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The premise of Soul Train was elevator-pitch simple: an American Bandstand for soul music. A hip but authoritative producer/host. Kids, dressed in the latest teen fashions, dancing in a studio to the latest hits. Two or more in-person guests each show, performing live or lip-syncing.
Anybody in the industry, including Bandstand impresario Dick Clark, could have launched such a show.
But nobody had (on a national level) until Cornelius came along.
Cornelius had been a news reader and backup DJ on Chicago radio, and had hosted teen “record hops” in the area. He started Soul Train on a local Chicago TV station in 1970. The following year, it moved to syndication (and to Hollywood). Within a year from that, it was on in 25 cities.
By 1974, when its theme song “TSOP” became a top 10 hit, it was an institution. It easily buried the rival show Soul Unlimited (Dick Clark’s imitation of Cornelius’s imitation of Bandstand).
For two more decades, the show was the showcase for soul, R&B, and the emerging hiphop and breakdance scenes.
By 1993, rap and its related dance moves had steadily gotten more “hardcore,” far from Cornelius’s personal tastes. He hired a series of replacement hosts while continuing to own and run the show, which aired on fewer stations in more obscure time slots.
Soul Train wound to a close in 2006. Reruns aired for another couple of years. After that, Cornelius sold the rights to an outside company, which has put out DVD sets and a YouTube clip channel. (Cornelius had tried to keep Soul Train performances off the Internet, employing staff to hunt down, and order the deletion of, any such clips.)
In his later years, the man who’d preached prosocial messages to his young audiences was accused of domestic violence by his estranged second wife.
But the legacy of his career shines on.
“And as always in parting, we wish you love, peace, and soul!”
crypt-orchid.blogspot.com
Today marks David Letterman’s 30th anniversary on late night TV.
Appropriately enough, his principal guest last night was Bill Murray, the first guest on both his NBC (1982) and CBS (1993) premieres.
When the NBC Late Night with David Letterman began, it was a breath of fresh air. It was knowing, it was snide, it respected its audience’s intelligence and its love of the bizarre.
The premiere opened with Calvert DeForrest (descendent of radio pioneer Lee DeForrest) reciting a “be very afraid” spiel in front of the Rainbow Room peacock dancers (yes, female “peacocks,” an actual attraction at the rooftop lounge in the RCA (now GE) Building).
Then came the first mini monologue and the first studio comedy bit (a backstage tour). The Murray segment ended with him and the host suddenly leaving the stage, and the screen switching to old film of the 1973 World Series.
That first episode ended with a comedian reciting the opening scene from an obscure Bela Lugosi movie. By the time I saw that bit, I knew I’d be a fan for life.
•
Letterman, the self-spoofing, genre-busting insurgent, is now the establishment, and has been for some time.
A persona that was once hip-to-be-square is now the grand old curmuddgeon. In this respect, he has become more like his onetime occasional foil Harvey Pekar (as seen above).
A collection of shticks that playfully (or awkwardly) toyed with the established celebrity-talk format has become a well-tuned programming machine, that regularly disseminates well-scrubbed guests plugging their films/shows/CDs.
Little comedy bits that had been cute and playful are now trotted out with slick animated openings and pompous fanfares. More of them these days are pre-taped or assembled from news footage, instead of acted out on stage.
The biggest flaw in Letterman’s current formula is the 12:15 a.m. commercial break, following the first guest spot. It runs between five and eight minutes, stopping the whole proceedings. It essentially begs viewers to shut ‘er down and hit the hay.
Still, there are worse fates to befall a creative performer than to become the sort of bigtime mainstream institution he had once scoffed.
Letterman could have grown old much less gracefully.
Like Leno.
PS: Here are some Letterman guest spots that one entertainment site considers classics. At least one actually is an all-time moment—a totally laugh-free, in-character Andy Kaufman spot from Letterman’s 1980 morning show.
PPS: Letterman began his career on Indianapolis TV in the early 1970s. The ill-fated, Seattle-born actress Frances Farmer ended her career in the same place and time. If I ever meet him, I’ll ask if he’d ever met her.
Most cable TV customers in Seattle have to deal with the industry colossus Comcast.
But there’s a second cable provider in town. It covers the neighborhoods Comcast’s various predecessor companies (Viacom, TelePrompTer, AT&T Cable, Group W) chose not to wire up.
