• My ol’ colleague Art Chantry’s got a poster design listed as “object of the day” by the Smithsonian’s design museum. Couldn’t have happened to a nicer guy.
• One Reel wasn’t making an April Fool’s joke when it said it hadn’t rounded up enough sponsorship for a Fourth of July fireworks show.
• Metro Transit is in deep fiscal muck, again. It needs the Legislature’s help. Only the Legislature’s been taken held hostage by deliberate gridlockers.
• It’s that time of the year again, the time when we get to say the Mariners are 1.000.
• SeattlePI.com Shrinkage Watch: Four years after the death of the Post-Intelligencer, Ernie Smith at Medium.com looks at the paper’s online-only successor and sees “a shell of its former self” heavy with “ad-covered wire copy”:

Here’s a company that had a four-year head start to reinvent its model, its journalism, and its overall mission. And here’s what the business side has apparently been doing the whole time — figuring out new ways to run advertising on top of advertising on top of advertising… It shows how bereft of ideas the business side is for making money from journalism on the Internet.

• Can video game heroine Lara Croft be revamped to look less, well, gratuitious?
• Jiffy Mix, a good cheap product from a good responsible company.
• Tim Goodman at the Hollywood Reporter believes “the TV industry needs its version of Steve Jobs.” If there really were another Jobs out there (a polymath genius who can grok tech hardware, software, design, marketing, and management simultaneously), he or she would likely be working on ways not to save the TV industry as we know it but to further “disrupt” it (I know, a horrid term for a horrid phenomenon).

• When bad covers happen to good novels….
• The (beautiful) wooden Elvis statue outside Mama’s Mexican Kitchen was stolen. We who all adore it need it back.
• Every now and then, civic boosters talk about bringing the Olympic Games to Seattle. Such efforts have traditionally been quashed quickly by locals worried about traffic and local-government subsidies. But this time (for the 2024 Summer Games), could the boosters have the upper hand over the NIMBYs?
• City Councilmember Richard Conlin says housing for poor people should be kept in the south end, away from all the nice-upscale people.
• (Meanwhile, it’s good to remember that America’s urban ghettos were the historic result of specific policy/planning decisions. Do an online search for “redlining” and “blockbusting” to learn more.)
• “Tiny houses” are all the rage in certain circles. But wanting to plop one down inside a city, well that’s news.
• At least one ESPN pundit predicts the Seattle Mariners will be “this year’s surprise team.” In recent years, as you know, the M’s have provided too many of the wrong kind of surprises.
• Wash. state is Number One! (In making higher education unaffordable, that is.)
• Seattle teachers’ protest against standardized testing has reached the eyes and ears of the New Yorker, which notes that this particular test is not used so much to evaluate students as it is to evaluate the teachers themselves.
• The Catholic Northwest Progress, the regional archdiocese newspaper, is the latest grave in the print-media cemetery. The paper’s incessantly anti-gay-marriage stance probably didn’t help.
• The years-in-the-promising Bell Street “boulevard park” project is finally starting construction. When it’s done, Bell will have one lane of traffic and one lane of parallel parking; the rest of the right-of-way will be extended sidewalks and planters.
• The thing about the Vancouver BC company’s inadvertently see-thru yoga slacks: The women who attend these classes and wear these clothes are often trying to show off their figures, not to men but to other women, not to attract desire but admiration/envy. But that doesn’t work if the “exposure” is too blatant.
• In the ten years since the Iraq War, the buildup to same, and the almost unquestioned media cheerleading for same, have we learned anything (except to distrust the media)?
• In the Internet era, news readers have umpteen sources for big national/global stories, but far fewer people reporting local events or investigating local dirt.
• Montana may make roadkill legal to eat: On tonight’s dessert menu, chocolate moose.
• After testing the waters in commercial book genres (romance, mystery, etc.), Amazon’s getting into the “literary” book racket.
• While the “people of the book” were making their usual noisy gripes that everything was going to hell, independent bookstores have staged a quiet comeback.
• Speaking of naysaying the naysayers, Bono would like you to know that many worldwide trends (poverty, AIDS, etc.) are actually on a positive swing these days.
• Is Jay Leno finally being pushed into retirement? For real this time?
• Urban-planning pundit Richard Florida made big bucks from instructing cities how to pursue “the creative class.” Now he says (sort of) that that doesn’t work.
• Following Chris Ware’s acclaimed Building Stories, local art-book press Marquand Books is putting out another “box set” graphic novel, containing objects of different sizes and shapes telling one meta-narrative. It’s The Magician, by onetime Dallas arts promoter Chris Byrne. It’s an ultra-limited-edition product. Its artistic ambitions, if anything, are greater than those of Ware’s work.

