for women.” In olden days when life was physically tougher and women didn’t get enough iron in their diet, supporting women meant one thing. In this age of coed workplaces and two-career couples, supporting women means helping them achieve their goals in and out of the home.
Feminists and gays should invite the support of sympathetic het-males, not spread oversimplistic stereotypes against them. To engage in gender-bigotry is to tacitly, indirectly accept its use–including its use by those who would use it against you. To demand that more men behave humanely, you must first acknowledge those men who already do. And in the Age of Newt, progressive elements need all the sincere supporters they can get, right?
Besides, without an acknowledgement of a positive role for male yang energy, the Left is bereft of the psychic and emotional means to take charge. It can react (passively or aggressively) against the Right’s actions well enough, but it can’t take proactive steps to promote any agenda of its own.
Sexual love, whatever the genders of its participants, ought to be about breaking down the walls between souls, not building them up. Intimate ecstasy is the abandonment of individualistic power trips. It’s the willful sacrifice of cold individualism for the sake of building something stronger.
Real lovemaking, particularly real hetero lovemaking, its most spiritual level is about discovering and connecting on every level with a life force outside and different from yourself. It’s about the yang becoming enveloped by the yin; what a new-age yoga book described as “the jewel in the lotus.”
This is something far beyond the mechanical sex of the porn industry or the even more mechanical sex of much “alternative” erotica (e.g., the Mondo 2000 dream of one day being able to masturbate with robots–yecch!).
I do not condemn the sex industry or its clientele; a starving person without access to a homecooked feast will find at least some sustenance from an Egg McMuffin. And face it, an Egg McMuffin can seem downright tasty at the right time and context. But those who always settle for the most expedient never learn to train their palates.
My vision of het-male sexuality at its best is of a passion, of the Lust for Life that Van Gogh and Iggy Pop advocated in their own ways (not to mention Henry Miller or Cobain). It’s a vision of blood as the life force, the elixer that feeds the soul; of the heart, the vulnerable organ within us that we don’t see; of braving the risk of looking like a fool or an idiot, the risk of rejection; of intimacy; of the pain no one can see. It values sentimentality, the fulfillment of yearning through remembrance of what the heart truly feels. It values emotional equality instead of loveless sex, friendship instead of name-dropping parties to be seen at but not heard. It affirms life, instead of the surface-level soullessness that the “alternative” culture falls prey to just as badly as other subcultures in today’s America. Indeed, the “hipness” defined by NY/ Calif. is in some ways more life-denying and consumerist than a lot of “mainstream” subcultures.
But that’s not to say we don’t have our own cultural constraints working against active love. Seattle, this land of Mandatory Mellowness, this land of pale Edwardian smugness posing as “progressivism,” especially needs to learn the power of positive passion, to really believe in something, to be really attached to someone, to really live.
Unabombs Away:
F.C.’s Dreams for Agrarian Authoritarianism
Manifesto review for the Stranger, 10/4/95
Industrial Society and its Future (a.k.a. The Unabomber Manifesto) was published as a supplement to the Washington Post and as a “virtual book” at the Time website. Because the daily Post is unavailable outside the Eastern Seaboard, this anti-technology tract is accessible to most readers only via computer. [NOTE: The uncopyrighted work has since been issued in an unauthorized paperback edition, available thru this link.]
Its author is known popularly as “the Unabomber,” but he (the FBI believes it’s a lone male) uses the unexplained pseudonym F.C.
While F.C. doesn’t cite ideological inspirations, he stands in a long line of anti-tech thinkers from William Blake to Gerry Mander. Many of these authors are slicker and more coherent than F.C., but that’s part of F.C.’s point. Early reviewers described F.C.’s writing as stilted and dry, detracting from his persuasiveness. I disagree. Any work of criticism carries the aesthetic of its ideal alternative. F.C.’s stodgy, authoritarian pronouncements express his wish for a stodgy, authoritarian future. His rambling arguments visualize his dream for a slower-paced world. His overgeneralizations about human nature reveal a utopia where most people would be treated as “masses,” placed in socially-useful labor.
F.C. believes “the industrial-technological system” is a social, psychological and environmental “disaster for the human race.” He believes people have become slaves to a system working for its own growth, not for human betterment; a system too complex and powerful to ever be “reformed;” a system which, unless overthrown, will eventually destroy the planet. Plenty of non-murderers have said things like that. In his way F.C. essentially says he’s tired of talk and wants action. He’s tired of college leftists because they just talk, and also because Marxist ideals of collective “progress” and planned economies would require the industrial state he wants to smash.
Most dystopians are utopians at heart, and most utopians seek a society in which people like themselves would rule or at least fit in better. While his prescriptions for the world are far more vague than his condemnations, F.C. clearly pines for a society guided not by the “Invisible Hand” of Adam Smith’s marketplace, nor by the impersonal demands of production and consumption, but by the force of muscle and will — presumably other people’s muscle and his will.