This other cable company has variously been known, under various mergers and buyouts, as Seanet, Summit, Millennium, and Broadstripe.
Under all those regimes, it seldom kept up with the services and channel lineups offered by the bigger boys.
But this might finally change.
Broadstripe’s Washington and Oregon operations were bought by a Kirkland firm, Wave Broadband.
It may take a few months, but Wave promises to upgrade these newly acquired systems.
And from the channel lineups on Wave’s existing systems, this upgrade could be substantial.
I’m talking HD versions of some of my fave channels (CBC, Comedy Central, Cartoon Network, MSNBC, CNN, AMC, TCM, HBO, NBC Sports Network (formerly Versus, formerly Outdoor Life Network)).
And channels I want but Broadstripe doesn’t carry (IFC, Current, Ovation, Boomerang, CSPAN2, MLB Network, HDNet).
Still no Sundance Channel, though.
uw tacoma
1975 opening; from onelifetolive.wikia.com
(Again this year, I’ve been drafted into participating in the Seattle Invitationals, a contest for Elvis Tribute Artists (ETA; and yes, that acronym is used within this particular scene). In keeping with the 50th anniversary of the Seattle World’s Fair (and of It Happened at the World’s Fair), this year’s edition is under the Space Needle at the Experience Music Project, 8 p.m. Saturday. Be there or be Fabian.)
A few days late but always a welcome sight, it’s the yummy return of the annual MISCmedia In/Out List.
As always, this listing denotes what will become hot or not-so-hot during the next year, not necessarily what’s hot or not-so-hot now. If you believe everything big now will just keep getting bigger, I can score you a cheap subscription to News of the World.
1917 seattle metropolitans; from seattlehockey.net
Could Seattle actually get a National Hockey League team before it gets another NBA basketball team?
That’s what CBC Hockey Night in Canada commentator Elliotte Friedman seems to believe.
Friedman notes that the NHL wants to stop collectively owning the fiscally imperiled Phoenix Coyotes.
Friedman also says one of the top Coyote contenders is a Chicago minor-league hockey owner, who’s helping assemble land for a new arena in Seattle’s Sodo area, just south of Safeco Field.
Seattle’s hopes are supported by a move in the Legislature to somehow finagle state support for a new arena during this upcoming session.
What Seattle’s got in its favor:
What Seattle’s not got in its favor:
Despite these reservations, Friedman suggests it might be in the league’s financial best interest to place the Coyotes in Seattle, ready or not, and then award an expansion team to Quebec.
So, where would any Seattle Ex-Coyotes play, until a new specially built arena is ready (at least two seasons)?
My own favored option would be to simply expand KeyArena to the south; even though that would displace its current main tenants (the WNBA Seattle Storm and Seattle U. men’s basketball) for one season apiece.
But if an all new building is deemed really necessary, it should be (1) in Seattle proper (like the current Sodo arena scheme is) and (2) built with as little state or municipal subsidy as possible.
As a postscript, here’s a circa mid-2000s essay from the fan site SeattleHockey.net, detailing past attempts to bring the NHL here.
Local news items, and my one-take comments on them, should return in greater quantity starting Wednesday. Meanwhile, some more stuff from here and from the larger online world:
Hurry hurry! Get your nominations for MISCmedia’s 2012 In/Out list in TODAY!
Now for your dose of randomosity:
If you tried to access this site on Tuesday, you would have found an ugly, undesigned mess.
That’s because my site (and email) server company disconnected me for nonpayment, without previously bothering to tell me in any way, shape, or form that a payment was due.
The texts on the site remained up, but the WordPress-based formatting and most of the images were locked away. It took about three hours to get everything back and properly configured again.
In other news, my current contract job might finally end Friday. More regular postings should follow.
But for now, a few random linx:
Remember the big plan to revive All My Children and One Life to Live as online-only soap operas? Ain’t gonna happen. The economics just weren’t there.
'off the mark' by mark parisi
It’s no longer good enough for us to tell kids who are different that it’s going to get better. We have to make it better now, that’s every single one of us. Every teacher, every student, every adult has to step up to the plate.
sotnight.blogspot.com
I know some of these are a few days old. My present life is just that hectic, yes.
king-tv
denny hall, the uw campus's oldest building