• Are the Sonics Back Yet? (Day 65): No. But the would-be team buyers and arena developers have posted conceptual art of the proposed arena’s interior. It’s got a steep seating bowl and three “Sonics Rings” around the upper levels. Yes, it’s intended to be loud.
• Damning With Faint Praise Dept.: The Financial Times claims Boeing investors are not as “narrow-minded” as the company itself “(mostly) is.”
• I won’t be the new Seattle Weekly editor. (They didn’t even email me back.) Instead, they’re poaching Mark Baumgarten from CityArts.
• Meanwhile, John Roderick’s Weekly manifesto, “Punk Rock Is Bullshit,” has drawn national attention. Blogger Marianne Spellman calls Roderick’s piece an example of “how to get everything spectacularly wrong.”
• The latest gravestone in the print-media cemetery belongs to an “alt-weekly” pioneer, the venerable Boston Phoenix.
• You know the new Pope is just as anti-gay and anti-contraception as his predecessors. You might not know he was a serious collaborator with Argentina’s ruthlessly homicidal former junta.
• Today’s lesson in the folly of marketing products “For Women” is brought to you by a Dubai computer company. It’s selling a tablet device called the Femme, pre-loaded with shopping and dieting apps.
• 3D printing, that latest tech craze, isn’t quite up to the hype. Yet.
• Hostess snacks may again be made soon. Probably not in Seattle, though. That property’s just too developer-lucrative now.
• Three devoted fans have a dream, to rebuild the bridge set from Star Trek: The Next Generation. Even though they don’t have a place to put it.
• Bob Woodward’s John Belushi bio, according to a guy who re-tracked-down its sources, got most of its facts right but still got the bigger picture all wrong.
• In the Japanese tsunami of 2011, an historic forest on the country’s coastline fell—except for a single tall, thin tree. That tree eventually succumbed a year later, because its ground water had become too saline. But it’s remembered in a monumental plastic-and-metal sculpture, “Miracle Pine.” (The scaffolding in this image will be removed before the official unveiling.)

architizer.com

via cartoonresearch.com

Lots of people love and remember View-Master 3D photo reels, including those involving dolls based on cartoon characters.

Not many people realize View-Master was invented, and based for the longest time, in Portland.

View-Master’s expertise in making cartoon models and settings was the real basis for the Portland stop-motion animation tradition of Will Vinton (The California Raisins) and Laika Films (Coraline, ParaNorman).

Success Story, a documentary series made by KING-TV and its Portland sister station KGW-TV, produced a live half-hour tour of the View-Master studio and factory in 1960.

A kinescope film of the telecast made its way onto the collector circuit. It’s now been posted online by animation historian, scholar, and restorer Jerry Beck.

via cartoonresearch.com

•

The factory was the site of an eco-scandal much later. Drinking water at the plant came from the company’s own supply well, on the factory site. Years later, that well was found to be contaminated with residues from processing chemicals (mostly an industrial solvent). Perhaps 1,000 employees over the years received long-term exposure to the tainted water. The factory closed in 2001; the site’s supposed to be all cleaned up now.

fox broadcasting via cbs news

Following Netflix’s online streaming debut of House of Cards (a remake of an acclaimed UK TV series), its even more highly anticipated revival of Arrested Development will show up in May.

As with House of Cards, all 14 episodes (up from an original order of 10) will show up on the service’s menu screens on the same day. All the producers say about the content is that each episode will focus on a different character.