He doesn’t mention that modern experiment in a planned neo-agrarian society, Pol Pot’s Kampuchea. Here was a philosopher-activist who, like F.C., was willing to sacrifice other people’s lives to bring about a more “natural” state; except his system couldn’t feed an industrial-age population base, and the industrialist Communists of Vietnam had a stronger army. In F.C.’s utopia, there wouldn’t be heavy machinery or internal-combustion engines (he fantasizes about “burning all technical books” so these things can’t be brought back), hence no armies capable of reversing his revolution. Cold Warriors used to rant about the Reds’ ability to “bomb us into the stone age.” F.C. would settle for bombing us into the Bronze Age.
THE ULTIMATE HUNNY TREE: By now you’ve probably heard a broadcast day’s worth of ABC/Disney merger jokes and fantasies. You know, the ones about the deal coming from secret bargaining sessions between Scrooge McDuck and Old Man Quartermaine from General Hospital, or Joel Siegel’s movie reviews getting even less critical, or merging McGyver with Bill Nye the Science Guy, or letting Urkel redesign the theme-park rides, or adding Flubber-enhanced events to Wide World of Sports, or animatronic figures of Jimmy Smits’s butt, etc.
The nightmare reality, of course, is this is a part of the growing consolidation of corporate media. So is the deal in which the rump remains of CBS (without the record, musical-instrument and magazine divisions) joins the rump remains of Westinghouse (itself greatly transformed since the days when Betty Furness opened Westinghouse refrigerators during ads on CBS’s Studio One). Despite Letterman’s jokes, today’s Westinghouse makes nothing you the consumer can buy, except home security systems. It owns TV and radio stations and makes heavy industrial, electrical, and military gear. The deal will also mean two of the traditional Big Three networks will be owned by nuclear-reactor builders.
Unless the rival bid for CBS from Ted Turner and Microsoft (which is denying its participation in the deal in deniable ways) goes through. You can imagine the Letterman jokes about which show they’ll bring back first (Designing Women or Northern Exposure), or about whether Gates’s geeks will demand Price Is Right models be added to the Evening News.
One potential nerd’s-companion show Gates won’t get to buy right away is Santa Monica Bike Patrol, due to air next year on USA. “It’s just police officers on their bikes, fighting crime through the beach community,” says a spokesperson for the producers. Before you say, “But Seattle’s had its own bike cops for years; they’re stealing the idea from us,” remember that even before Seattle’s bike cops, Harry Shearer did a routine on an early Letterman show showing stills from what he claimed was his own bike-cop-show pilot. “We’re always pulling out our guns,” Shearer said back then, “but of course we can’t fire them because we’d fall off the bikes with the recoil.”
WHAT’S YOUR SIGN?: By the time you read this, the first Miss Deaf Swimwear bikini contest will have been held in L.A. The swimwear-catalog company promoting the event claims it’s doing it “to involve the Deaf community in the modeling world. Many deaf women do not have the self condfidence to compete in this kind of competition, and we are hoping to change that.” It could also be seen as a statement that hearing-impaired women don’t all prefer to spend their free time at signed acoustic-folk concerts. Some like to make universal expressions of pride, vanity, and sneering at other women’s judgmental scorn.
JUNK FOODS OF THE WEEK: Philly’s Best Cheesesteaks and Hoagies, on E. Union east of 24th Ave., is the real thang. Philadelphians I’ve sent there as spies agree. Their secret to a perfect meat-grease-bread concoction? They fly in foot-long rolls from Penna. direct, for that melt-in-your-mouth softness that still holds up under a half-pound or so of sliced, freshly grilled steak or chicken plus fixins. Have one for lunch; you won’t need dinner that day…. Sangria Senorial, imported from Mexico, just might be the first decent-tasting grape soda. Grape has traditionally been one of those minor flavors the US drink giants placed under their catch-all brands (Fanta, Nehi), originally because their sales didn’t warrant their own bottle designs. Senorial, while non-alcoholic, comes in a mini wine bottle. It doesn’t taste like wine, even non-alky wine. It does taste like real grapes with just the right amount of fizz.
YA MIGHT NOT WANNA HEAR THIS BUT: Prepaid phone-sex cards, now sold in the back pages of some alternative publications, are like buying a single bed. They’re both acts of admitting you’ll be alone and desperate for the foreseeable future… The aforementioned Disney co. is making an updated, live-action remake of 101 Dalmations. Expect more than 101 “cute” dog-poop gags… Everyone I know who went to the Johnny Cash/Mark Lanegan concert called it Lanegan’s show that Cash closed, not Cash’s show that Lanegan opened.