It’s been seven years since the critically-beloved, low-rated sitcom ended its original 2.5-year run on Fox. Fans all have their ideas on what they want to have happened to the highly dysfunctional Bluth family. Here’s mine:

<FAN FICTION MODE>

• Michael Bluth managed to get the family’s housing-development company back in the black, ready to explode with a dozen new projects. Then came the housing crash. Michael’s been putting out fires and juggling debts around ever since, to absolutely no help from his relatives. Year by year, his notion of himself as the family’s moral compass has been challenged by each sleazy move he must make to keep the company alive.
• Michael’s son George-Michael did end up in a relationship with his cousin-by-adoption Maeby. But it ended (or rather paused) awkwardly, leaving plenty of unspoken tensions and desires to reunite among both parties.
• Maeby, meanwhile, lost her Hollywood studio gig for good when studio bosses decided she was now too old to gauge the teenage audience. All washed up at 18. A series of short-lived would-be careers has followed.
• Family matriarch Lucille, the real instigator of the Bluth Company’s funny-money crimes, has been in and out of jail, then engaged in numerous convoluted projects to try to stay out, including the attempted blackmail of a judge.
• Lucille’s sometimes-estranged husband George Sr. believes himself to still be on the run from the law. Only Lucille knows all charges against him have been dropped, and she “hasn’t found the right time” yet to tell him.
• George’s brother Oscar has been in and out of Lucille’s bed (and good graces) several times.
• Eldest son G.O.B. finally put his smarmy magician’s banter to productive use, hosting infomercials for a series of products that all became recalled after horrid consumer accidents.
• Adopted daughter Lindsay (Maeby’s mom) has vacillated between total estrangement from the Bluths and crawling back pleading for financial and other favors.
• Maeby’s sometime husband Tobias Fünke wrote one more self-help book. In it, he proclaimed himself to be a “g-asexual.” He loved the outrageousness and camaraderie of the gay world, he explained, but hated the sight of men’s privates—including his own. The book wasn’t a hit; unsold copies litter every space where any Bluth family member lives or works.
• Younger Bluth son Buster got his severed hand reattached. Ever since, though, he’s suffered from “phantom non-pains,” expecting the hand to not be there when it is.
• Korean adopted son Annyong, the secret mastermind behind the legal and other machinations against the Bluths, hasn’t been caught yet.

</FAN FICTION MODE>

Meanwhile, one Helen Rittelmeyer at FirstThings.com makes a good case that Arrested Development could be an uncredited remake of The Brothers Karamazov!

scarfolk.blogspot.co.uk

• Some clever Brits have devised “Scarfolk,” a blog of made-up historical artifacts from a fictional (and dreary as hell) English town. Along the way, they have a lot of fun with ’60s-’70s UK graphic design.
• An “alternative taxidermy” artist from Tacoma will appear on a reality-TV show on Thursday evening.
• Also on Thursday, a Belltown boudoir-photography studio’s holding a “donate a bra” night to help clothe the needy.
• The next big Seattle Schools scandal: alleged racial double standards in student discipline.
• The secret ingredient of Seattle hiphop just might be Pho.
• Local stoners might want to drag out their right-wing grandparents’ “Get US Out of the UN” signs.
• Another year, another threat of no Fourth of July fireworks unless big donations pour in.
• Perhaps 60 Everett Herald print/distro workers will lose their jobs as Sound Publishing (which already has its own Everett printing plant) takes over the paper.
• The Atlantic, supposedly one of the “success stories” of legacy print media in the Internet age, is not above asking writers to work for free.
• Staged readings from Lolita are in hot water in Russia, thanks to the Putin regime’s calculated drive to demonize liberals and Westerners “for the benefit of a poorer, older, more rural voter base.” Hmm, that sounds familiar….
• It’s a “golden age for corporate profits.” Just not for the rest of us.
• Get ready for North Pole ship crossings, thanks to that climate change that billionaires pay Republicans to claim doesn’t exist.
• Australia’s “multiethnic” TV channel goes to the lands surrounding the Fukushima nuclear disaster, and finds tales of horror and survival.
• Peggy Orenstein notes that the “Disney Princess” characters, and their counterparts in other fictional universes, aren’t really about waiting for a prince as they are about vanity and shopping:

No, today’s princess is not about romance: it’s more about entitlement. I call it “girlz power” because when you see that “z” (as in Bratz, Moxie Girlz, Ty Girlz, Disney Girlz) you know you’ve got trouble. Girlz power sells self-absorption as the equivalent of self confidence and tells girls that female empowerment, identity, independence should be expressed through narcissism and commercialism.

'out of work sith lord.'

The Emerald City Comicon, held at the Washington State Convention Center, has become an annual sign of Spring’s impending arrival in Seattle. It’s March! Time to shake off that Gore-Tex and wool. Time to reveal the unencumbered Real You to the world, by becoming your favorite fantasy character.

Like most “comics conventions” around North America, including the giant San Diego Comicon, the Emerald City Comicon is only partly about comic books and mostly about fantasy film/TV. This year’s special guests included Star Trek: TNG and X-Men star Patrick Stewart and ’60s Batman stars Adam West and Burt Ward.

But the real stars every year are the attendees themselves, channelling their copyrighted-and-trademarked icons.

Perhaps nowhere was this smelting of commercial art into folk art more obvious than with the guy who played the Star Wars theme on bagpipes, while riding a unicycle.

(P.S.: For a viewpoint on Comicon from an actual comics creator, check out Donna Barr’s blog.)

(Cross-posted with Unusual Life.)

via silver platters and queenanneview.com

• First went Borders; then Swerve at First and Pine; then Easy Street Records on Mercer and Queen Anne Avenue. Now, the Silver Platters music superstore in the east lower Queen Anne district is going away. This leaves the shrunken CD selection at Barnes & Noble as the last music store in greater downtown. Silver Platters will move in June to 2930 1st Ave. S., across from Sears and near the future basketball arena.
• It’s the end of another no-nonsense neighborhood eatery, Claire’s Pantry in Lake City.
• Erica Barnett at Publicola believes Mercer Islanders don’t deserve endless privilege, such as the privilege of not paying future I-90 tolls.
• Downtown merchants believe adding a kiddie play area to Westlake Park will make the retail core seem friendlier to (white upscale) families.
• Dikla Tuchman at local site Jew-Ish offers a loving tribute to the pioneer comics artist Will Eisner, best known as the creator of The Spirit (he wasn’t responsible for the lousy movie version).
• MOHAI has many boxes of Sonics memorabilia, including championship banners, just waiting to be transferred to a new Seattle NBA team.
• There are huge cost overruns and design flaws on the new 520 bridge’s pontoons. Yes, I included that because I love to say the word “pontoons.”
• There’s a newly revised waterfront park scheme. It’s better than the one originally devised by the hi-priced NYC architects. But to me it’s still too devoted to world-classness, not enough to being useful to people who live here.
• Matt Hale, beaten a year ago by still-unidentified thugs after his shift as a Belltown condo doorman, is “still struggling.”
• Hanford nuke-waste leaks could be as high as 1,000 gallons a year.
• Could the making of new pinball game machines finally be on the rise?
• Lost among all the gripes about host Seth McFarlane’s rude unfunniness, there was another controversy at the Oscars (née the Academy Awards, a name totally unuttered at this last ceremony). Rhythm & Hues, which produced the computer animation seen in the multi-award-winning Life of Pi, is bankrupt and laid off  over 200 staffers. It couldn’t compete against subsidized overseas studios. When Pi visual-effects director Bill Westenhofer gave his acceptance speech he tried to mention this, but his mic was promptly cut off when he did.
• In less prestigious protest campaigns, some people are really upset that McDonald’s has phased out Chicken Selects, perhaps the only truly food-like thing on its regular menu.
• James Howard Kuntsler says the “era of the giant chain stores” is over. He thinks it will lead to a resurgence of mom n’ pop retail. I see it as more like the ultimate triumph of Internet “e-tail.”

via messynesychic.com

• “Quite possibly the most important street photographer of the 20th century was a 1950s children’s nanny who kept herself to herself and never showed a single one of her photographs to anyone.”
• Jay Jacobs, 1912-2013: Yes, there really was a Jay Jacobs behind the local teen clothing chain of the same name, which operated from 1941 to 1999. At its peak, his company had more than 300 outlets around the country, mostly in malls. But, like Lamonts and the Squire Shops and Bernie’s/Bottom’s, Jacobs’ chain couldn’t make it in the age of the Big Box store (which, in turn, is being succeeded by the age of e-tail).
• Another local institution, Mae’s Phinney Ridge Cafe, is for sale, and will close if a buyer isn’t found soon.
• A UW English prof decries grad-student applicants who can’t name-drop a single modern female author.
• Joan Walsh (correctly, I believe) blames the attempted “sick humor” at the Oscars not on host Seth McFarlane but on the Academy bosses, who apparently wanted to latch onto that Farrelley Bros./American Pie “edgy” thang.
• The William Shatner bit at that show’s top was a textbook example of “framing” a piece of sick/sexist humor (the “We Saw Your Boobs” song) via fake distanced “irony,” to make it seem like just a “parody” of sick/sexist humor.
• The “In Memoriam” Oscars segment has its own selection committee, and “is a focus of campaigning.” That’s one reason why a few famous actors get left out every year and a few obscure behind-the-scenes figures always get put in.
• Elisabeth Parker at Addicting Info wants progressives to stop using right-wing catch phrases.
• For fans of old time radio (and of latter-day revivals of same), here’s a site that appears to have .mp3s of every CBS Radio Mystery Theater episode (all 1,339 of ’em)!

• Seattle artist Ellen Ziegler’s mom was a ballet dancer—and a onetime girlfriend of the great Mexican comic actor Cantinflas. Ziegler’s turning this story into a very-limited-edition art book.
• In other news about local women and art and books and images of hotness, Charlotte Austin and Ciolo Thompson have created The Better Bombshell. In it, a variety of writers and artists of both genders contemplate that age-old issue of female role models and what they should be now.
• Online “cyber-bullying” isn’t just for teens anymore. The disgraced now-former Snohomish County executive did it too.
• The Oatmeal explains why “How to Suck at Your Religion.” (Essentially: if you preach brotherhood but practice bigotry, etc….)
• The drive to preserve the Bauhaus coffeehouse’s building, by getting it named an official historic landmark: rejected.
• The lawsuit challenging the Sonics arena scheme: rejected.
• Even Republicans believe Tim Eyman’s “lying whore” comment against Gov. Inslee went too far.
• PONCHO, granddaddy of Seattle arts fundraising groups (and inventor of the “charity auction”), is no more.
• Can private tech colleges, charging $30,000 or more for degree programs, really solve Wash. state’s learning gap?
• Eastern Washington, now with more radioactive sludge.
• Life imitates Portlandia, at least 30 times.
• Chuck Thompson at the New Republic derides microbrews, and the brewpubs who sell them, as icons of silly urban gentrificaiton. But they’re really, really tasty icons of silly urban gentrification.)
• The sad tale of the “food critic on Food Stamps” finally has a happy ending. Ex-Tacoma News Tribune restaurant reviewer Ed Murrieta finally found a job, after spending years among the long-term unemployed. He now writes blurbs for Sacramento’s tourism board.
• In Virginia, a white mom wants white kids not to have to read books about past racial violence.
• I know I’m not the only one who still remembers LaserDiscs, those 12-inch analog video discs that were the best way to see movies at home in their day.
• Here’s an artistic vision of a future car-free Manhattan, funded by (who else?) a car company.

gawker.com

• Despite the popular belief, Jay Ward didn’t have a thing to do with the ’60s TV cartoon series Underdog. One of the people who did, William Watts Biggers, has died.
• That “retroactive ‘potential dancing’ tax” thang is a real death threat to live music throughout the state. The Legislature needs to hear that you want this ridiculous measure repealed.
• Poor Macklemore. Just as the rest of the nation learns about Seattle’s great white rap hope, people call him a “sellout.”
• We must say goodbye to one of the Seattle art scene’s behind-the-scenes heroes, gallery owner Mia McEldowney.
• Another unexpected fallout of the ebook book: a revived interest in short-story collections.
• Yes, in this Internet age, there are still uncountable films, TV shows, and sound recordings you just can’t see or hear.
• Al Gore asserts that the “Tea Party” movement was really a carefully orchestrated “astroturf” (fake grassroots) “movement,” led by the Koch Brothers and Big Tobacco.
• Those campaigns to get tons of Facebook “Likes”® against cancer, for cute puppies, etc? Yep, they’re scams.

• Welcome Valentine’s season with Mitch O’Connell’s array of 100 unintentionally “unerotic vintage pin-up modeling photos.” (Note: The hereby linked page is, as the kids say, “NSFW.”) Speaking of the un-erotic….
• Emily Nussbaum at the New Yorker likes how HBO’s series Girls reinvents the late-night-cable sex scene, that most hackneyed of video tropes, into farcical pathos.
• The John Keister/Pat Cashman “comeback” show The [206] disappeared after two episodes (which had been shot in one taping, as a pilot). But it will return in April.
• Would you buy your coffee wherever “The Bitter Barista” works next? (He was fired after his employers found out about his blog.)
• The Seattle Transit Blog explains when the new Car2Go company is a better value than Zipcar and vice versa.
• It’s harder to sneak past the NY Times website’s paywall these days, but may are still trying.
• Things people feel nostalgic for these days include VHS tapes and the manual paste-up of newspaper pages.
• Sam Tanenhaus at the New Republic explains just how the Party of Lincoln became “the party of white people.”
• Esquire‘s cover story about “The Man Who Shot Osama Bin Laden” didn’t mention that “the shooter” (the only name the article gives him) does have health care for the next five years, and would have had more benefits if he’d just retired a year and a half after he did.
• On the 50th anniversary of Betty Friedan’s The Feminine Mystique, Ashley Fetters at the Atlantic unearth’s bell hooks’s argument that the book treated the problems of white “leisure class” housewives as if they were the problems all women faced. Fetters then adds Daniel Horowitz’s 1998 snipe that Friedan, under her birth name Betty Goldstein, had been a prolific NYC radical essayist, and hence knew she was deliberately ignoring the plight of non-affluent women.
• The Museum of Vancouver is opening an exhibit all about that city’s cultural history of sex. Yes, it includes the black-cat silhouette that signified adults-only movies in B.C.

ap via nwcn.com

• Just like at the Ballard Locks, Oregon’s Willamette Falls is plagued by salmon-hungry sea lions. Local officials’ answer? “A boat crew armed with seal bombs and shotguns loaded with firecrackers.”
• A Seattle Times headline labels “art” as a waste of state taxpayer money, right up there with legislators’ dry-cleaning bills. This is not the sort of objective reporting of which the Times claims to be a last bastion.
• You want real spending waste, in a project about, well, waste? Then look no further than Seattle Public Utilities’ new south end transfer station, still not ready months after its ribbon cutting.
• Another stupid shooting in another local nightspot. How utterly gross. (Here’s news of the benefit for the bar bouncer’s recovery.)
• I seem to have found out about this story in progress, but the UW’s Women’s Action Commission has created its own theater piece in the tradition of The Vagina Monologues. Only this all-new work is called The ___ Monologues. The title is apparently an attempt to make the work “more trans-friendly.”
• The Yankees don’t like A-Rod anymore.
• Marijuana industry trade associations are now a thing.
• The Wall St. Journal says Microsoft wouldn’t have to take a majority stake in Dell in order to have  a pivotal degree of influence in the beleagured PC maker.
• The newest version of MS Office comes in a “cloud based” subscription version, which seems to essentially require you to have a never-interrupted Net connection (and, of course, to keep paying).
• Boeing’s global-outsourcing craze is now, more or less officially, a “disaster.”
• We must say goodbye to Regretsy, the site that pokes gentle fun at kooky craft products. Its operator April Winchell (yes, Dick Dastardly’s daughter) said the site’s concept had run its course (“now we’re just Bedazzling a dead horse”).
• Last week, Twitter launched a new streaming-video site called Vine. The premise is people posting six-second, repeating GIF videos. Yes, it’s already been used for porn, and for people taping themselves taking bong hits.
• Barnes & Noble plans to close perhaps 20 percent of its stores over the next decade. So much for the guys who were supposed to be taking over the industry and driving all the indie quirkiness out of the book biz.
• Someone’s written a long, detailed critique of the cinematography in Les Miserables—in the character of the Incredible Hulk.
• “Rei” at Daily Kos wants you to reconsider the Fox News story from last week about Iceland’s official baby-names list.
• Speaking of which, while my masses-bashing “radical” leftist friends like to imagine Fox News as “the most popular TV channel,” its ratings among adults under 55 are the lowest they’ve been in more than a decade.
• Jeb Boniakowski at The Awl would like a mega-McDonald’s in NYC’s Times Square, that would serve everything the chain serves everywhere else but not in this country.
• Public radio’s idea of “humor,” at once bland and cloying, reaches a new nadir in a Chicago station’s make-believe plea for its listeners to breed more public-radio-listening babies.
• Headline: “Ex-NFL player charged with beating boyfriend.” Comment: Yes, this is still what it takes to acknowledge the existence of gay athletes.
• Jim Nabors had been rumored to be gay ever since his days of sitcom stardom. Now he’s finally publicly proclaimed it, by getting married in Seattle.
• The NY Times has discovered something that’s been going on around here for some time—the “permanent temp” economy.
• One of the last of its kind in the region, the Valley 6 Drive-In Theater in Auburn, will not reopen after its most recent seasonal shutdown. Even sadder, its longtime manager Kieth Kiehl passed on shortly after the decision to close was made. Both will be missed.

beth dorenkamp via grindhouse theater tacoma

igor keller at hideousbelltown.blogspot.com

• The Sixth Avenue Motor Inn and the King Cat (née King) Theater are coming down, in preparation for the three Amazon high rises (each of which will be as tall as the ex-Seafirst tower).
• I’d rather be on a non smoking flight, thank you. (But in all seriousness, would the pre-McDonnell-Douglas Boeing have let planes go into service with untested battery technologies?)
• The Queen Anne branch of Easy Street Records is still closing on Friday. But in happier news, Queen Anne Books is reopening under new management.
• Seattle Weekly editor Mike Seely quits just as new, perhaps more competent, owners take over.
• An Everett woman “is accused of smothering her boyfriend by lying on his face.” With her chest.
• One reason to get an iPhone instead of something else: Facebook’s free-voice-calls app.
• Nagisa Oshima, R.I.P.: Japan’s government should honor the filmmaker’s memory by finally allowing his masterwork, In the Realm of the Senses, to be screened uncut in his country.
• Abigail Van Buren, R.I.P.: Pauline Phillips, one of the advice-column twins (Eppie Lederer, a.ka. “Ann Landers,” was her sister), carved out a niche in daily newspapers back when such institutions still had many such niches to be filled. Her common-sense, yet witty, responses to readers’ personal issues kept readers enthralled, and subscribed, for more than three decades. Speaking of deceased twins…
• Conrad Bain, R.I.P.: My favorite of his performances was when Maude ran a “twins” episode, a common sitcom shtick. In the big closing reveal, both characters walked out, in front of the studio audience in an obviously unfaked shot. Turned out Bain really had a twin, Bonar Bain, who still lives. (Bonar later appeared as himself, albeit renamed “Fred Bain,” on SCTV.)
• No, Washington Post: People’s Twitter pictures are not free for the (unpaid) republishing.
• Markos Moulitsas claims today’s Democrats, popularity-wise, “may now be on the right side of every single relevant issue.”
• Punch, the late beloved UK humor mag, knew the addictive power of mobile electronic-media devices before they even existed:

via kip w on flickr

comics buyer's guide in 1983; via bleedingcool.com

When I worked at The Comics Journal (foundation of the entire Fantagraphics graphic-novel empire), publisher Gary Groth’s official line was that we were the smart, progressive alternative to the comic-book industry’s”mainstream” trade mag, Comics Buyer’s Guide.

Now, CBG is being shut down after 42 years, without even an ongoing website to remain.

CBG‘s parent company is transferring all CBG subscriptions to an antiques-collecting mag (really). Fantagraphics, however, is offering book discounts to ex-CBG subscribers.

(CBG’s publishers are also firing the editorial staff of another of their mags, Print; that title will continue with HOW magazine’s editors pulling double duty.)

Elsewhere in randomosity:

• In other collectibles news, there won’t be a trillion-dollar coin after all.
• Patrick Dempsey can buy the remaining Tully’s Coffee locations after all.
• Real “bus rapid transit” services have their own lanes. Seattle’s proposing giving such a lane to Metro’s “RapidRide.” The lane would run for two blocks on Broad Street.
• “Reality” TV may be less than completely unscripted, but the dangers crew members face are all too real.
• Andy Warhol, as you might imagine, was a wrestling fan.
• Yes, I’m still looking for actual paid employment. (No, not “writing work;” just PAYING work. I’ve learned I have to say that.) Joining me in scrounging for dishwashing and warehouse gigs: all the PhDs on Food Stamps.